{"title":"Sale","description":"","products":[{"product_id":"bis003","title":"Paradis - Hemisphere b\/w Je M'ennui","description":"\u003ch3\u003eCAT #: BIS003\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: May 22nd, 2012\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eReturning to \u003cb\u003eBeats in Space\u003c\/b\u003e after their debut 12\" (and the label's debut release) in the fall of 2011, \u003cb\u003eParadis\u003c\/b\u003e offers \"Hémisphère\" and \"Je m'ennuie\", another pair of sophisticatedly crafted, noir-pop songs from the young Parisian duo.\u003c\/p\u003e\n\u003cp\u003eOn the two tracks of their second 12\", Paradis self-reflect to find an escape hatch away from themselves. The A-Side, \"Hémisphère\", a macabre story of a lonely guest of life determined to leave everything behind, defies the narrative's convention and captivates with pop melodies and up beats abound.\u003c\/p\u003e\n\u003cp\u003eOn the B-Side, \"Je M'ennuie\", lovers settle into late-night melancholic routines soundtracked by a brooding bass line, an achingly affective synth lead, and vocals that grin behind the disaffected front. Ultimately, hope prevails as both tracks beg the listener to leave their headphones behind for the global village's dance floor. From Paris to Cologne, from Buenos Aires to New York, in the words of Michel Polnareff, \"On ira tous au Paradis.\"\u003c\/p\u003e\n\u003cp\u003eEach 12\" from Beats in Space features original artwork in considerate \u0026amp; serial form. The first 12\" features artwork by \u003cb\u003eDenise Kupferschmidt\u003c\/b\u003e, a Brooklyn-based artist finding inner \/ outer space in the movement of line and assemblage of color. The 12\" packaging constructed by Will Work For Good features a vinyl BIS logo cling. The 12\" will be available on May 22nd, 2012 from fine retailers worldwide. The digital version will be available May 29th, 2012 from the drab internet universe.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/9OkN1m4AgIY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"BIS003","offers":[{"title":"DIGITAL - $3","offer_id":13103295430725,"sku":"BIS003DIGI","price":3.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13103295496261,"sku":"BIS003LP","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5650-127_bis003_cover_500x500_bdf75358-9459-40e8-8ebd-897ac903b15a.jpg?v=1535151579"},{"product_id":"rvngnl34","title":"Zelalem + Mixtape - Mikael Seifu","description":"\u003ch3\u003eCAT #: RVNGNL34\u003c\/h3\u003e\n\u003cp\u003eRelease Date: March 4, 2016\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMikael Seifu’s\u003c\/b\u003e \u003cem\u003eZelalem\u003c\/em\u003e is an ode to – and a fearless break from – the storied lineage of Ethiopian music.\u003c\/p\u003e\n\u003cp\u003eThe literal Amharic translation of \u003cem\u003eZelalem\u003c\/em\u003e is “eternity,” and through Seifu’s conceptual frame it becomes a “vector of light.\" Seifu shines this light on the music of his home country while guiding us through an uncharted \"Ethiopiyawi Electronic\" – a coinage Seifu uses to describe the music he and his peers are producing in Ethiopia’s capital city of Addis-Ababa.\u003c\/p\u003e\n\u003cp\u003eIlluminating the rich sounds of Addis-Ababa’s \u003cem\u003eazmaris\u003c\/em\u003e, Seifu's music becomes a “dream brew” in which these traditional musicians collaborate and contribute vocals and lead voicings from folk instruments such as the Masenko and the Krar.\u003c\/p\u003e\n\u003cp\u003eSeifu was educated at the Lycée Guebre-Mariam in Addis-Ababa. The French academy’s international group of students was Seifu’s first exposure to a world outside Ethiopia; his second was at Ramapo College in suburban New Jersey. Here Seifu met a mentor in \u003cb\u003eBen Neill\u003c\/b\u003e, the composer and music technologist who trained with \u003cb\u003eLa Monte Young\u003c\/b\u003e. Seifu was inspired by Neil to take serious his calling in music.\u003c\/p\u003e\n\u003cp\u003eA calling of a different, spiritual nature brought Mikael back to Ethiopia. As a repatriated young man in Addis-Ababa, Seifu felt a renewed sense of allegiance to his home country and allowed its ubiquitous music to guide his creations. Seifu’s early work was shared across a string of EPs for stalwart Washington D.C. imprint 1432 R, demonstrating an interplay of regional folk music and international electronic music.\u003c\/p\u003e\n\u003cp\u003eMikael’s music does not westernize or electronicize extant Ethiopian music. Instead, Seifu uses Ethio-Jazz's spirit of brewing estranged styles for his own musical tincturing. Seifu's passion above all else is to create something befitting of its time, yet \"eternally Ethiopian.\" The latter phrase was the mantra guiding Seifu through the creation of \u003cem\u003eZelalem\u003c\/em\u003e, and a source of inspiration for the cover artwork.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eZelalem\u003c\/em\u003e spotlights the music of Ethiopia's past as well its future. Mikael Seifu illustrates the potential for reinterpreting sacred and proud sources through energized palettes. 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Rafael Sanchez admonishes, in a way, scatting: “the ghetto” is “of the mind.”\u003c\/p\u003e\n\u003cp\u003eLanguage and meaning collide in “Root Of.” Sanchez speaks into the maelstrom of Marshall Allen and Greg Fox’s outer bound bond. In memoriam and in search of an end to the subjugation of persons, “Root Of” demarcates \u003cem\u003eWe Are Not The First\u003c\/em\u003e - and its agents - into the album’s darker and lighter sides.\u003c\/p\u003e\n\u003cp\u003eOn “Universe Is A Simulation,” Daniel Carter’s sax meanders on an improvised beat, almost melancholic but crucially conscious, merging with Fox and Moss in a frequency-haze not unlike the surface blur that sand makes vibrating on top a drum.\u003c\/p\u003e\n\u003cp\u003eAt 18 minutes and 44 seconds, the final movement, “We Are Not The First,” is a celebration of struggle and the living art of noise. Here an almost complete Ahn-Sam-Buhl (get it now?) redirects a city street through the studio filling the air with an implicit interplay of blinking light in contrast.\u003c\/p\u003e\n\u003cp\u003eHieroglyphic Being \u0026amp; J.I.T.U.. Ahn-Sahm-Bul develop consciousness from primordial ooze. As in listening, the ooze intones an echo of our deep past, rendering the present ever focused. \u003cem\u003eWe Are Not The First\u003c\/em\u003e is an 11-part Epic and each track is a movement therein that testifies: an ensemble’s vitality lives in its collectivity. When we ask the ooze, the ooze articulates: \u003cb\u003eWe Are Not The First\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eHieroglyphic Being \u0026amp; J.I.T.U. 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Aligning himself with the Cage-ean principles of chance operations and musical contingency, Savant was a band sans jam. Allegorically, a blindfolded collaboration whose happenstance source music Leimer would sample, loop and sculpt at will.\u003c\/p\u003e\n\u003cp\u003eLeimer was creatively autonomous to the point of being a persona absentia in Seattle's 80s rock scene. Unconcerned by social status, Leimer enlisted musicians from experimental and post-punk groups in the area to come record as Savant at his home studio, Tactical. Among them were ambient composer \u003cstrong\u003eMarc Barreca\u003c\/strong\u003e, \u003cstrong\u003eJohn Foster\u003c\/strong\u003e (founder of Op Magazine - the experimental music publication), \u003cstrong\u003eJim\u003c\/strong\u003e and \u003cstrong\u003eDavid Keller\u003c\/strong\u003e of the \u003cstrong\u003eNew Flamingos\u003c\/strong\u003e, and their bandmate \u003cstrong\u003eAlex Petit\u003c\/strong\u003e. Others, like \u003cb\u003eRoy Finch\u003c\/b\u003e and \u003cstrong\u003eDennis Rea\u003c\/strong\u003e, came from a similar orbit.\u003c\/p\u003e\n\u003cp\u003eEven with these musicians at his beck and call, Leimer implemented a disarming musical strategy. Savant would have no fixed line up and often musicians would be asked to play instruments far outside their forté. Leimer would however give loose rhythmic direction for the musicians to develop spontaneously against click-tracks. When the performance locked in with Leimer listening at the controls, he'd capture it to tape. 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Leimer explains this process in the collection's liner notes: \"I was looking for flaws, for faults to act as the stand-out features of the music.”\u003c\/p\u003e\n\u003cp\u003eFar from a provisional stab at avant-garde sensibilities, Savant represents Leimer’s repudiation of ambient music's passive side. \u003cem\u003eArtificial Dance\u003c\/em\u003e embodies a perfectionist’s family portrait of outré musicians conforming to Leimer's nonconformist musical ethos. Fitting for its name, Leimer created conditions for asocial brilliance with Savant, materializing an outward offering from an inward studio and a collaboration of audacious invention.\u003c\/p\u003e\n\u003cp\u003eSavant’s \u003cem\u003eArtificial Dance\u003c\/em\u003e is available now as double LP set, CD, and digitally. Extensive liner notes and artist interviews were overseen by \u003cstrong\u003eAaron Leitko\u003c\/strong\u003e. The collection was assembled by RVNG and K. Leimer, who continues making music to this day.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/7ifWsyo6Dng\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/N49yY6wzrN4\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ReRVNG07","offers":[{"title":"DIGITAL - $10","offer_id":15167269765189,"sku":"ReRVNG07DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Ltd. Ed. 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Concerned as much with musicality as spiritual facility, Kalma’s work vibrates aside fellow travelers along the great rainbow in curved air of the 1970s avant-garde.\u003c\/p\u003e\n\u003cp\u003eAriel Kalma's boundary-blurring electronic music is heard here in radiant detail across a selection of work spanning his early free-jazz and spoken word trips to his infinite modular synthesizer and analogue rhythm machine meditations. Kalma’s story is one of world travel, musical discovery and ego-abandonment. Yet for an artist who often discarded public recognition in favor of the ascetic truths in music making, \u003cem\u003eAn Evolutionary Music\u003c\/em\u003e offers the imprint of an outright auteur.\u003c\/p\u003e\n\u003cp\u003eBorn in France, but rarely in one place for long, Ariel Kalma's 1970s migrations took flight through the decade's furthest spaces of musical and spiritual invention. As a hired horn for well-known French groups, the young musician toured as far as India in 1972, a place where Kalma found an antidote to rock n’ roll’s glitz and glamour in sacred music traditions. Kalma would later return to India and learn circular breathing techniques enabling him to sustain notes without pause against tape-looping harmonies configured through his homemade effects units.\u003c\/p\u003e\n\u003cp\u003eThose effects evolved from Kalma's loyalty to a beloved dual ReVox set-up— two tape machines “chained” together to form a primitive delay unit. Over looped saxophone melodies, Kalma would mix in all shades of polyphonic color, synthesizing fragments of poetry with ambient space or setting modal flute melodies to rippling drum machine patterns and starlit field recordings. The results collapse distinctions between \"electro-acoustic\", \"biomusicology\" and \"ambient\" categorization.\u003c\/p\u003e\n\u003cp\u003eIn France during the mid-1970s, Kalma was staffed as a technician at \u003cb\u003ePierre Henry's\u003c\/b\u003e legendary \u003cb\u003eInstitut National Audiovisuel, Groupe de Recherches Musicales (INA GRM)\u003c\/b\u003e studios - the same music concréte laboratory that spawned masterpieces by members \u003cb\u003eLuc Ferrari\u003c\/b\u003e, \u003cb\u003eIannis Xenakis\u003c\/b\u003e, and \u003cb\u003eBernard Parmegiani\u003c\/b\u003e. Like his predecessors and colleagues at INA GRM, Kalma's relationship to sound was both formal and non-hierarchical. To Kalma, all music existed as universal patterns, in perfect harmony with the people, places and environments it was created.\u003c\/p\u003e\n\u003cp\u003eKalma’s recorded output of the 1970s culminated in the now scarcely-available \u003cem\u003eLes Temps des Moissons\u003c\/em\u003e (trans. \u003cem\u003eThe Time of Harvest\u003c\/em\u003e) in 1975 and \u003cem\u003eOsmose\u003c\/em\u003e in 1978, a masterpiece of birdsong exploration. \u003cem\u003eOsmose\u003c\/em\u003e is double album featuring sculptor \u003cb\u003eRichard Tinti\u003c\/b\u003e, who had supplied Kalma with hours of field recordings from the rainforests of Borneo. With somber organ textures and wistful sax blended seamlessly into the wild of the forest sounds, \u003cem\u003eOsmose\u003c\/em\u003e avoids simple soundscaping through Kalma's careful arrangements, allowing each life form its own harmonic gravity.\u003c\/p\u003e\n\u003cp\u003eThe backdrop of \u003cem\u003eAn Evolutionary Music\u003c\/em\u003e depicts Kalma's adventures as a world traveller on the cosmic path of inner discovery and musical innovation. Coinciding with United States' bicentennial in 1976, Kalma made his way to New York to join the exclusive musical-spiritual collective \u003cstrong\u003eArica\u003c\/strong\u003e, and ended up crashing in the Cathedral of Saint John the Divine’s basement. At night, Ariel played the church's organ and ventured out to mix it up with like-minded musicians in the Village. It was here that he met a musical hero, \u003cstrong\u003eDon Cherry\u003c\/strong\u003e, an artist of much consequence and similarity to Kalma.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn Evolutionary Music\u003c\/em\u003e harvests uncatalogued music made between Kalma's private press records and onward through the many small-batch cassette releases Kalma would tender. With this collection of musical hybridity and distinct genre-corrosion, Ariel Kalma's righteous bucking of both popular music trends and the academic tenets of the avant-garde falls squarely in the spirit of other renegades of sacred new-music such as \u003cstrong\u003eTerry Riley\u003c\/strong\u003e, \u003cstrong\u003eLa Monte Young\u003c\/strong\u003e, and \u003cstrong\u003eCharlemagne Palestine\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAriel Kalma’s \u003cem\u003eAn Evolutionary Music (Original Recordings: 1972 - 1979)\u003c\/em\u003e is available now as double LP and double CD sets and digitally on RVNG Intl. There is a limited edition pastel green vinyl version available in limited quantity (only 100 for the world!). Extensive liner notes and artist interviews were overseen by New York writer \u003cstrong\u003eJesse Jarnow\u003c\/strong\u003e. The collection was assembled by RVNG and Ariel Kalma himself, who continues making music to this day.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/l7RMs9OduI0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/uTk6LZfp9tY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ReRVNG05","offers":[{"title":"DIGITAL - $12","offer_id":13103306244165,"sku":"ReRVNG05DIGI","price":12.0,"currency_code":"USD","in_stock":true},{"title":"DBL LP Limited Pastel Green - $30","offer_id":13103306145861,"sku":"ReRVNG05LPLTD","price":30.0,"currency_code":"USD","in_stock":false},{"title":"DBL LP - $25","offer_id":13103306178629,"sku":"ReRVNG05LP","price":25.0,"currency_code":"USD","in_stock":false},{"title":"2xCD - $18","offer_id":13103306211397,"sku":"ReRVNG05CD","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5956-RERVNG05_COVER_500x500_4e7ff456-b7fe-4327-8203-55f9401ce273.jpg?v=1599774959"},{"product_id":"rvng-intl-t-shirt-bright-white","title":"RVNG Intl. 