{"title":"RVNG Releases","description":"","products":[{"product_id":"rvngnl34","title":"Zelalem + Mixtape - Mikael Seifu","description":"\u003ch3\u003eCAT #: RVNGNL34\u003c\/h3\u003e\n\u003cp\u003eRelease Date: March 4, 2016\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMikael Seifu’s\u003c\/b\u003e \u003cem\u003eZelalem\u003c\/em\u003e is an ode to – and a fearless break from – the storied lineage of Ethiopian music.\u003c\/p\u003e\n\u003cp\u003eThe literal Amharic translation of \u003cem\u003eZelalem\u003c\/em\u003e is “eternity,” and through Seifu’s conceptual frame it becomes a “vector of light.\" Seifu shines this light on the music of his home country while guiding us through an uncharted \"Ethiopiyawi Electronic\" – a coinage Seifu uses to describe the music he and his peers are producing in Ethiopia’s capital city of Addis-Ababa.\u003c\/p\u003e\n\u003cp\u003eIlluminating the rich sounds of Addis-Ababa’s \u003cem\u003eazmaris\u003c\/em\u003e, Seifu's music becomes a “dream brew” in which these traditional musicians collaborate and contribute vocals and lead voicings from folk instruments such as the Masenko and the Krar.\u003c\/p\u003e\n\u003cp\u003eSeifu was educated at the Lycée Guebre-Mariam in Addis-Ababa. The French academy’s international group of students was Seifu’s first exposure to a world outside Ethiopia; his second was at Ramapo College in suburban New Jersey. Here Seifu met a mentor in \u003cb\u003eBen Neill\u003c\/b\u003e, the composer and music technologist who trained with \u003cb\u003eLa Monte Young\u003c\/b\u003e. Seifu was inspired by Neil to take serious his calling in music.\u003c\/p\u003e\n\u003cp\u003eA calling of a different, spiritual nature brought Mikael back to Ethiopia. As a repatriated young man in Addis-Ababa, Seifu felt a renewed sense of allegiance to his home country and allowed its ubiquitous music to guide his creations. Seifu’s early work was shared across a string of EPs for stalwart Washington D.C. imprint 1432 R, demonstrating an interplay of regional folk music and international electronic music.\u003c\/p\u003e\n\u003cp\u003eMikael’s music does not westernize or electronicize extant Ethiopian music. Instead, Seifu uses Ethio-Jazz's spirit of brewing estranged styles for his own musical tincturing. Seifu's passion above all else is to create something befitting of its time, yet \"eternally Ethiopian.\" The latter phrase was the mantra guiding Seifu through the creation of \u003cem\u003eZelalem\u003c\/em\u003e, and a source of inspiration for the cover artwork.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eZelalem\u003c\/em\u003e spotlights the music of Ethiopia's past as well its future. Mikael Seifu illustrates the potential for reinterpreting sacred and proud sources through energized palettes. His latest effort heralds the future of this new music and signals the genesis of Ethiopian Electronic, where the known and unknown commune.\u003c\/p\u003e\n\u003cp\u003eAccompanying the release of \u003cem\u003eZelalem\u003c\/em\u003e is a fifty-minute cassette mix by Seifu compiling native Ethiopian and African folk music, available now only through RVNG Intl. \u003cem\u003eZelalem\u003c\/em\u003e is available now on vinyl and digital formats.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UX6EYaQ0_ow\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mFvzywmmCtc\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e","brand":"RVNGNL34","offers":[{"title":"DIGITIAL - $10","offer_id":16658636144709,"sku":"RVNGNL34DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"12\" + CS Bundle - $18","offer_id":13103297822789,"sku":"SKU-5341-752","price":18.0,"currency_code":"USD","in_stock":false},{"title":"Zelalem 12\" EP - $14","offer_id":13103297757253,"sku":"SKU-5341-749","price":14.0,"currency_code":"USD","in_stock":false},{"title":"Mixtape Cassette (no download) - $8","offer_id":13103297790021,"sku":"SKU-5341-751","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-6169-RVNGNL34_COVER_600x600_f06f9b0f-4d4b-46e8-ab72-53bd8ee4ef65.png?v=1535151589"},{"product_id":"rvngnl33","title":"Hieroglyphic Being \u0026 J.I.T.U. Anh-Sahm-Buhl - We Are Not The First","description":"\u003ch3\u003eCAT #: RVNGNL33\u003c\/h3\u003e\n\u003cp\u003eRelease Date: October 30, 2015\u003c\/p\u003e\n\u003cp\u003eFor those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents \u003cem\u003eWe Are Not The First\u003c\/em\u003e, an Epic conducted and deconstructed by Chicago artist \u003cb\u003eHieroglyphic Being\u003c\/b\u003e and the \u003cb\u003eJ.I.T.U. Ahn-Sahm-Bul\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe Are Not The First\u003c\/em\u003e combines the musical forces of \u003cb\u003eMarshall Allen\u003c\/b\u003e, \u003cb\u003eDaniel Carter\u003c\/b\u003e, \u003cb\u003eGreg Fox\u003c\/b\u003e, \u003cb\u003eShelley Hirsch\u003c\/b\u003e, \u003cb\u003eShahzad Ismaily\u003c\/b\u003e, \u003cb\u003eElliott Levin\u003c\/b\u003e, \u003cb\u003eJamal Moss\u003c\/b\u003e, \u003cb\u003eRafael Sanchez\u003c\/b\u003e, and \u003cb\u003eBen Vida\u003c\/b\u003e in deep dialogue with each other and humans' hidden sonic history.\u003c\/p\u003e\n\u003cp\u003eTracked as different personale patterns over a week of studio sessions in Brooklyn, said syntax translates into mesmerizing sound forms as the ensemble excavates sonic folklore and ancient music, employing spiritual-jazz’s welfare and health as an agency for balance.\u003c\/p\u003e\n\u003cp\u003eAn album with an active brain, \u003cem\u003eWe Are Not The First\u003c\/em\u003e aspires to reprogram the mind, to transcend our expectations through bugged-out percussion, modular mayhem, flurries of free improvisation, and voices carrying through the air.\u003c\/p\u003e\n\u003cp\u003eJamal Moss provides speech its due pulpit in in the opening piece, “Apes \u0026amp; Ages. “Forward… Backward… Evolution” intones Moss in “Apes \u0026amp; Ages,” setting an appropriately opaque stage for the album’s genesis.\u003c\/p\u003e\n\u003cp\u003eShelly Hirsch exorcises ethereal vocals to subtly incomparable measure in “Civilization That Is Dying.” Hirsch’s vocal throw is near a Theremin’s: she controls sound that is deep within, delivering an operatic warble at full freak-uency while Ben Vida and Shahzad Ismaily take turns running textures up and down the acid washboard.\u003c\/p\u003e\n\u003cp\u003e“Fuck The Ghetto \/ Think About Outer Space” is an ecstatic, erratic anthem, navigating the fog to invite critical speculation on Humanity’s “Prison of Technology” and the digital documentation of Identity. Rafael Sanchez admonishes, in a way, scatting: “the ghetto” is “of the mind.”\u003c\/p\u003e\n\u003cp\u003eLanguage and meaning collide in “Root Of.” Sanchez speaks into the maelstrom of Marshall Allen and Greg Fox’s outer bound bond. In memoriam and in search of an end to the subjugation of persons, “Root Of” demarcates \u003cem\u003eWe Are Not The First\u003c\/em\u003e - and its agents - into the album’s darker and lighter sides.\u003c\/p\u003e\n\u003cp\u003eOn “Universe Is A Simulation,” Daniel Carter’s sax meanders on an improvised beat, almost melancholic but crucially conscious, merging with Fox and Moss in a frequency-haze not unlike the surface blur that sand makes vibrating on top a drum.\u003c\/p\u003e\n\u003cp\u003eAt 18 minutes and 44 seconds, the final movement, “We Are Not The First,” is a celebration of struggle and the living art of noise. Here an almost complete Ahn-Sam-Buhl (get it now?) redirects a city street through the studio filling the air with an implicit interplay of blinking light in contrast.\u003c\/p\u003e\n\u003cp\u003eHieroglyphic Being \u0026amp; J.I.T.U.. Ahn-Sahm-Bul develop consciousness from primordial ooze. As in listening, the ooze intones an echo of our deep past, rendering the present ever focused. \u003cem\u003eWe Are Not The First\u003c\/em\u003e is an 11-part Epic and each track is a movement therein that testifies: an ensemble’s vitality lives in its collectivity. When we ask the ooze, the ooze articulates: \u003cb\u003eWe Are Not The First\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eHieroglyphic Being \u0026amp; J.I.T.U. Ahn-Sahm-Bul’s \u003cem\u003eWe Are Not The First\u003c\/em\u003e is available now on RVNG Intl. as a limited edition double LP, CD and digital formats.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/IzGszYzK7p4\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/nf5XYSAEgoM\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL33","offers":[{"title":"DIGITAL - $10","offer_id":13979248623685,"sku":"RVNGNL33DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LTD DBL LP (Violet Vinyl) - $36","offer_id":13103299985477,"sku":"RVNGNL33LTDLP","price":36.0,"currency_code":"USD","in_stock":true},{"title":"DBL LP - $32","offer_id":13103299919941,"sku":"RVNGNL33LP","price":32.0,"currency_code":"USD","in_stock":true},{"title":"CD - $15","offer_id":13103299952709,"sku":"RVNGNL33CD","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-6085-rvngnl33_1500px.png?v=1599761141"},{"product_id":"rvngnl22","title":"Gardland - Improvisations","description":"\u003ch3\u003eCAT#: RVNGNL22\u003c\/h3\u003e\n\u003cp\u003eRelease Date: April 29, 2014\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the great unspooling of 2013’s \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e, \u003cstrong\u003eGardland\u003c\/strong\u003e and RVNG Intl. step back into the duo’s not-so-distant past with \u003cem\u003eImprovisations\u003c\/em\u003e, three live performances ripped from local Austrailian radio show \u003cb\u003eSpiral Sounds\u003c\/b\u003e in early 2012. The aural impetus behind the artists and label joining forces, this triptych of tone lashed tracks captures the duo in exhilarating, uninhibited form.