{"title":"Vinyl","description":"","products":[{"product_id":"bis003","title":"Paradis - Hemisphere b\/w Je M'ennui","description":"\u003ch3\u003eCAT #: BIS003\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: May 22nd, 2012\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eReturning to \u003cb\u003eBeats in Space\u003c\/b\u003e after their debut 12\" (and the label's debut release) in the fall of 2011, \u003cb\u003eParadis\u003c\/b\u003e offers \"Hémisphère\" and \"Je m'ennuie\", another pair of sophisticatedly crafted, noir-pop songs from the young Parisian duo.\u003c\/p\u003e\n\u003cp\u003eOn the two tracks of their second 12\", Paradis self-reflect to find an escape hatch away from themselves. The A-Side, \"Hémisphère\", a macabre story of a lonely guest of life determined to leave everything behind, defies the narrative's convention and captivates with pop melodies and up beats abound.\u003c\/p\u003e\n\u003cp\u003eOn the B-Side, \"Je M'ennuie\", lovers settle into late-night melancholic routines soundtracked by a brooding bass line, an achingly affective synth lead, and vocals that grin behind the disaffected front. Ultimately, hope prevails as both tracks beg the listener to leave their headphones behind for the global village's dance floor. From Paris to Cologne, from Buenos Aires to New York, in the words of Michel Polnareff, \"On ira tous au Paradis.\"\u003c\/p\u003e\n\u003cp\u003eEach 12\" from Beats in Space features original artwork in considerate \u0026amp; serial form. The first 12\" features artwork by \u003cb\u003eDenise Kupferschmidt\u003c\/b\u003e, a Brooklyn-based artist finding inner \/ outer space in the movement of line and assemblage of color. The 12\" packaging constructed by Will Work For Good features a vinyl BIS logo cling. The 12\" will be available on May 22nd, 2012 from fine retailers worldwide. The digital version will be available May 29th, 2012 from the drab internet universe.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/9OkN1m4AgIY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"BIS003","offers":[{"title":"DIGITAL - $3","offer_id":13103295430725,"sku":"BIS003DIGI","price":3.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13103295496261,"sku":"BIS003LP","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5650-127_bis003_cover_500x500_bdf75358-9459-40e8-8ebd-897ac903b15a.jpg?v=1535151579"},{"product_id":"rvngnl34","title":"Zelalem + Mixtape - Mikael Seifu","description":"\u003ch3\u003eCAT #: RVNGNL34\u003c\/h3\u003e\n\u003cp\u003eRelease Date: March 4, 2016\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMikael Seifu’s\u003c\/b\u003e \u003cem\u003eZelalem\u003c\/em\u003e is an ode to – and a fearless break from – the storied lineage of Ethiopian music.\u003c\/p\u003e\n\u003cp\u003eThe literal Amharic translation of \u003cem\u003eZelalem\u003c\/em\u003e is “eternity,” and through Seifu’s conceptual frame it becomes a “vector of light.\" Seifu shines this light on the music of his home country while guiding us through an uncharted \"Ethiopiyawi Electronic\" – a coinage Seifu uses to describe the music he and his peers are producing in Ethiopia’s capital city of Addis-Ababa.\u003c\/p\u003e\n\u003cp\u003eIlluminating the rich sounds of Addis-Ababa’s \u003cem\u003eazmaris\u003c\/em\u003e, Seifu's music becomes a “dream brew” in which these traditional musicians collaborate and contribute vocals and lead voicings from folk instruments such as the Masenko and the Krar.\u003c\/p\u003e\n\u003cp\u003eSeifu was educated at the Lycée Guebre-Mariam in Addis-Ababa. The French academy’s international group of students was Seifu’s first exposure to a world outside Ethiopia; his second was at Ramapo College in suburban New Jersey. Here Seifu met a mentor in \u003cb\u003eBen Neill\u003c\/b\u003e, the composer and music technologist who trained with \u003cb\u003eLa Monte Young\u003c\/b\u003e. Seifu was inspired by Neil to take serious his calling in music.\u003c\/p\u003e\n\u003cp\u003eA calling of a different, spiritual nature brought Mikael back to Ethiopia. As a repatriated young man in Addis-Ababa, Seifu felt a renewed sense of allegiance to his home country and allowed its ubiquitous music to guide his creations. Seifu’s early work was shared across a string of EPs for stalwart Washington D.C. imprint 1432 R, demonstrating an interplay of regional folk music and international electronic music.\u003c\/p\u003e\n\u003cp\u003eMikael’s music does not westernize or electronicize extant Ethiopian music. Instead, Seifu uses Ethio-Jazz's spirit of brewing estranged styles for his own musical tincturing. Seifu's passion above all else is to create something befitting of its time, yet \"eternally Ethiopian.\" The latter phrase was the mantra guiding Seifu through the creation of \u003cem\u003eZelalem\u003c\/em\u003e, and a source of inspiration for the cover artwork.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eZelalem\u003c\/em\u003e spotlights the music of Ethiopia's past as well its future. Mikael Seifu illustrates the potential for reinterpreting sacred and proud sources through energized palettes. 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Anh-Sahm-Buhl - We Are Not The First","description":"\u003ch3\u003eCAT #: RVNGNL33\u003c\/h3\u003e\n\u003cp\u003eRelease Date: October 30, 2015\u003c\/p\u003e\n\u003cp\u003eFor those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents \u003cem\u003eWe Are Not The First\u003c\/em\u003e, an Epic conducted and deconstructed by Chicago artist \u003cb\u003eHieroglyphic Being\u003c\/b\u003e and the \u003cb\u003eJ.I.T.U. Ahn-Sahm-Bul\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe Are Not The First\u003c\/em\u003e combines the musical forces of \u003cb\u003eMarshall Allen\u003c\/b\u003e, \u003cb\u003eDaniel Carter\u003c\/b\u003e, \u003cb\u003eGreg Fox\u003c\/b\u003e, \u003cb\u003eShelley Hirsch\u003c\/b\u003e, \u003cb\u003eShahzad Ismaily\u003c\/b\u003e, \u003cb\u003eElliott Levin\u003c\/b\u003e, \u003cb\u003eJamal Moss\u003c\/b\u003e, \u003cb\u003eRafael Sanchez\u003c\/b\u003e, and \u003cb\u003eBen Vida\u003c\/b\u003e in deep dialogue with each other and humans' hidden sonic history.\u003c\/p\u003e\n\u003cp\u003eTracked as different personale patterns over a week of studio sessions in Brooklyn, said syntax translates into mesmerizing sound forms as the ensemble excavates sonic folklore and ancient music, employing spiritual-jazz’s welfare and health as an agency for balance.\u003c\/p\u003e\n\u003cp\u003eAn album with an active brain, \u003cem\u003eWe Are Not The First\u003c\/em\u003e aspires to reprogram the mind, to transcend our expectations through bugged-out percussion, modular mayhem, flurries of free improvisation, and voices carrying through the air.\u003c\/p\u003e\n\u003cp\u003eJamal Moss provides speech its due pulpit in in the opening piece, “Apes \u0026amp; Ages. “Forward… Backward… Evolution” intones Moss in “Apes \u0026amp; Ages,” setting an appropriately opaque stage for the album’s genesis.\u003c\/p\u003e\n\u003cp\u003eShelly Hirsch exorcises ethereal vocals to subtly incomparable measure in “Civilization That Is Dying.” Hirsch’s vocal throw is near a Theremin’s: she controls sound that is deep within, delivering an operatic warble at full freak-uency while Ben Vida and Shahzad Ismaily take turns running textures up and down the acid washboard.\u003c\/p\u003e\n\u003cp\u003e“Fuck The Ghetto \/ Think About Outer Space” is an ecstatic, erratic anthem, navigating the fog to invite critical speculation on Humanity’s “Prison of Technology” and the digital documentation of Identity. Rafael Sanchez admonishes, in a way, scatting: “the ghetto” is “of the mind.”\u003c\/p\u003e\n\u003cp\u003eLanguage and meaning collide in “Root Of.” Sanchez speaks into the maelstrom of Marshall Allen and Greg Fox’s outer bound bond. In memoriam and in search of an end to the subjugation of persons, “Root Of” demarcates \u003cem\u003eWe Are Not The First\u003c\/em\u003e - and its agents - into the album’s darker and lighter sides.\u003c\/p\u003e\n\u003cp\u003eOn “Universe Is A Simulation,” Daniel Carter’s sax meanders on an improvised beat, almost melancholic but crucially conscious, merging with Fox and Moss in a frequency-haze not unlike the surface blur that sand makes vibrating on top a drum.\u003c\/p\u003e\n\u003cp\u003eAt 18 minutes and 44 seconds, the final movement, “We Are Not The First,” is a celebration of struggle and the living art of noise. Here an almost complete Ahn-Sam-Buhl (get it now?) redirects a city street through the studio filling the air with an implicit interplay of blinking light in contrast.\u003c\/p\u003e\n\u003cp\u003eHieroglyphic Being \u0026amp; J.I.T.U.. Ahn-Sahm-Bul develop consciousness from primordial ooze. As in listening, the ooze intones an echo of our deep past, rendering the present ever focused. \u003cem\u003eWe Are Not The First\u003c\/em\u003e is an 11-part Epic and each track is a movement therein that testifies: an ensemble’s vitality lives in its collectivity. When we ask the ooze, the ooze articulates: \u003cb\u003eWe Are Not The First\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eHieroglyphic Being \u0026amp; J.I.T.U. 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Aligning himself with the Cage-ean principles of chance operations and musical contingency, Savant was a band sans jam. Allegorically, a blindfolded collaboration whose happenstance source music Leimer would sample, loop and sculpt at will.\u003c\/p\u003e\n\u003cp\u003eLeimer was creatively autonomous to the point of being a persona absentia in Seattle's 80s rock scene. Unconcerned by social status, Leimer enlisted musicians from experimental and post-punk groups in the area to come record as Savant at his home studio, Tactical. Among them were ambient composer \u003cstrong\u003eMarc Barreca\u003c\/strong\u003e, \u003cstrong\u003eJohn Foster\u003c\/strong\u003e (founder of Op Magazine - the experimental music publication), \u003cstrong\u003eJim\u003c\/strong\u003e and \u003cstrong\u003eDavid Keller\u003c\/strong\u003e of the \u003cstrong\u003eNew Flamingos\u003c\/strong\u003e, and their bandmate \u003cstrong\u003eAlex Petit\u003c\/strong\u003e. Others, like \u003cb\u003eRoy Finch\u003c\/b\u003e and \u003cstrong\u003eDennis Rea\u003c\/strong\u003e, came from a similar orbit.\u003c\/p\u003e\n\u003cp\u003eEven with these musicians at his beck and call, Leimer implemented a disarming musical strategy. Savant would have no fixed line up and often musicians would be asked to play instruments far outside their forté. Leimer would however give loose rhythmic direction for the musicians to develop spontaneously against click-tracks. When the performance locked in with Leimer listening at the controls, he'd capture it to tape. These moments became the soul of Savant and the combustive elements that would variegate its timbres.\u003c\/p\u003e\n\u003cp\u003eSavant tonally operates in a space between \u003cstrong\u003eThis Heat's\u003c\/strong\u003e dark primitivism and the found sound collage of \u003cstrong\u003eBrian Eno\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eDavid Byrne's\u003c\/strong\u003e \u003cem\u003eMy Life in the Bush of Ghosts\u003c\/em\u003e. These analogies are simply stylistic, as the narrative behind \u003cem\u003eThe Neo-Realist’s\u003c\/em\u003e production makes clear Leimer was concocting via more alchemic means, avoiding genre aspirations by looking for accidental moments of musical intrigue and discovery. Leimer explains this process in the collection's liner notes: \"I was looking for flaws, for faults to act as the stand-out features of the music.”\u003c\/p\u003e\n\u003cp\u003eFar from a provisional stab at avant-garde sensibilities, Savant represents Leimer’s repudiation of ambient music's passive side. \u003cem\u003eArtificial Dance\u003c\/em\u003e embodies a perfectionist’s family portrait of outré musicians conforming to Leimer's nonconformist musical ethos. Fitting for its name, Leimer created conditions for asocial brilliance with Savant, materializing an outward offering from an inward studio and a collaboration of audacious invention.\u003c\/p\u003e\n\u003cp\u003eSavant’s \u003cem\u003eArtificial Dance\u003c\/em\u003e is available now as double LP set, CD, and digitally. Extensive liner notes and artist interviews were overseen by \u003cstrong\u003eAaron Leitko\u003c\/strong\u003e. The collection was assembled by RVNG and K. Leimer, who continues making music to this day.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/7ifWsyo6Dng\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/N49yY6wzrN4\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ReRVNG07","offers":[{"title":"DIGITAL - $10","offer_id":15167269765189,"sku":"ReRVNG07DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Ltd. Ed. 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Concerned as much with musicality as spiritual facility, Kalma’s work vibrates aside fellow travelers along the great rainbow in curved air of the 1970s avant-garde.\u003c\/p\u003e\n\u003cp\u003eAriel Kalma's boundary-blurring electronic music is heard here in radiant detail across a selection of work spanning his early free-jazz and spoken word trips to his infinite modular synthesizer and analogue rhythm machine meditations. Kalma’s story is one of world travel, musical discovery and ego-abandonment. Yet for an artist who often discarded public recognition in favor of the ascetic truths in music making, \u003cem\u003eAn Evolutionary Music\u003c\/em\u003e offers the imprint of an outright auteur.\u003c\/p\u003e\n\u003cp\u003eBorn in France, but rarely in one place for long, Ariel Kalma's 1970s migrations took flight through the decade's furthest spaces of musical and spiritual invention. As a hired horn for well-known French groups, the young musician toured as far as India in 1972, a place where Kalma found an antidote to rock n’ roll’s glitz and glamour in sacred music traditions. Kalma would later return to India and learn circular breathing techniques enabling him to sustain notes without pause against tape-looping harmonies configured through his homemade effects units.\u003c\/p\u003e\n\u003cp\u003eThose effects evolved from Kalma's loyalty to a beloved dual ReVox set-up— two tape machines “chained” together to form a primitive delay unit. Over looped saxophone melodies, Kalma would mix in all shades of polyphonic color, synthesizing fragments of poetry with ambient space or setting modal flute melodies to rippling drum machine patterns and starlit field recordings. The results collapse distinctions between \"electro-acoustic\", \"biomusicology\" and \"ambient\" categorization.\u003c\/p\u003e\n\u003cp\u003eIn France during the mid-1970s, Kalma was staffed as a technician at \u003cb\u003ePierre Henry's\u003c\/b\u003e legendary \u003cb\u003eInstitut National Audiovisuel, Groupe de Recherches Musicales (INA GRM)\u003c\/b\u003e studios - the same music concréte laboratory that spawned masterpieces by members \u003cb\u003eLuc Ferrari\u003c\/b\u003e, \u003cb\u003eIannis Xenakis\u003c\/b\u003e, and \u003cb\u003eBernard Parmegiani\u003c\/b\u003e. Like his predecessors and colleagues at INA GRM, Kalma's relationship to sound was both formal and non-hierarchical. To Kalma, all music existed as universal patterns, in perfect harmony with the people, places and environments it was created.\u003c\/p\u003e\n\u003cp\u003eKalma’s recorded output of the 1970s culminated in the now scarcely-available \u003cem\u003eLes Temps des Moissons\u003c\/em\u003e (trans. \u003cem\u003eThe Time of Harvest\u003c\/em\u003e) in 1975 and \u003cem\u003eOsmose\u003c\/em\u003e in 1978, a masterpiece of birdsong exploration. \u003cem\u003eOsmose\u003c\/em\u003e is double album featuring sculptor \u003cb\u003eRichard Tinti\u003c\/b\u003e, who had supplied Kalma with hours of field recordings from the rainforests of Borneo. With somber organ textures and wistful sax blended seamlessly into the wild of the forest sounds, \u003cem\u003eOsmose\u003c\/em\u003e avoids simple soundscaping through Kalma's careful arrangements, allowing each life form its own harmonic gravity.