Like the whirr of a wake-up call, Lucrecia Dalt’s metallic compositions entice us to rethink the possibilities of materiality and existence. The Colombian musician and sound artist has carved out a place at the contemporary frontiers of avant-garde and electronic music, hardware in hand, to channel age-old questions into a distinct and transgressive musical language.
Perhaps the ability to dig a little deeper is hard-wired into Dalt’s creative process through her background as a geotechnical engineer. Now residing in Berlin, Dalt often seeks inspiration in the worlds of fiction, poetry, geology and desire, excavating nuanced references to untangle and respond to in her music. At times, this exploratory impulse surfaces like an introspective call and response experiment with her source material, forming new perspectives on ideas rooted in Colombian mythology to German New Wave cinema. Dalt’s conceptual blueprints are intimate and intricate, emerging like cyanotypes cast in the sun. Around these frameworks she shapes her sound, using analogue instrumentation, a vast array of synthesizers and the processed glow of her voice.