Kai Hugo works in two guises. Palmbomen is a group-oriented collaboration suited for live dynamics and instrumentation, while Palmbomen II is geared toward solitary production with an austere toolset: classic sequencers, time-tested drum machines and their contemporary counterparts. Hugo’s foray as Palmbomen II makes its debut on Beats In Space Records with the eponymous full-length Palmbomen II.
Guided by voices hardwired into machines of house productions past, Hugo found his footing on the road most travelled by pioneering dance producers by following a spontaneous ethos to create Palmbomen II. The live ideology applied to Palmbomen’s 2013 album Night Flight Europa guides this path, yet the true vehicle of Palmbomen II is optimized with a single driver-seat.
Recorded during a summer lockdown in his mother’s attic in their hometown of Breda, The Netherlands, Hugo monastically set forth making Palmbomen II with tools of a seemingly distant trade: machines – to program and to play – and tape – to record the results. By reversing the perceived potential in hardware versus software production, Hugo returned to the creative core sometimes blinded by too much screen glow: make good music and the rest will follow.