\u003c\/p\u003e\n\u003cp\u003eThe backdrop of \u003cem\u003eAn Evolutionary Music\u003c\/em\u003e depicts Kalma's adventures as a world traveller on the cosmic path of inner discovery and musical innovation. Coinciding with United States' bicentennial in 1976, Kalma made his way to New York to join the exclusive musical-spiritual collective \u003cstrong\u003eArica\u003c\/strong\u003e, and ended up crashing in the Cathedral of Saint John the Divine’s basement. At night, Ariel played the church's organ and ventured out to mix it up with like-minded musicians in the Village. It was here that he met a musical hero, \u003cstrong\u003eDon Cherry\u003c\/strong\u003e, an artist of much consequence and similarity to Kalma.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn Evolutionary Music\u003c\/em\u003e harvests uncatalogued music made between Kalma's private press records and onward through the many small-batch cassette releases Kalma would tender. With this collection of musical hybridity and distinct genre-corrosion, Ariel Kalma's righteous bucking of both popular music trends and the academic tenets of the avant-garde falls squarely in the spirit of other renegades of sacred new-music such as \u003cstrong\u003eTerry Riley\u003c\/strong\u003e, \u003cstrong\u003eLa Monte Young\u003c\/strong\u003e, and \u003cstrong\u003eCharlemagne Palestine\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAriel Kalma’s \u003cem\u003eAn Evolutionary Music (Original Recordings: 1972 - 1979)\u003c\/em\u003e is available now as double LP and double CD sets and digitally on RVNG Intl. There is a limited edition pastel green vinyl version available in limited quantity (only 100 for the world!). Extensive liner notes and artist interviews were overseen by New York writer \u003cstrong\u003eJesse Jarnow\u003c\/strong\u003e. The collection was assembled by RVNG and Ariel Kalma himself, who continues making music to this day.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/l7RMs9OduI0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/uTk6LZfp9tY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ReRVNG05","offers":[{"title":"DIGITAL - $12","offer_id":13103306244165,"sku":"ReRVNG05DIGI","price":12.0,"currency_code":"USD","in_stock":true},{"title":"DBL LP Limited Pastel Green - $30","offer_id":13103306145861,"sku":"ReRVNG05LPLTD","price":30.0,"currency_code":"USD","in_stock":false},{"title":"DBL LP - $25","offer_id":13103306178629,"sku":"ReRVNG05LP","price":25.0,"currency_code":"USD","in_stock":false},{"title":"2xCD - $18","offer_id":13103306211397,"sku":"ReRVNG05CD","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5956-RERVNG05_COVER_500x500_4e7ff456-b7fe-4327-8203-55f9401ce273.jpg?v=1599774959"},{"product_id":"rvngnl22","title":"Gardland - Improvisations","description":"\u003ch3\u003eCAT#: RVNGNL22\u003c\/h3\u003e\n\u003cp\u003eRelease Date: April 29, 2014\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the great unspooling of 2013’s \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e, \u003cstrong\u003eGardland\u003c\/strong\u003e and RVNG Intl. step back into the duo’s not-so-distant past with \u003cem\u003eImprovisations\u003c\/em\u003e, three live performances ripped from local Austrailian radio show \u003cb\u003eSpiral Sounds\u003c\/b\u003e in early 2012. The aural impetus behind the artists and label joining forces, this triptych of tone lashed tracks captures the duo in exhilarating, uninhibited form.\u003c\/p\u003e\n\u003cp\u003eUnintended for an audience outside of the provincial FM dial riders, \u003cem\u003eImprovisations\u003c\/em\u003e blisters at its hardware-imposed limits with enough energy to fuel freakish frequencies. “0214? offers a wide survey of the duo’s exploratory inclination, igniting with sparse sputters and clicks before the growling groove rips into fifth gear for an expansive 15 minute drive. The flip predicts the immediacy and potency of \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e with an early take on “Katarakt” (here named “0315?) and the desiccated, teleological frenzy of “0214 Pt.2?.\u003c\/p\u003e\n\u003cp\u003eGardland’s evolution has thus far defined itself by the free form nature this 12? embodies, the curated reduction on \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e and a full-blown unpredictability on stage. Alex Murray and Mark Smith chase the listless shape of an ever expanding, never coalescing logic with no devotion too dear to sacrifice for the following of future’s path.\u003c\/p\u003e\n\u003cp\u003eGardland’s \u003cem\u003eImprovisations\u003c\/em\u003e is available as a limited edition 12\" via RVNG Intl.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/QGSL2KXuxos\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL22","offers":[{"title":"DIGITAL- $4","offer_id":13103306768453,"sku":"RVNGNL22DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13103306735685,"sku":"RVNGNL22LP","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5870-RVNGNL22_COVER_460x460_7fb098d7-3535-454a-9439-9d8e697973f5.jpg?v=1535151640"},{"product_id":"bis010","title":"Crystal \u0026 S. Koshi - Break the Dawn \/ From Red To Violet","description":"\u003ch3\u003eCAT #: BIS010\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eRelease Date\u003c\/b\u003e: September 17, 2013\u003c\/p\u003e\n\u003cp\u003eFor the \u003ci\u003eBreak the Dawn \/ From Red To Violet\u003c\/i\u003e 12\", the brightly shining tenth release from \u003cb\u003eBeats In Space Records\u003c\/b\u003e, Tokyo-based producer \u003cb\u003eCrystal\u003c\/b\u003e breaks out with a track meant to shred the dark veil of night to reveal a golden sunrise.\u003c\/p\u003e\n\u003cp\u003eAccording to Crystal, he is generating \"straight house music... piano, phrase sampling, energetic vocals, etc.\" “Break the Dawn” revels in this simplicity, using a meditative sample to set a groove that crescendos over and over with massive vocal blasts and drum breaks.\u003c\/p\u003e\n\u003cp\u003eWhen you've watched the sun ascend to unspeakable heights, side B reveals that you've not just experienced an otherworldly event, but you are indeed deep in space. \"From Red To Violet\" conjures a panoramic gradient of a Jupiter sunset by using a piano riff ruffle, cascading synth frills and lasers from another era of decadence and disco dance.\u003c\/p\u003e\n\u003cp\u003eEach 12? from Beats in Space Records features original artwork in considerate and serial form. \u003cb\u003eJiro Bevis\u003c\/b\u003e, the London-based artist with a penchant for pop perversion, shares a subdued but fitting piece for this installation. The 12? packaging constructed by \u003cb\u003eWill Work For Good\u003c\/b\u003e features a removable vinyl BIS logo cling.\u003c\/p\u003e\n\u003cp\u003eCrystal’s Break the Dawn \/ From Red To Violet 12” will be released on July 30, 2013 on Beats In Space as a limited edition 12” and digitally.\u003c\/p\u003e\n\u003cp\u003eTrack List:\u003c\/p\u003e\n\u003cp\u003eSide A (45 RPM) – Break the Dawn (7:08) (\"Break The Dawn\" written \u0026amp; produced by Crystal \u0026amp; S. Koshi)\u003cbr\u003e Side B (45 RPM) – From Red To Violet (6:15)\u003c\/p\u003e","brand":"BIS010","offers":[{"title":"DIGITAL - $3","offer_id":13103307948101,"sku":"BIS010DIGI","price":3.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13103307980869,"sku":"BIS010LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5808-BIS010-1500px.jpg?v=1535151645"},{"product_id":"rvngnl03","title":"Hideous Racket - Allez-Allez","description":"\u003ch3\u003eCAT #: RVNGNL03\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: 06\/29\/2010\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe cargo of \u003cb\u003eAllez-Allez's\u003c\/b\u003e debut EP, \u003ci\u003eHideous Racket\u003c\/i\u003e, contains a suspiciously alien sound that could only be kept secret for so long before being smuggled and peddled by RVNG Intl. on the war torn and drug dirtied mutant dance floors. This London lab tech duo staked their claim with social and online experiments and now expand their methodically creative reach with four tracks made for the interstellar overdrive.\u003c\/p\u003e\n\u003cp\u003eThe EP begins with the melodically rich and playful title track before the aquatic acid house of \"Seven Down Six Across\" bubbles to the surface to close the a-side. The b-side starts with the \u003cb\u003eJames Holden\u003c\/b\u003e championed \"Weird Science\", a washy blend of\u003cb\u003eFrippertronic\u003c\/b\u003e frequencies and a street smart beat, and rounds out with the shimmering Rhythm Ace shuffle of \"Slump\", described by Optimo's \u003cb\u003eJD Twitch\u003c\/b\u003e as \"\u003cb\u003eChris \u0026amp; Cosey\u003c\/b\u003eriding a flying hoover over the city in \u003cb\u003eBlade Runner\u003c\/b\u003e\".\u003c\/p\u003e\n\u003cp\u003eBonus digital tracks include an alternate scuzzy \/ scrungey take on \"Hideous Racket\", remixes by \u003cb\u003eBorder Community's\u003c\/b\u003e deep arpeggiator \u003cb\u003eWesley Matsell\u003c\/b\u003e, Rvng's own panic button beat makers \u003cb\u003ePink Skull\u003c\/b\u003e, and an epic 12+ minute rework by \u003cb\u003eThee Four Horsemen\u003c\/b\u003e , the production team of \u003cb\u003eStuart Lamour\u003c\/b\u003e (20 Jazz Funk Greats) and \u003cb\u003eNick Carlisle\u003c\/b\u003e. Also notable: one of Allez-Allez�s two core members is \u003cb\u003eSam Willis\u003c\/b\u003e from\u003cb\u003eKompakt\u003c\/b\u003e recording artist \u003cb\u003eWalls\u003c\/b\u003e .\u003c\/p\u003e\n\u003cp\u003eEach 12\" is packaged with a red or blue vinyl cling allowing your own commentary depending on the mood. First pressing limited to 550 copies, digital version expanded with remixes available at \u003cb\u003eiTunes\u003c\/b\u003e , \u003cb\u003eBeatport\u003c\/b\u003e , \u003cb\u003eJuno\u003c\/b\u003e, and \u003cb\u003eTurntable Lab\u003c\/b\u003e .\u003c\/p\u003e\n\u003cp\u003eMastered by Shane McEnhill at Finyl Tweek.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at \u003ca href=\"http:\/\/www.willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e5 test pressings\u003cbr\u003e Frist pressing: 550 copies (275 red clings \/ 275 blue clings)\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PcFqJ94uYWI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL03","offers":[{"title":"DIGITAL - $4","offer_id":18839001038917,"sku":"RVNGNL03DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13103308341317,"sku":"RVNGNL03LP","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5730-RVNGNL03.jpg?v=1535151650"},{"product_id":"rvngnl11","title":"Blondes - Wine \/ Water","description":"\u003ch3\u003eCAT #: RVNGNL11\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 15th, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e complete their 2011 12\" trilogy with \u003ci\u003eWine \/ Water\u003c\/i\u003e. Having spent the year road-testing the material of the \u003ci\u003eLover \/ Hater\u003c\/i\u003e and \u003ci\u003eBusiness \/ Pleasure\u003c\/i\u003e 12s, \u003ci\u003eWine \/ Water\u003c\/i\u003e is a mature gesture balancing the respective mind and soul of its predecessors.\u003c\/p\u003e\n\u003cp\u003e\"Wine\" occupies the a-side with sentimental subs, synth sweeps, and a melancholy vocal phrase atop a pulsating kick. The opening bass line of \"Water\" sets a definitive melodic mood over which aquatic textures wash in and out and inevitably set sail on staccato squelches. There could be no other logical or illogical conclusion to the 12\" trilogy than this. If you haven't heard in its entirety, you might not know.\u003c\/p\u003e\n\u003cp\u003eMastered by \u003cb\u003eJoe Lambert\u003c\/b\u003e at \u003cb\u003eJoe Lambert Mastering\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eArtwork by \u003cb\u003eWill Work For Good\u003c\/b\u003e. Limited edition.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/9Tr4mGR36RQ\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL11","offers":[{"title":"DIGITAL - $2","offer_id":13103309029445,"sku":"RVNGNL11DIGI","price":2.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $10","offer_id":13103308996677,"sku":"RVNGNL11LP","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5610-114_rvngnl11_front_500x500_c4f8bb61-d560-44e3-86ad-1a3857a7d437.jpg?v=1535151654"},{"product_id":"rvngnl10","title":"Bronze - Copper","description":"\u003ch3\u003eCAT #: RVNGNL010\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: October 18th, 2011\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.myspace.com\/copperclub\"\u003eBRONZE\u003c\/a\u003e is an exercise in impulse. BRONZE is also the San Francisco based trio of \u003cb\u003eBrian Hock, Rob Spector,\u003c\/b\u003e and \u003cb\u003eMiles Friction\u003c\/b\u003e the latest addition to the RVNG Intl. family with their debut album, \u003ci\u003eCopper\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIn early 2006, Hock moved back to his native San Francisco from Berlin and took up residence with Spector in the warehouse \/ show space known as The Cave. The two conspired to start a new live project and enlisted the help of Friction to form BRONZE. After preliminary attempts to find the right environment to house the Copper Club, the Secret Society of the Bronze Age, Miles founded the Trojan Cavern in San Fran's Dogpatch neighborhood. From this outpost, \u003cb\u003eBRONZE \u003c\/b\u003eundergo disciplined training exercises in various weaponry, sonic hypnosis, horticulture and all-important copper talk. It's also from the Trojan Compound that Copper was created.\u003c\/p\u003e\n\u003cp\u003eStream-of-consciousness lyrical cooing and restrained analog trickery rest atop constant cog rotation grooves on\u003cb\u003e \u003c\/b\u003e\u003ci\u003eCopper\u003c\/i\u003e. These elements yield a truly conductive album, abundant in compositions that beg for a listener's oxidizing ear. Commencing with\"A Showdown Of Sorts\", the record assumes a vague narrative aided by the allure of \u003cb\u003eTuxedomoon\u003c\/b\u003e \/ \u003cb\u003eRalph Records\u003c\/b\u003e-y exoticism, albeit less claustrophobic. \"Showing Them\" staggers into even Wierd-er territory, with eye flashes and spots of \u003cb\u003eLegendary Pink Dots\u003c\/b\u003e. \"So Slow\" and \"The Rouge Became\" are sister tracks fallen not far from the same \u003cb\u003eSilver Apple(s)\u003c\/b\u003e tree. \"Wits\" and \"Fumes In Suits\" counter clockwork like a high-pressure Units track and place \u003ci\u003eCopper\u003c\/i\u003e in the lexicon of San Fran synthesized and syncopated anti-stardom.\u003c\/p\u003e\n\u003cp\u003eThe physical version of Copper will be available on October 18th from fine retailers worldwide. \u003cb\u003eEach vinyl copy of \u003ci\u003eCopper\u003c\/i\u003e comes with a copper ring.\u003c\/b\u003e The ring is intended to be worn to BRONZE performances or even during daily rituals. While wearing the ring, you, the ring bearer, are encouraged to speak informally - if not offensively - with fellow ring mates. When overheard or confronted, blame it on the ring - i.e. \"It was the copper talking.\" The ring will initially turn your finger green. The ring will also heal your wounds, correct your balance and is a fashionable accessory to boot. The digital version will be available November 8th from the drab internet universe.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCopper is available on vinyl and CD, as well as digitally.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eSample Tracks\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe src=\"\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26541106\u0026amp;show_artwork=true\" scrolling=\"no\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe src=\"\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18034509\u0026amp;show_artwork=true\" scrolling=\"no\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e","brand":"RVNGNL10","offers":[{"title":"DIGITAL - $9","offer_id":13103309291589,"sku":"RVNGNL10DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13103309258821,"sku":"RVNGNL10LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5578-109_rvngnl10_cover_500x500_ff9510e3-7249-44dd-b4cd-251dd6d24e8c.jpg?v=1535151659"},{"product_id":"rvngnl04","title":"CFCF - The River","description":"\u003ch3\u003eCAT #: RVNGNL04\u003c\/h3\u003e\n\u003cdiv\u003e\u003cb\u003eRelease date: October 12th, 2010\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eCFCF\u003c\/b\u003e treads dark waters on \u003ci\u003eThe River\u003c\/i\u003e. Where the 22 year old Montreal based producer CFCF's (\u003cb\u003eMichael Silver\u003c\/b\u003e) debut album \u003ci\u003eContinent\u003c\/i\u003e (Paper Bag 2009) hinted at primal and ambient themes, \u003ci\u003eThe River\u003c\/i\u003e fully transports the listener to a heart of darkness. Inspired by \u003cb\u003eWerner Herzog's\u003c\/b\u003e visual masterpiece \u003ci\u003eFitzcarraldo\u003c\/i\u003e, \u003ci\u003eThe River\u003c\/i\u003e follows a dream-like arc, lucid sound sequences from a lunatic mind.