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Strut through summer or any season sporting this bright white ink print on a high-quality Tultex 100% cotton black t-shirt.\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"Small","offer_id":13103306604613,"sku":"SKU-3384-613","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Medium","offer_id":13103306637381,"sku":"SKU-3384-612","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Large","offer_id":13103306670149,"sku":"SKU-3384-611","price":15.0,"currency_code":"USD","in_stock":false},{"title":"X-Large","offer_id":13103306702917,"sku":"SKU-3384-610","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5950-RVNGTS10_PIC_001_500x500_5597b114-7c2c-4c03-add0-858e79cc3d35.jpg?v=1535151636"},{"product_id":"rvngnl22","title":"Gardland - Improvisations","description":"\u003ch3\u003eCAT#: RVNGNL22\u003c\/h3\u003e\n\u003cp\u003eRelease Date: April 29, 2014\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the great unspooling of 2013’s \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e, \u003cstrong\u003eGardland\u003c\/strong\u003e and RVNG Intl. step back into the duo’s not-so-distant past with \u003cem\u003eImprovisations\u003c\/em\u003e, three live performances ripped from local Austrailian radio show \u003cb\u003eSpiral Sounds\u003c\/b\u003e in early 2012. The aural impetus behind the artists and label joining forces, this triptych of tone lashed tracks captures the duo in exhilarating, uninhibited form.\u003c\/p\u003e\n\u003cp\u003eUnintended for an audience outside of the provincial FM dial riders, \u003cem\u003eImprovisations\u003c\/em\u003e blisters at its hardware-imposed limits with enough energy to fuel freakish frequencies. “0214? offers a wide survey of the duo’s exploratory inclination, igniting with sparse sputters and clicks before the growling groove rips into fifth gear for an expansive 15 minute drive. The flip predicts the immediacy and potency of \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e with an early take on “Katarakt” (here named “0315?) and the desiccated, teleological frenzy of “0214 Pt.2?.\u003c\/p\u003e\n\u003cp\u003eGardland’s evolution has thus far defined itself by the free form nature this 12? embodies, the curated reduction on \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e and a full-blown unpredictability on stage. Alex Murray and Mark Smith chase the listless shape of an ever expanding, never coalescing logic with no devotion too dear to sacrifice for the following of future’s path.\u003c\/p\u003e\n\u003cp\u003eGardland’s \u003cem\u003eImprovisations\u003c\/em\u003e is available as a limited edition 12\" via RVNG Intl.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/QGSL2KXuxos\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL22","offers":[{"title":"DIGITAL- $4","offer_id":13103306768453,"sku":"RVNGNL22DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13103306735685,"sku":"RVNGNL22LP","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5870-RVNGNL22_COVER_460x460_7fb098d7-3535-454a-9439-9d8e697973f5.jpg?v=1535151640"},{"product_id":"bis010","title":"Crystal \u0026 S. Koshi - Break the Dawn \/ From Red To Violet","description":"\u003ch3\u003eCAT #: BIS010\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eRelease Date\u003c\/b\u003e: September 17, 2013\u003c\/p\u003e\n\u003cp\u003eFor the \u003ci\u003eBreak the Dawn \/ From Red To Violet\u003c\/i\u003e 12\", the brightly shining tenth release from \u003cb\u003eBeats In Space Records\u003c\/b\u003e, Tokyo-based producer \u003cb\u003eCrystal\u003c\/b\u003e breaks out with a track meant to shred the dark veil of night to reveal a golden sunrise.\u003c\/p\u003e\n\u003cp\u003eAccording to Crystal, he is generating \"straight house music... piano, phrase sampling, energetic vocals, etc.\" “Break the Dawn” revels in this simplicity, using a meditative sample to set a groove that crescendos over and over with massive vocal blasts and drum breaks.\u003c\/p\u003e\n\u003cp\u003eWhen you've watched the sun ascend to unspeakable heights, side B reveals that you've not just experienced an otherworldly event, but you are indeed deep in space. \"From Red To Violet\" conjures a panoramic gradient of a Jupiter sunset by using a piano riff ruffle, cascading synth frills and lasers from another era of decadence and disco dance.\u003c\/p\u003e\n\u003cp\u003eEach 12? from Beats in Space Records features original artwork in considerate and serial form. \u003cb\u003eJiro Bevis\u003c\/b\u003e, the London-based artist with a penchant for pop perversion, shares a subdued but fitting piece for this installation. The 12? packaging constructed by \u003cb\u003eWill Work For Good\u003c\/b\u003e features a removable vinyl BIS logo cling.\u003c\/p\u003e\n\u003cp\u003eCrystal’s Break the Dawn \/ From Red To Violet 12” will be released on July 30, 2013 on Beats In Space as a limited edition 12” and digitally.\u003c\/p\u003e\n\u003cp\u003eTrack List:\u003c\/p\u003e\n\u003cp\u003eSide A (45 RPM) – Break the Dawn (7:08) (\"Break The Dawn\" written \u0026amp; produced by Crystal \u0026amp; S. Koshi)\u003cbr\u003e Side B (45 RPM) – From Red To Violet (6:15)\u003c\/p\u003e","brand":"BIS010","offers":[{"title":"DIGITAL - $3","offer_id":13103307948101,"sku":"BIS010DIGI","price":3.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13103307980869,"sku":"BIS010LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5808-BIS010-1500px.jpg?v=1535151645"},{"product_id":"rvngnl03","title":"Hideous Racket - Allez-Allez","description":"\u003ch3\u003eCAT #: RVNGNL03\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: 06\/29\/2010\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe cargo of \u003cb\u003eAllez-Allez's\u003c\/b\u003e debut EP, \u003ci\u003eHideous Racket\u003c\/i\u003e, contains a suspiciously alien sound that could only be kept secret for so long before being smuggled and peddled by RVNG Intl. on the war torn and drug dirtied mutant dance floors. This London lab tech duo staked their claim with social and online experiments and now expand their methodically creative reach with four tracks made for the interstellar overdrive.\u003c\/p\u003e\n\u003cp\u003eThe EP begins with the melodically rich and playful title track before the aquatic acid house of \"Seven Down Six Across\" bubbles to the surface to close the a-side. The b-side starts with the \u003cb\u003eJames Holden\u003c\/b\u003e championed \"Weird Science\", a washy blend of\u003cb\u003eFrippertronic\u003c\/b\u003e frequencies and a street smart beat, and rounds out with the shimmering Rhythm Ace shuffle of \"Slump\", described by Optimo's \u003cb\u003eJD Twitch\u003c\/b\u003e as \"\u003cb\u003eChris \u0026amp; Cosey\u003c\/b\u003eriding a flying hoover over the city in \u003cb\u003eBlade Runner\u003c\/b\u003e\".\u003c\/p\u003e\n\u003cp\u003eBonus digital tracks include an alternate scuzzy \/ scrungey take on \"Hideous Racket\", remixes by \u003cb\u003eBorder Community's\u003c\/b\u003e deep arpeggiator \u003cb\u003eWesley Matsell\u003c\/b\u003e, Rvng's own panic button beat makers \u003cb\u003ePink Skull\u003c\/b\u003e, and an epic 12+ minute rework by \u003cb\u003eThee Four Horsemen\u003c\/b\u003e , the production team of \u003cb\u003eStuart Lamour\u003c\/b\u003e (20 Jazz Funk Greats) and \u003cb\u003eNick Carlisle\u003c\/b\u003e. Also notable: one of Allez-Allez�s two core members is \u003cb\u003eSam Willis\u003c\/b\u003e from\u003cb\u003eKompakt\u003c\/b\u003e recording artist \u003cb\u003eWalls\u003c\/b\u003e .\u003c\/p\u003e\n\u003cp\u003eEach 12\" is packaged with a red or blue vinyl cling allowing your own commentary depending on the mood. First pressing limited to 550 copies, digital version expanded with remixes available at \u003cb\u003eiTunes\u003c\/b\u003e , \u003cb\u003eBeatport\u003c\/b\u003e , \u003cb\u003eJuno\u003c\/b\u003e, and \u003cb\u003eTurntable Lab\u003c\/b\u003e .\u003c\/p\u003e\n\u003cp\u003eMastered by Shane McEnhill at Finyl Tweek.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at \u003ca href=\"http:\/\/www.willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e5 test pressings\u003cbr\u003e Frist pressing: 550 copies (275 red clings \/ 275 blue clings)\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PcFqJ94uYWI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL03","offers":[{"title":"DIGITAL - $4","offer_id":18839001038917,"sku":"RVNGNL03DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13103308341317,"sku":"RVNGNL03LP","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5730-RVNGNL03.jpg?v=1535151650"},{"product_id":"rvngnl11","title":"Blondes - Wine \/ Water","description":"\u003ch3\u003eCAT #: RVNGNL11\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 15th, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e complete their 2011 12\" trilogy with \u003ci\u003eWine \/ Water\u003c\/i\u003e. Having spent the year road-testing the material of the \u003ci\u003eLover \/ Hater\u003c\/i\u003e and \u003ci\u003eBusiness \/ Pleasure\u003c\/i\u003e 12s, \u003ci\u003eWine \/ Water\u003c\/i\u003e is a mature gesture balancing the respective mind and soul of its predecessors.\u003c\/p\u003e\n\u003cp\u003e\"Wine\" occupies the a-side with sentimental subs, synth sweeps, and a melancholy vocal phrase atop a pulsating kick. The opening bass line of \"Water\" sets a definitive melodic mood over which aquatic textures wash in and out and inevitably set sail on staccato squelches. There could be no other logical or illogical conclusion to the 12\" trilogy than this. If you haven't heard in its entirety, you might not know.\u003c\/p\u003e\n\u003cp\u003eMastered by \u003cb\u003eJoe Lambert\u003c\/b\u003e at \u003cb\u003eJoe Lambert Mastering\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eArtwork by \u003cb\u003eWill Work For Good\u003c\/b\u003e. Limited edition.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/9Tr4mGR36RQ\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL11","offers":[{"title":"DIGITAL - $2","offer_id":13103309029445,"sku":"RVNGNL11DIGI","price":2.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $10","offer_id":13103308996677,"sku":"RVNGNL11LP","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5610-114_rvngnl11_front_500x500_c4f8bb61-d560-44e3-86ad-1a3857a7d437.jpg?v=1535151654"},{"product_id":"rvngnl10","title":"Bronze - Copper","description":"\u003ch3\u003eCAT #: RVNGNL010\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: October 18th, 2011\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.myspace.com\/copperclub\"\u003eBRONZE\u003c\/a\u003e is an exercise in impulse. BRONZE is also the San Francisco based trio of \u003cb\u003eBrian Hock, Rob Spector,\u003c\/b\u003e and \u003cb\u003eMiles Friction\u003c\/b\u003e the latest addition to the RVNG Intl. family with their debut album, \u003ci\u003eCopper\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIn early 2006, Hock moved back to his native San Francisco from Berlin and took up residence with Spector in the warehouse \/ show space known as The Cave. The two conspired to start a new live project and enlisted the help of Friction to form BRONZE. After preliminary attempts to find the right environment to house the Copper Club, the Secret Society of the Bronze Age, Miles founded the Trojan Cavern in San Fran's Dogpatch neighborhood. From this outpost, \u003cb\u003eBRONZE \u003c\/b\u003eundergo disciplined training exercises in various weaponry, sonic hypnosis, horticulture and all-important copper talk. It's also from the Trojan Compound that Copper was created.\u003c\/p\u003e\n\u003cp\u003eStream-of-consciousness lyrical cooing and restrained analog trickery rest atop constant cog rotation grooves on\u003cb\u003e \u003c\/b\u003e\u003ci\u003eCopper\u003c\/i\u003e. These elements yield a truly conductive album, abundant in compositions that beg for a listener's oxidizing ear. Commencing with\"A Showdown Of Sorts\", the record assumes a vague narrative aided by the allure of \u003cb\u003eTuxedomoon\u003c\/b\u003e \/ \u003cb\u003eRalph Records\u003c\/b\u003e-y exoticism, albeit less claustrophobic. \"Showing Them\" staggers into even Wierd-er territory, with eye flashes and spots of \u003cb\u003eLegendary Pink Dots\u003c\/b\u003e. \"So Slow\" and \"The Rouge Became\" are sister tracks fallen not far from the same \u003cb\u003eSilver Apple(s)\u003c\/b\u003e tree. \"Wits\" and \"Fumes In Suits\" counter clockwork like a high-pressure Units track and place \u003ci\u003eCopper\u003c\/i\u003e in the lexicon of San Fran synthesized and syncopated anti-stardom.\u003c\/p\u003e\n\u003cp\u003eThe physical version of Copper will be available on October 18th from fine retailers worldwide. \u003cb\u003eEach vinyl copy of \u003ci\u003eCopper\u003c\/i\u003e comes with a copper ring.\u003c\/b\u003e The ring is intended to be worn to BRONZE performances or even during daily rituals. While wearing the ring, you, the ring bearer, are encouraged to speak informally - if not offensively - with fellow ring mates. When overheard or confronted, blame it on the ring - i.e. \"It was the copper talking.\" The ring will initially turn your finger green. The ring will also heal your wounds, correct your balance and is a fashionable accessory to boot. The digital version will be available November 8th from the drab internet universe.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCopper is available on vinyl and CD, as well as digitally.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eSample Tracks\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe src=\"\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26541106\u0026amp;show_artwork=true\" scrolling=\"no\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe src=\"\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18034509\u0026amp;show_artwork=true\" scrolling=\"no\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e","brand":"RVNGNL10","offers":[{"title":"DIGITAL - $9","offer_id":13103309291589,"sku":"RVNGNL10DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13103309258821,"sku":"RVNGNL10LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5578-109_rvngnl10_cover_500x500_ff9510e3-7249-44dd-b4cd-251dd6d24e8c.jpg?v=1535151659"},{"product_id":"rvngnl04","title":"CFCF - The River","description":"\u003ch3\u003eCAT #: RVNGNL04\u003c\/h3\u003e\n\u003cdiv\u003e\u003cb\u003eRelease date: October 12th, 2010\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eCFCF\u003c\/b\u003e treads dark waters on \u003ci\u003eThe River\u003c\/i\u003e. Where the 22 year old Montreal based producer CFCF's (\u003cb\u003eMichael Silver\u003c\/b\u003e) debut album \u003ci\u003eContinent\u003c\/i\u003e (Paper Bag 2009) hinted at primal and ambient themes, \u003ci\u003eThe River\u003c\/i\u003e fully transports the listener to a heart of darkness. Inspired by \u003cb\u003eWerner Herzog's\u003c\/b\u003e visual masterpiece \u003ci\u003eFitzcarraldo\u003c\/i\u003e, \u003ci\u003eThe River\u003c\/i\u003e follows a dream-like arc, lucid sound sequences from a lunatic mind.