\u003c\/p\u003e\n\u003cp\u003eUnintended for an audience outside of the provincial FM dial riders, \u003cem\u003eImprovisations\u003c\/em\u003e blisters at its hardware-imposed limits with enough energy to fuel freakish frequencies. “0214? offers a wide survey of the duo’s exploratory inclination, igniting with sparse sputters and clicks before the growling groove rips into fifth gear for an expansive 15 minute drive. The flip predicts the immediacy and potency of \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e with an early take on “Katarakt” (here named “0315?) and the desiccated, teleological frenzy of “0214 Pt.2?.\u003c\/p\u003e\n\u003cp\u003eGardland’s evolution has thus far defined itself by the free form nature this 12? embodies, the curated reduction on \u003cem\u003eSyndrome Syndrome\u003c\/em\u003e and a full-blown unpredictability on stage. Alex Murray and Mark Smith chase the listless shape of an ever expanding, never coalescing logic with no devotion too dear to sacrifice for the following of future’s path.\u003c\/p\u003e\n\u003cp\u003eGardland’s \u003cem\u003eImprovisations\u003c\/em\u003e is available as a limited edition 12\" via RVNG Intl.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/QGSL2KXuxos\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL22","offers":[{"title":"DIGITAL- $4","offer_id":13103306768453,"sku":"RVNGNL22DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13103306735685,"sku":"RVNGNL22LP","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5870-RVNGNL22_COVER_460x460_7fb098d7-3535-454a-9439-9d8e697973f5.jpg?v=1535151640"},{"product_id":"rvngnl03","title":"Hideous Racket - Allez-Allez","description":"\u003ch3\u003eCAT #: RVNGNL03\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: 06\/29\/2010\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe cargo of \u003cb\u003eAllez-Allez's\u003c\/b\u003e debut EP, \u003ci\u003eHideous Racket\u003c\/i\u003e, contains a suspiciously alien sound that could only be kept secret for so long before being smuggled and peddled by RVNG Intl. on the war torn and drug dirtied mutant dance floors. This London lab tech duo staked their claim with social and online experiments and now expand their methodically creative reach with four tracks made for the interstellar overdrive.\u003c\/p\u003e\n\u003cp\u003eThe EP begins with the melodically rich and playful title track before the aquatic acid house of \"Seven Down Six Across\" bubbles to the surface to close the a-side. The b-side starts with the \u003cb\u003eJames Holden\u003c\/b\u003e championed \"Weird Science\", a washy blend of\u003cb\u003eFrippertronic\u003c\/b\u003e frequencies and a street smart beat, and rounds out with the shimmering Rhythm Ace shuffle of \"Slump\", described by Optimo's \u003cb\u003eJD Twitch\u003c\/b\u003e as \"\u003cb\u003eChris \u0026amp; Cosey\u003c\/b\u003eriding a flying hoover over the city in \u003cb\u003eBlade Runner\u003c\/b\u003e\".\u003c\/p\u003e\n\u003cp\u003eBonus digital tracks include an alternate scuzzy \/ scrungey take on \"Hideous Racket\", remixes by \u003cb\u003eBorder Community's\u003c\/b\u003e deep arpeggiator \u003cb\u003eWesley Matsell\u003c\/b\u003e, Rvng's own panic button beat makers \u003cb\u003ePink Skull\u003c\/b\u003e, and an epic 12+ minute rework by \u003cb\u003eThee Four Horsemen\u003c\/b\u003e , the production team of \u003cb\u003eStuart Lamour\u003c\/b\u003e (20 Jazz Funk Greats) and \u003cb\u003eNick Carlisle\u003c\/b\u003e. Also notable: one of Allez-Allez�s two core members is \u003cb\u003eSam Willis\u003c\/b\u003e from\u003cb\u003eKompakt\u003c\/b\u003e recording artist \u003cb\u003eWalls\u003c\/b\u003e .\u003c\/p\u003e\n\u003cp\u003eEach 12\" is packaged with a red or blue vinyl cling allowing your own commentary depending on the mood. First pressing limited to 550 copies, digital version expanded with remixes available at \u003cb\u003eiTunes\u003c\/b\u003e , \u003cb\u003eBeatport\u003c\/b\u003e , \u003cb\u003eJuno\u003c\/b\u003e, and \u003cb\u003eTurntable Lab\u003c\/b\u003e .\u003c\/p\u003e\n\u003cp\u003eMastered by Shane McEnhill at Finyl Tweek.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at \u003ca href=\"http:\/\/www.willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e5 test pressings\u003cbr\u003e Frist pressing: 550 copies (275 red clings \/ 275 blue clings)\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PcFqJ94uYWI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL03","offers":[{"title":"DIGITAL - $4","offer_id":18839001038917,"sku":"RVNGNL03DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13103308341317,"sku":"RVNGNL03LP","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5730-RVNGNL03.jpg?v=1535151650"},{"product_id":"rvngnl11","title":"Blondes - Wine \/ Water","description":"\u003ch3\u003eCAT #: RVNGNL11\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 15th, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e complete their 2011 12\" trilogy with \u003ci\u003eWine \/ Water\u003c\/i\u003e. Having spent the year road-testing the material of the \u003ci\u003eLover \/ Hater\u003c\/i\u003e and \u003ci\u003eBusiness \/ Pleasure\u003c\/i\u003e 12s, \u003ci\u003eWine \/ Water\u003c\/i\u003e is a mature gesture balancing the respective mind and soul of its predecessors.\u003c\/p\u003e\n\u003cp\u003e\"Wine\" occupies the a-side with sentimental subs, synth sweeps, and a melancholy vocal phrase atop a pulsating kick. The opening bass line of \"Water\" sets a definitive melodic mood over which aquatic textures wash in and out and inevitably set sail on staccato squelches. There could be no other logical or illogical conclusion to the 12\" trilogy than this. If you haven't heard in its entirety, you might not know.\u003c\/p\u003e\n\u003cp\u003eMastered by \u003cb\u003eJoe Lambert\u003c\/b\u003e at \u003cb\u003eJoe Lambert Mastering\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eArtwork by \u003cb\u003eWill Work For Good\u003c\/b\u003e. Limited edition.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/9Tr4mGR36RQ\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL11","offers":[{"title":"DIGITAL - $2","offer_id":13103309029445,"sku":"RVNGNL11DIGI","price":2.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $10","offer_id":13103308996677,"sku":"RVNGNL11LP","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5610-114_rvngnl11_front_500x500_c4f8bb61-d560-44e3-86ad-1a3857a7d437.jpg?v=1535151654"},{"product_id":"rvngnl10","title":"Bronze - Copper","description":"\u003ch3\u003eCAT #: RVNGNL010\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: October 18th, 2011\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.myspace.com\/copperclub\"\u003eBRONZE\u003c\/a\u003e is an exercise in impulse. BRONZE is also the San Francisco based trio of \u003cb\u003eBrian Hock, Rob Spector,\u003c\/b\u003e and \u003cb\u003eMiles Friction\u003c\/b\u003e the latest addition to the RVNG Intl. family with their debut album, \u003ci\u003eCopper\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIn early 2006, Hock moved back to his native San Francisco from Berlin and took up residence with Spector in the warehouse \/ show space known as The Cave. The two conspired to start a new live project and enlisted the help of Friction to form BRONZE. After preliminary attempts to find the right environment to house the Copper Club, the Secret Society of the Bronze Age, Miles founded the Trojan Cavern in San Fran's Dogpatch neighborhood. From this outpost, \u003cb\u003eBRONZE \u003c\/b\u003eundergo disciplined training exercises in various weaponry, sonic hypnosis, horticulture and all-important copper talk. It's also from the Trojan Compound that Copper was created.\u003c\/p\u003e\n\u003cp\u003eStream-of-consciousness lyrical cooing and restrained analog trickery rest atop constant cog rotation grooves on\u003cb\u003e \u003c\/b\u003e\u003ci\u003eCopper\u003c\/i\u003e. These elements yield a truly conductive album, abundant in compositions that beg for a listener's oxidizing ear. Commencing with\"A Showdown Of Sorts\", the record assumes a vague narrative aided by the allure of \u003cb\u003eTuxedomoon\u003c\/b\u003e \/ \u003cb\u003eRalph Records\u003c\/b\u003e-y exoticism, albeit less claustrophobic. \"Showing Them\" staggers into even Wierd-er territory, with eye flashes and spots of \u003cb\u003eLegendary Pink Dots\u003c\/b\u003e. \"So Slow\" and \"The Rouge Became\" are sister tracks fallen not far from the same \u003cb\u003eSilver Apple(s)\u003c\/b\u003e tree. \"Wits\" and \"Fumes In Suits\" counter clockwork like a high-pressure Units track and place \u003ci\u003eCopper\u003c\/i\u003e in the lexicon of San Fran synthesized and syncopated anti-stardom.