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe River's\u003c\/i\u003e voyage begins with \"Before and After Light\", a track based around a cyclical finger-picking sample and ghostly tones that could form the core of an Ambient \u003cb\u003eEno \u003c\/b\u003ealbum. \"It Was Never Meant to Be This Way\" furthers the vessel along on a wash of synth waves and a melancholy chopstick piano figure. Around the bend to the a-side's end is the choral, \u003cb\u003ePopul Vuh\u003c\/b\u003e-inspired cosmic guitar shredding of \"Upon the Hill\".\u003c\/p\u003e\n\u003cp\u003e\"Frozen Forest\" heightens the grandeur opening the b-side with a slow-mo break beat and arpreggiating bass work out. The title track casts doomsday shadows before the best use of a master blaster drum attack since \u003cb\u003eDJ Shadow's\u003c\/b\u003e \"Stem \/ Long Stem\". After the unrest, \"Orage\" drifts on a bed of wreckage into an uncertain dusk.\u003c\/p\u003e\n\u003cp\u003eThe digital bonus version of \u003ci\u003eThe River\u003c\/i\u003e (\u003cb\u003eincluded w\/ vinyl purchase\u003c\/b\u003e) features remixes of \"Frozen Forest\" by Rvng house and House DJ \u003cb\u003eJacques Renault\u003c\/b\u003e and London's Balearic bishops \u003cb\u003eCoyote\u003c\/b\u003e plus a midi-funked out remix of \"It Was Never Meant to Be This Way\" by \u003cb\u003eGames\u003c\/b\u003e, the dance production duo of Daniel Lopatin (\u003cb\u003eOneohtrix Point Never\u003c\/b\u003e) and Joel Ford (\u003cb\u003eTiger City\u003c\/b\u003e).\u003c\/p\u003e\n\u003cp\u003eThe first pressing of \u003ci\u003eThe River\u003c\/i\u003e is limited to 550 vinyl copies. The first run of jackets are printed black offset with a bronze letterpress overprint on heavy news board. Jacket concept and design by \u003cb\u003eKevin O'Neill\u003c\/b\u003e of \u003ca href=\"http:\/\/willlworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e, based loosely on the weathered map that lead Fitzcarraldo to madness and freedom. Digital available here and through the usual storefront suspects.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1st Pressing Details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e5 test pressings\u003cbr\u003e 550 copies\u003cbr\u003e Mastered at Finyl Tweek.\u003cbr\u003e Manufactured at Brooklyn Phono.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UY2aaXyenoA\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/e6VGJvsBsZQ\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RVNGNL04","offers":[{"title":"DIGITAL - $8","offer_id":18838923804741,"sku":"RVNGNL04DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $24","offer_id":13103312797765,"sku":"RVNGNL04LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5501-cfcf.jpg?v=1535151667"},{"product_id":"frkwys03","title":"FRKWYS Vol. 3: ARP \u0026 Anthony Moore","description":"\u003ch3\u003eCAT #: FRKWYS03\u003c\/h3\u003e\n\u003cdiv\u003e\u003cstrong\u003eRelease date: April 20th, 2010\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFor the third volume in Rvng's FRKWYS (pronounced Freakways) series, ARP (aka Alexis Georgopoulos) and Anthony Moore contribute an album of modern minimalist compositions culled from sources both old and new. From the reworking of some of Moore's unreleased late 60s compositions and the incorporation of actual extant tapes from that time, to the newly minted pieces by Georgopolous along with new accompaniments to the original recordings, it's another vibrant addition to the ongoing series in which contemporary artists are paired with their progenitors by way of remix, reinterpretation, and original collaboration.\u003c\/p\u003e\n\u003cp\u003eThe idea to pair the two composers was born of Georgopoulos' appreciation for Pieces from the Cloudland Ballroom (1971), Moore's adventurous avant-garde album described by Alan Licht as neither a \"Krautrock or artrock LP but a bona fide minimal classic\". Upon listening to several pieces by his symphonious accomplice-to-be, Moore was \"struck by a powerful sense of familiarity, a recognition of certain musical values close to my own heart being explored by someone else\".\u003c\/p\u003e\n\u003cp\u003eMutual admiration formed, Moore and Georgopoulos came together in September 2009 at Atlantic Sound's Brooklyn studio, a scene serenely inspired by the live room's forward face on the East River. Recorded to a 24 track, 2\" Studer tape machine, the album begins with the stringed drone of \"Today's Psalter\", a piece named for the instrument at its thematic core (re-established later with \"Yesterday's Psalter\"). \"Spinette\" is a lively and cyclical measure exercise built on an original work. And, at end of the first side, \"Piano Waves\" reinvents a Magnetophone tape recording Moore originally realized in the 60s as a sonorous anchor on the album.\u003c\/p\u003e\n\u003cp\u003eThe second side begins with \"Wild Grass I (for Arthur Russell)\", composed by Georgopoulos for a cello, violin, and piano ensemble. As with its companion piece, \"Wild Grass II (for Robert Wyatt)\" takes heroic inspiration and uses the intimate instrumentation to create a movement compelling in its refined gestures. \"Mirrors \u0026amp; Forks\" returns to Moore's treasure trove of tape loops, seething into \"Yesterday's Psalter\" and then a lunar-lit rendition of \"Slow Moon's Rose\" sung by Georgopoulos, a song originally recorded by Moore in 1972 as part of Slapp Happy.\u003c\/p\u003e\n\u003cp\u003eFrkwys Vol. 3 feat. Arp \u0026amp; Anthony Moore maintains the serial aesthetic with a limited pressing of 550 vinyl copies housed in thick jackets wrapped in a lively monochromatic adhesive (design by Kevin O'Neill at Will Work For Good). Lucky subscribers receive a leatherette version of the jacket, edition of 75. The album is available digitally at iTunes, Beatport, Juno and other friendly online retailers.\u003c\/p\u003e\n\u003cp\u003eMastered by Leandro Gonzales at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at \u003ca href=\"http:\/\/www.willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 550 copies, black \u0026amp; silver labels\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 500 jackets w\/ adhesive. 50 subscriber jackets w\/ adhesive tip on leatherette.\u003c\/p\u003e","brand":"FRKWYS03","offers":[{"title":"DIGITAL - $10","offer_id":13103313092677,"sku":"FRKWYS03DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13103313125445,"sku":"FRKWYS03LP","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5479-1287404195_3.jpg?v=1535151671"},{"product_id":"rvng-of-the-nrds-vol-2-betty-botox","title":"RVNG Of The NRDS Vol. 2 - Betty Botox","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Voodoo 1 (9:32 \/ 105 bpm)\u003c\/li\u003e\n\u003cli\u003eA2. Fade Away (1:08 \/ 115 bpm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Voodoo 2 (5:32 \/ 125 bpm)\u003c\/li\u003e\n\u003cli\u003eB2. Voodoo 3 (5:55 \/ 128 bpm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS02\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: November 17th, 2006\u003c\/div\u003e\n\u003cp\u003eDon't question the concoction; just hit the needle and spin. Betty Botox injects the medicine for the second installment in the Rvng of Nrds 12\" edit series. Betty Botox continues a string of sick edit work with Voodoos 1,2,3. Lysergic revisions broken to the bare bone and spoken in funky tongue. This is some potent shit.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e2 dub plates\u003cbr\u003e 15 test pressings\u003cbr\u003e 1087 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1087 chipboard jackets, black \"Betty Botox\" print both sides\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball (Brooklyn, NY)\u003cbr\u003e 273 Yellow \/ 268 Purple \/ 273 Blue \/ 273 Pink\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13103313453125,"sku":"SKU-233-377","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5412-NRDS02_Cover.jpg?v=1535151676"},{"product_id":"rvngnl42","title":"Colin Self - Siblings","description":"\u003cp\u003e\u003cstrong\u003eCAT#: RVNGNL42\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e\u003cstrong\u003eNovember 2, 2018 (physical \/ digital)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColin Self’s\u003c\/strong\u003e \u003cem\u003eSiblings\u003c\/em\u003e is a proposal for interdependence, critical joy, and an expansive sense of being. As the lyrics beam, “I used to live as an anomaly... no explanation biologically,” so siblings share hidden language, lore, and identity. On \u003cem\u003eSiblings\u003c\/em\u003e, ecstatic voices and sound knot to form new ideals of kinship, emerging as horizontal relations for multi-species flourishing.\u003c\/p\u003e\n\u003cp\u003eColin Self challenges boundaries of perception with his art, music, and performances. Inspired by the work of \u003cstrong\u003eDonna Haraway\u003c\/strong\u003e (\u003cem\u003eCyborg Manifesto, Staying with the Trouble: Making Kin in the Chthulucene\u003c\/em\u003e), \u003cem\u003eSiblings\u003c\/em\u003e is the final segment of the six-part opera series entitled Elation. Informed by Self’s exploration of the ways of knowing, \u003cem\u003eSiblings\u003c\/em\u003e places a non-biological family at its center. The characters, bonded by curiosity and caring, generate ways of collectively coming together on a damaged planet. Self uses \u003cem\u003eSiblings\u003c\/em\u003e to define this familial experience through sound and its soundmakers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e is a mobile, transitional production, in equal parts by circumstance and happenstance. Field fragments taken from Halloween party laughter in Jamaica Plains and a cross-country video chat are refracted by session recordings willed to happen in places as far flung as Stockholm and Los Angeles. \u003cem\u003eSiblings\u003c\/em\u003e is a sound scrapbook or poster board collage, but not one without careful consideration of the clipping and composition.\u003c\/p\u003e\n\u003cp\u003eFrom years experiencing Riot Grrrl shows around Self's early home of Oregon to his involvement in the New York City-based performance collective \u003cstrong\u003eChez Deep\u003c\/strong\u003e, Self expands the DIY ethos to a space and mind of Do-It-Together. Feeding into \u003cem\u003eSiblings\u003c\/em\u003e is \u003cstrong\u003eXHOIR\u003c\/strong\u003e, Self’s ongoing project of group vocal workshops for singing and listening, and a broad cast of kin including but not limited to \u003cstrong\u003eMichael Beharie\u003c\/strong\u003e, \u003cstrong\u003eGreg Fox\u003c\/strong\u003e (drums), \u003cstrong\u003eMartine Syms\u003c\/strong\u003e (words and voice), \u003cstrong\u003eThe Mivos Quartet\u003c\/strong\u003e, and \u003cstrong\u003eRaul De Nieves\u003c\/strong\u003e (cover art).\u003c\/p\u003e\n\u003cp\u003eOn “Story,” \u003cem\u003eSiblings\u003c\/em\u003e’ opening moment, breath and beats emerge as echoes within a vast, heaving chamber, sound conjured and cajoled into a new, blistered terrain. “Foresight” urges us toward a worlding - a break from the planet we’ve disregarded: “I see on my screen all the doubt, where it comes from, why you trust in no one. I see a new light.” While the unhinged form of “Ante-Strategy” lays the sonic compost for a Belurusian political poem, written with \u003cstrong\u003eTanya Zamirouskaya\u003c\/strong\u003e and \u003cstrong\u003eAnastasia Kolas\u003c\/strong\u003e, Self tends toward elaboration and excesses in a “joyous rendering of survival.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e splits sides with “Transitions,” a pluri-vocal burst called forth from interstellar margins to put uncounted bodies in motion. Repetitions of “I commit to you” end with “We commit to you.” Self utilizes theoretical vocabulary to encourage germination of a new language. “Research Sisters” will make their own myths and forge their own families, the work’s fire sparking frenetic, ecstatic voices flashing back and forth in stereo. The gathering of choral voices lift up the melancholic words of “The Great Refusal” over pillowy layers of strings and stumbling, sputtering showers of keyboards.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e is Self’s second full-length release following 2015’s Elation. \u003cem\u003eSiblings\u003c\/em\u003e has been performed iteratively and internationally with humor, drama, and fierce song. \u003cem\u003eSiblings\u003c\/em\u003e’ \u003cstrong\u003eMoMA PS1\u003c\/strong\u003e staging in 2018 featured black-light messaging, countdown clocks, books on rope, and dancers adorned with swirling prints and LED lanterns. Self follows, in Haraway’s words, towards a “commitment to the finicky, disruptive details of good stories that don’t know how to finish.” Future performances will likely carry away in the best way.\u003c\/p\u003e\n\u003cp\u003eColin Self’s \u003cem\u003eSiblings\u003c\/em\u003e was released November 2, 2018 in limited vinyl and digital editions.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3JOvIP9fmLA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YEXW0x_dmRI\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/l_e33K5yCMY\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL42","offers":[{"title":"DIGITAL - $10","offer_id":17124090708037,"sku":"RVNGNL42DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13130827628613,"sku":"RVNGNL42LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/RVNGNL42-Digital-Cover-500px.png?v=1599775059"},{"product_id":"rervng12","title":"Michele Mercure - Beside Herself","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eCAT: ReRVNG12 \/ FTS011\u003c\/h3\u003e\n\u003cp\u003eRelease Date:\u003cbr\u003eNovember 09, 2018 (digital)\u003cbr\u003eNovember 09, 2018 (physical)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMichele Mercure\u003c\/b\u003e\u003cspan\u003e often dreams of music, and in her waking life, reclaims fragments of these fleeting, floating melodies in her compositions and sound art. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, an anthology of Mercure’s self-produced and distributed cassettes released between 1983 and 1990, collects these dreamlike passages and lo-fi nocturnes, preserving the qualities of discovery and intimacy surrounding their genesis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMercure’s sound is a porous electronic art that overlaps ambient, abstract, and industrial sensibilities – its spaciousness reveals an artist attuned cinematically rather than for radio play or public performance. She approached the latter theatrically, and rarely, disdaining most live shows as too serious, and bringing her music to bare on her audiences in playful, immersive contexts. On recordings, Mercure’s night lit synth music evokes non-confined environments, at once expressionistic and minimal and always aware of its surroundings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMercure was a busy collaborator during the years surveyed by \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, making music for theater, performance, film, and TV animation, yet it was through her self-released cassettes that she established her music among like-minded artists abroad. Circulated through tape-trading networks assisted by insightful reviews in \u003c\/span\u003e\u003cb\u003eEurock\u003c\/b\u003e\u003cspan\u003e, a seminal music magazine covering progressive rock and electronic music scenes, these album-length releases included \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eRogue and Mint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1983), \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eA Cast of Shadows \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1984), \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDreams Without Dreamers\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1985), and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDreamplay\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1990). Though unvarnished in fidelity (and now scarcely seen), these tapes showcased Mercure’s transportive aptitude within and beyond the limited sound recording medium.