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe River's\u003c\/i\u003e voyage begins with \"Before and After Light\", a track based around a cyclical finger-picking sample and ghostly tones that could form the core of an Ambient \u003cb\u003eEno \u003c\/b\u003ealbum. \"It Was Never Meant to Be This Way\" furthers the vessel along on a wash of synth waves and a melancholy chopstick piano figure. Around the bend to the a-side's end is the choral, \u003cb\u003ePopul Vuh\u003c\/b\u003e-inspired cosmic guitar shredding of \"Upon the Hill\".\u003c\/p\u003e\n\u003cp\u003e\"Frozen Forest\" heightens the grandeur opening the b-side with a slow-mo break beat and arpreggiating bass work out. The title track casts doomsday shadows before the best use of a master blaster drum attack since \u003cb\u003eDJ Shadow's\u003c\/b\u003e \"Stem \/ Long Stem\". After the unrest, \"Orage\" drifts on a bed of wreckage into an uncertain dusk.\u003c\/p\u003e\n\u003cp\u003eThe digital bonus version of \u003ci\u003eThe River\u003c\/i\u003e (\u003cb\u003eincluded w\/ vinyl purchase\u003c\/b\u003e) features remixes of \"Frozen Forest\" by Rvng house and House DJ \u003cb\u003eJacques Renault\u003c\/b\u003e and London's Balearic bishops \u003cb\u003eCoyote\u003c\/b\u003e plus a midi-funked out remix of \"It Was Never Meant to Be This Way\" by \u003cb\u003eGames\u003c\/b\u003e, the dance production duo of Daniel Lopatin (\u003cb\u003eOneohtrix Point Never\u003c\/b\u003e) and Joel Ford (\u003cb\u003eTiger City\u003c\/b\u003e).\u003c\/p\u003e\n\u003cp\u003eThe first pressing of \u003ci\u003eThe River\u003c\/i\u003e is limited to 550 vinyl copies. The first run of jackets are printed black offset with a bronze letterpress overprint on heavy news board. Jacket concept and design by \u003cb\u003eKevin O'Neill\u003c\/b\u003e of \u003ca href=\"http:\/\/willlworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e, based loosely on the weathered map that lead Fitzcarraldo to madness and freedom. Digital available here and through the usual storefront suspects.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1st Pressing Details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e5 test pressings\u003cbr\u003e 550 copies\u003cbr\u003e Mastered at Finyl Tweek.\u003cbr\u003e Manufactured at Brooklyn Phono.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UY2aaXyenoA\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/e6VGJvsBsZQ\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RVNGNL04","offers":[{"title":"DIGITAL - $8","offer_id":18838923804741,"sku":"RVNGNL04DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $24","offer_id":13103312797765,"sku":"RVNGNL04LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5501-cfcf.jpg?v=1535151667"},{"product_id":"frkwys03","title":"FRKWYS Vol. 3: ARP \u0026 Anthony Moore","description":"\u003ch3\u003eCAT #: FRKWYS03\u003c\/h3\u003e\n\u003cdiv\u003e\u003cstrong\u003eRelease date: April 20th, 2010\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFor the third volume in Rvng's FRKWYS (pronounced Freakways) series, ARP (aka Alexis Georgopoulos) and Anthony Moore contribute an album of modern minimalist compositions culled from sources both old and new. From the reworking of some of Moore's unreleased late 60s compositions and the incorporation of actual extant tapes from that time, to the newly minted pieces by Georgopolous along with new accompaniments to the original recordings, it's another vibrant addition to the ongoing series in which contemporary artists are paired with their progenitors by way of remix, reinterpretation, and original collaboration.\u003c\/p\u003e\n\u003cp\u003eThe idea to pair the two composers was born of Georgopoulos' appreciation for Pieces from the Cloudland Ballroom (1971), Moore's adventurous avant-garde album described by Alan Licht as neither a \"Krautrock or artrock LP but a bona fide minimal classic\". Upon listening to several pieces by his symphonious accomplice-to-be, Moore was \"struck by a powerful sense of familiarity, a recognition of certain musical values close to my own heart being explored by someone else\".\u003c\/p\u003e\n\u003cp\u003eMutual admiration formed, Moore and Georgopoulos came together in September 2009 at Atlantic Sound's Brooklyn studio, a scene serenely inspired by the live room's forward face on the East River. Recorded to a 24 track, 2\" Studer tape machine, the album begins with the stringed drone of \"Today's Psalter\", a piece named for the instrument at its thematic core (re-established later with \"Yesterday's Psalter\"). \"Spinette\" is a lively and cyclical measure exercise built on an original work. And, at end of the first side, \"Piano Waves\" reinvents a Magnetophone tape recording Moore originally realized in the 60s as a sonorous anchor on the album.\u003c\/p\u003e\n\u003cp\u003eThe second side begins with \"Wild Grass I (for Arthur Russell)\", composed by Georgopoulos for a cello, violin, and piano ensemble. As with its companion piece, \"Wild Grass II (for Robert Wyatt)\" takes heroic inspiration and uses the intimate instrumentation to create a movement compelling in its refined gestures. \"Mirrors \u0026amp; Forks\" returns to Moore's treasure trove of tape loops, seething into \"Yesterday's Psalter\" and then a lunar-lit rendition of \"Slow Moon's Rose\" sung by Georgopoulos, a song originally recorded by Moore in 1972 as part of Slapp Happy.\u003c\/p\u003e\n\u003cp\u003eFrkwys Vol. 3 feat. Arp \u0026amp; Anthony Moore maintains the serial aesthetic with a limited pressing of 550 vinyl copies housed in thick jackets wrapped in a lively monochromatic adhesive (design by Kevin O'Neill at Will Work For Good). Lucky subscribers receive a leatherette version of the jacket, edition of 75. The album is available digitally at iTunes, Beatport, Juno and other friendly online retailers.\u003c\/p\u003e\n\u003cp\u003eMastered by Leandro Gonzales at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at \u003ca href=\"http:\/\/www.willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 550 copies, black \u0026amp; silver labels\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 500 jackets w\/ adhesive. 50 subscriber jackets w\/ adhesive tip on leatherette.\u003c\/p\u003e","brand":"FRKWYS03","offers":[{"title":"DIGITAL - $10","offer_id":13103313092677,"sku":"FRKWYS03DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13103313125445,"sku":"FRKWYS03LP","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5479-1287404195_3.jpg?v=1535151671"},{"product_id":"rvng-of-the-nrds-vol-2-betty-botox","title":"RVNG Of The NRDS Vol. 2 - Betty Botox","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Voodoo 1 (9:32 \/ 105 bpm)\u003c\/li\u003e\n\u003cli\u003eA2. Fade Away (1:08 \/ 115 bpm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Voodoo 2 (5:32 \/ 125 bpm)\u003c\/li\u003e\n\u003cli\u003eB2. Voodoo 3 (5:55 \/ 128 bpm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS02\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: November 17th, 2006\u003c\/div\u003e\n\u003cp\u003eDon't question the concoction; just hit the needle and spin. Betty Botox injects the medicine for the second installment in the Rvng of Nrds 12\" edit series. Betty Botox continues a string of sick edit work with Voodoos 1,2,3. Lysergic revisions broken to the bare bone and spoken in funky tongue. This is some potent shit.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e2 dub plates\u003cbr\u003e 15 test pressings\u003cbr\u003e 1087 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1087 chipboard jackets, black \"Betty Botox\" print both sides\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball (Brooklyn, NY)\u003cbr\u003e 273 Yellow \/ 268 Purple \/ 273 Blue \/ 273 Pink\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13103313453125,"sku":"SKU-233-377","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5412-NRDS02_Cover.jpg?v=1535151676"},{"product_id":"rvng-prsnts-mx4-crazy-rhythms","title":"RVNG PRSNTS MX4 - Crazy Rhythms","description":"\u003ch5\u003eTrack listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e01. Giorgio Moroder-Night Drive (Reprise)\u003c\/li\u003e\n\u003cli\u003e02. Klein \u0026amp; M.B.O.-The Big Apple\u003c\/li\u003e\n\u003cli\u003e03. Wide Boy Awake-Slang Teacher\u003c\/li\u003e\n\u003cli\u003e04. Massimo Barsotti D.J.-Whole Lotta Love\u003c\/li\u003e\n\u003cli\u003e05. Amin-Peck-Girls On Me\u003c\/li\u003e\n\u003cli\u003e06. Vortex-Black Box Disco\u003c\/li\u003e\n\u003cli\u003e07. Man Friday-Love Heartache (A “Tom Moulton” Mix)\u003c\/li\u003e\n\u003cli\u003e08. War-Galaxy\u003c\/li\u003e\n\u003cli\u003e09. Macho-I’m a Man\u003c\/li\u003e\n\u003cli\u003e10. Gazebo-Materpiece\u003c\/li\u003e\n\u003cli\u003e11. Musicology-Obsessed\u003c\/li\u003e\n\u003cli\u003e12. Tyree-Acid Crash\u003c\/li\u003e\n\u003cli\u003e13. Belle Epoque-Bamalama\u003c\/li\u003e\n\u003cli\u003e14. Ram Jam-Black Betty (Ben Liebrand Mix)\u003c\/li\u003e\n\u003cli\u003e15. Delta 5-Try\u003c\/li\u003e\n\u003cli\u003e16. Salsoul Orchestra-Magic Bird of Fire (Walter Gibbons Mix)\u003c\/li\u003e\n\u003cli\u003e17. Dinosaur-Kiss Me Again\u003c\/li\u003e\n\u003cli\u003e18. The Feelies-Crazy Rhythms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCat #: Mx4\u003c\/h3\u003e\n\u003cdiv\u003e\u003cb\u003eRelease Date: August 30th, 2005\u003c\/b\u003e\u003c\/div\u003e\n\u003cp\u003eCrazy Rhythms is Dan Selzer, and Mike Simonetti. They DJ sometimes. Mike is partial to old-school hip-hop that sounds likes disco and dirty, dirty house music and Dan is partial to gay electronic disco and new wave that sounds like house music. They both like Post-Punk and Acid, and they invented No Wave. Their beatmatching skills are impeccable, but used sparingly. They have DJ'd at all the cool clubs and some of those crazy Brooklyn loft parties you only read about.\u003c\/p\u003e\n\u003cp\u003eIn 94, Mike founded Troubleman Unlimited Records and is now the label par-excellence for cutting edge hipster sounds such as Erase Eratta, Glass Candy and Tussle. In 99, Dan founded Acute Records to reissue lost art-punk from the late 70s like the Theoretical Girls, Metal Urbain and the Prefects. While they are both well known and regarded for their collection of punk 7\"s, they'd also like to be known for their 12\"s.\u003c\/p\u003e\n\u003cp\u003eBy the end of the 90s, they decided it was time to teach the punks how to dance. Mike started Contort Yourself at the Knitting Factory and Dan began Transmission at Plant bar with Luke from the Rapture. It seemed like something was in the air, a post-punk disco-funk zeitgeist. Due to the sudden popularity of such sounds, the Crazy Rhythms crew became the most sought-after DJs EVER. Dan was voted \"Best DJ's DJ\" in the Village Voice and Mike became a resident in Ibiza where Paul Oakenfold recently opened for him.\u003c\/p\u003e\n\u003cp\u003eThe mix you hold in your hands was recorded during a time when there was nobody who would say, \"man, Italo-disco is played out\" or \"don't you know that track is on so-and-so's mix\/an import bootleg\/a CitiBank commercial?\" No, those were more innocent times. It features Italo-Disco, New Wave, Post-Punk, No Wave, Actual-Disco, Danish Remixes of Glam One-Hit Wonders from ex-Bubblegum Artists, you know, all the same stuff everyone else plays. Of course thes records are all original pressings, M\/NM quality, light scuffs on the b-side and a bit of surface noise on the play out groove.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLiner notes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSelecting and mixing: Mike Simonetti and Dan Selzer\u003cbr\u003e\nEditing and fixing: No. 6 on the cut\u003cbr\u003e\nID marking: Tim Sweeney\u003cbr\u003e\nMastering: Jim Rusby\u003cbr\u003e\nPhotos: Zonder Tittel\u003cbr\u003e\nDesign magic: Kevin O’Neill\u003c\/p\u003e\n\u003cp\u003e1000 CDs Manufactured.\u003cbr\u003e\nPackaged in clear sleeves with yellow wrap around adhesive and 4\/1 2p insert.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13103313911877,"sku":"SKU-231","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5404-RvngMx4_Cover.jpg?v=1535151678"},{"product_id":"rvng-prsnts-mx2-julian-s-prcss-diabolic","title":"RVNG PRSNTS MX2 - Julian S Prcss \u0026 Diabolic","description":"\u003ch5\u003eTrack listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e1. Butthole Surfers – Sweat Loaf\u003c\/li\u003e\n\u003cli\u003e2. Dub Diablo – Thunderstruck\u003c\/li\u003e\n\u003cli\u003e3. 2 Live Crew – Me So Horny\u003c\/li\u003e\n\u003cli\u003e4. Tone Loc – Wild Thing\u003c\/li\u003e\n\u003cli\u003e5. Plump DJ’s – Something Goin’ On\u003c\/li\u003e\n\u003cli\u003e6. The Gap Band – Dropped A Bomb On Me\u003c\/li\u003e\n\u003cli\u003e7. Steve Miller Band – Abra Cadabra\u003c\/li\u003e\n\u003cli\u003e8. Big Apple – Break Record\u003c\/li\u003e\n\u003cli\u003e9. MC5 – Kick Out The Jams (Testimonial)\u003c\/li\u003e\n\u003cli\u003e10. Chemical Brothers – Losing Control\u003c\/li\u003e\n\u003cli\u003e11. Gang Of Four – Outside The Trains Don’t Run On Time\u003c\/li\u003e\n\u003cli\u003e12. Audio bullies – We Don’t Care\u003c\/li\u003e\n\u003cli\u003e13. Prince – U Got The Look\u003c\/li\u003e\n\u003cli\u003e14. Felix The Housecat – Cyberwhore\u003c\/li\u003e\n\u003cli\u003e15. Radioactive man – White Label\u003c\/li\u003e\n\u003cli\u003e16. Stooges – T.V. Eye\u003c\/li\u003e\n\u003cli\u003e17. Nirvana – Smells Like Teen Spirit (Green Label House mix)\u003c\/li\u003e\n\u003cli\u003e18. Robotanks – Body Rocker\u003c\/li\u003e\n\u003cli\u003e19. Northern Lite – Reach The Sun\u003c\/li\u003e\n\u003cli\u003e20. AD \/DC – Dirty Deeds\u003c\/li\u003e\n\u003cli\u003e21. GTO’s – What If There Were No Cones?\u003c\/li\u003e\n\u003cli\u003e22. Kreisel Yellow – Pleasure My Flesh(7″)\u003c\/li\u003e\n\u003cli\u003e23. Michael Jackson – Billy Jean (Valley Style)\u003c\/li\u003e\n\u003cli\u003e24. PIL – Bad Life\u003c\/li\u003e\n\u003cli\u003e25. Daft Punk – Da Funk\u003c\/li\u003e\n\u003cli\u003e26. Kreisel Yellow 7 Inch – Get It On\u003c\/li\u003e\n\u003cli\u003e27. Aphex Twin – Men 1 Rmx\u003c\/li\u003e\n\u003cli\u003e28. Fat Boys – Beat Box\u003c\/li\u003e\n\u003cli\u003e29. Animotion – Obsession\u003c\/li\u003e\n\u003cli\u003e30. ZZ Top – Sleeping Bag\u003c\/li\u003e\n\u003cli\u003e31. The Jacksons (Feat. Mick Jagger) – State Of Shock\u003c\/li\u003e\n\u003cli\u003e32. Pixies – Field Hockey Interlude\u003c\/li\u003e\n\u003cli\u003e33. Ginuwine – Pony Song\u003c\/li\u003e\n\u003cli\u003e34. Mr. Lovelace – Coca Bass\u003c\/li\u003e\n\u003cli\u003e35. Eddy Grant – Electric Avenue\u003c\/li\u003e\n\u003cli\u003e36. Prince – Controversy (Purple Mix)\u003c\/li\u003e\n\u003cli\u003e37. Bennie Benassi – Satisfaction\u003c\/li\u003e\n\u003cli\u003e38. Creme De Menthe – Plastique\u003c\/li\u003e\n\u003cli\u003e39. Roxanne Shante – (accapella)\u003c\/li\u003e\n\u003cli\u003e40. Devo – Disco Dancer (Bonus Beat)\u003c\/li\u003e\n\u003cli\u003e41. Drive Like Jehu – If It Kills You\u003c\/li\u003e\n\u003cli\u003e42. Romantics – Talkin’ In Your Sleep\u003c\/li\u003e\n\u003cli\u003e43. Missy Elliot – Gossip Folks (accapella)\u003c\/li\u003e\n\u003cli\u003e44. White Label Clash – House The Casbah\u003c\/li\u003e\n\u003cli\u003e45. Blonde Redhead – In Particular\u003c\/li\u003e\n\u003cli\u003e46. Dee-lite – Pussycat Bonus Beat\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: Mx2\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: November 23rd, 2004\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eLiner Notes\u003c\/b\u003e Julian S Prcss\u003cbr\u003e 01\/05\/2007\u003c\/p\u003e\n\u003cp\u003eian, jg and i mixed it during one of our lost summers. lots of internet porn, hangovers and nosebleeds. we put together the mix mixed it live to the computer and then edited it. pretty representative of what our crew had been doing for the past couple of years. smart and stupid all at once. from that summer, we went on to start the Pink Skull project. Dave threw a release party at the Ukie and we did a four turntable routine for like 3 hours.