\u003c\/p\u003e\n\u003cp\u003eThe physical version of Copper will be available on October 18th from fine retailers worldwide. \u003cb\u003eEach vinyl copy of \u003ci\u003eCopper\u003c\/i\u003e comes with a copper ring.\u003c\/b\u003e The ring is intended to be worn to BRONZE performances or even during daily rituals. While wearing the ring, you, the ring bearer, are encouraged to speak informally - if not offensively - with fellow ring mates. When overheard or confronted, blame it on the ring - i.e. \"It was the copper talking.\" The ring will initially turn your finger green. The ring will also heal your wounds, correct your balance and is a fashionable accessory to boot. The digital version will be available November 8th from the drab internet universe.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCopper is available on vinyl and CD, as well as digitally.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eSample Tracks\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe src=\"\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26541106\u0026amp;show_artwork=true\" scrolling=\"no\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe src=\"\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18034509\u0026amp;show_artwork=true\" scrolling=\"no\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e","brand":"RVNGNL10","offers":[{"title":"DIGITAL - $9","offer_id":13103309291589,"sku":"RVNGNL10DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13103309258821,"sku":"RVNGNL10LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5578-109_rvngnl10_cover_500x500_ff9510e3-7249-44dd-b4cd-251dd6d24e8c.jpg?v=1535151659"},{"product_id":"rvngnl04","title":"CFCF - The River","description":"\u003ch3\u003eCAT #: RVNGNL04\u003c\/h3\u003e\n\u003cdiv\u003e\u003cb\u003eRelease date: October 12th, 2010\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eCFCF\u003c\/b\u003e treads dark waters on \u003ci\u003eThe River\u003c\/i\u003e. Where the 22 year old Montreal based producer CFCF's (\u003cb\u003eMichael Silver\u003c\/b\u003e) debut album \u003ci\u003eContinent\u003c\/i\u003e (Paper Bag 2009) hinted at primal and ambient themes, \u003ci\u003eThe River\u003c\/i\u003e fully transports the listener to a heart of darkness. Inspired by \u003cb\u003eWerner Herzog's\u003c\/b\u003e visual masterpiece \u003ci\u003eFitzcarraldo\u003c\/i\u003e, \u003ci\u003eThe River\u003c\/i\u003e follows a dream-like arc, lucid sound sequences from a lunatic mind.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe River's\u003c\/i\u003e voyage begins with \"Before and After Light\", a track based around a cyclical finger-picking sample and ghostly tones that could form the core of an Ambient \u003cb\u003eEno \u003c\/b\u003ealbum. \"It Was Never Meant to Be This Way\" furthers the vessel along on a wash of synth waves and a melancholy chopstick piano figure. Around the bend to the a-side's end is the choral, \u003cb\u003ePopul Vuh\u003c\/b\u003e-inspired cosmic guitar shredding of \"Upon the Hill\".\u003c\/p\u003e\n\u003cp\u003e\"Frozen Forest\" heightens the grandeur opening the b-side with a slow-mo break beat and arpreggiating bass work out. The title track casts doomsday shadows before the best use of a master blaster drum attack since \u003cb\u003eDJ Shadow's\u003c\/b\u003e \"Stem \/ Long Stem\". After the unrest, \"Orage\" drifts on a bed of wreckage into an uncertain dusk.\u003c\/p\u003e\n\u003cp\u003eThe digital bonus version of \u003ci\u003eThe River\u003c\/i\u003e (\u003cb\u003eincluded w\/ vinyl purchase\u003c\/b\u003e) features remixes of \"Frozen Forest\" by Rvng house and House DJ \u003cb\u003eJacques Renault\u003c\/b\u003e and London's Balearic bishops \u003cb\u003eCoyote\u003c\/b\u003e plus a midi-funked out remix of \"It Was Never Meant to Be This Way\" by \u003cb\u003eGames\u003c\/b\u003e, the dance production duo of Daniel Lopatin (\u003cb\u003eOneohtrix Point Never\u003c\/b\u003e) and Joel Ford (\u003cb\u003eTiger City\u003c\/b\u003e).\u003c\/p\u003e\n\u003cp\u003eThe first pressing of \u003ci\u003eThe River\u003c\/i\u003e is limited to 550 vinyl copies. The first run of jackets are printed black offset with a bronze letterpress overprint on heavy news board. Jacket concept and design by \u003cb\u003eKevin O'Neill\u003c\/b\u003e of \u003ca href=\"http:\/\/willlworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e, based loosely on the weathered map that lead Fitzcarraldo to madness and freedom. Digital available here and through the usual storefront suspects.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1st Pressing Details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e5 test pressings\u003cbr\u003e 550 copies\u003cbr\u003e Mastered at Finyl Tweek.\u003cbr\u003e Manufactured at Brooklyn Phono.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UY2aaXyenoA\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/e6VGJvsBsZQ\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RVNGNL04","offers":[{"title":"DIGITAL - $8","offer_id":18838923804741,"sku":"RVNGNL04DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $24","offer_id":13103312797765,"sku":"RVNGNL04LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5501-cfcf.jpg?v=1535151667"},{"product_id":"rvng-of-the-nrds-vol-2-betty-botox","title":"RVNG Of The NRDS Vol. 2 - Betty Botox","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Voodoo 1 (9:32 \/ 105 bpm)\u003c\/li\u003e\n\u003cli\u003eA2. Fade Away (1:08 \/ 115 bpm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Voodoo 2 (5:32 \/ 125 bpm)\u003c\/li\u003e\n\u003cli\u003eB2. Voodoo 3 (5:55 \/ 128 bpm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS02\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: November 17th, 2006\u003c\/div\u003e\n\u003cp\u003eDon't question the concoction; just hit the needle and spin. Betty Botox injects the medicine for the second installment in the Rvng of Nrds 12\" edit series. Betty Botox continues a string of sick edit work with Voodoos 1,2,3. Lysergic revisions broken to the bare bone and spoken in funky tongue. This is some potent shit.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e2 dub plates\u003cbr\u003e 15 test pressings\u003cbr\u003e 1087 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1087 chipboard jackets, black \"Betty Botox\" print both sides\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball (Brooklyn, NY)\u003cbr\u003e 273 Yellow \/ 268 Purple \/ 273 Blue \/ 273 Pink\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13103313453125,"sku":"SKU-233-377","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5412-NRDS02_Cover.jpg?v=1535151676"},{"product_id":"rvng-prsnts-mx4-crazy-rhythms","title":"RVNG PRSNTS MX4 - Crazy Rhythms","description":"\u003ch5\u003eTrack listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e01. Giorgio Moroder-Night Drive (Reprise)\u003c\/li\u003e\n\u003cli\u003e02. Klein \u0026amp; M.B.O.-The Big Apple\u003c\/li\u003e\n\u003cli\u003e03. Wide Boy Awake-Slang Teacher\u003c\/li\u003e\n\u003cli\u003e04. Massimo Barsotti D.J.-Whole Lotta Love\u003c\/li\u003e\n\u003cli\u003e05. Amin-Peck-Girls On Me\u003c\/li\u003e\n\u003cli\u003e06. Vortex-Black Box Disco\u003c\/li\u003e\n\u003cli\u003e07. Man Friday-Love Heartache (A “Tom Moulton” Mix)\u003c\/li\u003e\n\u003cli\u003e08. War-Galaxy\u003c\/li\u003e\n\u003cli\u003e09. Macho-I’m a Man\u003c\/li\u003e\n\u003cli\u003e10. Gazebo-Materpiece\u003c\/li\u003e\n\u003cli\u003e11. Musicology-Obsessed\u003c\/li\u003e\n\u003cli\u003e12. Tyree-Acid Crash\u003c\/li\u003e\n\u003cli\u003e13. Belle Epoque-Bamalama\u003c\/li\u003e\n\u003cli\u003e14. Ram Jam-Black Betty (Ben Liebrand Mix)\u003c\/li\u003e\n\u003cli\u003e15. Delta 5-Try\u003c\/li\u003e\n\u003cli\u003e16. Salsoul Orchestra-Magic Bird of Fire (Walter Gibbons Mix)\u003c\/li\u003e\n\u003cli\u003e17. Dinosaur-Kiss Me Again\u003c\/li\u003e\n\u003cli\u003e18. The Feelies-Crazy Rhythms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCat #: Mx4\u003c\/h3\u003e\n\u003cdiv\u003e\u003cb\u003eRelease Date: August 30th, 2005\u003c\/b\u003e\u003c\/div\u003e\n\u003cp\u003eCrazy Rhythms is Dan Selzer, and Mike Simonetti. They DJ sometimes. Mike is partial to old-school hip-hop that sounds likes disco and dirty, dirty house music and Dan is partial to gay electronic disco and new wave that sounds like house music. They both like Post-Punk and Acid, and they invented No Wave. Their beatmatching skills are impeccable, but used sparingly. They have DJ'd at all the cool clubs and some of those crazy Brooklyn loft parties you only read about.\u003c\/p\u003e\n\u003cp\u003eIn 94, Mike founded Troubleman Unlimited Records and is now the label par-excellence for cutting edge hipster sounds such as Erase Eratta, Glass Candy and Tussle. In 99, Dan founded Acute Records to reissue lost art-punk from the late 70s like the Theoretical Girls, Metal Urbain and the Prefects. While they are both well known and regarded for their collection of punk 7\"s, they'd also like to be known for their 12\"s.