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMercure’s artistic path never ran through creative meccas New York, San Francisco or Los Angeles. Raised in Springfield, Massachusetts, and then moving to Harrisburg, Pennsylvania, in her twenties, Mercure was already an adept musician when she encountered a local and lively theater scene, and was asked to score an unorthodox performance of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWaiting for Godot\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. The experience was pivotal in marrying music and image for Mercure, and so she began making music for film, television, dance, and theater. It wasn’t until a long sojourn in Eindhoven, however, that she became transfixed by electronic music (ala \u003c\/span\u003e\u003cb\u003eConrad Schnitzler\u003c\/b\u003e\u003cspan\u003e, whom she would correspond with for years) that would inform her music to come.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcoustic elements such as voice and stringed instruments add a haunting lyricism to the non-tonal space unoccupied by electronic presence in Mercure’s music. The graduality of phrasing and measured sequence of tones also distinguish her music from the repetition and improvisation-heavy hallmarks of the Kosmische genre, a stylistic antecedent for the artist. Mercure’s fascination, or obsession, with new, consumer conscious music technology is demonstrated in her inventive sequencing and sampling, adding a mechanical, sometimes menacing, feel to \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMercure’s contemporaries became the kindred minds of the Eurock “scene” such as \u003c\/span\u003e\u003cb\u003eThe Nightcrawlers\u003c\/b\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eLauri Paisley\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eDon Slepian\u003c\/b\u003e\u003cspan\u003e. It was in association with Paisley and \u003c\/span\u003e\u003cb\u003ePauline Anna Strom\u003c\/b\u003e\u003cspan\u003e that Eurock featured Mercure in an article titled “Women Synthesists” in 1986. The three artists all shared a bravura for homespun, self-produced electronic music that looked beyond pop conventions for a higher plane of avant-gardism or musical spirituality. Not long after the article went to print, Mercure offered \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEye Chant\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, her standalone vinyl album self-released in 1987.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e extends RVNG Intl.’s preservation efforts to sister label \u003c\/span\u003e\u003cb\u003eFreedom To Spend\u003c\/b\u003e\u003cspan\u003e who reissued \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEye Chant\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e in 2017, an occasion marking just over twenty years since its original release on Mercure’s own Quick Shower Music. (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEye Chant\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and the cassettes surveyed on \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, were originally credited to Michelle Musser, the name which the artist used until a divorce in 1987).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe anthological scope of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e joins \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEye Chant\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e to restore the canon of Mercure’s arresting dream-music, revisiting this anomalous creator’s breakthrough material.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Beside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e will be released on double LP, CD, and digital formats on November 9, 2018. The set features liner notes by \u003c\/span\u003e\u003cb\u003eEmily Pothast\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand an incredible array of unseen photography and ephemera of the era.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qr3QzXRRJ9o\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZEQCxwMfQ0o\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/A2B-O6v5W_8\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"ReRVNG12","offers":[{"title":"DIGITAL - $10","offer_id":17650564726853,"sku":"RERVNG12DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"DBL LP - $30","offer_id":13130827857989,"sku":"RERVNG12LP","price":30.0,"currency_code":"USD","in_stock":false},{"title":"CD - $15","offer_id":13130827825221,"sku":"RERVNG12CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/RERVNG12_-_Digital_Cover_-_1500px.png?v=1539119262"},{"product_id":"rvng-prsnts-mx6-mx6ten-10-inches-of-fear-60-minutes-of-fear-jd-twitch","title":"RVNG Prsnts MX6 \u0026 MX6TEN: 10 Inches Of Fear \u0026 60 Minutes Of Fear - JD Twitch","description":"\u003ch5\u003e10″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Flux of Pink Indians – Tube Disasters (JD Twitch Re-Edit) (5:25)\u003c\/li\u003e\n\u003cli\u003eA2. Honey Bane – Guilty (JD Twitch Re-Edit) (3:54)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Zounds – War (JD Twitch Re-Edit) (3:31)\u003c\/li\u003e\n\u003cli\u003eB2. The Mob – Witch Hunt (JD Witch Re-Edit) (4:37)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MX6 \u0026amp; MX6TEN\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 18th, 2008\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe only thing we have to hear is fear itself. On our latest and (perhaps) most ambitious Rvng project to date, JD Twitch, one half of Glasgow's Optimo, trolls the UK gutters, shattered US shores, and squats and 7\" labels in between on the 10 Inches of Fear 10\" and 60 Minutes of Fear mix. Three decades of punk rock spanned and re-contextualized for the not-so-new millennium of fear.\u003c\/p\u003e\n\u003cp\u003eFrom Twitch's personal history (printed in full on the mix CD fold out poster): \"The mid to late 1980s was the period when I really started to buy a lot of records. I was particularly obsessed with (mainly) American bands like Sonic Youth, Big Black, Swans, Butthole Surfers, Flipper etc. etc. This project came about after a late night (slightly tipsy) conversation between myself and Matt from RVNG in New York a couple of years ago when we discovered we both shared a love for many of those bands.\"\u003c\/p\u003e\n\u003cp\u003eFor 10 Inches of Fear, Twitch re-edits four classic tracks from the extended Crass Records catalog. Honey Bane's \"Guilty\" and The Mob's \"Witch Hunt\" edits have already gained some notoriety in online music trading circles. Flux of Pink Indians' \"Tube Disasters\" and Zounds' \"War\" complete two 10\" sides of dark, dancey politi-punk.\u003c\/p\u003e\n\u003cp\u003eWe had the distinct pleasure of working with all of these artists for approval and input on Twitch's re-workings for the 10\". We pressed 300 copies of the 10\" on colored, \"red haze\" vinyl and are distributing at random through mailorder and at retail. While supplies last, igetrvng.com customers receive their 10\" in a custom sewn canvas bag (in black and white) with a one-color screen print. Each 10\" is hand stamped with a red Rvng shield.\u003c\/p\u003e\n\u003cp\u003eThe 60 Minutes of Fear CD features 22 classic and obscure punk rock tracks expertly selected and mixed by Twitch. The CD is packaged in a gigantic 20\" x 20\" double-sided, fold out poster with an amazing personal punk rock history compiled by Twitch. The promotional CD is included \u003cb\u003efree\u003c\/b\u003e with purchase of the limited edition 10\".\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"10\" + CD - $12","offer_id":13130833625157,"sku":"SKU-222","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5374-RVNGMXTEN_Cover_500x500_eb51326b-8001-41f9-bbf0-a10cb34977a3.jpg?v=1535218925"},{"product_id":"rvng-of-the-nrds-vol-8-in-flagranti","title":"RVNG Of The NRDS Vol. 8 - In Flagranti","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Aural Yaw – Send (4:50)\u003c\/li\u003e\n\u003cli\u003eA2. Petite Storm – Stahl Rig (4:40)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm):\u003c\/li\u003e\n\u003cli\u003eB1. We’re Lofty Volt – Alter Flaw (3:41)\u003c\/li\u003e\n\u003cli\u003eB2. Sea Skid – Swami (3:48)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS08\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: March 10th, 2009\u003c\/div\u003e\n\u003cp\u003eWho's got the biggest balls of them all? For the 8th installment in the Rvng of the Nrds 12\" series, NYC wrecking crew In Flagranti strap on their studded gloves and rev through a pair of high energy rock n' roll rompers, a Coffey flavored space disco dirge, and some slap happy, next Level white boy funk. All in their signature spastic circumcise style. Balls to the wall.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1091 copies, 2c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, Naughtycal black print. Addt'l cover color screen printed by\u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003c\/p\u003e\n\u003cp\u003eDesigned by Kevin O'Neill at Will Work For Good.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130834083909,"sku":"SKU-223-384","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5376-40_nrds08_front_a.jpg?v=1535218929"},{"product_id":"rvng-of-the-nrds-vol-9-jackpot","title":"RVNG Of The NRDS Vol. 9 - Jackpot","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Brief Encounter (7:32)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33rpm):\u003c\/li\u003e\n\u003cli\u003eB1. Night Flight (5:06)\u003c\/li\u003e\n\u003cli\u003eB2. Jungle Gym (5:09)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCat#: NRDS09\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 29th, 2009\u003c\/div\u003e\n\u003cp\u003eFeeling lucky? Stockholm's high plains drifters Jackpot show their cards for our 9th (and 2nd to last) installment in the Rvng of the Nrds 12\" series. On the A-side, the duo cuts a disco Diamond to pieces with handclap slapback and string stabs a plenty. The B-side gets ahead of the beat on a sure bet of Dreamy arpeggiation and rolls the Bones on an early house classic. This is an ace up a (record) sleeve if we ever saw one.\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePressing details:\u003c\/p\u003e\n\u003cp\u003e2 dub plates 5 test pressings 1019 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets w\/ black \"lick\" \u0026amp; classy disco print.\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball (Brooklyn, NY)\u003cbr\u003e 222 Strawberry \/ 253 White \/ 270 Mint \/ 274 Chocolate\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill at Will Work For Good.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130838868037,"sku":"SKU-225-378","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5384-NRDS09_Cover_01.jpg?v=1535218934"},{"product_id":"rvngnl01","title":"Endless Bummer - Pink Skull","description":"\u003ch3\u003eCAT #: RVNGNL01\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: November 10, 2009\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe dystopian frontier is near, but never fear. In the new era of endlessness where we hide ourselves as humans among androids, there is hope. On \u003cem\u003eEndless Bummer\u003c\/em\u003e, the second album from Pink Skull, the producer duo of Julian Grefe and Justin Geller rip out the tracking chip and jump the grid on a quest for purity among putridity.\u003c\/p\u003e\n\u003cp\u003eEndless Bummer was engineered by \u003cb\u003eQuentin Stolzfus\u003c\/b\u003e (Mazarin) and recorded live to 8 tracks on 1\" tape at Alex Ounsworth's (of \u003cb\u003eClap Your Hands Say Yeah\u003c\/b\u003e) studio outside of Philadelphia. The 'in the moment' feel accomplished at the 200 year old barn doesn't typify traditional dance or ambient recordings but rather creates a hauntingly stoned environment that allows the album as much free form as it does structure.\u003c\/p\u003e\n\u003cp\u003eThe result of this balance parallels the Bummer along the various lines of \u003cb\u003ePIL's Metal Box, The Orb's Pomme Fritz EP, the tropicalia Dada-ism of Tom Ze, and Eno \u0026amp; Cluster.\u003c\/b\u003e Living \/ breathing electronic music made beyond the computer screen for bigger screens, Bummer could easily soundtrack a remake of Videodrome as well as it could a Kubrickian classic.\u003c\/p\u003e\n\u003cp\u003eEndless Bummer is available on vinyl and mp3 formats. Each LP comes with a digital download of the full album (+ three bonus tracks) and \u003cem\u003eBeardo Tyrannicus\u003c\/em\u003e, a collection of original and found works by Pink Skull, laid out by \u003ca href=\"http:\/\/willworkforgood.org\/\"\u003eWill Work For Good\u003c\/a\u003eacross two 18” x 24” newsprint posters. Look for Pink Skull's frenetic live show on select dates supporting the release of Endless Bummer.\u003c\/p\u003e\n\u003cp\u003eAbout the packaging...\u003c\/p\u003e\n\u003cp\u003eFor the living \/ breathing packaging of \u003cem\u003eEndless Bummer\u003c\/em\u003e, Pink Skull and Rvng prepared \u003cb\u003ea list of 1000 different \"bummers\"\u003c\/b\u003e informed by our symptomatic culture (ranging from \"ADULT DIAPERS\" to \"ZOMBIE INVASION\") \u003cb\u003eand letter pressed 900 of these across a variation of three flo-colored jackets\u003c\/b\u003e printed with vegetable-based inks at Stumptown Printers.\u003c\/p\u003e\n\u003cp\u003eThe 60 hours spent slaving over the letter press at Silver Spring, MD non-profit arts center Pyramid Atlantic took on an endless if not hallucinogenic feel but never veered into bummer territory.\u003c\/p\u003e","brand":"RVNGNL01","offers":[{"title":"DIGITAL - $8","offer_id":18838952345669,"sku":"RVNGNL01DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130840932421,"sku":"RVNGNL01LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5390-52_rvngl01_cover_02.jpg?v=1535218938"},{"product_id":"rvng-of-the-nrds-vol-1-the-flying-squad","title":"RVNG Of The NRDS Vol. 1 - The Flying Squad","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Trip 1 (8:44)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSide B 45rpm\u003c\/li\u003e\n\u003cli\u003eB1. Trip 2 (5:48)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS01\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease Date: May 2006\u003c\/p\u003e\n\u003cdiv\u003eAll aboard, brothers and sisters. Two of your favorite disco tracks re-edited by The Flying Squad for the first volume in the Rvng of the Nrds 12\" series. You know the commander of The Flying Squad, don't you? The voice behind a long long standing New York radio show, the long haired, deep digging DJ that makes rooms across the globe GET INTO IT?! This is the first 12\" release of a whole lotta production work you'll hear from The Flying Squad over the next year. Enjoy, enjoy.\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 28 test pressings\u003cbr\u003e 1,030 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1,100 chipboard jackets, black \"Flying Squad\" print both sides\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball, Brooklyn, NY\u003cbr\u003e 250 Magenta \/ 275 Orange \/ 275 Yellow \/ 300 Red\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin at Chinese Ollie.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846273605,"sku":"SKU-232-375","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5406-NRDS01_CoverB.jpg?v=1535218947"},{"product_id":"rvng-of-the-nrds-vol-3-mock-toof","title":"RVNG Of The NRDS Vol. 3 - Mock \u0026 Toof","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Digit 1 (3:32)\u003c\/li\u003e\n\u003cli\u003eA2. Digit 2 (3:29)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Digit 3 (8:13)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS03\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: April 17th, 2007\u003c\/div\u003e\n\u003cp\u003eDigging deeper into the proverbial pie, Mock \u0026amp; Toof go balls deep with a triple shot of in the pink edits for the ongoing Rvng of the Nrds 12\" series. The merry pranksters behind the infamous Lycra Virgin \/ Tight Humps edits and a slew of remixes (The Juan Maclean, Hot Chip, and The Scissor Sisters), get their digits dirty on a track that rudely awakened Justine Frischmann, a southern boogie classic, and an interstellar afro jam. Let your fingers do the fucking, Mock \u0026amp; Toof have already done the rest.