\u003c\/p\u003e\n\u003cp\u003eSelecting and mixing: Julian S.Prcss \u0026amp; Diabolic\u003cbr\u003e Additional mixing and editing: JG\u003cbr\u003e Design: Kevin O’Neill\u003c\/p\u003e\n\u003cp\u003e500 CDs produced for 11\/04 release\u003cbr\u003e 500 CDs produced for 2\/07\u003cbr\u003e Packaged in really boring 4 color cardboard sleeves (sorry, J \u0026amp; Ian)\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13103314403397,"sku":"SKU-229","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5400-RvngMx2_Cover.jpg?v=1535151681"},{"product_id":"rvngnl42","title":"Colin Self - Siblings","description":"\u003cp\u003e\u003cstrong\u003eCAT#: RVNGNL42\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003e\u003cstrong\u003eNovember 2, 2018 (physical \/ digital)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColin Self’s\u003c\/strong\u003e \u003cem\u003eSiblings\u003c\/em\u003e is a proposal for interdependence, critical joy, and an expansive sense of being. As the lyrics beam, “I used to live as an anomaly... no explanation biologically,” so siblings share hidden language, lore, and identity. On \u003cem\u003eSiblings\u003c\/em\u003e, ecstatic voices and sound knot to form new ideals of kinship, emerging as horizontal relations for multi-species flourishing.\u003c\/p\u003e\n\u003cp\u003eColin Self challenges boundaries of perception with his art, music, and performances. Inspired by the work of \u003cstrong\u003eDonna Haraway\u003c\/strong\u003e (\u003cem\u003eCyborg Manifesto, Staying with the Trouble: Making Kin in the Chthulucene\u003c\/em\u003e), \u003cem\u003eSiblings\u003c\/em\u003e is the final segment of the six-part opera series entitled Elation. Informed by Self’s exploration of the ways of knowing, \u003cem\u003eSiblings\u003c\/em\u003e places a non-biological family at its center. The characters, bonded by curiosity and caring, generate ways of collectively coming together on a damaged planet. Self uses \u003cem\u003eSiblings\u003c\/em\u003e to define this familial experience through sound and its soundmakers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e is a mobile, transitional production, in equal parts by circumstance and happenstance. Field fragments taken from Halloween party laughter in Jamaica Plains and a cross-country video chat are refracted by session recordings willed to happen in places as far flung as Stockholm and Los Angeles. \u003cem\u003eSiblings\u003c\/em\u003e is a sound scrapbook or poster board collage, but not one without careful consideration of the clipping and composition.\u003c\/p\u003e\n\u003cp\u003eFrom years experiencing Riot Grrrl shows around Self's early home of Oregon to his involvement in the New York City-based performance collective \u003cstrong\u003eChez Deep\u003c\/strong\u003e, Self expands the DIY ethos to a space and mind of Do-It-Together. Feeding into \u003cem\u003eSiblings\u003c\/em\u003e is \u003cstrong\u003eXHOIR\u003c\/strong\u003e, Self’s ongoing project of group vocal workshops for singing and listening, and a broad cast of kin including but not limited to \u003cstrong\u003eMichael Beharie\u003c\/strong\u003e, \u003cstrong\u003eGreg Fox\u003c\/strong\u003e (drums), \u003cstrong\u003eMartine Syms\u003c\/strong\u003e (words and voice), \u003cstrong\u003eThe Mivos Quartet\u003c\/strong\u003e, and \u003cstrong\u003eRaul De Nieves\u003c\/strong\u003e (cover art).\u003c\/p\u003e\n\u003cp\u003eOn “Story,” \u003cem\u003eSiblings\u003c\/em\u003e’ opening moment, breath and beats emerge as echoes within a vast, heaving chamber, sound conjured and cajoled into a new, blistered terrain. “Foresight” urges us toward a worlding - a break from the planet we’ve disregarded: “I see on my screen all the doubt, where it comes from, why you trust in no one. I see a new light.” While the unhinged form of “Ante-Strategy” lays the sonic compost for a Belurusian political poem, written with \u003cstrong\u003eTanya Zamirouskaya\u003c\/strong\u003e and \u003cstrong\u003eAnastasia Kolas\u003c\/strong\u003e, Self tends toward elaboration and excesses in a “joyous rendering of survival.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e splits sides with “Transitions,” a pluri-vocal burst called forth from interstellar margins to put uncounted bodies in motion. Repetitions of “I commit to you” end with “We commit to you.” Self utilizes theoretical vocabulary to encourage germination of a new language. “Research Sisters” will make their own myths and forge their own families, the work’s fire sparking frenetic, ecstatic voices flashing back and forth in stereo. The gathering of choral voices lift up the melancholic words of “The Great Refusal” over pillowy layers of strings and stumbling, sputtering showers of keyboards.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e is Self’s second full-length release following 2015’s Elation. \u003cem\u003eSiblings\u003c\/em\u003e has been performed iteratively and internationally with humor, drama, and fierce song. \u003cem\u003eSiblings\u003c\/em\u003e’ \u003cstrong\u003eMoMA PS1\u003c\/strong\u003e staging in 2018 featured black-light messaging, countdown clocks, books on rope, and dancers adorned with swirling prints and LED lanterns. Self follows, in Haraway’s words, towards a “commitment to the finicky, disruptive details of good stories that don’t know how to finish.” Future performances will likely carry away in the best way.\u003c\/p\u003e\n\u003cp\u003eColin Self’s \u003cem\u003eSiblings\u003c\/em\u003e was released November 2, 2018 in limited vinyl and digital editions.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3JOvIP9fmLA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YEXW0x_dmRI\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/l_e33K5yCMY\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL42","offers":[{"title":"DIGITAL - $10","offer_id":17124090708037,"sku":"RVNGNL42DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13130827628613,"sku":"RVNGNL42LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/RVNGNL42-Digital-Cover-500px.png?v=1599775059"},{"product_id":"rervng12","title":"Michele Mercure - Beside Herself","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eCAT: ReRVNG12 \/ FTS011\u003c\/h3\u003e\n\u003cp\u003eRelease Date:\u003cbr\u003eNovember 09, 2018 (digital)\u003cbr\u003eNovember 09, 2018 (physical)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMichele Mercure\u003c\/b\u003e\u003cspan\u003e often dreams of music, and in her waking life, reclaims fragments of these fleeting, floating melodies in her compositions and sound art. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, an anthology of Mercure’s self-produced and distributed cassettes released between 1983 and 1990, collects these dreamlike passages and lo-fi nocturnes, preserving the qualities of discovery and intimacy surrounding their genesis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMercure’s sound is a porous electronic art that overlaps ambient, abstract, and industrial sensibilities – its spaciousness reveals an artist attuned cinematically rather than for radio play or public performance. She approached the latter theatrically, and rarely, disdaining most live shows as too serious, and bringing her music to bare on her audiences in playful, immersive contexts. On recordings, Mercure’s night lit synth music evokes non-confined environments, at once expressionistic and minimal and always aware of its surroundings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMercure was a busy collaborator during the years surveyed by \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, making music for theater, performance, film, and TV animation, yet it was through her self-released cassettes that she established her music among like-minded artists abroad. Circulated through tape-trading networks assisted by insightful reviews in \u003c\/span\u003e\u003cb\u003eEurock\u003c\/b\u003e\u003cspan\u003e, a seminal music magazine covering progressive rock and electronic music scenes, these album-length releases included \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eRogue and Mint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1983), \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eA Cast of Shadows \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1984), \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDreams Without Dreamers\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1985), and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDreamplay\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1990). Though unvarnished in fidelity (and now scarcely seen), these tapes showcased Mercure’s transportive aptitude within and beyond the limited sound recording medium.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMercure’s artistic path never ran through creative meccas New York, San Francisco or Los Angeles. Raised in Springfield, Massachusetts, and then moving to Harrisburg, Pennsylvania, in her twenties, Mercure was already an adept musician when she encountered a local and lively theater scene, and was asked to score an unorthodox performance of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWaiting for Godot\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. The experience was pivotal in marrying music and image for Mercure, and so she began making music for film, television, dance, and theater. It wasn’t until a long sojourn in Eindhoven, however, that she became transfixed by electronic music (ala \u003c\/span\u003e\u003cb\u003eConrad Schnitzler\u003c\/b\u003e\u003cspan\u003e, whom she would correspond with for years) that would inform her music to come.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcoustic elements such as voice and stringed instruments add a haunting lyricism to the non-tonal space unoccupied by electronic presence in Mercure’s music. The graduality of phrasing and measured sequence of tones also distinguish her music from the repetition and improvisation-heavy hallmarks of the Kosmische genre, a stylistic antecedent for the artist. Mercure’s fascination, or obsession, with new, consumer conscious music technology is demonstrated in her inventive sequencing and sampling, adding a mechanical, sometimes menacing, feel to \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMercure’s contemporaries became the kindred minds of the Eurock “scene” such as \u003c\/span\u003e\u003cb\u003eThe Nightcrawlers\u003c\/b\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eLauri Paisley\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eDon Slepian\u003c\/b\u003e\u003cspan\u003e. It was in association with Paisley and \u003c\/span\u003e\u003cb\u003ePauline Anna Strom\u003c\/b\u003e\u003cspan\u003e that Eurock featured Mercure in an article titled “Women Synthesists” in 1986. The three artists all shared a bravura for homespun, self-produced electronic music that looked beyond pop conventions for a higher plane of avant-gardism or musical spirituality. Not long after the article went to print, Mercure offered \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEye Chant\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, her standalone vinyl album self-released in 1987.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e extends RVNG Intl.’s preservation efforts to sister label \u003c\/span\u003e\u003cb\u003eFreedom To Spend\u003c\/b\u003e\u003cspan\u003e who reissued \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEye Chant\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e in 2017, an occasion marking just over twenty years since its original release on Mercure’s own Quick Shower Music. (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEye Chant\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and the cassettes surveyed on \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, were originally credited to Michelle Musser, the name which the artist used until a divorce in 1987).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe anthological scope of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBeside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e joins \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEye Chant\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e to restore the canon of Mercure’s arresting dream-music, revisiting this anomalous creator’s breakthrough material.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Beside Herself\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e will be released on double LP, CD, and digital formats on November 9, 2018. The set features liner notes by \u003c\/span\u003e\u003cb\u003eEmily Pothast\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand an incredible array of unseen photography and ephemera of the era.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qr3QzXRRJ9o\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZEQCxwMfQ0o\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/A2B-O6v5W_8\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"ReRVNG12","offers":[{"title":"DIGITAL - $10","offer_id":17650564726853,"sku":"RERVNG12DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"DBL LP - $30","offer_id":13130827857989,"sku":"RERVNG12LP","price":30.0,"currency_code":"USD","in_stock":false},{"title":"CD - $15","offer_id":13130827825221,"sku":"RERVNG12CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/RERVNG12_-_Digital_Cover_-_1500px.png?v=1539119262"},{"product_id":"rvng-prsnts-mx6-mx6ten-10-inches-of-fear-60-minutes-of-fear-jd-twitch","title":"RVNG Prsnts MX6 \u0026 MX6TEN: 10 Inches Of Fear \u0026 60 Minutes Of Fear - JD Twitch","description":"\u003ch5\u003e10″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Flux of Pink Indians – Tube Disasters (JD Twitch Re-Edit) (5:25)\u003c\/li\u003e\n\u003cli\u003eA2. Honey Bane – Guilty (JD Twitch Re-Edit) (3:54)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Zounds – War (JD Twitch Re-Edit) (3:31)\u003c\/li\u003e\n\u003cli\u003eB2. The Mob – Witch Hunt (JD Witch Re-Edit) (4:37)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MX6 \u0026amp; MX6TEN\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 18th, 2008\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe only thing we have to hear is fear itself. On our latest and (perhaps) most ambitious Rvng project to date, JD Twitch, one half of Glasgow's Optimo, trolls the UK gutters, shattered US shores, and squats and 7\" labels in between on the 10 Inches of Fear 10\" and 60 Minutes of Fear mix. Three decades of punk rock spanned and re-contextualized for the not-so-new millennium of fear.