\u003c\/p\u003e\n\u003cp\u003eBy the end of the 90s, they decided it was time to teach the punks how to dance. Mike started Contort Yourself at the Knitting Factory and Dan began Transmission at Plant bar with Luke from the Rapture. It seemed like something was in the air, a post-punk disco-funk zeitgeist. Due to the sudden popularity of such sounds, the Crazy Rhythms crew became the most sought-after DJs EVER. Dan was voted \"Best DJ's DJ\" in the Village Voice and Mike became a resident in Ibiza where Paul Oakenfold recently opened for him.\u003c\/p\u003e\n\u003cp\u003eThe mix you hold in your hands was recorded during a time when there was nobody who would say, \"man, Italo-disco is played out\" or \"don't you know that track is on so-and-so's mix\/an import bootleg\/a CitiBank commercial?\" No, those were more innocent times. It features Italo-Disco, New Wave, Post-Punk, No Wave, Actual-Disco, Danish Remixes of Glam One-Hit Wonders from ex-Bubblegum Artists, you know, all the same stuff everyone else plays. Of course thes records are all original pressings, M\/NM quality, light scuffs on the b-side and a bit of surface noise on the play out groove.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLiner notes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSelecting and mixing: Mike Simonetti and Dan Selzer\u003cbr\u003e\nEditing and fixing: No. 6 on the cut\u003cbr\u003e\nID marking: Tim Sweeney\u003cbr\u003e\nMastering: Jim Rusby\u003cbr\u003e\nPhotos: Zonder Tittel\u003cbr\u003e\nDesign magic: Kevin O’Neill\u003c\/p\u003e\n\u003cp\u003e1000 CDs Manufactured.\u003cbr\u003e\nPackaged in clear sleeves with yellow wrap around adhesive and 4\/1 2p insert.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13103313911877,"sku":"SKU-231","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5404-RvngMx4_Cover.jpg?v=1535151678"},{"product_id":"rvng-prsnts-mx2-julian-s-prcss-diabolic","title":"RVNG PRSNTS MX2 - Julian S Prcss \u0026 Diabolic","description":"\u003ch5\u003eTrack listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e1. Butthole Surfers – Sweat Loaf\u003c\/li\u003e\n\u003cli\u003e2. Dub Diablo – Thunderstruck\u003c\/li\u003e\n\u003cli\u003e3. 2 Live Crew – Me So Horny\u003c\/li\u003e\n\u003cli\u003e4. Tone Loc – Wild Thing\u003c\/li\u003e\n\u003cli\u003e5. Plump DJ’s – Something Goin’ On\u003c\/li\u003e\n\u003cli\u003e6. The Gap Band – Dropped A Bomb On Me\u003c\/li\u003e\n\u003cli\u003e7. Steve Miller Band – Abra Cadabra\u003c\/li\u003e\n\u003cli\u003e8. Big Apple – Break Record\u003c\/li\u003e\n\u003cli\u003e9. MC5 – Kick Out The Jams (Testimonial)\u003c\/li\u003e\n\u003cli\u003e10. Chemical Brothers – Losing Control\u003c\/li\u003e\n\u003cli\u003e11. Gang Of Four – Outside The Trains Don’t Run On Time\u003c\/li\u003e\n\u003cli\u003e12. Audio bullies – We Don’t Care\u003c\/li\u003e\n\u003cli\u003e13. Prince – U Got The Look\u003c\/li\u003e\n\u003cli\u003e14. Felix The Housecat – Cyberwhore\u003c\/li\u003e\n\u003cli\u003e15. Radioactive man – White Label\u003c\/li\u003e\n\u003cli\u003e16. 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As the lyrics beam, “I used to live as an anomaly... no explanation biologically,” so siblings share hidden language, lore, and identity. On \u003cem\u003eSiblings\u003c\/em\u003e, ecstatic voices and sound knot to form new ideals of kinship, emerging as horizontal relations for multi-species flourishing.\u003c\/p\u003e\n\u003cp\u003eColin Self challenges boundaries of perception with his art, music, and performances. Inspired by the work of \u003cstrong\u003eDonna Haraway\u003c\/strong\u003e (\u003cem\u003eCyborg Manifesto, Staying with the Trouble: Making Kin in the Chthulucene\u003c\/em\u003e), \u003cem\u003eSiblings\u003c\/em\u003e is the final segment of the six-part opera series entitled Elation. Informed by Self’s exploration of the ways of knowing, \u003cem\u003eSiblings\u003c\/em\u003e places a non-biological family at its center. The characters, bonded by curiosity and caring, generate ways of collectively coming together on a damaged planet. Self uses \u003cem\u003eSiblings\u003c\/em\u003e to define this familial experience through sound and its soundmakers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e is a mobile, transitional production, in equal parts by circumstance and happenstance. Field fragments taken from Halloween party laughter in Jamaica Plains and a cross-country video chat are refracted by session recordings willed to happen in places as far flung as Stockholm and Los Angeles. \u003cem\u003eSiblings\u003c\/em\u003e is a sound scrapbook or poster board collage, but not one without careful consideration of the clipping and composition.\u003c\/p\u003e\n\u003cp\u003eFrom years experiencing Riot Grrrl shows around Self's early home of Oregon to his involvement in the New York City-based performance collective \u003cstrong\u003eChez Deep\u003c\/strong\u003e, Self expands the DIY ethos to a space and mind of Do-It-Together. Feeding into \u003cem\u003eSiblings\u003c\/em\u003e is \u003cstrong\u003eXHOIR\u003c\/strong\u003e, Self’s ongoing project of group vocal workshops for singing and listening, and a broad cast of kin including but not limited to \u003cstrong\u003eMichael Beharie\u003c\/strong\u003e, \u003cstrong\u003eGreg Fox\u003c\/strong\u003e (drums), \u003cstrong\u003eMartine Syms\u003c\/strong\u003e (words and voice), \u003cstrong\u003eThe Mivos Quartet\u003c\/strong\u003e, and \u003cstrong\u003eRaul De Nieves\u003c\/strong\u003e (cover art).\u003c\/p\u003e\n\u003cp\u003eOn “Story,” \u003cem\u003eSiblings\u003c\/em\u003e’ opening moment, breath and beats emerge as echoes within a vast, heaving chamber, sound conjured and cajoled into a new, blistered terrain. “Foresight” urges us toward a worlding - a break from the planet we’ve disregarded: “I see on my screen all the doubt, where it comes from, why you trust in no one. I see a new light.” While the unhinged form of “Ante-Strategy” lays the sonic compost for a Belurusian political poem, written with \u003cstrong\u003eTanya Zamirouskaya\u003c\/strong\u003e and \u003cstrong\u003eAnastasia Kolas\u003c\/strong\u003e, Self tends toward elaboration and excesses in a “joyous rendering of survival.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e splits sides with “Transitions,” a pluri-vocal burst called forth from interstellar margins to put uncounted bodies in motion. Repetitions of “I commit to you” end with “We commit to you.” Self utilizes theoretical vocabulary to encourage germination of a new language. “Research Sisters” will make their own myths and forge their own families, the work’s fire sparking frenetic, ecstatic voices flashing back and forth in stereo. The gathering of choral voices lift up the melancholic words of “The Great Refusal” over pillowy layers of strings and stumbling, sputtering showers of keyboards.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSiblings\u003c\/em\u003e is Self’s second full-length release following 2015’s Elation. \u003cem\u003eSiblings\u003c\/em\u003e has been performed iteratively and internationally with humor, drama, and fierce song. \u003cem\u003eSiblings\u003c\/em\u003e’ \u003cstrong\u003eMoMA PS1\u003c\/strong\u003e staging in 2018 featured black-light messaging, countdown clocks, books on rope, and dancers adorned with swirling prints and LED lanterns. Self follows, in Haraway’s words, towards a “commitment to the finicky, disruptive details of good stories that don’t know how to finish.” Future performances will likely carry away in the best way.\u003c\/p\u003e\n\u003cp\u003eColin Self’s \u003cem\u003eSiblings\u003c\/em\u003e was released November 2, 2018 in limited vinyl and digital editions.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3JOvIP9fmLA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YEXW0x_dmRI\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/l_e33K5yCMY\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL42","offers":[{"title":"DIGITAL - $10","offer_id":17124090708037,"sku":"RVNGNL42DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13130827628613,"sku":"RVNGNL42LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/RVNGNL42-Digital-Cover-500px.png?v=1599775059"},{"product_id":"rvng-prsnts-mx6-mx6ten-10-inches-of-fear-60-minutes-of-fear-jd-twitch","title":"RVNG Prsnts MX6 \u0026 MX6TEN: 10 Inches Of Fear \u0026 60 Minutes Of Fear - JD Twitch","description":"\u003ch5\u003e10″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Flux of Pink Indians – Tube Disasters (JD Twitch Re-Edit) (5:25)\u003c\/li\u003e\n\u003cli\u003eA2. Honey Bane – Guilty (JD Twitch Re-Edit) (3:54)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Zounds – War (JD Twitch Re-Edit) (3:31)\u003c\/li\u003e\n\u003cli\u003eB2. The Mob – Witch Hunt (JD Witch Re-Edit) (4:37)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MX6 \u0026amp; MX6TEN\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 18th, 2008\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe only thing we have to hear is fear itself. On our latest and (perhaps) most ambitious Rvng project to date, JD Twitch, one half of Glasgow's Optimo, trolls the UK gutters, shattered US shores, and squats and 7\" labels in between on the 10 Inches of Fear 10\" and 60 Minutes of Fear mix. Three decades of punk rock spanned and re-contextualized for the not-so-new millennium of fear.