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, black \"digits\" \/ Mock \u0026amp; Toof print both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/punkrockpayroll.com\/\" target=\"_new\"\u003ePunk Rock Payroll\u003c\/a\u003e (Philadelphia, PA)\u003cbr\u003e 275 White \/ 275 Navy Blue \/ 275 Fluorescent Pink \/ 275 Fluorescent Orange\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130846404677,"sku":"SKU-236","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5420-15_NRDS03_CoverWhite.jpg?v=1535218952"},{"product_id":"rvng-of-the-nrds-vol-4-lovefingers","title":"RVNG Of The NRDS Vol. 4 - Lovefingers","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Kentucky (4:20)\u003c\/li\u003e\n\u003cli\u003eA2. Zoysia (5:12)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Bermuda (5:04)\u003c\/li\u003e\n\u003cli\u003eB2. Astroturf (5:19)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS04\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease Date: November 13th, 2007\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eLovefingers is the the melted mind behind the Mp3 blog of the same name. A Laurel Canyon intelli-stoner (think Lebowski meets Klaus Schulze) recently uprooted to NYC, Lovefingers fits in with the other beardos and weirdos here inhaling \/ exhaling deep dug 70s and 80s heavenly \/ earthly jams. Lovefingers debut set of edits are burners from a mid-70s pre-disco Spanish compilation, a Moroder obsessed Bollywood composer, a squishy-squashy space funk anthem, and an Italian new-age progenitor. Get faded.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, black cosmic characters printed on both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 261 Blue \/ 287 Mint \/ 314 Red-ish \/ 238 Yellow\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846470213,"sku":"SKU-238-385","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5427-Album-Cover.jpg?v=1535218957"},{"product_id":"rvng-of-the-nrds-vol-5-wade-nichols","title":"RVNG Of The NRDS Vol. 5 - Wade Nichols","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45 rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Wanda Rode Again (6:37)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Horse With No Shame (4:39)\u003c\/li\u003e\n\u003cli\u003eB2. Abracadobro (4:26)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS05\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: June 24th, 2008\u003c\/div\u003e\n\u003cp\u003eHowdy Partners. For the latest installment in the ongoing Rvng of the Nrds 12\" series, Wade Nichols saddles up and puts his spurs into some dusty (and dusted) AM radio classics. Nichols gives some four-on-the floor love to everyone's favorite flute touting, bearded boogie band's big hit, tames a wild American horse with a punchy kick, and starts a disco brawl with anthemic refrains and slide guitars. Head for the sunset, space cowboys. This one's for you. Yeehaw.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, mutated horse + visitor print both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 263 White \/ 287 Yellow \/ 273 Warm Red \/ 277 Copper\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846601285,"sku":"SKU-241-381","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5437-NRDS05_Copper.jpg?v=1535218963"},{"product_id":"rvng-of-the-nrds-vol-6-jacques-renault","title":"RVNG Of The NRDS Vol. 6 - Jacques Renault","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33 RPM):\u003c\/li\u003e\n\u003cli\u003eA1. Bad Skinned (6:28)\u003c\/li\u003e\n\u003cli\u003eA2. Sweet Rollin’ On (5:40)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45 RPM):\u003c\/li\u003e\n\u003cli\u003eB1. Tuxedo Dance (7:05)\u003c\/li\u003e\n\u003cli\u003eB2. Bad Skin Effect (1:54)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS06\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 2nd, 2008\u003c\/div\u003e\n\u003cp\u003eShhhh. The dirtiest disco secrets should stay that way. Leave 'em for the dark corners of the dance floor, the alleyway and taxi ride home, the drug addled recesses of your next morning mind. On his Rvng of the Nrds Vol. 6 12\", Jacques Renault escorts and edits three tracks with enough sleaze to shut down an Upper West Side bath house. Mr. Renault lazer tinges a cosmic rapper's delight, gets horn-y over some frolicking Rhodes and bass growls, and let's the guitar sling and high hats slush over a classic penguin strut. Go ahead, let your freak out. The secret stays safe with us.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, \"class act\" black print. Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 271 Purple \/ 276 Silver \/ 274 Red \/ 275 White \/ 4 Burgundy\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846699589,"sku":"SKU-242-382","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5443-NRDS06_Front_RED__discogs.jpg?v=1535218966"},{"product_id":"rvng-of-the-nrds-vol-7-greg-wilson","title":"RVNG Of The NRDS Vol. 7 - Greg Wilson","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Cosmic DJ Delight (7:11)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm):\u003c\/li\u003e\n\u003cli\u003eB1. Sacrificial Soul (6:11)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS07\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: December 9th, 2008\u003c\/div\u003e\n\u003cp\u003eFor our lucky seventh 12\" in the Rvng of the Nrds series, the Galactic Captain of the edit, Greg Wilson, makes bodies move with two grooves from the heart and soul. Cosmic DJ Delight cycle spins an Italo classic through giddy guitar orbit while adding groovy echoes from the bright corners of the big 90s dancefloor. Soul Sacrifice plunges the percussive depths of San Fran's finest jam moment of 1969 and comes up modulating for more. Seriously enlightened cuts from the creator and originator.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1091 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, \"Sexy Bettie\" black print. Addt'l cover color screen printed by\u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 275 Purple \/ 276 Yellow \/ 271 Cyan \/ 275 Green\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived by Greg Wilson and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130853875781,"sku":"SKU-244-383","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5451-NRDS07_Back.jpg?v=1535218970"},{"product_id":"rvng-prsnts-mx7-mx7seven-purple-brain","title":"RVNG PRSNTS MX7 \u0026 MX7SEVEN - Purple Brain","description":"\u003ch5\u003ePurple Brain 7″ track listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33 RPM)\u003c\/li\u003e\n\u003cli\u003eA1. Barry DeVorzon and Perry Botkin Jr. – The Riot (PB Edit) (3:30)\u003c\/li\u003e\n\u003cli\u003eA2. Purple Brain – Purple Brain Theme (1:34)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33 RPM)\u003c\/li\u003e\n\u003cli\u003eB1. Bahumutsi Drama Group – To The Comrades (PB Edit) (5:16)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MX7 \u0026amp; MX7SEVEN\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: June 2009\u003c\/div\u003e\n\u003cp\u003eObey your brain. From the cerebral ether of \u003cb\u003eAndre\u003c\/b\u003e Bumrocks and \u003cb\u003eJason Convict!\u003c\/b\u003e comes \u003cb\u003ePurple Brain\u003c\/b\u003e, the new mix CD and 7\" from Rvng Intl. Australians in former lives, the duo have called NYC home for several moons, respectively cultivating insane record collections shared outside of their bro-zone through transcendental online archives (see:\u003ca href=\"http:\/\/bumrocks.com\/\"\u003ebumrocks.com\u003c\/a\u003e) and far reaching mix tapes (listen: \u003ca href=\"http:\/\/www.lovefingers.org\/mp3\/noodle.mp3\"\u003eTime To Noodle\u003c\/a\u003e and \u003ca href=\"http:\/\/www.r-n-d.net\/fileadmin\/audio\/mixes\/HeyConvictSlowMo.mp3\"\u003eDrunken Chicken\u003c\/a\u003e).\u003c\/p\u003e\n\u003cp\u003eFollowing some prodding by Rvng and then promises of fame, riches, and immortality, the two minds turned to one after months collecting and compiling cuts over just the right \/ wrong mixes as to work within a broad, psychoactive stroke.\u003c\/p\u003e\n\u003cp\u003eThe 60 minute Purple Brain mix is a \u003cb\u003etransformational\u003c\/b\u003e affair. There's no right place or time, rather the listener is paralyzed and abducted by a higher force. The Brain uses abstract themes of transgression, outsider art, and the occult to create a cinematic feel throughout the mix. This could \/ should be the soundtrack to a lost \u003cb\u003eNew Hollywood\u003c\/b\u003e or\u003cb\u003eCronenberg\u003c\/b\u003e film or a documentary on a great heretic or healer.\u003c\/p\u003e\n\u003cp\u003eThe music contained within moves through the \u003cb\u003epounding rock\u003c\/b\u003e side of \u003cb\u003edisco\u003c\/b\u003e to loose\u003cb\u003eafro-rock, metallic clang, desert dirge,\u003c\/b\u003e and \u003cb\u003esynth overloads\u003c\/b\u003e. Accented by sound collages constructed by the Brain, the mix is a meditative journey into the mind's dark eye. No intermission, no encore, to be listened loud and under influence.\u003c\/p\u003e\n\u003cp\u003eThe 7\" features two edits from the mix and an original composition. On the a-side, Purple Brain take future \/ former soap opera theme composer \u003cb\u003eBarry De Vorzon's\u003c\/b\u003e collaboration with \u003cb\u003ePerry Botkin Jr.\u003c\/b\u003e, \"The Riot\" from the R.P.M. soundtrack, and rev the frenzy factor to eleven. After the bell and whistle pastiche of The PB Theme, the Brain extend the political policy of \u003cb\u003eMaishie Maponya's\u003c\/b\u003e \"To the Comrades\" from the \u003cb\u003eBahumutsi Drama Group's\u003c\/b\u003e production of Busang Meropa.\u003c\/p\u003e\n\u003cp\u003eThe CD \/ 7\" comes packaged in a \u003cb\u003esuper size\u003c\/b\u003e (21\" x 28\") two color poster and insert designed by \u003cb\u003eKevin O'Neill\u003c\/b\u003e of \u003cb\u003eWill Work For Good\u003c\/b\u003e. 300 7\"s are pressed on \u003cb\u003epurple vinyl\u003c\/b\u003eand randomly circulating throughout mail and retail orders.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e3 1\/2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1033 7\"s, 21\" x 28\" 2c poster, 2c CD inserts w\/ die cut CD holder\u003cbr\u003e 300 copies translucent purple colored vinyl\u003cbr\u003e 1100 CDs manufactured. CDs still suck.\u003c\/p\u003e\n\u003cp\u003e\"The Riot\" licensed to Rvng by Sony BMG.\u003cbr\u003e \"To the Comrades\" licensed to Rvng by Maishie Maponya.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"7” + CD (Purple Vinyl) - $20","offer_id":41465856622655,"sku":"RVNGMX7LP-C1","price":20.0,"currency_code":"USD","in_stock":false},{"title":"7” + CD (Black Vinyl) - $15","offer_id":41465856655423,"sku":"RVNGMX7LP","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5457-RVNGMX7_Cover.jpg?v=1535218972"},{"product_id":"rvngmx7d-purple-braini","title":"RVNGMX7D: PURPLE BRAINI","description":"\u003ch3\u003eCAT #: MX7D\u003c\/h3\u003e\n\u003cdiv\u003eWe are pleased to announce the next exciting phase in the \u003cb\u003ePurple Brain\u003c\/b\u003e life cycle through a truly unique and limited extension of this brain bending concept.\u003c\/div\u003e\n\u003cp\u003eThe \u003cb\u003ePurple Braini\u003c\/b\u003e comes at you in a 7\" case hand crocheted by \u003cb\u003eDani Griffiths\u003c\/b\u003e of\u003cb\u003eClyde\u003c\/b\u003e. The three dimensional life size specimen also comes encased in an 8\" acrylic cube along with the 7\", CD, and poster. There are only \u003cb\u003e10\u003c\/b\u003e of these in existence, \u003cb\u003e3\u003c\/b\u003e of which you can purchase through our website.\u003c\/p\u003e\n\u003cp\u003eIt's time for the serious brainiacs to step up to the plate and welcome this beautiful freak into your collections. If you'd like a brain and would like to inquire about pricing, please e-mail \u003ca href=\"mailto:getrad@igetrvng.com\"\u003egetrad@igetrvng.com\u003c\/a\u003e.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130853941317,"sku":"SKU-247","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5459-BRAINI01_Pic03.jpg?v=1535218974"},{"product_id":"frkwys02","title":"FRKWYS Vol. 2 - Excepter","description":"\u003ch3\u003eCAT #: FRKWYS02\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 5th, 2009\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRvng is proud to announce a new 12\" series entitled \u003cb\u003eFRKWYS\u003c\/b\u003e. A play on the name of the legendary Folkways record label founded by Moses Asch in the late 40s to document sound and movement in music from around the world, our FRKWYS (think Freakways) 12\" series pairs contemporary artists and their progenitors by way of remix, reinterpretation, and original collaboration.\u003c\/p\u003e\n\u003cp\u003eLike the Folkways releases, each installment in Rvng's FRKWYS series lives under a thematic banner (albeit sometimes loose) and explores a different facet of electronic music. The first release in the series features collaborations from NYC avant-pranksters \u003cb\u003eExcepter\u003c\/b\u003e with \u003cb\u003eChris Carter\u003c\/b\u003e and \u003cb\u003eCosey Fanni Tutti\u003c\/b\u003e of \u003cb\u003eThrobbing Gristle\u003c\/b\u003e and \u003cb\u003eChris \u0026amp; Cosey\u003c\/b\u003e, \u003cb\u003eJG Thirwell\u003c\/b\u003e of \u003cb\u003eFoetus\u003c\/b\u003e and his many alter egos, and \u003cb\u003eJack Dangers\u003c\/b\u003e of \u003cb\u003eMeat Beat Manifesto\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eThe result of this premiere series edition is a new and entirely relevant industrial revolution. Chris \u0026amp; Cosey draw from their early output (Heartbeat, Trance) and turn Excepter's \"Shot Ring\" into a whip smart primitive techno mix while JG Thirwell orchestrates \"Stretch\" as a wildly percussive, brassy acid track. Jack Dangers adds heavy bonus beats with a pitched down dub and bass dance dirge of \"Kill People\".\u003c\/p\u003e\n\u003cp\u003eWe are housing these limited edition 12\"s (900 copies \/ pressing) in a classic package using heavy stock jackets applied in leatherette and tip on adhesives, creating a truly substantial and archival feel. You have to see \/ hear this record to believe it.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 906 12\"s, leatherette wrap w\/ blue adhesive, silver spot ink on black labels\u003c\/p\u003e","brand":"FRKWYS02","offers":[{"title":"DIGITAL - $4","offer_id":13130854203461,"sku":"FRKWYS02DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"LP - $12","offer_id":13130854170693,"sku":"FRKWYS02LP","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5461-FRKWYS02_Cover_01.jpg?v=1535218977"},{"product_id":"rvng-of-the-nrds-vol-10-pilooski","title":"RVNG Of The NRDS Vol. 10 - Pilooski","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33rpm):\u003c\/li\u003e\n\u003cli\u003eA1. AAA (9:25)\u003c\/li\u003e\n\u003cli\u003eA2. OOO (locked groove)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eEtching\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS10\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: January 26th, 2010\u003c\/div\u003e\n\u003cp\u003eIn the end there were ten. On the final installment in our Rvng of the Nrds 12\" series, Parisian patriarch of the edit Pilooski wanders into the dark heart of a Jamaican jungle jam. Birds of paradise squawk and squeak over a ghostly female lament while an echo chambered guitar riff crescendos into haunting hammond swells and a bouncy bass dirge. The one-sided 12\" locks on a tumbling tabla and mystic's moan. The b-side features an etching inspired by the whip cream pie scene in Revenge of the Nerds. It's a joke that five people will get. But that's ok, because in the end, the joke was on us. S'ank you, very much.\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1005 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at Will Work For Good.\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1005 chipboard jackets w\/ black \"mystic desert wanderer\" print.