\u003c\/p\u003e\n\u003cp\u003eFrom Twitch's personal history (printed in full on the mix CD fold out poster): \"The mid to late 1980s was the period when I really started to buy a lot of records. I was particularly obsessed with (mainly) American bands like Sonic Youth, Big Black, Swans, Butthole Surfers, Flipper etc. etc. This project came about after a late night (slightly tipsy) conversation between myself and Matt from RVNG in New York a couple of years ago when we discovered we both shared a love for many of those bands.\"\u003c\/p\u003e\n\u003cp\u003eFor 10 Inches of Fear, Twitch re-edits four classic tracks from the extended Crass Records catalog. Honey Bane's \"Guilty\" and The Mob's \"Witch Hunt\" edits have already gained some notoriety in online music trading circles. Flux of Pink Indians' \"Tube Disasters\" and Zounds' \"War\" complete two 10\" sides of dark, dancey politi-punk.\u003c\/p\u003e\n\u003cp\u003eWe had the distinct pleasure of working with all of these artists for approval and input on Twitch's re-workings for the 10\". We pressed 300 copies of the 10\" on colored, \"red haze\" vinyl and are distributing at random through mailorder and at retail. While supplies last, igetrvng.com customers receive their 10\" in a custom sewn canvas bag (in black and white) with a one-color screen print. Each 10\" is hand stamped with a red Rvng shield.\u003c\/p\u003e\n\u003cp\u003eThe 60 Minutes of Fear CD features 22 classic and obscure punk rock tracks expertly selected and mixed by Twitch. The CD is packaged in a gigantic 20\" x 20\" double-sided, fold out poster with an amazing personal punk rock history compiled by Twitch. The promotional CD is included \u003cb\u003efree\u003c\/b\u003e with purchase of the limited edition 10\".\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"10\" + CD - $12","offer_id":13130833625157,"sku":"SKU-222","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5374-RVNGMXTEN_Cover_500x500_eb51326b-8001-41f9-bbf0-a10cb34977a3.jpg?v=1535218925"},{"product_id":"rvng-of-the-nrds-vol-8-in-flagranti","title":"RVNG Of The NRDS Vol. 8 - In Flagranti","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Aural Yaw – Send (4:50)\u003c\/li\u003e\n\u003cli\u003eA2. Petite Storm – Stahl Rig (4:40)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm):\u003c\/li\u003e\n\u003cli\u003eB1. We’re Lofty Volt – Alter Flaw (3:41)\u003c\/li\u003e\n\u003cli\u003eB2. Sea Skid – Swami (3:48)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS08\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: March 10th, 2009\u003c\/div\u003e\n\u003cp\u003eWho's got the biggest balls of them all? For the 8th installment in the Rvng of the Nrds 12\" series, NYC wrecking crew In Flagranti strap on their studded gloves and rev through a pair of high energy rock n' roll rompers, a Coffey flavored space disco dirge, and some slap happy, next Level white boy funk. All in their signature spastic circumcise style. Balls to the wall.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1091 copies, 2c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, Naughtycal black print. Addt'l cover color screen printed by\u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003c\/p\u003e\n\u003cp\u003eDesigned by Kevin O'Neill at Will Work For Good.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130834083909,"sku":"SKU-223-384","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5376-40_nrds08_front_a.jpg?v=1535218929"},{"product_id":"rvng-prsnts-mx7-22-x-30-poster-purple-brain","title":"RVNG PRSNTS MX7 22\" X 30\" Poster - Purple Brain","description":"\u003ch3\u003eCAT #: RVNGMX7P\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: June 2nd, 2009\u003c\/div\u003e\n\u003cp\u003eFor better not worse, this Purple Brain experience has changed us forever and we can't deny that the accompanying imagery is synonymous with our visual identity.\u003c\/p\u003e\n\u003cp\u003eIf you feel like further welcoming th'Brain into your home but are perfectly content with the standard edition of the release or if you actually only care store item for you! This is a heavy stock poster of the Purple Brain artwork in a slightly bigger size (22\"x30\").\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOnly 50 available.\u003c\/b\u003e\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130836967493,"sku":"SKU-224","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5382-44_44_rvngmx7_poster_front.jpg?v=1535218931"},{"product_id":"rvng-of-the-nrds-vol-9-jackpot","title":"RVNG Of The NRDS Vol. 9 - Jackpot","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Brief Encounter (7:32)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33rpm):\u003c\/li\u003e\n\u003cli\u003eB1. Night Flight (5:06)\u003c\/li\u003e\n\u003cli\u003eB2. Jungle Gym (5:09)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCat#: NRDS09\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 29th, 2009\u003c\/div\u003e\n\u003cp\u003eFeeling lucky? Stockholm's high plains drifters Jackpot show their cards for our 9th (and 2nd to last) installment in the Rvng of the Nrds 12\" series. On the A-side, the duo cuts a disco Diamond to pieces with handclap slapback and string stabs a plenty. The B-side gets ahead of the beat on a sure bet of Dreamy arpeggiation and rolls the Bones on an early house classic. This is an ace up a (record) sleeve if we ever saw one.\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePressing details:\u003c\/p\u003e\n\u003cp\u003e2 dub plates 5 test pressings 1019 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets w\/ black \"lick\" \u0026amp; classy disco print.\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball (Brooklyn, NY)\u003cbr\u003e 222 Strawberry \/ 253 White \/ 270 Mint \/ 274 Chocolate\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill at Will Work For Good.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130838868037,"sku":"SKU-225-378","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5384-NRDS09_Cover_01.jpg?v=1535218934"},{"product_id":"rvngnl01","title":"Endless Bummer - Pink Skull","description":"\u003ch3\u003eCAT #: RVNGNL01\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: November 10, 2009\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe dystopian frontier is near, but never fear. In the new era of endlessness where we hide ourselves as humans among androids, there is hope. On \u003cem\u003eEndless Bummer\u003c\/em\u003e, the second album from Pink Skull, the producer duo of Julian Grefe and Justin Geller rip out the tracking chip and jump the grid on a quest for purity among putridity.\u003c\/p\u003e\n\u003cp\u003eEndless Bummer was engineered by \u003cb\u003eQuentin Stolzfus\u003c\/b\u003e (Mazarin) and recorded live to 8 tracks on 1\" tape at Alex Ounsworth's (of \u003cb\u003eClap Your Hands Say Yeah\u003c\/b\u003e) studio outside of Philadelphia. The 'in the moment' feel accomplished at the 200 year old barn doesn't typify traditional dance or ambient recordings but rather creates a hauntingly stoned environment that allows the album as much free form as it does structure.\u003c\/p\u003e\n\u003cp\u003eThe result of this balance parallels the Bummer along the various lines of \u003cb\u003ePIL's Metal Box, The Orb's Pomme Fritz EP, the tropicalia Dada-ism of Tom Ze, and Eno \u0026amp; Cluster.\u003c\/b\u003e Living \/ breathing electronic music made beyond the computer screen for bigger screens, Bummer could easily soundtrack a remake of Videodrome as well as it could a Kubrickian classic.\u003c\/p\u003e\n\u003cp\u003eEndless Bummer is available on vinyl and mp3 formats. Each LP comes with a digital download of the full album (+ three bonus tracks) and \u003cem\u003eBeardo Tyrannicus\u003c\/em\u003e, a collection of original and found works by Pink Skull, laid out by \u003ca href=\"http:\/\/willworkforgood.org\/\"\u003eWill Work For Good\u003c\/a\u003eacross two 18” x 24” newsprint posters. Look for Pink Skull's frenetic live show on select dates supporting the release of Endless Bummer.\u003c\/p\u003e\n\u003cp\u003eAbout the packaging...\u003c\/p\u003e\n\u003cp\u003eFor the living \/ breathing packaging of \u003cem\u003eEndless Bummer\u003c\/em\u003e, Pink Skull and Rvng prepared \u003cb\u003ea list of 1000 different \"bummers\"\u003c\/b\u003e informed by our symptomatic culture (ranging from \"ADULT DIAPERS\" to \"ZOMBIE INVASION\") \u003cb\u003eand letter pressed 900 of these across a variation of three flo-colored jackets\u003c\/b\u003e printed with vegetable-based inks at Stumptown Printers.\u003c\/p\u003e\n\u003cp\u003eThe 60 hours spent slaving over the letter press at Silver Spring, MD non-profit arts center Pyramid Atlantic took on an endless if not hallucinogenic feel but never veered into bummer territory.\u003c\/p\u003e","brand":"RVNGNL01","offers":[{"title":"DIGITAL - $8","offer_id":18838952345669,"sku":"RVNGNL01DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130840932421,"sku":"RVNGNL01LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5390-52_rvngl01_cover_02.jpg?v=1535218938"},{"product_id":"rvng-prsnts-mx1b-julian-s-prcss","title":"RVNG PRSNTS MX1B - Julian S. Prcss","description":"\u003ch5\u003eTrack listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e1. Roxy Music – Love Is the Drug\u003c\/li\u003e\n\u003cli\u003e2. Pop Deluxe – Make It Right\u003c\/li\u003e\n\u003cli\u003e3. Newcleus – Jam On It\u003c\/li\u003e\n\u003cli\u003e4. Le Tigre – Deceptacon (DFA Mix)\u003c\/li\u003e\n\u003cli\u003e5. Kid 606 – Smack My Glitch Up\u003c\/li\u003e\n\u003cli\u003e6. Daft Punk – Around The World\u003c\/li\u003e\n\u003cli\u003e7. Laid Back – White Horse\u003c\/li\u003e\n\u003cli\u003e8. Soul Sonic Force – Planet Rock\u003c\/li\u003e\n\u003cli\u003e9. Talking Heads – Girlfriend Is Better\u003c\/li\u003e\n\u003cli\u003e10. Prince – Controversy (Purple Mix)\u003c\/li\u003e\n\u003cli\u003e11. Apollonia 6 – Sex Shooter\u003c\/li\u003e\n\u003cli\u003e12. Parallax Corporation – Cocadisco\u003c\/li\u003e\n\u003cli\u003e13. Kraftwerk – Home Computer\u003c\/li\u003e\n\u003cli\u003e14. Miss Kitten + The Hacker – Stripper\u003c\/li\u003e\n\u003cli\u003e15. Human League – Don’t You Want Me\u003c\/li\u003e\n\u003cli\u003e16. The Rapture – House of Jealous Lovers\u003c\/li\u003e\n\u003cli\u003e17. David Caretta – Metal Disco Class\u003c\/li\u003e\n\u003cli\u003e18. Donna Summer – I Feel Love\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: Mx1B\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: January 5th, 2003\u003c\/div\u003e\n\u003cp\u003eman... i havent listened to this for ages... i remember mixing it like 3 times (live to a little outboard burner) and getting entirely too frustrated (i hate making mix cds). the turntables where dave and i used to practice were right next to the tv and the speakers were down by yr feet. alanna would lie on the couch and tell me to put motorhead and turbonegro in it. cute first effort. no one in philly was playing this stuff at the time, and it went over pretty well.\u003c\/p\u003e\n\u003cp\u003eSelecting and mixing: Julian S.Prcss\u003cbr\u003e Design magic: Kevin O’Neill\u003cbr\u003e 200 produced\u003cbr\u003e Packaged in slimline CD cases with gold spraypainted stencils on cover \u0026amp; CD\u003cbr\u003e Black \u0026amp; White insert printed at Kinko’s\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130841292869,"sku":"SKU-228","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5398-RvngMx1B_Cover.jpg?v=1535218941"},{"product_id":"rvng-prsnts-mx3-tim-sweeney","title":"RVNG PRSNTS MX3 - Tim Sweeney","description":"\u003ch3\u003eCAT #: MX3\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: August 9th, 2003\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"mailto:getrad@igetrvng.com\"\u003eE-mail\u003c\/a\u003e for Track Listing\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLiner Notes\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRvngMx3 features the talented Mr. Tim Sweeney commanding an 80-minute \"press play and party\" collision of the most eclectic musical genres your ears have been privy to. Celebrate good tunes, duh.\u003c\/p\u003e\n\u003cp\u003eTim is half the brain behind the DFA Records Compilation 2 mix and has assisted in the production of several of the label's 12\"s and remixes. A catalog update of the DFA's Compilation 1 (which Tim also produced), Compilation 2 features Tim and the other Tim's (Goldsworthy) exclusive remixes \/ re-edits of LCD Soundsystem, Liquid Liquid, and Pixletan.\u003c\/p\u003e\n\u003cp\u003eTim is also the friendly voice and fingers behind Beats In Space (beatsinspace.com), a radio show broadcast on WNYU radio every Thursday night. When not twiddling knobs or riding the airwaves, Tim's a respected selector among the electro \/ disco \/ hip-hop NYC DJ sect and attached nightlife. Tim has a weekly Fri. night party at APT (NYC) and has played every country imaginable.\u003c\/p\u003e\n\u003cp\u003eThe 21 tracks on RvngMx3 bring the psychedelic groove and thud of Tim' set to digital domain. Tim invites composers of new, old, and in between (Zongamin, Gottsching and Richard D. James) to mingle in style. Avant 80s tracks (Tones On Tail, Grace Jones) blend into the acid 90s (Carl Craig) and back to organic 70s grooves (Throbbing Gristle, Kraftwerk). On your stereo it's sonic art, on the dance floor it's raw magic.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLiner Notes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSelecting, Mixing, and Production: Tim Sweeney\u003cbr\u003e Design: Kevin O'Neill\u003cbr\u003e Cover photo by: Zonder Titell\u003c\/p\u003e\n\u003cp\u003e1000 Initial Pressing\u003cbr\u003e 1000 Repressed\u003cbr\u003e Packaged in re-sealable plastic bags w\/ transparent white stickers and four color 8-panel poster pull out.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130841948229,"sku":"SKU-230","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5402-RvngMx3_Cover.jpg?v=1535218944"},{"product_id":"rvng-of-the-nrds-vol-1-the-flying-squad","title":"RVNG Of The NRDS Vol. 1 - The Flying Squad","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Trip 1 (8:44)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSide B 45rpm\u003c\/li\u003e\n\u003cli\u003eB1. Trip 2 (5:48)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS01\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease Date: May 2006\u003c\/p\u003e\n\u003cdiv\u003eAll aboard, brothers and sisters. Two of your favorite disco tracks re-edited by The Flying Squad for the first volume in the Rvng of the Nrds 12\" series. You know the commander of The Flying Squad, don't you? The voice behind a long long standing New York radio show, the long haired, deep digging DJ that makes rooms across the globe GET INTO IT?! This is the first 12\" release of a whole lotta production work you'll hear from The Flying Squad over the next year. Enjoy, enjoy.\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 28 test pressings\u003cbr\u003e 1,030 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1,100 chipboard jackets, black \"Flying Squad\" print both sides\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball, Brooklyn, NY\u003cbr\u003e 250 Magenta \/ 275 Orange \/ 275 Yellow \/ 300 Red\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin at Chinese Ollie.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846273605,"sku":"SKU-232-375","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5406-NRDS01_CoverB.jpg?v=1535218947"},{"product_id":"rvng-prsnts-mx5-justine-d","title":"RVNG PRSNTS MX5 - Justine D","description":"\u003ch3\u003eCAT #: Mx5\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: March 6th, 2007\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUntil now, the music that immersed and infatuated Justine D in a cinematic life - relatable to some as fact and others as fiction - has never been documented. At least never like this. \u003cb\u003eRvng Prsnts Mx5: Justine D\u003c\/b\u003e is a pretty damn intimate look at the listening habits of someone that's been there.