\u003c\/p\u003e\n\u003cp\u003eFrom Twitch's personal history (printed in full on the mix CD fold out poster): \"The mid to late 1980s was the period when I really started to buy a lot of records. I was particularly obsessed with (mainly) American bands like Sonic Youth, Big Black, Swans, Butthole Surfers, Flipper etc. etc. This project came about after a late night (slightly tipsy) conversation between myself and Matt from RVNG in New York a couple of years ago when we discovered we both shared a love for many of those bands.\"\u003c\/p\u003e\n\u003cp\u003eFor 10 Inches of Fear, Twitch re-edits four classic tracks from the extended Crass Records catalog. Honey Bane's \"Guilty\" and The Mob's \"Witch Hunt\" edits have already gained some notoriety in online music trading circles. Flux of Pink Indians' \"Tube Disasters\" and Zounds' \"War\" complete two 10\" sides of dark, dancey politi-punk.\u003c\/p\u003e\n\u003cp\u003eWe had the distinct pleasure of working with all of these artists for approval and input on Twitch's re-workings for the 10\". We pressed 300 copies of the 10\" on colored, \"red haze\" vinyl and are distributing at random through mailorder and at retail. While supplies last, igetrvng.com customers receive their 10\" in a custom sewn canvas bag (in black and white) with a one-color screen print. Each 10\" is hand stamped with a red Rvng shield.\u003c\/p\u003e\n\u003cp\u003eThe 60 Minutes of Fear CD features 22 classic and obscure punk rock tracks expertly selected and mixed by Twitch. The CD is packaged in a gigantic 20\" x 20\" double-sided, fold out poster with an amazing personal punk rock history compiled by Twitch. The promotional CD is included \u003cb\u003efree\u003c\/b\u003e with purchase of the limited edition 10\".\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"10\" + CD - $12","offer_id":13130833625157,"sku":"SKU-222","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5374-RVNGMXTEN_Cover_500x500_eb51326b-8001-41f9-bbf0-a10cb34977a3.jpg?v=1535218925"},{"product_id":"rvng-of-the-nrds-vol-8-in-flagranti","title":"RVNG Of The NRDS Vol. 8 - In Flagranti","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Aural Yaw – Send (4:50)\u003c\/li\u003e\n\u003cli\u003eA2. Petite Storm – Stahl Rig (4:40)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm):\u003c\/li\u003e\n\u003cli\u003eB1. We’re Lofty Volt – Alter Flaw (3:41)\u003c\/li\u003e\n\u003cli\u003eB2. Sea Skid – Swami (3:48)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS08\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: March 10th, 2009\u003c\/div\u003e\n\u003cp\u003eWho's got the biggest balls of them all? For the 8th installment in the Rvng of the Nrds 12\" series, NYC wrecking crew In Flagranti strap on their studded gloves and rev through a pair of high energy rock n' roll rompers, a Coffey flavored space disco dirge, and some slap happy, next Level white boy funk. All in their signature spastic circumcise style. Balls to the wall.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1091 copies, 2c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, Naughtycal black print. Addt'l cover color screen printed by\u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003c\/p\u003e\n\u003cp\u003eDesigned by Kevin O'Neill at Will Work For Good.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130834083909,"sku":"SKU-223-384","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5376-40_nrds08_front_a.jpg?v=1535218929"},{"product_id":"rvng-prsnts-mx7-22-x-30-poster-purple-brain","title":"RVNG PRSNTS MX7 22\" X 30\" Poster - Purple Brain","description":"\u003ch3\u003eCAT #: RVNGMX7P\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: June 2nd, 2009\u003c\/div\u003e\n\u003cp\u003eFor better not worse, this Purple Brain experience has changed us forever and we can't deny that the accompanying imagery is synonymous with our visual identity.\u003c\/p\u003e\n\u003cp\u003eIf you feel like further welcoming th'Brain into your home but are perfectly content with the standard edition of the release or if you actually only care store item for you! This is a heavy stock poster of the Purple Brain artwork in a slightly bigger size (22\"x30\").\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOnly 50 available.\u003c\/b\u003e\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130836967493,"sku":"SKU-224","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5382-44_44_rvngmx7_poster_front.jpg?v=1535218931"},{"product_id":"rvng-of-the-nrds-vol-9-jackpot","title":"RVNG Of The NRDS Vol. 9 - Jackpot","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Brief Encounter (7:32)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33rpm):\u003c\/li\u003e\n\u003cli\u003eB1. Night Flight (5:06)\u003c\/li\u003e\n\u003cli\u003eB2. Jungle Gym (5:09)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCat#: NRDS09\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 29th, 2009\u003c\/div\u003e\n\u003cp\u003eFeeling lucky? Stockholm's high plains drifters Jackpot show their cards for our 9th (and 2nd to last) installment in the Rvng of the Nrds 12\" series. On the A-side, the duo cuts a disco Diamond to pieces with handclap slapback and string stabs a plenty. The B-side gets ahead of the beat on a sure bet of Dreamy arpeggiation and rolls the Bones on an early house classic. This is an ace up a (record) sleeve if we ever saw one.\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePressing details:\u003c\/p\u003e\n\u003cp\u003e2 dub plates 5 test pressings 1019 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets w\/ black \"lick\" \u0026amp; classy disco print.\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball (Brooklyn, NY)\u003cbr\u003e 222 Strawberry \/ 253 White \/ 270 Mint \/ 274 Chocolate\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill at Will Work For Good.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130838868037,"sku":"SKU-225-378","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5384-NRDS09_Cover_01.jpg?v=1535218934"},{"product_id":"rvngnl01","title":"Endless Bummer - Pink Skull","description":"\u003ch3\u003eCAT #: RVNGNL01\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: November 10, 2009\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe dystopian frontier is near, but never fear. In the new era of endlessness where we hide ourselves as humans among androids, there is hope. On \u003cem\u003eEndless Bummer\u003c\/em\u003e, the second album from Pink Skull, the producer duo of Julian Grefe and Justin Geller rip out the tracking chip and jump the grid on a quest for purity among putridity.\u003c\/p\u003e\n\u003cp\u003eEndless Bummer was engineered by \u003cb\u003eQuentin Stolzfus\u003c\/b\u003e (Mazarin) and recorded live to 8 tracks on 1\" tape at Alex Ounsworth's (of \u003cb\u003eClap Your Hands Say Yeah\u003c\/b\u003e) studio outside of Philadelphia. The 'in the moment' feel accomplished at the 200 year old barn doesn't typify traditional dance or ambient recordings but rather creates a hauntingly stoned environment that allows the album as much free form as it does structure.\u003c\/p\u003e\n\u003cp\u003eThe result of this balance parallels the Bummer along the various lines of \u003cb\u003ePIL's Metal Box, The Orb's Pomme Fritz EP, the tropicalia Dada-ism of Tom Ze, and Eno \u0026amp; Cluster.\u003c\/b\u003e Living \/ breathing electronic music made beyond the computer screen for bigger screens, Bummer could easily soundtrack a remake of Videodrome as well as it could a Kubrickian classic.\u003c\/p\u003e\n\u003cp\u003eEndless Bummer is available on vinyl and mp3 formats. Each LP comes with a digital download of the full album (+ three bonus tracks) and \u003cem\u003eBeardo Tyrannicus\u003c\/em\u003e, a collection of original and found works by Pink Skull, laid out by \u003ca href=\"http:\/\/willworkforgood.org\/\"\u003eWill Work For Good\u003c\/a\u003eacross two 18” x 24” newsprint posters. Look for Pink Skull's frenetic live show on select dates supporting the release of Endless Bummer.\u003c\/p\u003e\n\u003cp\u003eAbout the packaging...\u003c\/p\u003e\n\u003cp\u003eFor the living \/ breathing packaging of \u003cem\u003eEndless Bummer\u003c\/em\u003e, Pink Skull and Rvng prepared \u003cb\u003ea list of 1000 different \"bummers\"\u003c\/b\u003e informed by our symptomatic culture (ranging from \"ADULT DIAPERS\" to \"ZOMBIE INVASION\") \u003cb\u003eand letter pressed 900 of these across a variation of three flo-colored jackets\u003c\/b\u003e printed with vegetable-based inks at Stumptown Printers.\u003c\/p\u003e\n\u003cp\u003eThe 60 hours spent slaving over the letter press at Silver Spring, MD non-profit arts center Pyramid Atlantic took on an endless if not hallucinogenic feel but never veered into bummer territory.