\u003cbr\u003e 250 Bronze \/ 255 Copper \/ 241 Gold \/ 259 Silver\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130854236229,"sku":"SKU-249-376","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5467-58_nrds10_cover_01.jpg?v=1535218981"},{"product_id":"rvngnl02","title":"Candyman - These Are Powers","description":"\u003ch3\u003eCAT #: RVNGNL02\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: February 23, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThese Are Powers\u003c\/b\u003e lay it on thick, sweet, and sludgy for their new \u003ci\u003eCandyman\u003c\/i\u003e EP. The Brooklyn-based trio of Anna Barie (vocals \u0026amp; electronics), Pat Noecker (bass, electronics, vocals), and Bill Salas (beats \u0026amp; production) do nothing to sugar coat the grimy center of a new, bass bin rattling, electro-shock sound.\u003c\/p\u003e\n\u003cp\u003ePOWERS kick off the EP with \"Candyman\", a naughty nursery rhyme set to a bombastic East meets West-Indies reggaeton shuffle. The rifling bass and scattered snare shots of \"Gutterspaces\" emerge as dancehall back from the future, followed by the sputter to mega-life Chicago juke and drone fest of \"World Class Peoples\".\u003c\/p\u003e\n\u003cp\u003eThe EP also includes a runway house remix of \"Candyman\" by globe-trotters \u003cb\u003eTeengirl Fantasy\u003c\/b\u003e and a remix of \"World Class Peoples\" by Costa Rica's \u003cb\u003eCosmetics\u003c\/b\u003e that is as much Burial as it is Scott Walker.\u003c\/p\u003e\n\u003cp\u003eThe artwork, by Kevin O'Neill at Will Work For Good, is inspired by the slimy fetish known as sploshing. The sploshee featured on the cover will remain anonymous. First pressing limited to 1000 copies.\u003c\/p\u003e\n\u003cp\u003eMastered by Leandro Gonzales at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at \u003ca href=\"http:\/\/www.willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, red \u0026amp; white labels\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 1100 full color jackets w\/ designated inner sleeves.\u003cbr\u003e \u003ciframe src=\"\/\/www.youtube.com\/embed\/Q_5BRo71pPQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL02","offers":[{"title":"DIGITAL - $8","offer_id":18838918856773,"sku":"RVNGNL02DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130854400069,"sku":"RVNGNL02LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5473-59_tap01front.jpg?v=1535218985"},{"product_id":"infinidelity-boxset-historics","title":"Infinidelity Boxset - Historics","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rvng.bandcamp.com\/album\/infinidelity\"\u003eInfinidelity by Historics\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date: June 8, 2010\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDownload the samples for all ten tracks \u003ca href=\"http:\/\/igetrvng.com\/historics\/retail\/infinidelity_samples.zip\" target=\"_new\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003cbr\u003e \u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the \u003cb\u003ehistorics\u003c\/b\u003e \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e (\u003ci\u003eFeathers Like Leather\u003c\/i\u003e, \u003ci\u003e57 Octaves Below...\u003c\/i\u003e, \u003ci\u003eWhite Pigeons\u003c\/i\u003e), \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from historics late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003eThe \u003ci\u003eInfinidelity\u003c\/i\u003e story is one of meditation within \/ without a relationship, wrapped in a transient prose that skirts comedic and tragic traditions. \u003ci\u003eStrategies For Apprehension\u003c\/i\u003edeals in related subjects, those of bonds forged and broken, of ever-shifting alliances. In keeping with those themes, the conception and recording of the record were devoutly unfaithful to any rote route of standard-fare album construction. From those sessions were born enough boundless ideas to place in the hands of others, who in turn have created their own commentaries on and reinterpretations of the music.\u003c\/p\u003e\n\u003cp\u003eThe artwork, informed by Leo's story and spanning across the three 12\"s, was created by artist \u003cb\u003eMark McCoy\u003c\/b\u003e. The intricate collages convey sanctity within immolation, sacrifice to nature's thorny embrace. \u003cb\u003eKevin O'Neill\u003c\/b\u003e at \u003cb\u003eWill Work For Good\u003c\/b\u003e commanded the build \u0026amp; design of the packaging.\u003c\/p\u003e\n\u003cp\u003eThe first 12\" features remixes from \u003cb\u003eTom Croose\u003c\/b\u003e, \u003cb\u003eSirBlly\u003c\/b\u003e \u0026amp; \u003cb\u003eCreso\u003c\/b\u003e, \u003cb\u003eLow Motion Disco\u003c\/b\u003e, and \u003cb\u003ePink Stallone\u003c\/b\u003e. The second 12\" features remixes from \u003cb\u003eJackpot\u003c\/b\u003e, \u003cb\u003eUFO!\u003c\/b\u003e, \u003cb\u003eAllez-Allez\u003c\/b\u003e, and \u003cb\u003eCFCF\u003c\/b\u003e. The third 12\" features remixes from \u003cb\u003eLeo Zero\u003c\/b\u003e \u0026amp; \u003cb\u003eAndrew Allsgood\u003c\/b\u003e. Each artist was given Leo's story and McCoy's artwork to allow cohesive exercises. The remixes of Infinidelity are as dark as they are light but ultimately serve to elevate the dance floor.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. The box sets come in an incredibly limited edition of 50 and are constructed to house all three records in stunning 24\" x 34\" black \u0026amp; white poster prints and a custom wrapped box. The 12\"s will also be available separately and digitally at \u003cb\u003eiTunes\u003c\/b\u003e, \u003cb\u003eBeatport\u003c\/b\u003e, \u003cb\u003eJuno\u003c\/b\u003e, and \u003cb\u003eTurntable Lab\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e50 box sets\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e Jackets \u0026amp; designated sleeves printed at \u003ca href=\"http:\/\/stumptownprinters.com\/\" target=\"_new\"\u003eStumptown Printers\u003c\/a\u003e.\u003cbr\u003e Box sets assembled with love by \u003ca href=\"http:\/\/willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"3x12\"","offer_id":13130854432837,"sku":"SKU-252-354","price":42.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5485-62_histboxa.jpg?v=1535218987"},{"product_id":"infinidelity-pt-3-historics","title":"Infinidelity Pt. 3 - Historics","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rvng.bandcamp.com\/album\/infinidelity\"\u003eInfinidelity by Historics\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSide A\u003c\/li\u003e\n\u003cli\u003eA1. Skin Orders (Leo Zero Remix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eB1. Two Tons (Andrew Allsgood's Two Tons of Fun Remix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MI004 \/ RVNGNL04.5\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 16, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the historics \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e, \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from \u003cb\u003ehistorics\u003c\/b\u003e late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity Pt. 3\u003c\/i\u003e closes out the 12\" series with two monstrous remixes. UK remix maven and recent \u003cb\u003eStrut Records\u003c\/b\u003e mix maker \u003cb\u003eLeo Zero\u003c\/b\u003e turns \"Skin Orders\" into a sprawling, eight minute mix of rapid fire drum patterns akin to \"Bombs Over Baghdad\" and odyssey-like, Garcia inspired guitar work by \u003cb\u003eCrow\u003c\/b\u003e of \u003cb\u003eMountain of One\u003c\/b\u003e. Canadian producer \u003cb\u003eAndrew Allsgood's\u003c\/b\u003e take on \"Two Tons\" stomps away with a heavy kick, conga-laden percussion, and fuzzed out bass line, eventually oscillating into a cosmic cataclysm and refrain. This remix fits in nicely with Allsgood's classic 12\" for \u003cb\u003eHistory Clock\u003c\/b\u003e and features additional production by \u003cb\u003eWorst Friends\u003c\/b\u003e. Complete the \u003ci\u003eInfinidelity series\u003c\/i\u003e with this final chapter.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. Each 12\" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by \u003cb\u003eMark McCoy\u003c\/b\u003e. Digital available at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\" - $18","offer_id":13130854465605,"sku":"RVNGNL04.5","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5488-historics-infinidelity_pt._3.jpg?v=1535218990"},{"product_id":"frkwys04","title":"FRKWYS Vol. 4 - Psychic Ills","description":"\u003ch3\u003eCAT #: FRKWYS04\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cb\u003eRelease date: \u003c\/b\u003eSeptember 21st, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe fourth volume of \u003cb\u003eFRKWYS\u003c\/b\u003e sees the work of \u003cb\u003ePsychic Ills\u003c\/b\u003e reinterpreted by an ancestry of artists that reflect the New York City group's artistic trajectory over the last seven years of avant exploration.\u003c\/p\u003e\n\u003cp\u003eTrue to the FRKWYS series, each artist selected to collaborate with Psychic Ills helped pioneer a new realm in electronic music. This volume is as much a testament to Psychic Ills' effort to push their sound forward through new eyes and ears as it is their interest linking the lineage of the artists involved. The record reads like a family tree, its roots firmly planted in psychedelic German soils, the trunk a techno pillar, and branches tangled in the experimental ether.\u003c\/p\u003e\n\u003cp\u003eAlmost a year in the making, FRKWYS Vol. 4 is a detailed document of like-minded communication from afar and close. Psychic Ills first initiated contact with \u003cb\u003eHans-Joachim Irmler\u003c\/b\u003e, founding member of German kraut-fathers \u003cb\u003eFaust\u003c\/b\u003e, who delivers a primal \/ industrial strength double take on \"Witchcraft Breaker\" from \u003ci\u003eDins\u003c\/i\u003e, the band's first full length. Detroit techno progenitor \u003cb\u003eJuan Atkins\u003c\/b\u003e was contacted on an unlikely whim and immediately responded to \"Mantis\", from Ills' second album \u003ci\u003eMirror Eye\u003c\/i\u003e, with a boiler room deep mix that whumps to a soulful bass line and scans 180 phase fields. Psychic Ills tour companion \u003cb\u003eGibby Haynes\u003c\/b\u003e of \u003cb\u003eButthole Surfers\u003c\/b\u003e grips \"I Take You As My Wife Again\", another track from \u003ci\u003eMirror Eye\u003c\/i\u003e, and hypnotically oscillates it into dark dimensions of synthesized rhythm.\u003c\/p\u003e\n\u003cp\u003eThis volume of FRKWYS is limited to \u003cb\u003e550 vinyl copies\u003c\/b\u003e, packaged in thick black jackets with a two color adhesive wrap. \u003cb\u003e50 subscriber copies\u003c\/b\u003e come in leatherette jackets. Digital available at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e5 test pressings\u003cbr\u003e 550 copies, black \u0026amp; silver labels\u003cbr\u003e Mastered at \u003ca href=\"http:\/\/www.finyltweek.com\/\" target=\"_new\"\u003eFinyl Tweek\u003c\/a\u003e.\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/igetrvng.com\/discography\/www.brooklynphono.com\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 500 jackets w\/ adhesive. 50 subscriber jackets w\/ adhesive tip on leatherette.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FRKWYS04","offers":[{"title":"DIGITAL - $5","offer_id":13130854531141,"sku":"FRKWYS04DIGI","price":5.0,"currency_code":"USD","in_stock":true},{"title":"LP - $12","offer_id":13130854498373,"sku":"FRKWYS04LP","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5495-75_frkwys04_cover_500x500_e612fda4-a280-4a3f-81a9-a92f2b8ab4d7.jpg?v=1535218993"},{"product_id":"infinidelity-pt-2-historics","title":"Infinidelity Pt. 2 - Historics","description":"\u003ciframe width=\"\" height=\"\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/\" style=\"position: relative; display: block; width: px; height: px;\" allowtransparency=\"true\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A\u003c\/li\u003e\n\u003cli\u003eA1. Taverns (Jackpot Copy Paste Mix) (4:54)\u003c\/li\u003e\n\u003cli\u003eA2. Take It To The Top (UFO! Remix) (4:18)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eB1. Things Alright (Allez-Allez Metalic Mix) (5:59)\u003c\/li\u003e\n\u003cli\u003eB2. Take It To The Top (CFCF Remix) (4:56)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MI003 \/ RVNGNL03.5\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: August 24, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the historics \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e, \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from \u003cb\u003ehistorics\u003c\/b\u003e late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e pt. 2 locks into the groove in hit form with a \"Taverns\" remix by Sweden's \u003cb\u003eJackpot\u003c\/b\u003e, a track that neatly pits the vocal track against a jack happy beat and arpeggios that joyfully amp up the outro. \u003cb\u003eKool Keith\u003c\/b\u003e pops his head in the \u003cb\u003eUFO!\u003c\/b\u003e remix of \"Take it to the Top\", making it cool to rap about Eric Clapton over the hyper-dub marching band madness. The 12\" continues on its eclectic way with a metallic revision of \"Things Alright\" by RVNG sound racketeers \u003cb\u003eAllez-Allez\u003c\/b\u003e and ends with a Kool Keith redux and some Miami Bass \/ saxophone skeeze with Montreal's \u003cb\u003eCFCF\u003c\/b\u003e at the helm of another \"Take it to the Top\" remix.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. Each 12\" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by \u003cb\u003eMark McCoy\u003c\/b\u003e. Digital available at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"- $18","offer_id":13130854760517,"sku":"RVNGNL03.5LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5509-74_infinidelity_pt2.jpg?v=1535218997"},{"product_id":"the-jekyll-ep-joie-noire-blackjoy","title":"The Jekyll EP - Joie Noire \/ Blackjoy","description":"\u003ch3\u003eCAT #: PR003\u003c\/h3\u003e\n\u003cp\u003eVoila! The third installment in \u003cb\u003e\u003ca href=\"http:\/\/publicrelease.tumblr.com\/\" target=\"_new\"\u003ePublic Release\u003c\/a\u003e's\u003c\/b\u003e outstanding and well-liked Private Release picture disc series (Vol. 2 can be found \u003ca href=\"http:\/\/igetrvng.com\/shop\/70\"\u003ehere\u003c\/a\u003e) launches the focus from out of NYC and into the Parisiosphere, which is totally welcome since after all, this is a San Francisco-based label.\u003c\/p\u003e\n\u003cp\u003eBut really, what a wonderful pairing they've got this time around, with \u003cb\u003eJoie Noire\u003c\/b\u003e on Side A, and his more recognizable alter ego \u003ca href=\"http:\/\/www.myspace.com\/blackjoy2000\"\u003eBlackjoy\u003c\/a\u003e on the B (hence the Jekyll'd out title). In this case, \u003cb\u003eA stands for acid\u003c\/b\u003e, as we are treated to a bubbling techno concoction named \u003cb\u003e\"Games\"\u003c\/b\u003e, which features liberal melodies that don't feel the need to start and stop where they might be expected to do so. Any objections to that? \"Shut your mouth\". You'll understand if you pick up this 12\", which if you haven't already, you can now. \u003cb\u003eSide B\u003c\/b\u003e revisits Blackjoy's \u003cb\u003e\"Secrets\"\u003c\/b\u003e track off of his 2010 \u003cb\u003e\u003ci\u003eErotis\u003c\/i\u003e\u003c\/b\u003e album, which appears in an extended form here. That is a great thing, since \u003cb\u003ethe groove on this cut is most tantalizing.\u003c\/b\u003e Quite happy he decided to stretch this one out. Definitely not as tecque'd up as the A, but a familiar funky sound for which BJ is known, as evidenced on the \u003ca href=\"http:\/\/lucienent.com\/\"\u003eLucien Ent.\u003c\/a\u003e site (song snippets galore).\u003c\/p\u003e\n\u003cp\u003eOverall, yet another perfect picture disc that reminds us all that \u003cb\u003ewe can have our steak and eat it too!\u003c\/b\u003e\u003c\/p\u003e","brand":"PR003","offers":[{"title":"12\" - $18","offer_id":13130854826053,"sku":"PR003LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5525-85_prvol3_sidea_500.jpg?v=1535219001"},{"product_id":"rvngnl05","title":"Blondes - Lover \/ Hater","description":"\u003ch3\u003eCAT #: RVNGNL05\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: March 15, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e follow up their 2010 \u003ci\u003eTouched\u003c\/i\u003e EP (\u003cb\u003eMerok\u003c\/b\u003e) with \u003ci\u003eLover \/ Hater\u003c\/i\u003e, a two track 12\" inaugurating a three part record series on \u003cstrong\u003eRVNG\u003c\/strong\u003e exploring duality concepts. Recorded live to 2\" tape at \u003cb\u003eAtlantic Sound\u003c\/b\u003e in Brooklyn, these set staples capture Blondes at their headiest and deadliest. \"Lover\" places a shamanistic \u003cb\u003eMeredith Monk\u003c\/b\u003e vocal sample atop a ritualistic rhythm, transporting the track to a trancefloor spirit worlds away. \"Hater\" builds on cascading keyboard cycles before breaking into an \u003ci\u003eE2-E4\u003c\/i\u003e-on-the-floor bounce.