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“The lyrics paint an urban experience of the sublime. A deliciously lurid scene between two lovers, reveling in each other’s presence so fervently that they create a wild magnetic force field, attracting all sorts of delightful chaos around them.”

On “cosa rasa,” the first new solo music since her 2022 album ¡Ay!, Lucrecia Dalt once again challenges the limits of genre and form, warping pop elements through an experimental lens. Featuring mixing, production, and a rare performance from David Sylvian, Dalt explores an unlikely infatuation with one’s self, distilling the highs of love through bold sound and psychosis.

Dalt’s recent work for film and tv manifests itself in wild, widescreen details on “cosa rasa,” as well as the accompanying EP of the same name. Stream the single now, and pre-order a limited edition 7”, due Friday, February 28.

“A memory palace is a kind of inner-mind architecture used as a mnemonic device to recollect detailed memories. In the inter-dimensional travel of the record, the listener is pulled through dimensions to find busy within the memory palace, haunted by a group of deceased drag queen.”

Today, Colin Self shares “Busy walks into The Memory Palace,” the latest single from their forthcoming album respite ∞ levity for the nameless ghost in crisis. sung by Bully Fae Collins through the voice of Busy Adams, a character from the opera “Tip The Ivy,” which Colin co-wrote with the artist, it is dance music for corporeal forms that don’t yet exist. The track makes self a different kind of time traveler; music primed to be played thousands of years hence.

r∞L4nGc is available for pre-order now in an Artist Edition of the LP, including a unique watercolor painting by Colin, Standard LP, Japanese import CD via Plancha, and wherever you find sound or it finds you.

Colin will be supporting the album on the following upcoming dates:

04/04/25 – Madrid @ Electronica en Abril Festival
04/06/25 – Den Haag @ Rewire Festival
04/21/25 – Berlin @ Volksbühne

Credit: Matthieu Croizier

“The music itself becomes a series of instruments or tools, like mechanisms or portals in themselves. I’m always interested in collapsing the digital into the analogue and vice versa. Serendipity reorganises the material.”

Olly Coates on the choices and chances that guide Throb, shiver, arrow of time, released october 18, 2024.

“We need a change of mind. As a planet of people, we have to deal one way or another with our finite existence. We have to deal with loss with hope still in our hearts — our capacity to love can not be contingent on things lasting forever. And so this image of Green is not a vision of dystopia, nor utopia but an expression of trust and an acceptance of limits.”

Dialect, aka Andrew PM Hunt, on some of the themes which informed his new album Atlas of Green, which follows a young musician named Green working in a near future era to interpret signals from technology’s past. Released on September 20, 2024.

“I thought it could be interesting to use field recordings as representations of different natural events. The field recording in ‘Interlude’ is actually the wind around the Wallace Monument in Stirling… it is mimicking the sound of the waves. At the end of ‘Stems of Water,’ recordings sprinklers in the garden in Amasya mimic a waterfall mentioned in the lyrics.”

In making his latest album, Isik Kural attuned to natural world textures, many found around his birthplace of Istanbul, and paired them with more vocal focal songwriting. Moon in Gemini was released on September 9, 2024, marking Isik’s second length record with RVNG.

“The more you’re reaching out and trying new little theories, the more you see out there yet to be attempted. Especially when you get to a certain age, you just want to make sure that you reached as much as you could.”

Gregory T.S. Walker speaking with Claire Biddles for The Wire’s profile on Minstrels & Minimoogs, the Colorado based composer’s 1985 album of medieval moog madness ressiued on August 23, 2024 by Freedom To Spend, RVNG archival imprint.