\u003c\/p\u003e","brand":"RVNGNL01","offers":[{"title":"DIGITAL - $8","offer_id":18838952345669,"sku":"RVNGNL01DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130840932421,"sku":"RVNGNL01LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5390-52_rvngl01_cover_02.jpg?v=1535218938"},{"product_id":"rvng-prsnts-mx1b-julian-s-prcss","title":"RVNG PRSNTS MX1B - Julian S. Prcss","description":"\u003ch5\u003eTrack listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e1. Roxy Music – Love Is the Drug\u003c\/li\u003e\n\u003cli\u003e2. Pop Deluxe – Make It Right\u003c\/li\u003e\n\u003cli\u003e3. Newcleus – Jam On It\u003c\/li\u003e\n\u003cli\u003e4. Le Tigre – Deceptacon (DFA Mix)\u003c\/li\u003e\n\u003cli\u003e5. Kid 606 – Smack My Glitch Up\u003c\/li\u003e\n\u003cli\u003e6. Daft Punk – Around The World\u003c\/li\u003e\n\u003cli\u003e7. Laid Back – White Horse\u003c\/li\u003e\n\u003cli\u003e8. Soul Sonic Force – Planet Rock\u003c\/li\u003e\n\u003cli\u003e9. Talking Heads – Girlfriend Is Better\u003c\/li\u003e\n\u003cli\u003e10. Prince – Controversy (Purple Mix)\u003c\/li\u003e\n\u003cli\u003e11. Apollonia 6 – Sex Shooter\u003c\/li\u003e\n\u003cli\u003e12. Parallax Corporation – Cocadisco\u003c\/li\u003e\n\u003cli\u003e13. Kraftwerk – Home Computer\u003c\/li\u003e\n\u003cli\u003e14. Miss Kitten + The Hacker – Stripper\u003c\/li\u003e\n\u003cli\u003e15. Human League – Don’t You Want Me\u003c\/li\u003e\n\u003cli\u003e16. The Rapture – House of Jealous Lovers\u003c\/li\u003e\n\u003cli\u003e17. David Caretta – Metal Disco Class\u003c\/li\u003e\n\u003cli\u003e18. Donna Summer – I Feel Love\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: Mx1B\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: January 5th, 2003\u003c\/div\u003e\n\u003cp\u003eman... i havent listened to this for ages... i remember mixing it like 3 times (live to a little outboard burner) and getting entirely too frustrated (i hate making mix cds). the turntables where dave and i used to practice were right next to the tv and the speakers were down by yr feet. alanna would lie on the couch and tell me to put motorhead and turbonegro in it. cute first effort. no one in philly was playing this stuff at the time, and it went over pretty well.\u003c\/p\u003e\n\u003cp\u003eSelecting and mixing: Julian S.Prcss\u003cbr\u003e Design magic: Kevin O’Neill\u003cbr\u003e 200 produced\u003cbr\u003e Packaged in slimline CD cases with gold spraypainted stencils on cover \u0026amp; CD\u003cbr\u003e Black \u0026amp; White insert printed at Kinko’s\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130841292869,"sku":"SKU-228","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5398-RvngMx1B_Cover.jpg?v=1535218941"},{"product_id":"rvng-prsnts-mx3-tim-sweeney","title":"RVNG PRSNTS MX3 - Tim Sweeney","description":"\u003ch3\u003eCAT #: MX3\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: August 9th, 2003\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"mailto:getrad@igetrvng.com\"\u003eE-mail\u003c\/a\u003e for Track Listing\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLiner Notes\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRvngMx3 features the talented Mr. Tim Sweeney commanding an 80-minute \"press play and party\" collision of the most eclectic musical genres your ears have been privy to. Celebrate good tunes, duh.\u003c\/p\u003e\n\u003cp\u003eTim is half the brain behind the DFA Records Compilation 2 mix and has assisted in the production of several of the label's 12\"s and remixes. A catalog update of the DFA's Compilation 1 (which Tim also produced), Compilation 2 features Tim and the other Tim's (Goldsworthy) exclusive remixes \/ re-edits of LCD Soundsystem, Liquid Liquid, and Pixletan.\u003c\/p\u003e\n\u003cp\u003eTim is also the friendly voice and fingers behind Beats In Space (beatsinspace.com), a radio show broadcast on WNYU radio every Thursday night. When not twiddling knobs or riding the airwaves, Tim's a respected selector among the electro \/ disco \/ hip-hop NYC DJ sect and attached nightlife. Tim has a weekly Fri. night party at APT (NYC) and has played every country imaginable.\u003c\/p\u003e\n\u003cp\u003eThe 21 tracks on RvngMx3 bring the psychedelic groove and thud of Tim' set to digital domain. Tim invites composers of new, old, and in between (Zongamin, Gottsching and Richard D. James) to mingle in style. Avant 80s tracks (Tones On Tail, Grace Jones) blend into the acid 90s (Carl Craig) and back to organic 70s grooves (Throbbing Gristle, Kraftwerk). On your stereo it's sonic art, on the dance floor it's raw magic.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLiner Notes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSelecting, Mixing, and Production: Tim Sweeney\u003cbr\u003e Design: Kevin O'Neill\u003cbr\u003e Cover photo by: Zonder Titell\u003c\/p\u003e\n\u003cp\u003e1000 Initial Pressing\u003cbr\u003e 1000 Repressed\u003cbr\u003e Packaged in re-sealable plastic bags w\/ transparent white stickers and four color 8-panel poster pull out.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130841948229,"sku":"SKU-230","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5402-RvngMx3_Cover.jpg?v=1535218944"},{"product_id":"rvng-of-the-nrds-vol-1-the-flying-squad","title":"RVNG Of The NRDS Vol. 1 - The Flying Squad","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Trip 1 (8:44)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSide B 45rpm\u003c\/li\u003e\n\u003cli\u003eB1. Trip 2 (5:48)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS01\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease Date: May 2006\u003c\/p\u003e\n\u003cdiv\u003eAll aboard, brothers and sisters. Two of your favorite disco tracks re-edited by The Flying Squad for the first volume in the Rvng of the Nrds 12\" series. You know the commander of The Flying Squad, don't you? The voice behind a long long standing New York radio show, the long haired, deep digging DJ that makes rooms across the globe GET INTO IT?! This is the first 12\" release of a whole lotta production work you'll hear from The Flying Squad over the next year. Enjoy, enjoy.\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 28 test pressings\u003cbr\u003e 1,030 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1,100 chipboard jackets, black \"Flying Squad\" print both sides\u003cbr\u003e Addt'l cover color screen printed by Polluted Eyeball, Brooklyn, NY\u003cbr\u003e 250 Magenta \/ 275 Orange \/ 275 Yellow \/ 300 Red\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin at Chinese Ollie.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846273605,"sku":"SKU-232-375","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5406-NRDS01_CoverB.jpg?v=1535218947"},{"product_id":"rvng-prsnts-mx5-justine-d","title":"RVNG PRSNTS MX5 - Justine D","description":"\u003ch3\u003eCAT #: Mx5\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: March 6th, 2007\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUntil now, the music that immersed and infatuated Justine D in a cinematic life - relatable to some as fact and others as fiction - has never been documented. At least never like this. \u003cb\u003eRvng Prsnts Mx5: Justine D\u003c\/b\u003e is a pretty damn intimate look at the listening habits of someone that's been there.\u003c\/p\u003e\n\u003cp\u003eWhere there? New York City's under and above ground nightlife of the past 15 years. While the world went grunge in the early 90s, New York stayed culture sick infecting Justine with more than teenlove for the monolith clubs she snuck into (\u003cb\u003ePalladium, Limelight, Pyramid\u003c\/b\u003e) and shows (\u003cb\u003eMy Bloody Valentine\u003c\/b\u003e, \u003cb\u003eNitzer Ebb\u003c\/b\u003e, \u003cb\u003eSiouxsie\u003c\/b\u003e). This was the New York City she was waiting for.\u003c\/p\u003e\n\u003cp\u003eIn following years Justine turned club patron to matron promoting ground shaking late 90s \/ early 00s parties at gone but not forgotten Manhattan institutes like \u003cb\u003eTiswas\u003c\/b\u003e, \u003cb\u003eConey Island High\u003c\/b\u003e, and \u003cb\u003eLife\u003c\/b\u003e. At these parties Justine turned a growing record collection into her first DJ sets. Justine�s audience would only grow (and grow crazier) at longstanding DJ gigs at \u003cb\u003eMaking Time\u003c\/b\u003e and, most notably, \u003cb\u003eMotherfucker\u003c\/b\u003e. With MF, she found her place as NYC's most celebrated and hard working promoter and DJ of the new club era.\u003c\/p\u003e\n\u003cp\u003eThough some of Justine's audience evolved most remained the same. She still had a party to throw but obscurer songs from her own musical evolution started appearing in her sets. Now we have 23 of these tracks assembled in an almost narrative mix; where Justine came from, what she learned, and who she will always be as told through the music that inspired.\u003c\/p\u003e\n\u003cp\u003eRecorded during a summer visit to \u003cb\u003eOptimo�s\u003c\/b\u003e Glasgow studio with \u003cb\u003eTwitch\u003c\/b\u003e watching the wavelengths, Justine opens her set with a sound bite from a Francis Bacon BBC interview (a freak obsession while studying Art History at FIT) while \u003cb\u003eEno \u0026amp; Fripp\u003c\/b\u003eappregiate into an era of electronic music that \u003cb\u003eThe Orb\u003c\/b\u003e, Nitzer Ebb, and producers like\u003cb\u003eAndrew Wetherall\u003c\/b\u003e would all align.