\u003c\/p\u003e\n\u003cp\u003eMastered at \u003cb\u003eDubplates \u0026amp; Mastering\u003c\/b\u003e. Artwork by \u003cb\u003eKevin O'Neill\u003c\/b\u003e. Limited pressing.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/lopxp1yw3Qo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL05","offers":[{"title":"DIGITAL - $6","offer_id":19142168215621,"sku":"RVNGNL05DIGI","price":6.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130858299461,"sku":"RVNGNL05LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5528-86_rvngnl05_cover_500x500_front.jpg?v=1535219003"},{"product_id":"frkwys05","title":"FRKWYS Vol. 5 - Mirror Mirror","description":"\u003ch3\u003eCAT #: FRKWYS05\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: April 6th, 2011\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFRKWYS Vol. 5 highlights \u003cb\u003eMirror Mirror\u003c\/b\u003e, the Brooklyn based avant-pop duo of David Riley and Ryan Lucero.\u003c\/p\u003e\n\u003cp\u003eInterested in examining the electronically-tinged savoir faire of their debut album, \u003ci\u003eThe Society for the Advancement of Inflammatory Consciousness\u003c\/i\u003e, while also eager to document the new industrial direction in which Mirror Mirror are headed, we wrangled together a team of FRKWYS collaborators that was more born of workplace \"what if...\" than a back and forth between the label and band. Fortunately, David and Ryan were on board with our candidates, all decidedly culled from a post-punk pantheon of those who were busy dubbing up and dropping out while their contemporaries jaggedly jangled and angled away.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStuart Moxham\u003c\/b\u003e of Welsh minimalists \u003cb\u003eYoung Marble Giants\u003c\/b\u003e, as well as the short-lived solo project \u003cb\u003eThe Gist\u003c\/b\u003e, was first to deliver his mix of \"Love is the Law\" from \u003ci\u003eSociety\u003c\/i\u003e, which deals in the same stunningly exotic and heady pop sounds that have helped mold his celebrated career (including that undeniable YMB guitar tone). \u003cb\u003eAlig Pearce\u003c\/b\u003e of notorious agit-punks \u003cb\u003eFamily Fodder\u003c\/b\u003e next submitted a disciplined dub of \"New Horizons\", also from \u003ci\u003eSociety\u003c\/i\u003e, complete with meditative instructions for anti-inflammatory consciousness. \u003cb\u003eRico Conning\u003c\/b\u003e, of the eerily dubbed out, lost-in-time group \u003cb\u003eThe Lines\u003c\/b\u003e, auditioned early mixes of Mirror Mirror's forthcoming album and transformed \"Oddfellows\" into a blissed-out, behind-the-beat mix akin to his production for \u003cb\u003eDepeche Mode\u003c\/b\u003e and \u003cb\u003eWilliam Orbit\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eThe final collaborative product on this record truly does serve as the bridge between Mirror Mirror's first and second albums. With a musical legacy firmly yet obscurely rooted in NYC's halcyon electronic music scene with ties to pioneering No Wave, hip hop, and electro projects (see \u003cb\u003eIke Yard\u003c\/b\u003e, \u003cb\u003eDeath Comet Crew\u003c\/b\u003e, and \u003cb\u003eDominatrix\u003c\/b\u003e), \u003cb\u003eStuart Argabright \u003c\/b\u003ehelped craft \"Nau Sau Ser Bil Uma Rah Rab\", a thrillingly melodic six minute original track.\u003c\/p\u003e\n\u003cp\u003eFrkwys Vol. 5 is available in limited edition, packaged in thick black jackets with a two color adhesive wrap. 50 subscriber copies come in leatherette jackets. Digital download available 4\/19\/11 at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/21169014\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/vimeo.com\/21169014\"\u003eMirror Mirror w\/ Stuart Argabright - Nau Sau Ser Bil Uma Rah Rab\u003c\/a\u003e from \u003ca href=\"http:\/\/vimeo.com\/rvng\"\u003eRVNG Intl.\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 13px;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRKWYS05","offers":[{"title":"DIGITAL - $4","offer_id":13130859282501,"sku":"FRKWYS05DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"LP - $12","offer_id":13130859249733,"sku":"SKU-261-349","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5534-91_frkwys05_cover_500x500_c0ce5a95-6830-4968-9c5b-7c2b1549897b.jpg?v=1535219007"},{"product_id":"frkwys06","title":"FRKWYS Vol. 6 - Julianna Barwick \u0026 Ikue Mori","description":"\u003ch3\u003eCAT #: FRKWYS06 \/ WCR004\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003eFRKWYS Vol. 6 features four pieces composed and performed by artists \u003cb\u003eJulianna Barwick and Ikue Mori\u003c\/b\u003e as part of a month-long installation curated by RVNG Intl. at White Columns gallery, New York, NY.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWhen RVNG accepted an invitation by \u003ca href=\"http:\/\/igetrvng.com\/discography\/www.whitecolumns.org\/\"\u003e\u003cb\u003eWhite Columns\u003c\/b\u003e\u003c\/a\u003e director \u003cb\u003eMatthew Higgs\u003c\/b\u003e to display in the all-purpose Project Space, we envisioned a venue to host a FRKWYS collaboration. The non-profit gallery's long-standing support for experimental music dates back to the Noise Fest, a nine day event curated by Thurston Moore in June of 1981 that featured many prominent downtown New York musicians.\u003c\/p\u003e\n\u003cp\u003eKeeping the institution's regard for NYC avant music in mind, we looked to \u003cb\u003eIkue Mori\u003c\/b\u003e, a member of No Wave anti-stars \u003cb\u003eDNA\u003c\/b\u003e and pioneer of drum machine and software improvisation, and \u003cb\u003eJulianna Barwick\u003c\/b\u003e, an artist recognized for the ethereal loop-based vocal compositions of her 2009 \u003cb\u003e\u003ci\u003eFlorine EP\u003c\/i\u003e\u003c\/b\u003e and 2011 \u003cb\u003e\u003ci\u003eThe Magic Place LP\u003c\/i\u003e\u003c\/b\u003e, to forge the focal point on our opening night event.\u003c\/p\u003e\n\u003cp\u003eFor the installation, a particle-board cubicle was custom constructed and placed at the center of the Project Space. The cubicle wall separated Julianna and Ikue to their respective seated work stations, while web cams captured the musicians at work \/ play and became interactive projections manipulated by video artist \u003cb\u003eErik Mika\u003c\/b\u003e, illuminating this exercise in simulated engagement.\u003c\/p\u003e\n\u003cp\u003eEach of Julianna and Ikue's improvised performances on October 29th, 2010, were cut live to vinyl via portable lathe. On the album's June 14th release date, the set of four unique lathe cuts and an elaborate art book will be made available for offers on igetrvng.com. The book features creative direction by Will Work For Good and photographs from the two events by \u003cb\u003eAubrey Mayer\u003c\/b\u003e and \u003cb\u003eJody Rogac\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eJulianna and Ikue met a second time three weeks later at White Columns, November 16th, 2010. This time the two musicians collaborated without an audience, cubicle, web cams, or lathe, but with past experience and spirit in place, an exercise in actual engagement. The four pieces of FRKWYS Vol. 6 include two performances from the first collaboration and two performances from the latter collaboration.\u003c\/p\u003e\n\u003cp\u003eFrkwys Vol. 6 is a shared release with The Sound of White Columns. The LP is available in \u003cb\u003elimited edition, packaged in thick black jackets with a two-color adhesive wrap.\u003c\/b\u003e50 subscriber copies come in leatherette jackets. \u003cb\u003eThe first pressing came with a 24-page black \u0026amp; white zine\u003c\/b\u003e; the book features creative direction by \u003cb\u003e\u003ca href=\"http:\/\/www.willworkforgood.org\/\"\u003eWill Work For Good\u003c\/a\u003e\u003c\/b\u003e and photographs from the two events by \u003cb\u003eAubrey Mayer and Jody Rogac.\u003c\/b\u003e \u0026gt;\u0026gt;\u0026gt; \u003ca href=\"http:\/\/www.igetrvng.com\/FRKWYS\/06\/retail\/FRKWYS06_WC_ZINE.pdf\"\u003eThe zine is no longer available, but you can \u003cb\u003eFLIP THRU THE BOOK IN PDF FORM\u003c\/b\u003e\u003c\/a\u003e \u0026lt;\u0026lt;\u0026lt;\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRKWYS06","offers":[{"title":"DIGITAL- $10","offer_id":13130859348037,"sku":"FRKWYS06DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $25","offer_id":13130859380805,"sku":"FRKWYS06LP","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5542-98_frkwys06_cover_500x500_bf9f47a8-d09b-43f7-8efe-91b1e2a4a0ca.jpg?v=1535219011"},{"product_id":"speckled-fruit-maxi-ep-regal-degal","title":"Speckled Fruit Maxi EP - Regal Degal","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3120185794\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/regaldegal.bandcamp.com\/album\/regal-degals-speckled-fruit\"\u003eRegal Degal's Speckled Fruit by Regal Degal\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A:\u003c\/li\u003e\n\u003cli\u003e1. Pretty Busy\u003c\/li\u003e\n\u003cli\u003e2. Peace On Repeat\u003c\/li\u003e\n\u003cli\u003e3. Eaten Alive In Front Of Stained Glass\u003c\/li\u003e\n\u003cli\u003e4. Loris Night\u003c\/li\u003e\n\u003cli\u003e5. The Digest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B:\u003c\/li\u003e\n\u003cli\u003e1. Regal Coital Suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: ROTI001\u003c\/h3\u003e\n\u003cdiv\u003eFollowing the \u003ci\u003eFormat Worth\u003c\/i\u003e cassette release on RVNG Intl., \u003cb\u003eRegal Degal\u003c\/b\u003e return with \u003ci\u003eSpecked Fruit\u003c\/i\u003e, a smash n' grab 12\" Maxi-EP of outsider lysergic pop for mutant sound huffers n' handsome dweebs. The first side crams in five jams clinically and cynically treated for fourth eye clarity. Demonstrating the Brooklyn trio's formative song-writing, tracks like \"Pretty Busy\" and \"Eaten Alive In Front of Stained Glass\" work at \u003cb\u003eSwell Maps\u003c\/b\u003e levels, while \"Peace On Repeat\" and \"The Digest\" perfectly reference the early 90s takin'-a-piss-pop of \u003cb\u003eThe Cows\u003c\/b\u003e. The b-side is a portable tape recorder mess of manic practice space panic. Recommended record of a record that could have been released on \u003cb\u003eRecommended Records\u003c\/b\u003e.\u003c\/div\u003e\n\u003cp\u003eEdition of 300. 3-color spray-painted stencil sleeve artwork.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"12\" - $18","offer_id":13130859774021,"sku":"SKU-266-372","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5549-101_speckled_sleeve500.jpg?v=1535219014"},{"product_id":"frkwys07","title":"FRKWYS Vol. 7 - Borden, Ferraro, Godin, Halo \u0026 Lopatin","description":"\u003ch3\u003eCAT #: FRKWYS07\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003eThe full-length player of \u003cb\u003eFRKWYS Vol. 7\u003c\/b\u003e features pieces improvised in various forms by \u003cb\u003eDavid Borden\u003c\/b\u003e, \u003cb\u003eJames Ferraro\u003c\/b\u003e, \u003cb\u003eSamuel Godin\u003c\/b\u003e, \u003cb\u003eLaurel Halo\u003c\/b\u003e, and \u003cb\u003eDaniel Lopatin\u003c\/b\u003e.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWhen Lopatin (\u003cb\u003eOneohtrix Point Never\u003c\/b\u003e, \u003cb\u003eFord \u0026amp; Lopatin\u003c\/b\u003e) and RVNG Intl. began discussing this FRKWYS collaboration, Borden's work in \u003cb\u003eMother Mallard's Portable Masterpiece Co.\u003c\/b\u003e and his seminal \u003ci\u003eMusic For Amplified Keyboard Instruments\u003c\/i\u003e album were mutually \/ ecstatically acknowledged. While rooted in academia, Borden's minimalist compositions deal in natural themes, evoking expansive environments.\u003c\/p\u003e\n\u003cp\u003eThe idea to grow the project to include additional collaborators was inspired both by Borden's accomplishments in ensemble improvisation and by a basic desire for collective energy and levity. \u003cb\u003eAtlantic Sound Studio\u003c\/b\u003e in DUMBO, Brooklyn became the meeting destination for Lopatin and Borden, alongside musicians Halo, Godin, and Ferraro.\u003c\/p\u003e\n\u003cp\u003eOver two days in August 2010, the ensemble played infinitely. During tour breaks the following fall and winter, the endless hours of recordings were paired down to the selections of FRKWYS Vol. 7. The music of the album represents full session takes, edited only for time. The cosmically dense but dynamic nature of the recording reveals the diverse ingredients seasoning the spatial stew. \"People of Wind\" Parts 1 and 2 were amongst first takes from the two-day session. The pieces exhibit the ensemble in early harmony, allowing each other textural counterpoint play while avoiding rigidity. \"Internet Gospel\" Parts 1 and 2 demonstrate the players at ease and taking turns at solo accompaniments, ending in a Fourth World freak out. \"Twilight Pacific\" and \"Just a Little Pollution\" are compiled from middle points of the session - structured statements in solidarity.\u003c\/p\u003e\n\u003cp\u003eThe limited edition LP version of FRKWYS Vol. 7 is packaged in thick black jackets with a two-color adhesive wrap. 50 subscriber LPs come in leatherette jackets. The CD resembles a miniature version of the LP. Both LP and CD will be available July 17th, and digital download will be available July 30th at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRKWYS07","offers":[{"title":"DIGITAL - $10","offer_id":13130860593221,"sku":"FRKWYS07DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13130860527685,"sku":"FRKWYS07LP","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD - $15","offer_id":13130860560453,"sku":"FRKWYS07CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5552-103_frkwys07_500x500_4667ce1e-999e-421b-98cd-f22fbce24e78.gif?v=1535219018"},{"product_id":"rvngnl06","title":"Clean Plate - Clean Plate","description":"\u003ch3\u003eCAT #: RVNGNL06\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the Great Blizzard of 2010, \u003cb\u003eJulian Grefe\u003c\/b\u003e and \u003cb\u003eJustin Geller\u003c\/b\u003e of \u003cb\u003ePink Skull \u003c\/b\u003ealongside \u003cb\u003eQuentin Stolzfus\u003c\/b\u003e (\u003cb\u003eAzusa Plane\u003c\/b\u003e, \u003cb\u003eMazarin\u003c\/b\u003e) holed up in a two hundred year old barn with 20 some odd (and some not) synthesizers, the mighty Pink Skull Modular, a 1 inch 8-track, and enough mushrooms to shelter a village of Smurfs. The result of this meeting of the mind-melters is the \u003cb\u003eClean Plate\u003c\/b\u003e album, an analog inner space journey in the tradition of \u003cb\u003eTangerine Dream's\u003c\/b\u003e \u003ci\u003ePhaedra\u003c\/i\u003e and \u003cb\u003eBrainticket's\u003c\/b\u003e \u003ci\u003eVoyage\u003c\/i\u003e. Gurgling pads, stalactitic arpeggios, whole synth hog drones, groans and moans, guide the listener through the tube into a sublime union with an ominous reality abyss. 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The two 12\" sides were performed and recorded live without overdubs while the duo was stationed in Berlin between European dates this past winter. Both \"Business\" and \"Pleasure\" let the melodic textures breath before layers of synth, sub bass, and percussion are marched out and into the deep pockets of these late-night, hypnotic house burners. Who says business and pleasure can't mix?\u003c\/p\u003e\n\u003cp\u003eMastered by \u003cb\u003eFrederic Strader\u003c\/b\u003e at \u003cb\u003eDubplates \u0026amp; Mastering\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eArtwork by \u003cb\u003eWill Work For Good\u003c\/b\u003e. Limited pressing.