\u003c\/p\u003e\n\u003cp\u003eWhere there? New York City's under and above ground nightlife of the past 15 years. While the world went grunge in the early 90s, New York stayed culture sick infecting Justine with more than teenlove for the monolith clubs she snuck into (\u003cb\u003ePalladium, Limelight, Pyramid\u003c\/b\u003e) and shows (\u003cb\u003eMy Bloody Valentine\u003c\/b\u003e, \u003cb\u003eNitzer Ebb\u003c\/b\u003e, \u003cb\u003eSiouxsie\u003c\/b\u003e). This was the New York City she was waiting for.\u003c\/p\u003e\n\u003cp\u003eIn following years Justine turned club patron to matron promoting ground shaking late 90s \/ early 00s parties at gone but not forgotten Manhattan institutes like \u003cb\u003eTiswas\u003c\/b\u003e, \u003cb\u003eConey Island High\u003c\/b\u003e, and \u003cb\u003eLife\u003c\/b\u003e. At these parties Justine turned a growing record collection into her first DJ sets. Justine�s audience would only grow (and grow crazier) at longstanding DJ gigs at \u003cb\u003eMaking Time\u003c\/b\u003e and, most notably, \u003cb\u003eMotherfucker\u003c\/b\u003e. With MF, she found her place as NYC's most celebrated and hard working promoter and DJ of the new club era.\u003c\/p\u003e\n\u003cp\u003eThough some of Justine's audience evolved most remained the same. She still had a party to throw but obscurer songs from her own musical evolution started appearing in her sets. Now we have 23 of these tracks assembled in an almost narrative mix; where Justine came from, what she learned, and who she will always be as told through the music that inspired.\u003c\/p\u003e\n\u003cp\u003eRecorded during a summer visit to \u003cb\u003eOptimo�s\u003c\/b\u003e Glasgow studio with \u003cb\u003eTwitch\u003c\/b\u003e watching the wavelengths, Justine opens her set with a sound bite from a Francis Bacon BBC interview (a freak obsession while studying Art History at FIT) while \u003cb\u003eEno \u0026amp; Fripp\u003c\/b\u003eappregiate into an era of electronic music that \u003cb\u003eThe Orb\u003c\/b\u003e, Nitzer Ebb, and producers like\u003cb\u003eAndrew Wetherall\u003c\/b\u003e would all align.\u003c\/p\u003e\n\u003cp\u003eElegantly accented by a sample from Paris is Burning (a movie that perhaps best explains Justine's love of her work), the \u003cb\u003eTurntablerocker\u003c\/b\u003e and \u003cb\u003eDaniel Wang\u003c\/b\u003e house anthems turn synthetic \"pop\" of then - \u003cb\u003eMinistry\u003c\/b\u003e, \u003cb\u003eThe Cars\u003c\/b\u003e - and now - \u003cb\u003eHot Chip\u003c\/b\u003e, \u003cb\u003eGlass Candy\u003c\/b\u003e. After the 808s \u0026amp; 909s, \u003cb\u003eDelia \u0026amp; Gavin\u003c\/b\u003e sedate the \u003cb\u003eChic\u003c\/b\u003e Strings before exposing Visconti's on \u003cb\u003eBowie\u003c\/b\u003e's 1984.\u003c\/p\u003e\n\u003cp\u003eIt goes from dark to darkest when Justine builds the \u003cb\u003eCrass\u003c\/b\u003e Walls into crucial \u003cb\u003eDeath In June\u003c\/b\u003e and \u003cb\u003eChristian Death\u003c\/b\u003e tracks and a full cut of \u003cb\u003eGoblin\u003c\/b\u003e's Suspiria. You can almost feel the glass breaking in said movie's opening sequence before Justine rescues us with a Madcap love song and \u003cb\u003eThe Zombies\u003c\/b\u003e fade into a the end score from Truffaut's 400 Blows.\u003c\/p\u003e\n\u003cp\u003eThis is the story Justine D: the starry-eyed teenager, the after hour wanderer, the bleeding heart of a community, and the constant believer in good music. If you believe in good music too, this life and mix are for you.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLiner notes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMixed by: Justine D\u003cbr\u003e Production: Twitch\u003cbr\u003e Mastering: Jim Rusby\u003cbr\u003e Photos: Lifelong Friendship Society\u003cbr\u003e Design: Kevin O'Neill at \u003ca href=\"http:\/\/www.chineseollie.com\/\" target=\"_new\"\u003eChinese Ollie\u003c\/a\u003e\u003cbr\u003e Get: \u003ca href=\"http:\/\/www.justined.com\/\" target=\"_new\"\u003ejustined.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e1000 CDs manufactured.\u003cbr\u003e Packaged in die-cut, \"top secret\" sleeves.\u003cbr\u003e Hand stamped \u0026amp; numbered.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130846339141,"sku":"SKU-235","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5418-RvngMx5_Cover.jpg?v=1535218949"},{"product_id":"rvng-of-the-nrds-vol-3-mock-toof","title":"RVNG Of The NRDS Vol. 3 - Mock \u0026 Toof","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Digit 1 (3:32)\u003c\/li\u003e\n\u003cli\u003eA2. Digit 2 (3:29)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Digit 3 (8:13)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS03\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: April 17th, 2007\u003c\/div\u003e\n\u003cp\u003eDigging deeper into the proverbial pie, Mock \u0026amp; Toof go balls deep with a triple shot of in the pink edits for the ongoing Rvng of the Nrds 12\" series. The merry pranksters behind the infamous Lycra Virgin \/ Tight Humps edits and a slew of remixes (The Juan Maclean, Hot Chip, and The Scissor Sisters), get their digits dirty on a track that rudely awakened Justine Frischmann, a southern boogie classic, and an interstellar afro jam. Let your fingers do the fucking, Mock \u0026amp; Toof have already done the rest.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, black \"digits\" \/ Mock \u0026amp; Toof print both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/punkrockpayroll.com\/\" target=\"_new\"\u003ePunk Rock Payroll\u003c\/a\u003e (Philadelphia, PA)\u003cbr\u003e 275 White \/ 275 Navy Blue \/ 275 Fluorescent Pink \/ 275 Fluorescent Orange\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130846404677,"sku":"SKU-236","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5420-15_NRDS03_CoverWhite.jpg?v=1535218952"},{"product_id":"rvng-ts03-rvng-intl","title":"RVNG TS03 - RVNG Intl.","description":"\u003ch3\u003eCAT #: TS03\u003c\/h3\u003e\n\u003cdiv\u003eLooky here folks! We've made a new Rvng t-shirt. You may or may not remember the Get Rad t-shirts or Mutated Men before those but they were really fucking \"special\". These are no exception.\u003c\/div\u003e\n\u003cp\u003eThe design (by Kevin, durrr) is a loose spin on the rigid \"R\" logo that was stamped on our foreheads fresh from the conceptual womb. It's also an homage to the budget record label logos that grace some of our favorite 7\"s and 12\"s. It's also fucking fresh and we don't have to sell it to you, dude. Fuck authority.\u003c\/p\u003e\n\u003cp\u003eThese are printed on \u003ca href=\"http:\/\/store.americanapparel.net\/bb401.html\" target=\"_new\"\u003eAmerican Apparel Poly-Cotton Short Sleeve Crew Neck\u003c\/a\u003e t-shirts. Way better than the classic 2001s most peanuts print on. These feel and fit better and don't fall apart at the seams. No shitting.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130846437445,"sku":"SKU-237","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5425-TS03_Art.jpg?v=1535218954"},{"product_id":"rvng-of-the-nrds-vol-4-lovefingers","title":"RVNG Of The NRDS Vol. 4 - Lovefingers","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Kentucky (4:20)\u003c\/li\u003e\n\u003cli\u003eA2. Zoysia (5:12)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Bermuda (5:04)\u003c\/li\u003e\n\u003cli\u003eB2. Astroturf (5:19)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS04\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease Date: November 13th, 2007\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eLovefingers is the the melted mind behind the Mp3 blog of the same name. A Laurel Canyon intelli-stoner (think Lebowski meets Klaus Schulze) recently uprooted to NYC, Lovefingers fits in with the other beardos and weirdos here inhaling \/ exhaling deep dug 70s and 80s heavenly \/ earthly jams. Lovefingers debut set of edits are burners from a mid-70s pre-disco Spanish compilation, a Moroder obsessed Bollywood composer, a squishy-squashy space funk anthem, and an Italian new-age progenitor. Get faded.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, black cosmic characters printed on both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 261 Blue \/ 287 Mint \/ 314 Red-ish \/ 238 Yellow\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846470213,"sku":"SKU-238-385","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5427-Album-Cover.jpg?v=1535218957"},{"product_id":"rvng-prsnts-mx5-18-x-24-poster-justine-d","title":"RVNG PRSNTS MX5: 18\" X 24\" Poster - Justine D","description":"\u003cp\u003eWay back in March of 2007 we put out a lil' mix CD by our buddy Justine D (yeah, girls can be buds). We finally got around to celebrating at the Memorial Day edition of MotherF'er at Webster Hall. To commemorate, Polluted Eyeball screen printed 66 posters. We tried selling 'em at the party but gave up after some industrial chick spilled her Red Bull all over the floor model.\u003c\/p\u003e\n\u003cp\u003eSo, now these are up for grabs. Own a piece of the Plug Awards nominated (pfft!), Pitchfork endorsed (pfft! pfft!), DJ mix of the year (says us!). Shipping now.\u003c\/p\u003e\n\u003cp\u003ePrinting details:\u003c\/p\u003e\n\u003cp\u003e66 hand numbered posters\u003cbr\u003e 18\" x 24\" (BIG!)\u003cbr\u003e Black Ink Screenprinted on Light \u0026amp; Dark Blue, Light \u0026amp; Dark Purple Paper\u003c\/p\u003e\n\u003cp\u003eScreen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003c\/p\u003e\n\u003cp\u003ePoster artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130846502981,"sku":"SKU-239","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5433-21_rvngmx5_poster.jpg?v=1535218959"},{"product_id":"beats-in-space-t-shirt","title":"Beats In Space T-Shirt","description":"\u003cp\u003eIt was about time \u003cb\u003eTim Sweeney's\u003c\/b\u003e long-orbiting radio show was memorialized in some fashion. If you're of this planet, the fashion we felt most befitting adorns the region of the body between the neck and waist. Ladies and gentlemen, \u003cb\u003eBeats In Space\u003c\/b\u003e, the first official t-shirt (TS04).\u003c\/p\u003e\n\u003cp\u003eFor the past 9 years, Tim has manned the decks at NYU's basement studio every Tuesday night selecting DJs from around the block and globe for interviews and sets that transcend the earthly airwaves to a higher broadcasting conscious. If you don't know the cosmic religion that is Beats In Space, we urge you to spend some time here:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.beatsinspace.net\/\" target=\"_new\"\u003eBeats In Space\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eOnce Tim got a thick flick of his influence to poke through our zone-drome cones, Kevin O'Neill came up with a mind-bending, two color design. This t-shirt does indeed say Beats In Space - whether you're on the same drugs we are or not.\u003c\/p\u003e\n\u003cp\u003eWe used environment-friendly, non-toxic, water-based paints printed on white \u003ca href=\"http:\/\/store.americanapparel.net\/bb401.html\" target=\"_new\"\u003eAA BB401 50\/50 Poly-Cotton t-shirts\u003c\/a\u003e. None of that plastisol paint, 100% cotton, box cut fit shit here. These t-shirts breeeeeathe. Packaged in a 12-3\/4 x 12-3\/4, 3 mil LP poly bag that we hope you can re-use. Maybe pop one of those long gone Flying Squad 12\"s in there.\u003c\/p\u003e","brand":"Beats In Space","offers":[{"title":"Default Title","offer_id":13130846568517,"sku":"SKU-240","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5435-TS04_Ref.jpg?v=1535218961"},{"product_id":"rvng-of-the-nrds-vol-5-wade-nichols","title":"RVNG Of The NRDS Vol. 5 - Wade Nichols","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45 rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Wanda Rode Again (6:37)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Horse With No Shame (4:39)\u003c\/li\u003e\n\u003cli\u003eB2. Abracadobro (4:26)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS05\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: June 24th, 2008\u003c\/div\u003e\n\u003cp\u003eHowdy Partners. For the latest installment in the ongoing Rvng of the Nrds 12\" series, Wade Nichols saddles up and puts his spurs into some dusty (and dusted) AM radio classics. Nichols gives some four-on-the floor love to everyone's favorite flute touting, bearded boogie band's big hit, tames a wild American horse with a punchy kick, and starts a disco brawl with anthemic refrains and slide guitars. Head for the sunset, space cowboys. This one's for you. Yeehaw.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, mutated horse + visitor print both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 263 White \/ 287 Yellow \/ 273 Warm Red \/ 277 Copper\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846601285,"sku":"SKU-241-381","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5437-NRDS05_Copper.jpg?v=1535218963"},{"product_id":"rvng-of-the-nrds-vol-6-jacques-renault","title":"RVNG Of The NRDS Vol. 6 - Jacques Renault","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33 RPM):\u003c\/li\u003e\n\u003cli\u003eA1. Bad Skinned (6:28)\u003c\/li\u003e\n\u003cli\u003eA2. Sweet Rollin’ On (5:40)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45 RPM):\u003c\/li\u003e\n\u003cli\u003eB1. Tuxedo Dance (7:05)\u003c\/li\u003e\n\u003cli\u003eB2. Bad Skin Effect (1:54)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS06\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 2nd, 2008\u003c\/div\u003e\n\u003cp\u003eShhhh. The dirtiest disco secrets should stay that way. Leave 'em for the dark corners of the dance floor, the alleyway and taxi ride home, the drug addled recesses of your next morning mind. On his Rvng of the Nrds Vol. 6 12\", Jacques Renault escorts and edits three tracks with enough sleaze to shut down an Upper West Side bath house. Mr. Renault lazer tinges a cosmic rapper's delight, gets horn-y over some frolicking Rhodes and bass growls, and let's the guitar sling and high hats slush over a classic penguin strut. Go ahead, let your freak out. The secret stays safe with us.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, \"class act\" black print. Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 271 Purple \/ 276 Silver \/ 274 Red \/ 275 White \/ 4 Burgundy\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846699589,"sku":"SKU-242-382","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5443-NRDS06_Front_RED__discogs.jpg?v=1535218966"},{"product_id":"rvng-prsnts-mx5-5-purple-pills-for-sleepless-nights-tim-sweeney","title":"RVNG PRSNTS MX5.5: Purple Pills For Sleepless Nights - Tim Sweeney","description":"\u003ch3\u003eCAT#: RVNGMX5.5\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: August 5th, 2008\u003c\/div\u003e\n\u003cp\u003eThis is one for the history books. Rvng's resident recluse Tim Sweeney compiled this superb, 17 track mix for an exclusive version of the \u003ca href=\"http:\/\/www.igetrvng.com\/rvngi.php?a=shop\u0026amp;b=26\" target=\"_new\"\u003eBeats In Space t-shirt\u003c\/a\u003e we printed for Colette (Paris) and Jet Set (Tokyo). We have \u003cb\u003e15\u003c\/b\u003e copies left for mailorder before we launch the master disc into space. Maybe where it belongs considering the spectral waves that emanate from this nova of psychedelic selections.