\u003c\/p\u003e\n\u003cp\u003eElegantly accented by a sample from Paris is Burning (a movie that perhaps best explains Justine's love of her work), the \u003cb\u003eTurntablerocker\u003c\/b\u003e and \u003cb\u003eDaniel Wang\u003c\/b\u003e house anthems turn synthetic \"pop\" of then - \u003cb\u003eMinistry\u003c\/b\u003e, \u003cb\u003eThe Cars\u003c\/b\u003e - and now - \u003cb\u003eHot Chip\u003c\/b\u003e, \u003cb\u003eGlass Candy\u003c\/b\u003e. After the 808s \u0026amp; 909s, \u003cb\u003eDelia \u0026amp; Gavin\u003c\/b\u003e sedate the \u003cb\u003eChic\u003c\/b\u003e Strings before exposing Visconti's on \u003cb\u003eBowie\u003c\/b\u003e's 1984.\u003c\/p\u003e\n\u003cp\u003eIt goes from dark to darkest when Justine builds the \u003cb\u003eCrass\u003c\/b\u003e Walls into crucial \u003cb\u003eDeath In June\u003c\/b\u003e and \u003cb\u003eChristian Death\u003c\/b\u003e tracks and a full cut of \u003cb\u003eGoblin\u003c\/b\u003e's Suspiria. You can almost feel the glass breaking in said movie's opening sequence before Justine rescues us with a Madcap love song and \u003cb\u003eThe Zombies\u003c\/b\u003e fade into a the end score from Truffaut's 400 Blows.\u003c\/p\u003e\n\u003cp\u003eThis is the story Justine D: the starry-eyed teenager, the after hour wanderer, the bleeding heart of a community, and the constant believer in good music. If you believe in good music too, this life and mix are for you.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLiner notes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMixed by: Justine D\u003cbr\u003e Production: Twitch\u003cbr\u003e Mastering: Jim Rusby\u003cbr\u003e Photos: Lifelong Friendship Society\u003cbr\u003e Design: Kevin O'Neill at \u003ca href=\"http:\/\/www.chineseollie.com\/\" target=\"_new\"\u003eChinese Ollie\u003c\/a\u003e\u003cbr\u003e Get: \u003ca href=\"http:\/\/www.justined.com\/\" target=\"_new\"\u003ejustined.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e1000 CDs manufactured.\u003cbr\u003e Packaged in die-cut, \"top secret\" sleeves.\u003cbr\u003e Hand stamped \u0026amp; numbered.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130846339141,"sku":"SKU-235","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5418-RvngMx5_Cover.jpg?v=1535218949"},{"product_id":"rvng-of-the-nrds-vol-3-mock-toof","title":"RVNG Of The NRDS Vol. 3 - Mock \u0026 Toof","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Digit 1 (3:32)\u003c\/li\u003e\n\u003cli\u003eA2. Digit 2 (3:29)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Digit 3 (8:13)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS03\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: April 17th, 2007\u003c\/div\u003e\n\u003cp\u003eDigging deeper into the proverbial pie, Mock \u0026amp; Toof go balls deep with a triple shot of in the pink edits for the ongoing Rvng of the Nrds 12\" series. The merry pranksters behind the infamous Lycra Virgin \/ Tight Humps edits and a slew of remixes (The Juan Maclean, Hot Chip, and The Scissor Sisters), get their digits dirty on a track that rudely awakened Justine Frischmann, a southern boogie classic, and an interstellar afro jam. Let your fingers do the fucking, Mock \u0026amp; Toof have already done the rest.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, black \"digits\" \/ Mock \u0026amp; Toof print both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/punkrockpayroll.com\/\" target=\"_new\"\u003ePunk Rock Payroll\u003c\/a\u003e (Philadelphia, PA)\u003cbr\u003e 275 White \/ 275 Navy Blue \/ 275 Fluorescent Pink \/ 275 Fluorescent Orange\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130846404677,"sku":"SKU-236","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5420-15_NRDS03_CoverWhite.jpg?v=1535218952"},{"product_id":"rvng-of-the-nrds-vol-4-lovefingers","title":"RVNG Of The NRDS Vol. 4 - Lovefingers","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Kentucky (4:20)\u003c\/li\u003e\n\u003cli\u003eA2. Zoysia (5:12)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Bermuda (5:04)\u003c\/li\u003e\n\u003cli\u003eB2. Astroturf (5:19)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS04\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eRelease Date: November 13th, 2007\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eLovefingers is the the melted mind behind the Mp3 blog of the same name. A Laurel Canyon intelli-stoner (think Lebowski meets Klaus Schulze) recently uprooted to NYC, Lovefingers fits in with the other beardos and weirdos here inhaling \/ exhaling deep dug 70s and 80s heavenly \/ earthly jams. Lovefingers debut set of edits are burners from a mid-70s pre-disco Spanish compilation, a Moroder obsessed Bollywood composer, a squishy-squashy space funk anthem, and an Italian new-age progenitor. Get faded.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, black cosmic characters printed on both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 261 Blue \/ 287 Mint \/ 314 Red-ish \/ 238 Yellow\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846470213,"sku":"SKU-238-385","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5427-Album-Cover.jpg?v=1535218957"},{"product_id":"rvng-of-the-nrds-vol-5-wade-nichols","title":"RVNG Of The NRDS Vol. 5 - Wade Nichols","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45 rpm)\u003c\/li\u003e\n\u003cli\u003eA1. Wanda Rode Again (6:37)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm)\u003c\/li\u003e\n\u003cli\u003eB1. Horse With No Shame (4:39)\u003c\/li\u003e\n\u003cli\u003eB2. Abracadobro (4:26)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS05\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: June 24th, 2008\u003c\/div\u003e\n\u003cp\u003eHowdy Partners. For the latest installment in the ongoing Rvng of the Nrds 12\" series, Wade Nichols saddles up and puts his spurs into some dusty (and dusted) AM radio classics. Nichols gives some four-on-the floor love to everyone's favorite flute touting, bearded boogie band's big hit, tames a wild American horse with a punchy kick, and starts a disco brawl with anthemic refrains and slide guitars. Head for the sunset, space cowboys. This one's for you. Yeehaw.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003cbr\u003e Pressed at Brooklyn Phono\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, mutated horse + visitor print both sides\u003cbr\u003e Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 263 White \/ 287 Yellow \/ 273 Warm Red \/ 277 Copper\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846601285,"sku":"SKU-241-381","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5437-NRDS05_Copper.jpg?v=1535218963"},{"product_id":"rvng-of-the-nrds-vol-6-jacques-renault","title":"RVNG Of The NRDS Vol. 6 - Jacques Renault","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33 RPM):\u003c\/li\u003e\n\u003cli\u003eA1. Bad Skinned (6:28)\u003c\/li\u003e\n\u003cli\u003eA2. Sweet Rollin’ On (5:40)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45 RPM):\u003c\/li\u003e\n\u003cli\u003eB1. Tuxedo Dance (7:05)\u003c\/li\u003e\n\u003cli\u003eB2. Bad Skin Effect (1:54)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS06\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 2nd, 2008\u003c\/div\u003e\n\u003cp\u003eShhhh. The dirtiest disco secrets should stay that way. Leave 'em for the dark corners of the dance floor, the alleyway and taxi ride home, the drug addled recesses of your next morning mind. On his Rvng of the Nrds Vol. 6 12\", Jacques Renault escorts and edits three tracks with enough sleaze to shut down an Upper West Side bath house. Mr. Renault lazer tinges a cosmic rapper's delight, gets horn-y over some frolicking Rhodes and bass growls, and let's the guitar sling and high hats slush over a classic penguin strut. Go ahead, let your freak out. The secret stays safe with us.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, \"class act\" black print. Addt'l cover color screen printed by \u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 271 Purple \/ 276 Silver \/ 274 Red \/ 275 White \/ 4 Burgundy\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130846699589,"sku":"SKU-242-382","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5443-NRDS06_Front_RED__discogs.jpg?v=1535218966"},{"product_id":"rvng-prsnts-mx5-5-purple-pills-for-sleepless-nights-tim-sweeney","title":"RVNG PRSNTS MX5.5: Purple Pills For Sleepless Nights - Tim Sweeney","description":"\u003ch3\u003eCAT#: RVNGMX5.5\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: August 5th, 2008\u003c\/div\u003e\n\u003cp\u003eThis is one for the history books. Rvng's resident recluse Tim Sweeney compiled this superb, 17 track mix for an exclusive version of the \u003ca href=\"http:\/\/www.igetrvng.com\/rvngi.php?a=shop\u0026amp;b=26\" target=\"_new\"\u003eBeats In Space t-shirt\u003c\/a\u003e we printed for Colette (Paris) and Jet Set (Tokyo). We have \u003cb\u003e15\u003c\/b\u003e copies left for mailorder before we launch the master disc into space. Maybe where it belongs considering the spectral waves that emanate from this nova of psychedelic selections.\u003c\/p\u003e\n\u003cp\u003eNo track listing. No audio samples. No hints. No nothin' but an incredibly enjoyable listen. Be quick.