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/ejIjohgBsiU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL07","offers":[{"title":"DIGITAL - $4","offer_id":19142143311941,"sku":"RVNGNL07DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130865279045,"sku":"RVNGNL07LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5566-RVNGNL11.jpg?v=1535219025"},{"product_id":"rvngnl09","title":"Mirror Mirror - Interiors","description":"\u003ch3\u003eCAT #: RVNGNL09\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: August 16th, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.mirrormirror-nyc.com\/\"\u003eMIRROR MIRROR\u003c\/a\u003e, the New York based duo of \u003cb\u003eDavid Riley\u003c\/b\u003e and \u003cb\u003eRyan Lucero\u003c\/b\u003e, bring their avant-pop explorations to RVNG Intl. with the release of \u003cb\u003e\u003ci\u003eInteriors\u003c\/i\u003e\u003c\/b\u003e, the ten-song follow up to their debut album, \u003ci\u003eThe Society for the Advancement of Inflammatory Consciousness\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded in two parts, Interiors features the production work of \u003cb\u003eChris Coady\u003c\/b\u003e (Beach House, Gang Gang Dance, Zola Jesus), who helped realize an expansive sound from Mirror Mirror's home-studio recordings. The other album half, aided by \u003cb\u003eJoshua da Costa's\u003c\/b\u003e monstrous and metronomic live drumming, was produced by \u003cb\u003eThomas Asenault \u003c\/b\u003eand \u003cb\u003eZeljko McMullen\u003c\/b\u003e at So Many Fields (Brooklyn, NY).\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInteriors\u003c\/i\u003e deals in themes of secret societies, escapist fantasies, and psychological extremes. \u003cb\u003e\"Sublime Objective\"\u003c\/b\u003e opens the album in the mind's eye of an adventurer attempting a daring mountain climb. \"Under the Sun\" rollicks under ray-baked guitars until it's split in two by a cameo from \u003cb\u003eSSION\u003c\/b\u003e front man \u003cb\u003eCody Critcheloe\u003c\/b\u003e. \"Dot Dot Dot\" mutates an R\u0026amp;B midi-bass line, before \"Sick City\" tours an underworld of nightwalkers and plastic shamans. 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Grefe alongside \u003cb\u003eJustin \"JG\" Geller\u003c\/b\u003e, forms the central nervous system of a \u003cb\u003ePink Skull\u003c\/b\u003e. The duo expanded to include \u003cb\u003eJeremy Gewertz\u003c\/b\u003e (drums), \u003cb\u003eMike Hammel\u003c\/b\u003e (bass), and \u003cb\u003eSam Murphy\u003c\/b\u003e(guitar) for the recording and live realization of \u003ci\u003eEndless\u003c\/i\u003e, and then expanded once more to include \u003cb\u003eAdam Sparkles\u003c\/b\u003e (programming) and \u003cb\u003eRobin van der Kaa\u003c\/b\u003e (bass, programming) for\u003ci\u003ePsychic Welfare\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePsychic Welfare\u003c\/i\u003e was produced by Pink Skull and \u003cb\u003eJeff Zeigler\u003c\/b\u003e (\u003cb\u003eKurt Vile\u003c\/b\u003e, \u003cb\u003eWar On Drugs\u003c\/b\u003e) between the band's Philadelphia studio and Brooklyn, NY. Contending with the seismic swells in both the macro and micro worlds around him, Grefe refracted the polluted waves in a fantastical fit to write the 13 songs of \u003ci\u003ePsychic Welfare\u003c\/i\u003e. The album is a map of time and space portals in which the listener can navigate from the corroded corners of machinated life to boundless, amorphous space in mere seconds.\u003c\/p\u003e\n\u003cp\u003eAcross the album's pull-out poster artwork for \u003ci\u003ePsychic Welfare\u003c\/i\u003e is a hand-scrawled poem by the late NYC sage \u003cb\u003eIra Cohen\u003c\/b\u003e entitled \"Blind Assemblage\". In the poem, Cohen describes the decay of society and struggles to find civility within tragedy, a sentiment mirrored in Grefe's lyrical content of \u003ci\u003ePsychic Welfare\u003c\/i\u003e, if not masked by a new found pop propensity.\u003c\/p\u003e\n\u003cp\u003eThe lead track on the album, \"Hot Bubblegum,\" a Television-inspired piece of pop perfectly pushes this dichotomy of psychotic playfulness. \"Mu\" is a sprawling instrumental spread of blissed-out 80s funk, complete with a tin rooftop sax solo by \u003cb\u003eBilly Dufala\u003c\/b\u003e (\u003cb\u003eMan Man\u003c\/b\u003e). \"Janine Aubergine\" fictionalizes Grefe's girlfriend's bluegrass fiddle-playing aunt as a psychedelic maven over a tango groover, while \"Bee Nose (Put Yr Face On)\" is a woozy, hazy late-night phone call from the warped Scottish countryside circa 1998. \"Summer Reading\" feels like a \u003ci\u003eTransformer\u003c\/i\u003e-era \u003cb\u003eLou Reed\u003c\/b\u003e bullying \u003cb\u003eMark E. Smith\u003c\/b\u003e around a disco bouncey castle.\u003c\/p\u003e\n\u003cp\u003eTracks from \u003ci\u003ePsychic Welfare\u003c\/i\u003e were remixed by \u003cb\u003eBrassica\u003c\/b\u003e, \u003cb\u003eHigamos Hagamos\u003c\/b\u003e, \u003cb\u003eRay Mang\u003c\/b\u003e, and \u003cb\u003eWorst Friends\u003c\/b\u003e. Each of these remixes will be released as single support and included alongside additional original tracks as bonus downloads. The artwork of Psychic Welfare is taken from a a series of visual synth feedback experiments conducted by the band and video artist \u003cb\u003eAdam Carrigan\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePsychic Welfare\u003c\/i\u003e is available now as an LP and across digital formats via RVNG Intl. 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Blues Control's evolved output gracefully arcs with influence and innovation that gleams electronic, New Age, and hard rock terrains. Laraaji's name came up early in that conversation and felt intrinsic to Waterhouse and Cho's own musical calling.\u003c\/p\u003e\n\u003cp\u003eAfter learning various instruments in his formative years and studying composition at Howard University, Laraaji eventually found his musical conduit in an electronically-modified zither. Laraaji's 1979 album \u003ci\u003eCelestial Vibration\u003c\/i\u003e (recorded as \u003cb\u003eEdward Larry Gordon\u003c\/b\u003e) places the stringed instrument at the forefront on two side-length excursions in rhythmic ambiance. The 1980 album \u003ci\u003eAmbient 3: Day of Radiance\u003c\/i\u003e, produced by \u003cb\u003eBrian Eno\u003c\/b\u003e for his ambient record series, further documented Laraaji's zither explorations alongside Eno's soundscaping. Laraaji continues to pursue music both in its recorded form and as a healing tool.\u003c\/p\u003e\n\u003cp\u003eBlues Control and Laraaji convened at \u003cb\u003eBlack Dirt Studio\u003c\/b\u003e in upstate New York on December 9th, 2010. Over the course of a single studio day, the three musicians (accompanied on certain jams by Laraaji's \"musical friend\" \u003cb\u003eArji Cakouros\u003c\/b\u003e) improvised on several themes, providing nearly four hours of material and the basis for FRKWYS Vol. 8. After meticulous note taking, sharing, and rough edits among Blues Control and Laraaji, the album was fully fleshed out.\u003c\/p\u003e\n\u003cp\u003eWithout context, it's hard to imagine that these musicians never creatively collaborated before this juncture. The dynamic breadth (and breath) of the album feels both effortless and epic, a line usually straddled only after years of playing together. 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BIS002 12\" features artwork by \u003cb\u003eCF\u003c\/b\u003e (aka - Providence-based artist \u003cb\u003eChristopher Forgues\u003c\/b\u003e), purveyor of the \u003ci\u003ePowr Mastrs\u003c\/i\u003e comic book epic and a finely-tweaked \u0026amp; tuned in dude. The 12\" packaging constructed by \u003cb\u003eWill Work For Good\u003c\/b\u003e features a removable vinyl BIS logo cling. The 12\" will be available on February 7th, 2012 from fine retailers worldwide. 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In conjunction, RVNG will release \u003ci\u003eICON EYE\u003c\/i\u003e, a feature film documenting the young musicians’ time spent living and learning The Congos way.\u003c\/p\u003e\n\u003cp\u003eIn hindsight, the FRKWYS Vol. 9 timeline takes on dream-like qualities. In a matter of months, the idea for the collaboration was divinely inspired, The Congos reassembled in their original formation, and Sun Araw (earthly name \u003cb\u003eCameron Stallones\u003c\/b\u003e), Gengras, alongside filmmakers \u003cb\u003eTony Lowe\u003c\/b\u003e and \u003cb\u003eSam Fleischner\u003c\/b\u003e, traveled to St. Catherine, Jamaica (45 minutes outside of Kingston) for ten days to undertake the unknown.\u003c\/p\u003e\n\u003cp\u003eWhat events would transpire in the Portmore neighborhood of St. Catherine can only be described as blessed. The gates opened wide and warmly, the musicians and filmmakers ate, slept, and smoked at The Congos headquarters, their mural-emblazoned studio, home, and spiritual compound. An environment steeped in the Ital lifestyle, Rastafarian reflection and meditation, and a rich community bubbling with musical energy, both young and old artist would learn an unspoken creative language.\u003c\/p\u003e\n\u003cp\u003eHaving recorded some loose musical themes in LA to help inspire the creative process, Stallones and Gengras could only count on the shared respect for the sacrament of music to guide their work with The Congos. This respect is the foundation upon which Sun Araw \u0026amp; M. Geddes Gengras meet The Congos - \u003ci\u003eICON GIVE THANK\u003c\/i\u003e is built.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eGIVE THANK\u003c\/i\u003e is not a dub reggae album, though it shares some of the genre's production characteristics. Rather, it's an album of Stallones and Gengras's melodically experimental meditations ornamented with The Congos' soulful vocal leads and four-part harmonies. The four kings of the The Congos share the vocal throne over the course of\u003ci\u003eGIVE THANK\u003c\/i\u003e. \u003cb\u003e\"Congo Ashanti\" Roy Johnson\u003c\/b\u003e tenor, \u003cb\u003eCedric \"Bongo\" Myton's\u003c\/b\u003efalsetto, \u003cb\u003eWatty Burnett\u003c\/b\u003e baritone, and \u003cb\u003eKenroy \"Tallash\" Fyffe\u003c\/b\u003e cosmic vocal glue command singularity and create an essence combined.\u003c\/p\u003e\n\u003cp\u003eThe visual companion to the musical fruit of \u003ci\u003eGIVE THANK\u003c\/i\u003e is \u003ci\u003eICON EYE\u003c\/i\u003e, a feature-length travelogue executively produced by \u003cb\u003eChristine Vachon\u003c\/b\u003e (\u003cb\u003eKiller Films\u003c\/b\u003e) and \u003cb\u003eRandall Poster\u003c\/b\u003e \u0026amp; \u003cb\u003eGelya Robb\u003c\/b\u003e (\u003cb\u003eSearch Party Music\u003c\/b\u003e). Shot by Lowe and Fleischner, \u003ci\u003eICON EYE\u003c\/i\u003eevokes a musical and cultural intersection through refracted atmospheres and a feeling of magical, rhythmic synchronicity. \u003ci\u003eICON EYE\u003c\/i\u003e shares dubbed-out editing techniques inherent in the reggae sub-genre, rendering a visual \"version\" of the album.\u003c\/p\u003e\n\u003cp\u003eThrough the diaristic yet cinematic lens of handheld HD cameras, secret moments from the studio, fishing villages, late night dances, abandoned hotels and The Congos' yard are blended into a strange tapestry. Musicians, computers, children, and food reveal mystical resonance. \u003ci\u003eICON EYE\u003c\/i\u003e is the first RVNG Intl. film production. Director \/ editor \/ cinematographer Lowe and producer \/ cinematographer Fleischner previously collaborated on \u003ci\u003eBelow the Brain\u003c\/i\u003e (2011), a documentary about Brooklyn Carnival.\u003c\/p\u003e\n\u003cp\u003eThe FRKWYS Vol. 9 - \u003cb\u003eSun Araw \u0026amp; M. 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On “Mascat”, analog space junk flies in and out of an orbital framework built upon nearly nine minutes of bubbling bass and peripheral percussion. Space boogie at its finest.\u003c\/p\u003e\n\u003cp\u003eAn anti-gravity exercise in repetition, \u003cb\u003eLee Douglas\u003c\/b\u003e remixes \"Macsat\" for the flipside. Reaching a zen state through mantra-like looping that would make Steve Reich proud, Douglas reworks Lauer’s sounds from a delicate and pensive place to a muscular and propulsive groove. Most if not all of the synthesized glitter from the original is eventually forgone in favor of blasted percussion and an unrelenting bassline.\u003c\/p\u003e\n\u003cp\u003eThe digital bonus remix by \u003cb\u003eThe Backwoods\u003c\/b\u003e - aka \u003cb\u003eDJ Kent\u003c\/b\u003e, one half of Tokyo’s \u003cb\u003eForce of Nature\u003c\/b\u003e - floats “Macsat” back to earth. The soulful piano that backbones the track conjures sunrises off the shores of Orion and a galactic hangover from all the space juicin’. The Backwoods brings some brawn to the original arrangement and allows alien interception by way of a mangled but melodic celestial sound choir.\u003c\/p\u003e\n\u003cp\u003eEach 12\" from Beats in Space Records features original artwork in considerate and serial form. BIS004 12\" features artwork by \u003cb\u003eKensei Yabuno\u003c\/b\u003e, whose mutant life form illustrations lurk in corners all over the design universe. The 12\" packaging constructed by Will Work For Good features a removable vinyl BIS logo cling. The 12\" is available from fine retailers worldwide and digitally version from the drab internet universe.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch3 style=\"text-align: center;\"\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/49433206\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BIS004","offers":[{"title":"DIGITAL - $4","offer_id":13130875469893,"sku":"BIS004DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13130875535429,"sku":"BIS004LP","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5684-142_bis004_cover_a_500x500_bd521f50-8e9a-419e-abf0-e903025f623b.jpg?v=1535219069"},{"product_id":"rvngnl15","title":"Holly Herndon - Movement","description":"\u003ch3\u003eCAT #: RVNGNL15\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 13th, 2012\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHolly Herndon’s\u003c\/b\u003e \u003ci\u003eMovement\u003c\/i\u003e is the debut offering of material by the young musician, modernist, and machinist.\u003c\/p\u003e\n\u003cp\u003eRestless for reckless cultural immersion, Herndon left her Johnson City, Tennessee home as a teenager for Berlin, Germany. For several years, Herndon lived and learned techno music as party dweller and performer, eventually returning wide-minded to the States to pursue a Masters in Electronic Music at Mills College. Under the guidance of network pioneer \u003cb\u003eJohn Bischoff\u003c\/b\u003e, \u003cb\u003eRoscoe Mitchell\u003c\/b\u003e, and \u003cb\u003eMaggi Payne\u003c\/b\u003e, Herndon pursued her experiments with processed voice and explored embodiment in electronic music, earning the Elizabeth Mills Crothers award for best composer in 2011.\u003c\/p\u003e\n\u003cp\u003eStarted at the end of Herndon’s studies, \u003ci\u003eMovement\u003c\/i\u003e is a test chamber that hybridizes her modern composition training and undying devotion to club music. To this extent, the influences of \u003cb\u003eMaryanne Amacher\u003c\/b\u003e and \u003cb\u003eGalina Ustvolskaya\u003c\/b\u003e are as prevalent in Herndon’s music as \u003cb\u003ePan Sonic\u003c\/b\u003e and Berlin and Birmingham 90s techno. 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Those possibilities are what I work towards and against.\"\u003c\/p\u003e\n\u003cp\u003eIncorporating themes of presence and physicality \/ flux and futurity within said musical expressions and tool set, \u003ci\u003eMovement\u003c\/i\u003e translates the Avant-Garde into what Herndon fundamentally considers “life practice”. \u003cem\u003eMovement\u003c\/em\u003e opens with the malfunctioning hum and cyborg stutter of “Terminal”. “Breathe”, a minimalist articulation of data complexity within the human voice, informs the processing of Herndon’s own vocal melodies in the syncopated house track “Fade”.\u003c\/p\u003e\n\u003cp\u003eThe collection’s centerpiece “Movement” is about human-computer symbiosis and musically re-imagines what is perceived as “natural” atop a vigilant acid grind. “Dilato” drifts the live baritone vocal stream of \u003cb\u003eBruce Rameker\u003c\/b\u003e through a slight digital process to curious mortal frays.\u003c\/p\u003e\n\u003cp\u003eHerndon’s ability to sharp turn from synthetic psychosis to hard-coded human sensuality allows Movement approachability for any listener knowingly or unknowingly seeking technological enlightenment. 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