\u003c\/p\u003e\n\u003cp\u003eNo track listing. No audio samples. No hints. No nothin' but an incredibly enjoyable listen. Be quick.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e150 copies, black screen print on black stock.\u003c\/p\u003e\n\u003cp\u003eArtwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130849747013,"sku":"SKU-243","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5449-Mx5.5_Cover_B.jpg?v=1535218968"},{"product_id":"rvng-of-the-nrds-vol-7-greg-wilson","title":"RVNG Of The NRDS Vol. 7 - Greg Wilson","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Cosmic DJ Delight (7:11)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm):\u003c\/li\u003e\n\u003cli\u003eB1. Sacrificial Soul (6:11)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS07\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: December 9th, 2008\u003c\/div\u003e\n\u003cp\u003eFor our lucky seventh 12\" in the Rvng of the Nrds series, the Galactic Captain of the edit, Greg Wilson, makes bodies move with two grooves from the heart and soul. Cosmic DJ Delight cycle spins an Italo classic through giddy guitar orbit while adding groovy echoes from the bright corners of the big 90s dancefloor. Soul Sacrifice plunges the percussive depths of San Fran's finest jam moment of 1969 and comes up modulating for more. Seriously enlightened cuts from the creator and originator.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1091 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, \"Sexy Bettie\" black print. Addt'l cover color screen printed by\u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 275 Purple \/ 276 Yellow \/ 271 Cyan \/ 275 Green\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived by Greg Wilson and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130853875781,"sku":"SKU-244-383","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5451-NRDS07_Back.jpg?v=1535218970"},{"product_id":"rvng-prsnts-mx7-mx7seven-purple-brain","title":"RVNG PRSNTS MX7 \u0026 MX7SEVEN - Purple Brain","description":"\u003ch5\u003ePurple Brain 7″ track listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33 RPM)\u003c\/li\u003e\n\u003cli\u003eA1. Barry DeVorzon and Perry Botkin Jr. – The Riot (PB Edit) (3:30)\u003c\/li\u003e\n\u003cli\u003eA2. Purple Brain – Purple Brain Theme (1:34)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33 RPM)\u003c\/li\u003e\n\u003cli\u003eB1. Bahumutsi Drama Group – To The Comrades (PB Edit) (5:16)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MX7 \u0026amp; MX7SEVEN\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: June 2009\u003c\/div\u003e\n\u003cp\u003eObey your brain. From the cerebral ether of \u003cb\u003eAndre\u003c\/b\u003e Bumrocks and \u003cb\u003eJason Convict!\u003c\/b\u003e comes \u003cb\u003ePurple Brain\u003c\/b\u003e, the new mix CD and 7\" from Rvng Intl. Australians in former lives, the duo have called NYC home for several moons, respectively cultivating insane record collections shared outside of their bro-zone through transcendental online archives (see:\u003ca href=\"http:\/\/bumrocks.com\/\"\u003ebumrocks.com\u003c\/a\u003e) and far reaching mix tapes (listen: \u003ca href=\"http:\/\/www.lovefingers.org\/mp3\/noodle.mp3\"\u003eTime To Noodle\u003c\/a\u003e and \u003ca href=\"http:\/\/www.r-n-d.net\/fileadmin\/audio\/mixes\/HeyConvictSlowMo.mp3\"\u003eDrunken Chicken\u003c\/a\u003e).\u003c\/p\u003e\n\u003cp\u003eFollowing some prodding by Rvng and then promises of fame, riches, and immortality, the two minds turned to one after months collecting and compiling cuts over just the right \/ wrong mixes as to work within a broad, psychoactive stroke.\u003c\/p\u003e\n\u003cp\u003eThe 60 minute Purple Brain mix is a \u003cb\u003etransformational\u003c\/b\u003e affair. There's no right place or time, rather the listener is paralyzed and abducted by a higher force. The Brain uses abstract themes of transgression, outsider art, and the occult to create a cinematic feel throughout the mix. This could \/ should be the soundtrack to a lost \u003cb\u003eNew Hollywood\u003c\/b\u003e or\u003cb\u003eCronenberg\u003c\/b\u003e film or a documentary on a great heretic or healer.\u003c\/p\u003e\n\u003cp\u003eThe music contained within moves through the \u003cb\u003epounding rock\u003c\/b\u003e side of \u003cb\u003edisco\u003c\/b\u003e to loose\u003cb\u003eafro-rock, metallic clang, desert dirge,\u003c\/b\u003e and \u003cb\u003esynth overloads\u003c\/b\u003e. Accented by sound collages constructed by the Brain, the mix is a meditative journey into the mind's dark eye. No intermission, no encore, to be listened loud and under influence.\u003c\/p\u003e\n\u003cp\u003eThe 7\" features two edits from the mix and an original composition. On the a-side, Purple Brain take future \/ former soap opera theme composer \u003cb\u003eBarry De Vorzon's\u003c\/b\u003e collaboration with \u003cb\u003ePerry Botkin Jr.\u003c\/b\u003e, \"The Riot\" from the R.P.M. soundtrack, and rev the frenzy factor to eleven. After the bell and whistle pastiche of The PB Theme, the Brain extend the political policy of \u003cb\u003eMaishie Maponya's\u003c\/b\u003e \"To the Comrades\" from the \u003cb\u003eBahumutsi Drama Group's\u003c\/b\u003e production of Busang Meropa.\u003c\/p\u003e\n\u003cp\u003eThe CD \/ 7\" comes packaged in a \u003cb\u003esuper size\u003c\/b\u003e (21\" x 28\") two color poster and insert designed by \u003cb\u003eKevin O'Neill\u003c\/b\u003e of \u003cb\u003eWill Work For Good\u003c\/b\u003e. 300 7\"s are pressed on \u003cb\u003epurple vinyl\u003c\/b\u003eand randomly circulating throughout mail and retail orders.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e3 1\/2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1033 7\"s, 21\" x 28\" 2c poster, 2c CD inserts w\/ die cut CD holder\u003cbr\u003e 300 copies translucent purple colored vinyl\u003cbr\u003e 1100 CDs manufactured. CDs still suck.\u003c\/p\u003e\n\u003cp\u003e\"The Riot\" licensed to Rvng by Sony BMG.\u003cbr\u003e \"To the Comrades\" licensed to Rvng by Maishie Maponya.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"7” + CD (Purple Vinyl) - $20","offer_id":41465856622655,"sku":"RVNGMX7LP-C1","price":20.0,"currency_code":"USD","in_stock":false},{"title":"7” + CD (Black Vinyl) - $15","offer_id":41465856655423,"sku":"RVNGMX7LP","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5457-RVNGMX7_Cover.jpg?v=1535218972"},{"product_id":"rvngmx7d-purple-braini","title":"RVNGMX7D: PURPLE BRAINI","description":"\u003ch3\u003eCAT #: MX7D\u003c\/h3\u003e\n\u003cdiv\u003eWe are pleased to announce the next exciting phase in the \u003cb\u003ePurple Brain\u003c\/b\u003e life cycle through a truly unique and limited extension of this brain bending concept.\u003c\/div\u003e\n\u003cp\u003eThe \u003cb\u003ePurple Braini\u003c\/b\u003e comes at you in a 7\" case hand crocheted by \u003cb\u003eDani Griffiths\u003c\/b\u003e of\u003cb\u003eClyde\u003c\/b\u003e. The three dimensional life size specimen also comes encased in an 8\" acrylic cube along with the 7\", CD, and poster. There are only \u003cb\u003e10\u003c\/b\u003e of these in existence, \u003cb\u003e3\u003c\/b\u003e of which you can purchase through our website.\u003c\/p\u003e\n\u003cp\u003eIt's time for the serious brainiacs to step up to the plate and welcome this beautiful freak into your collections. If you'd like a brain and would like to inquire about pricing, please e-mail \u003ca href=\"mailto:getrad@igetrvng.com\"\u003egetrad@igetrvng.com\u003c\/a\u003e.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130853941317,"sku":"SKU-247","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5459-BRAINI01_Pic03.jpg?v=1535218974"},{"product_id":"frkwys02","title":"FRKWYS Vol. 2 - Excepter","description":"\u003ch3\u003eCAT #: FRKWYS02\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 5th, 2009\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRvng is proud to announce a new 12\" series entitled \u003cb\u003eFRKWYS\u003c\/b\u003e. A play on the name of the legendary Folkways record label founded by Moses Asch in the late 40s to document sound and movement in music from around the world, our FRKWYS (think Freakways) 12\" series pairs contemporary artists and their progenitors by way of remix, reinterpretation, and original collaboration.\u003c\/p\u003e\n\u003cp\u003eLike the Folkways releases, each installment in Rvng's FRKWYS series lives under a thematic banner (albeit sometimes loose) and explores a different facet of electronic music. The first release in the series features collaborations from NYC avant-pranksters \u003cb\u003eExcepter\u003c\/b\u003e with \u003cb\u003eChris Carter\u003c\/b\u003e and \u003cb\u003eCosey Fanni Tutti\u003c\/b\u003e of \u003cb\u003eThrobbing Gristle\u003c\/b\u003e and \u003cb\u003eChris \u0026amp; Cosey\u003c\/b\u003e, \u003cb\u003eJG Thirwell\u003c\/b\u003e of \u003cb\u003eFoetus\u003c\/b\u003e and his many alter egos, and \u003cb\u003eJack Dangers\u003c\/b\u003e of \u003cb\u003eMeat Beat Manifesto\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eThe result of this premiere series edition is a new and entirely relevant industrial revolution. Chris \u0026amp; Cosey draw from their early output (Heartbeat, Trance) and turn Excepter's \"Shot Ring\" into a whip smart primitive techno mix while JG Thirwell orchestrates \"Stretch\" as a wildly percussive, brassy acid track. Jack Dangers adds heavy bonus beats with a pitched down dub and bass dance dirge of \"Kill People\".\u003c\/p\u003e\n\u003cp\u003eWe are housing these limited edition 12\"s (900 copies \/ pressing) in a classic package using heavy stock jackets applied in leatherette and tip on adhesives, creating a truly substantial and archival feel. You have to see \/ hear this record to believe it.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 906 12\"s, leatherette wrap w\/ blue adhesive, silver spot ink on black labels\u003c\/p\u003e","brand":"FRKWYS02","offers":[{"title":"DIGITAL - $4","offer_id":13130854203461,"sku":"FRKWYS02DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"LP - $12","offer_id":13130854170693,"sku":"FRKWYS02LP","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5461-FRKWYS02_Cover_01.jpg?v=1535218977"},{"product_id":"rvng-of-the-nrds-vol-10-pilooski","title":"RVNG Of The NRDS Vol. 10 - Pilooski","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33rpm):\u003c\/li\u003e\n\u003cli\u003eA1. AAA (9:25)\u003c\/li\u003e\n\u003cli\u003eA2. OOO (locked groove)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eEtching\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS10\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: January 26th, 2010\u003c\/div\u003e\n\u003cp\u003eIn the end there were ten. On the final installment in our Rvng of the Nrds 12\" series, Parisian patriarch of the edit Pilooski wanders into the dark heart of a Jamaican jungle jam. Birds of paradise squawk and squeak over a ghostly female lament while an echo chambered guitar riff crescendos into haunting hammond swells and a bouncy bass dirge. The one-sided 12\" locks on a tumbling tabla and mystic's moan. The b-side features an etching inspired by the whip cream pie scene in Revenge of the Nerds. It's a joke that five people will get. But that's ok, because in the end, the joke was on us. S'ank you, very much.\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1005 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at Will Work For Good.\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1005 chipboard jackets w\/ black \"mystic desert wanderer\" print.\u003cbr\u003e 250 Bronze \/ 255 Copper \/ 241 Gold \/ 259 Silver\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130854236229,"sku":"SKU-249-376","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5467-58_nrds10_cover_01.jpg?v=1535218981"},{"product_id":"rvngnl02","title":"Candyman - These Are Powers","description":"\u003ch3\u003eCAT #: RVNGNL02\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: February 23, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThese Are Powers\u003c\/b\u003e lay it on thick, sweet, and sludgy for their new \u003ci\u003eCandyman\u003c\/i\u003e EP. The Brooklyn-based trio of Anna Barie (vocals \u0026amp; electronics), Pat Noecker (bass, electronics, vocals), and Bill Salas (beats \u0026amp; production) do nothing to sugar coat the grimy center of a new, bass bin rattling, electro-shock sound.\u003c\/p\u003e\n\u003cp\u003ePOWERS kick off the EP with \"Candyman\", a naughty nursery rhyme set to a bombastic East meets West-Indies reggaeton shuffle. The rifling bass and scattered snare shots of \"Gutterspaces\" emerge as dancehall back from the future, followed by the sputter to mega-life Chicago juke and drone fest of \"World Class Peoples\".\u003c\/p\u003e\n\u003cp\u003eThe EP also includes a runway house remix of \"Candyman\" by globe-trotters \u003cb\u003eTeengirl Fantasy\u003c\/b\u003e and a remix of \"World Class Peoples\" by Costa Rica's \u003cb\u003eCosmetics\u003c\/b\u003e that is as much Burial as it is Scott Walker.\u003c\/p\u003e\n\u003cp\u003eThe artwork, by Kevin O'Neill at Will Work For Good, is inspired by the slimy fetish known as sploshing. The sploshee featured on the cover will remain anonymous. First pressing limited to 1000 copies.\u003c\/p\u003e\n\u003cp\u003eMastered by Leandro Gonzales at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at \u003ca href=\"http:\/\/www.willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, red \u0026amp; white labels\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 1100 full color jackets w\/ designated inner sleeves.\u003cbr\u003e \u003ciframe src=\"\/\/www.youtube.com\/embed\/Q_5BRo71pPQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL02","offers":[{"title":"DIGITAL - $8","offer_id":18838918856773,"sku":"RVNGNL02DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130854400069,"sku":"RVNGNL02LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5473-59_tap01front.jpg?v=1535218985"},{"product_id":"infinidelity-boxset-historics","title":"Infinidelity Boxset - Historics","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rvng.bandcamp.com\/album\/infinidelity\"\u003eInfinidelity by Historics\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date: June 8, 2010\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDownload the samples for all ten tracks \u003ca href=\"http:\/\/igetrvng.com\/historics\/retail\/infinidelity_samples.zip\" target=\"_new\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003cbr\u003e \u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the \u003cb\u003ehistorics\u003c\/b\u003e \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e (\u003ci\u003eFeathers Like Leather\u003c\/i\u003e, \u003ci\u003e57 Octaves Below...\u003c\/i\u003e, \u003ci\u003eWhite Pigeons\u003c\/i\u003e), \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from historics late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003eThe \u003ci\u003eInfinidelity\u003c\/i\u003e story is one of meditation within \/ without a relationship, wrapped in a transient prose that skirts comedic and tragic traditions. \u003ci\u003eStrategies For Apprehension\u003c\/i\u003edeals in related subjects, those of bonds forged and broken, of ever-shifting alliances. In keeping with those themes, the conception and recording of the record were devoutly unfaithful to any rote route of standard-fare album construction. From those sessions were born enough boundless ideas to place in the hands of others, who in turn have created their own commentaries on and reinterpretations of the music.