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The Invisible Road - Out Now!

In the world today, The Invisible Road: Original Recordings, 1985–1990, a collection of unheard, unreleased material by Sussan Deyhim and Richard Horowitz. The vinyl edition available direct from RVNG + Freedom To Spend and your fave indie store, streaming wherever streams are sold.

An investment of several years of time, energy, resource, and love, the early seeds of this project were planted not long after we completed work in 2017 on Freedom To Spend’s reissues of Richard’s 1981 album Eros in Arabia. On a visit to Los Angeles, where Sussan and Richard (both creative and life partners) had lived since moving from New York City in the early 00s, Richard invited us to their storage space in The Valley, where years of their individual and shared works were archived across media formats. Needless to say, with several decades of work between the two artists, there was a staggering amount of material to contemplate.

Being the completist, control freaks that we are, no stone, reel-to-reel, DAT, or cassette reference would remain unturned, and thus began the huge effort to transfer and audition a seemingly limitless flow of music that Sussan and Richard collaborated on. This limitlessness, while simultaneously intoxicating and daunting, spoke literally and liberally to the depth of Sussan and Richard’s relationship. There was no better way to know Sussan and Richard than to experience every inch of reel, and every corner of the rehearsal cassettes where the two musicians elaborated upon their creative impulses through sound and conversation. Needless to say, this process took some time.

And then there was the process of mixing the multi-track takes that felt fit to leave this nest of obscurity for new, appreciative ears. Major props to John Also Bennett, aka JAB, for stepping in at that crucial juncture. For those familiar with Sussan and Richard’s 1986 collaboration album Desert Equations: Azax Attra on the legendary Crammed Discs (alongside Lovely Music Ltd. and Dischord, the label that has meant the most to ours), JAB’s effort bringing these pieces up to sonic snuff rivals those recordings. For those unfamiliar with that album, or Sussan and Richard’s collaboration, we are envious of your first encounter. This is globally, cosmically minded music, and it truly honors the intention that compelled Sussan and Richard’s collaboration to create “free of any specific cultural reference, with a personal musical signature.”

While we were turning the corner on the last leg of this collection, Richard’s health was taking a turn for the worse. Sussan and his daughter, Tamara (namesake of the “interdimensional travel agent” who appears on Richard’s Eros in Arabia, for nerds, like us, keeping score), relocated him to Marrakech, Morrocco, his spiritual home, for closer care within a familiar, familial environment. Richard passed away this past April, and with this collection we hope to honor his legacy and celebrate Sussan’s career that remains staggeringly prolific to this day.

So much love to Sussan, pictured above, for her involvement and her strength. Please make note of her upcoming shows in New York in Los Angeles; these will be very special engagements. We love you, Richard.

Sussan Deyhim & Richard Horowitz "Smelting Loop 6"

Ahead of this Friday’s release of The Invisible Road: Original Recordings, 1985–1990, the forthcoming album from Sussan Deyhim and Richard Horowitz, we share a final single in the form of “Smelting Loop 6,” accompanied by a video compiled from archival photography of Deyhim and Horowitz.

“Smelting Loop 6” is transcendent sonic scripture. A steady futuristic rhythm is enveloped by sounds of the natural world and faintly layered vocals – the song builds and blooms in panoramic rapture.

Listen to “Smelting Loop 6” from The Invisible Road below, and be sure to note Sussan’s upcoming performances in New York City at Roulette and Los Angeles at The Nimoy.

The Invisible Road: Original Recordings, 1985-1990 - Out Friday!

In the 1980s, New Music America was the largest festival of experimental music in the world.

The nomadic ten day festival began in 1979 in New York at The Kitchen as “New Music New York.” After the success of New Music New York, The festival became New Music America and took place in a different city each year for the next 11 years. With the mission of illuminating the shadows of popular music and breaking the barriers of genres and critical classification, NMA became one of the most important platforms for avant-garde and new music during the ’80s and early ’90s.

Consistently growing in size and scope, NMA was organized by the New Music Alliance, a committee formed by the visionary composers and performers of the festival including Laurie Anderson, Harold Budd, John Cage, Brian Eno, Philip Glass, Jon Hassell, Meredith Monk, Pauline Oliveros, Sun Ra, Steve Reich, Terry Riley, Yoshi Wada, La Monte Young. The list truly goes on and on.

This week 39 years ago, Alliance members, Sussan Deyhim and Richard Horowitz performed at New Music America in Los Angeles. The Invisible Road: Original Recordings, 1985-1990, our forthcoming archival collection captures their never before heard, vital work during this period. Pre-order your copy here ahead of this Friday’s release date.

Happy Birthday Anna Homler

“The inspiration for my work comes from the realm of myths and dreams. I like to combine ordinary objects in unexpected ways so that their symbolic nature is revealed and new levels of meaning unfold. many of my pieces are miniature stage sets where the commonplace and the extraordinary exist simultaneously, creating a landscape the imagination of the viewer is invited to inhabit.”

Wishing a happy birthday to Anna Homler, whom some of you may also know as Breadwoman.

Thank you for all the memorable work, which so beautifully explores the distance between the sublime and the cosmic.

A Closer Look at Discovery Zone's "Operating System"

“W wanted this video to pay homage to the early days of computer science and the infinite doors it opened.”

A closer look at the new video for Discovery Zone’s “Operating System,” from her recent album Quantum Web. Inspired by early CGI commercials, iconic animusic videos, and nostalgic Linux terminal ASCII art, there is even an easter egg tribute or two to The Twilight Zone show and Conway’s Game of Life (iykyk).

To the above, animator Pacome Fantome added this about the collaboration with JJ on the video:

“The process of creating the video was an experience of its own. Weaving together both old and recent software, exploring multiple layers of digital programs felt like traveling across different universes – each with its own unique system and distinct rules, much like ours. In the end, the game of life perfectly captures the essence of this journey: where does computing end, and where does life begin?”

Find the video in wherever the web expands, and catch discover zone wherever noted below.

10/28/24 Glasgow @ The Glad Cafe
10/30/24 Coventry @ The Tin Music & Art
10/31/24 Manchester @ YES Basement
11/01/24 London @ Corsica Studios w/ Freak Heat Waves
11/06/24 Offenbach @ Kapelle
11/07/24 Liege @ KulturA
11/08/24 Utrecht @ Le Guess Who?
11/09/24 Amsterdam @ Cinetol
11/14/24 Leipzig @ Transcentury Update Festival

Looking Back at Tristan Allen's Tin Iso and the Dawn

This week marks a year since the release of Brooklyn-based composer and puppeteer Tristan Allen’s grand journey Tin Iso and the Dawn.

Loosely based on Wagner’s three act opera Tristan and Isolde, and influenced by Tristan’s childhood living in Quebec and Japan, the record synthesizes their passions for puppetry and narrative under the spell of instrumental music. The result is a rich world, ripe with visual splendor and unexpected tonal possibilities.

The puppetry pieces and performances that accompany the album brings an even deeper purpose to this voyage, and as the first part in a trilogy, provides the origin story for a fable that Tristan has already begun to explore with Osni the Flare.