\u003c\/p\u003e\n\u003cp\u003eThe artwork, informed by Leo's story and spanning across the three 12\"s, was created by artist \u003cb\u003eMark McCoy\u003c\/b\u003e. The intricate collages convey sanctity within immolation, sacrifice to nature's thorny embrace. \u003cb\u003eKevin O'Neill\u003c\/b\u003e at \u003cb\u003eWill Work For Good\u003c\/b\u003e commanded the build \u0026amp; design of the packaging.\u003c\/p\u003e\n\u003cp\u003eThe first 12\" features remixes from \u003cb\u003eTom Croose\u003c\/b\u003e, \u003cb\u003eSirBlly\u003c\/b\u003e \u0026amp; \u003cb\u003eCreso\u003c\/b\u003e, \u003cb\u003eLow Motion Disco\u003c\/b\u003e, and \u003cb\u003ePink Stallone\u003c\/b\u003e. The second 12\" features remixes from \u003cb\u003eJackpot\u003c\/b\u003e, \u003cb\u003eUFO!\u003c\/b\u003e, \u003cb\u003eAllez-Allez\u003c\/b\u003e, and \u003cb\u003eCFCF\u003c\/b\u003e. The third 12\" features remixes from \u003cb\u003eLeo Zero\u003c\/b\u003e \u0026amp; \u003cb\u003eAndrew Allsgood\u003c\/b\u003e. Each artist was given Leo's story and McCoy's artwork to allow cohesive exercises. The remixes of Infinidelity are as dark as they are light but ultimately serve to elevate the dance floor.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. The box sets come in an incredibly limited edition of 50 and are constructed to house all three records in stunning 24\" x 34\" black \u0026amp; white poster prints and a custom wrapped box. The 12\"s will also be available separately and digitally at \u003cb\u003eiTunes\u003c\/b\u003e, \u003cb\u003eBeatport\u003c\/b\u003e, \u003cb\u003eJuno\u003c\/b\u003e, and \u003cb\u003eTurntable Lab\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e50 box sets\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e Jackets \u0026amp; designated sleeves printed at \u003ca href=\"http:\/\/stumptownprinters.com\/\" target=\"_new\"\u003eStumptown Printers\u003c\/a\u003e.\u003cbr\u003e Box sets assembled with love by \u003ca href=\"http:\/\/willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"3x12\"","offer_id":13130854432837,"sku":"SKU-252-354","price":42.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5485-62_histboxa.jpg?v=1535218987"},{"product_id":"infinidelity-pt-3-historics","title":"Infinidelity Pt. 3 - Historics","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rvng.bandcamp.com\/album\/infinidelity\"\u003eInfinidelity by Historics\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSide A\u003c\/li\u003e\n\u003cli\u003eA1. Skin Orders (Leo Zero Remix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eB1. Two Tons (Andrew Allsgood's Two Tons of Fun Remix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MI004 \/ RVNGNL04.5\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 16, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the historics \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e, \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from \u003cb\u003ehistorics\u003c\/b\u003e late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity Pt. 3\u003c\/i\u003e closes out the 12\" series with two monstrous remixes. UK remix maven and recent \u003cb\u003eStrut Records\u003c\/b\u003e mix maker \u003cb\u003eLeo Zero\u003c\/b\u003e turns \"Skin Orders\" into a sprawling, eight minute mix of rapid fire drum patterns akin to \"Bombs Over Baghdad\" and odyssey-like, Garcia inspired guitar work by \u003cb\u003eCrow\u003c\/b\u003e of \u003cb\u003eMountain of One\u003c\/b\u003e. Canadian producer \u003cb\u003eAndrew Allsgood's\u003c\/b\u003e take on \"Two Tons\" stomps away with a heavy kick, conga-laden percussion, and fuzzed out bass line, eventually oscillating into a cosmic cataclysm and refrain. This remix fits in nicely with Allsgood's classic 12\" for \u003cb\u003eHistory Clock\u003c\/b\u003e and features additional production by \u003cb\u003eWorst Friends\u003c\/b\u003e. Complete the \u003ci\u003eInfinidelity series\u003c\/i\u003e with this final chapter.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. Each 12\" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by \u003cb\u003eMark McCoy\u003c\/b\u003e. Digital available at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\" - $18","offer_id":13130854465605,"sku":"RVNGNL04.5","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5488-historics-infinidelity_pt._3.jpg?v=1535218990"},{"product_id":"frkwys04","title":"FRKWYS Vol. 4 - Psychic Ills","description":"\u003ch3\u003eCAT #: FRKWYS04\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cb\u003eRelease date: \u003c\/b\u003eSeptember 21st, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe fourth volume of \u003cb\u003eFRKWYS\u003c\/b\u003e sees the work of \u003cb\u003ePsychic Ills\u003c\/b\u003e reinterpreted by an ancestry of artists that reflect the New York City group's artistic trajectory over the last seven years of avant exploration.\u003c\/p\u003e\n\u003cp\u003eTrue to the FRKWYS series, each artist selected to collaborate with Psychic Ills helped pioneer a new realm in electronic music. This volume is as much a testament to Psychic Ills' effort to push their sound forward through new eyes and ears as it is their interest linking the lineage of the artists involved. The record reads like a family tree, its roots firmly planted in psychedelic German soils, the trunk a techno pillar, and branches tangled in the experimental ether.\u003c\/p\u003e\n\u003cp\u003eAlmost a year in the making, FRKWYS Vol. 4 is a detailed document of like-minded communication from afar and close. Psychic Ills first initiated contact with \u003cb\u003eHans-Joachim Irmler\u003c\/b\u003e, founding member of German kraut-fathers \u003cb\u003eFaust\u003c\/b\u003e, who delivers a primal \/ industrial strength double take on \"Witchcraft Breaker\" from \u003ci\u003eDins\u003c\/i\u003e, the band's first full length. Detroit techno progenitor \u003cb\u003eJuan Atkins\u003c\/b\u003e was contacted on an unlikely whim and immediately responded to \"Mantis\", from Ills' second album \u003ci\u003eMirror Eye\u003c\/i\u003e, with a boiler room deep mix that whumps to a soulful bass line and scans 180 phase fields. Psychic Ills tour companion \u003cb\u003eGibby Haynes\u003c\/b\u003e of \u003cb\u003eButthole Surfers\u003c\/b\u003e grips \"I Take You As My Wife Again\", another track from \u003ci\u003eMirror Eye\u003c\/i\u003e, and hypnotically oscillates it into dark dimensions of synthesized rhythm.\u003c\/p\u003e\n\u003cp\u003eThis volume of FRKWYS is limited to \u003cb\u003e550 vinyl copies\u003c\/b\u003e, packaged in thick black jackets with a two color adhesive wrap. \u003cb\u003e50 subscriber copies\u003c\/b\u003e come in leatherette jackets. Digital available at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e5 test pressings\u003cbr\u003e 550 copies, black \u0026amp; silver labels\u003cbr\u003e Mastered at \u003ca href=\"http:\/\/www.finyltweek.com\/\" target=\"_new\"\u003eFinyl Tweek\u003c\/a\u003e.\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/igetrvng.com\/discography\/www.brooklynphono.com\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 500 jackets w\/ adhesive. 50 subscriber jackets w\/ adhesive tip on leatherette.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FRKWYS04","offers":[{"title":"DIGITAL - $5","offer_id":13130854531141,"sku":"FRKWYS04DIGI","price":5.0,"currency_code":"USD","in_stock":true},{"title":"LP - $12","offer_id":13130854498373,"sku":"FRKWYS04LP","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5495-75_frkwys04_cover_500x500_e612fda4-a280-4a3f-81a9-a92f2b8ab4d7.jpg?v=1535218993"},{"product_id":"infinidelity-pt-2-historics","title":"Infinidelity Pt. 2 - Historics","description":"\u003ciframe width=\"\" height=\"\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/\" style=\"position: relative; display: block; width: px; height: px;\" allowtransparency=\"true\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A\u003c\/li\u003e\n\u003cli\u003eA1. Taverns (Jackpot Copy Paste Mix) (4:54)\u003c\/li\u003e\n\u003cli\u003eA2. Take It To The Top (UFO! Remix) (4:18)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eB1. Things Alright (Allez-Allez Metalic Mix) (5:59)\u003c\/li\u003e\n\u003cli\u003eB2. Take It To The Top (CFCF Remix) (4:56)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MI003 \/ RVNGNL03.5\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: August 24, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the historics \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e, \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from \u003cb\u003ehistorics\u003c\/b\u003e late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e pt. 2 locks into the groove in hit form with a \"Taverns\" remix by Sweden's \u003cb\u003eJackpot\u003c\/b\u003e, a track that neatly pits the vocal track against a jack happy beat and arpeggios that joyfully amp up the outro. \u003cb\u003eKool Keith\u003c\/b\u003e pops his head in the \u003cb\u003eUFO!\u003c\/b\u003e remix of \"Take it to the Top\", making it cool to rap about Eric Clapton over the hyper-dub marching band madness. The 12\" continues on its eclectic way with a metallic revision of \"Things Alright\" by RVNG sound racketeers \u003cb\u003eAllez-Allez\u003c\/b\u003e and ends with a Kool Keith redux and some Miami Bass \/ saxophone skeeze with Montreal's \u003cb\u003eCFCF\u003c\/b\u003e at the helm of another \"Take it to the Top\" remix.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. Each 12\" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by \u003cb\u003eMark McCoy\u003c\/b\u003e. Digital available at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"- $18","offer_id":13130854760517,"sku":"RVNGNL03.5LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5509-74_infinidelity_pt2.jpg?v=1535218997"},{"product_id":"format-worth-regal-degal","title":"Format Worth - Regal Degal","description":"\u003ch3\u003eCAT #: RVNGCSS01\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: June 13, 1983\u003c\/div\u003e\n\u003cp\u003eAn exquisite corpse decomposing over the course of a year, we present to you \u003cb\u003eRegal Degal's\u003c\/b\u003e debut offering, \u003ci\u003eFormat Worth\u003c\/i\u003e. A triumphant, burly batch of songs from a young trio that could call Christchurch, New Zealand ca. 1981 (Flying Nun) or Brussels ca. 1980 (Les Disques Du Crépuscule) home as easily as they presently do Brooklyn, NY. Pop music honed at home and unafraid to drone out on the edge of starkness. A year's worth of experimentation (2009 + 2010) captured to cassette. Really real, Regal Degal.\u003c\/p\u003e\n\u003cp\u003eArtwork by \u003cb\u003eJoel Stillman\u003c\/b\u003e for \u003ca href=\"http:\/\/normalnumber.com\/\" target=\"_new\"\u003eNormal Number\u003c\/a\u003e. \u003cb\u003eEdition of 83\u003c\/b\u003e on 40 minute cassettes, Gocco print on recycled covers and inside stamp.There is no children's laughter on this recording.\u003c\/p\u003e","brand":"RVNGCSS01","offers":[{"title":"Default Title","offer_id":13130854793285,"sku":"SKU-257","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5515-79_rvngcss01_cover.jpg?v=1535218999"},{"product_id":"the-jekyll-ep-joie-noire-blackjoy","title":"The Jekyll EP - Joie Noire \/ Blackjoy","description":"\u003ch3\u003eCAT #: PR003\u003c\/h3\u003e\n\u003cp\u003eVoila! The third installment in \u003cb\u003e\u003ca href=\"http:\/\/publicrelease.tumblr.com\/\" target=\"_new\"\u003ePublic Release\u003c\/a\u003e's\u003c\/b\u003e outstanding and well-liked Private Release picture disc series (Vol. 2 can be found \u003ca href=\"http:\/\/igetrvng.com\/shop\/70\"\u003ehere\u003c\/a\u003e) launches the focus from out of NYC and into the Parisiosphere, which is totally welcome since after all, this is a San Francisco-based label.\u003c\/p\u003e\n\u003cp\u003eBut really, what a wonderful pairing they've got this time around, with \u003cb\u003eJoie Noire\u003c\/b\u003e on Side A, and his more recognizable alter ego \u003ca href=\"http:\/\/www.myspace.com\/blackjoy2000\"\u003eBlackjoy\u003c\/a\u003e on the B (hence the Jekyll'd out title). In this case, \u003cb\u003eA stands for acid\u003c\/b\u003e, as we are treated to a bubbling techno concoction named \u003cb\u003e\"Games\"\u003c\/b\u003e, which features liberal melodies that don't feel the need to start and stop where they might be expected to do so. Any objections to that? \"Shut your mouth\". You'll understand if you pick up this 12\", which if you haven't already, you can now. \u003cb\u003eSide B\u003c\/b\u003e revisits Blackjoy's \u003cb\u003e\"Secrets\"\u003c\/b\u003e track off of his 2010 \u003cb\u003e\u003ci\u003eErotis\u003c\/i\u003e\u003c\/b\u003e album, which appears in an extended form here. That is a great thing, since \u003cb\u003ethe groove on this cut is most tantalizing.\u003c\/b\u003e Quite happy he decided to stretch this one out. Definitely not as tecque'd up as the A, but a familiar funky sound for which BJ is known, as evidenced on the \u003ca href=\"http:\/\/lucienent.com\/\"\u003eLucien Ent.\u003c\/a\u003e site (song snippets galore).\u003c\/p\u003e\n\u003cp\u003eOverall, yet another perfect picture disc that reminds us all that \u003cb\u003ewe can have our steak and eat it too!\u003c\/b\u003e\u003c\/p\u003e","brand":"PR003","offers":[{"title":"12\" - $18","offer_id":13130854826053,"sku":"PR003LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5525-85_prvol3_sidea_500.jpg?v=1535219001"},{"product_id":"rvngnl05","title":"Blondes - Lover \/ Hater","description":"\u003ch3\u003eCAT #: RVNGNL05\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: March 15, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e follow up their 2010 \u003ci\u003eTouched\u003c\/i\u003e EP (\u003cb\u003eMerok\u003c\/b\u003e) with \u003ci\u003eLover \/ Hater\u003c\/i\u003e, a two track 12\" inaugurating a three part record series on \u003cstrong\u003eRVNG\u003c\/strong\u003e exploring duality concepts. Recorded live to 2\" tape at \u003cb\u003eAtlantic Sound\u003c\/b\u003e in Brooklyn, these set staples capture Blondes at their headiest and deadliest. \"Lover\" places a shamanistic \u003cb\u003eMeredith Monk\u003c\/b\u003e vocal sample atop a ritualistic rhythm, transporting the track to a trancefloor spirit worlds away. \"Hater\" builds on cascading keyboard cycles before breaking into an \u003ci\u003eE2-E4\u003c\/i\u003e-on-the-floor bounce.\u003c\/p\u003e\n\u003cp\u003eMastered at \u003cb\u003eDubplates \u0026amp; Mastering\u003c\/b\u003e. Artwork by \u003cb\u003eKevin O'Neill\u003c\/b\u003e. Limited pressing.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/lopxp1yw3Qo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL05","offers":[{"title":"DIGITAL - $6","offer_id":19142168215621,"sku":"RVNGNL05DIGI","price":6.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130858299461,"sku":"RVNGNL05LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5528-86_rvngnl05_cover_500x500_front.jpg?v=1535219003"}],"url":"https:\/\/igetrvng.com\/collections\/sale.oembed","provider":"RVNG Intl.","version":"1.0","type":"link"}