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e150 copies, black screen print on black stock.\u003c\/p\u003e\n\u003cp\u003eArtwork conceived and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130849747013,"sku":"SKU-243","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5449-Mx5.5_Cover_B.jpg?v=1535218968"},{"product_id":"rvng-of-the-nrds-vol-7-greg-wilson","title":"RVNG Of The NRDS Vol. 7 - Greg Wilson","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (45rpm):\u003c\/li\u003e\n\u003cli\u003eA1. Cosmic DJ Delight (7:11)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (45rpm):\u003c\/li\u003e\n\u003cli\u003eB1. Sacrificial Soul (6:11)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT#: NRDS07\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: December 9th, 2008\u003c\/div\u003e\n\u003cp\u003eFor our lucky seventh 12\" in the Rvng of the Nrds series, the Galactic Captain of the edit, Greg Wilson, makes bodies move with two grooves from the heart and soul. Cosmic DJ Delight cycle spins an Italo classic through giddy guitar orbit while adding groovy echoes from the bright corners of the big 90s dancefloor. Soul Sacrifice plunges the percussive depths of San Fran's finest jam moment of 1969 and comes up modulating for more. Seriously enlightened cuts from the creator and originator.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1091 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1100 chipboard jackets, \"Sexy Bettie\" black print. Addt'l cover color screen printed by\u003ca href=\"http:\/\/pollutedeyeball.com\/\" target=\"_new\"\u003ePolluted Eyeball\u003c\/a\u003e (Brooklyn, NY)\u003cbr\u003e 275 Purple \/ 276 Yellow \/ 271 Cyan \/ 275 Green\u003c\/p\u003e\n\u003cp\u003e12\" artwork conceived by Greg Wilson and designed by Kevin O'Neill.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130853875781,"sku":"SKU-244-383","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5451-NRDS07_Back.jpg?v=1535218970"},{"product_id":"rvng-prsnts-mx7-mx7seven-purple-brain","title":"RVNG PRSNTS MX7 \u0026 MX7SEVEN - Purple Brain","description":"\u003ch5\u003ePurple Brain 7″ track listing:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33 RPM)\u003c\/li\u003e\n\u003cli\u003eA1. Barry DeVorzon and Perry Botkin Jr. – The Riot (PB Edit) (3:30)\u003c\/li\u003e\n\u003cli\u003eA2. Purple Brain – Purple Brain Theme (1:34)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B (33 RPM)\u003c\/li\u003e\n\u003cli\u003eB1. Bahumutsi Drama Group – To The Comrades (PB Edit) (5:16)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MX7 \u0026amp; MX7SEVEN\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: June 2009\u003c\/div\u003e\n\u003cp\u003eObey your brain. From the cerebral ether of \u003cb\u003eAndre\u003c\/b\u003e Bumrocks and \u003cb\u003eJason Convict!\u003c\/b\u003e comes \u003cb\u003ePurple Brain\u003c\/b\u003e, the new mix CD and 7\" from Rvng Intl. Australians in former lives, the duo have called NYC home for several moons, respectively cultivating insane record collections shared outside of their bro-zone through transcendental online archives (see:\u003ca href=\"http:\/\/bumrocks.com\/\"\u003ebumrocks.com\u003c\/a\u003e) and far reaching mix tapes (listen: \u003ca href=\"http:\/\/www.lovefingers.org\/mp3\/noodle.mp3\"\u003eTime To Noodle\u003c\/a\u003e and \u003ca href=\"http:\/\/www.r-n-d.net\/fileadmin\/audio\/mixes\/HeyConvictSlowMo.mp3\"\u003eDrunken Chicken\u003c\/a\u003e).\u003c\/p\u003e\n\u003cp\u003eFollowing some prodding by Rvng and then promises of fame, riches, and immortality, the two minds turned to one after months collecting and compiling cuts over just the right \/ wrong mixes as to work within a broad, psychoactive stroke.\u003c\/p\u003e\n\u003cp\u003eThe 60 minute Purple Brain mix is a \u003cb\u003etransformational\u003c\/b\u003e affair. There's no right place or time, rather the listener is paralyzed and abducted by a higher force. The Brain uses abstract themes of transgression, outsider art, and the occult to create a cinematic feel throughout the mix. This could \/ should be the soundtrack to a lost \u003cb\u003eNew Hollywood\u003c\/b\u003e or\u003cb\u003eCronenberg\u003c\/b\u003e film or a documentary on a great heretic or healer.\u003c\/p\u003e\n\u003cp\u003eThe music contained within moves through the \u003cb\u003epounding rock\u003c\/b\u003e side of \u003cb\u003edisco\u003c\/b\u003e to loose\u003cb\u003eafro-rock, metallic clang, desert dirge,\u003c\/b\u003e and \u003cb\u003esynth overloads\u003c\/b\u003e. Accented by sound collages constructed by the Brain, the mix is a meditative journey into the mind's dark eye. No intermission, no encore, to be listened loud and under influence.\u003c\/p\u003e\n\u003cp\u003eThe 7\" features two edits from the mix and an original composition. On the a-side, Purple Brain take future \/ former soap opera theme composer \u003cb\u003eBarry De Vorzon's\u003c\/b\u003e collaboration with \u003cb\u003ePerry Botkin Jr.\u003c\/b\u003e, \"The Riot\" from the R.P.M. soundtrack, and rev the frenzy factor to eleven. After the bell and whistle pastiche of The PB Theme, the Brain extend the political policy of \u003cb\u003eMaishie Maponya's\u003c\/b\u003e \"To the Comrades\" from the \u003cb\u003eBahumutsi Drama Group's\u003c\/b\u003e production of Busang Meropa.\u003c\/p\u003e\n\u003cp\u003eThe CD \/ 7\" comes packaged in a \u003cb\u003esuper size\u003c\/b\u003e (21\" x 28\") two color poster and insert designed by \u003cb\u003eKevin O'Neill\u003c\/b\u003e of \u003cb\u003eWill Work For Good\u003c\/b\u003e. 300 7\"s are pressed on \u003cb\u003epurple vinyl\u003c\/b\u003eand randomly circulating throughout mail and retail orders.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e3 1\/2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1033 7\"s, 21\" x 28\" 2c poster, 2c CD inserts w\/ die cut CD holder\u003cbr\u003e 300 copies translucent purple colored vinyl\u003cbr\u003e 1100 CDs manufactured. CDs still suck.\u003c\/p\u003e\n\u003cp\u003e\"The Riot\" licensed to Rvng by Sony BMG.\u003cbr\u003e \"To the Comrades\" licensed to Rvng by Maishie Maponya.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"7” + CD (Purple Vinyl) - $20","offer_id":41465856622655,"sku":"RVNGMX7LP-C1","price":20.0,"currency_code":"USD","in_stock":false},{"title":"7” + CD (Black Vinyl) - $15","offer_id":41465856655423,"sku":"RVNGMX7LP","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5457-RVNGMX7_Cover.jpg?v=1535218972"},{"product_id":"rvngmx7d-purple-braini","title":"RVNGMX7D: PURPLE BRAINI","description":"\u003ch3\u003eCAT #: MX7D\u003c\/h3\u003e\n\u003cdiv\u003eWe are pleased to announce the next exciting phase in the \u003cb\u003ePurple Brain\u003c\/b\u003e life cycle through a truly unique and limited extension of this brain bending concept.\u003c\/div\u003e\n\u003cp\u003eThe \u003cb\u003ePurple Braini\u003c\/b\u003e comes at you in a 7\" case hand crocheted by \u003cb\u003eDani Griffiths\u003c\/b\u003e of\u003cb\u003eClyde\u003c\/b\u003e. The three dimensional life size specimen also comes encased in an 8\" acrylic cube along with the 7\", CD, and poster. There are only \u003cb\u003e10\u003c\/b\u003e of these in existence, \u003cb\u003e3\u003c\/b\u003e of which you can purchase through our website.\u003c\/p\u003e\n\u003cp\u003eIt's time for the serious brainiacs to step up to the plate and welcome this beautiful freak into your collections. If you'd like a brain and would like to inquire about pricing, please e-mail \u003ca href=\"mailto:getrad@igetrvng.com\"\u003egetrad@igetrvng.com\u003c\/a\u003e.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"Default Title","offer_id":13130853941317,"sku":"SKU-247","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5459-BRAINI01_Pic03.jpg?v=1535218974"},{"product_id":"rvng-of-the-nrds-vol-10-pilooski","title":"RVNG Of The NRDS Vol. 10 - Pilooski","description":"\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A (33rpm):\u003c\/li\u003e\n\u003cli\u003eA1. AAA (9:25)\u003c\/li\u003e\n\u003cli\u003eA2. OOO (locked groove)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eEtching\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: NRDS10\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: January 26th, 2010\u003c\/div\u003e\n\u003cp\u003eIn the end there were ten. On the final installment in our Rvng of the Nrds 12\" series, Parisian patriarch of the edit Pilooski wanders into the dark heart of a Jamaican jungle jam. Birds of paradise squawk and squeak over a ghostly female lament while an echo chambered guitar riff crescendos into haunting hammond swells and a bouncy bass dirge. The one-sided 12\" locks on a tumbling tabla and mystic's moan. The b-side features an etching inspired by the whip cream pie scene in Revenge of the Nerds. It's a joke that five people will get. But that's ok, because in the end, the joke was on us. S'ank you, very much.\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2 dub plates\u003cbr\u003e 5 test pressings\u003cbr\u003e 1005 copies, 4c labels\u003c\/p\u003e\n\u003cp\u003eMastered by Paul Gold at Salt Mastering.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at Will Work For Good.\u003cbr\u003e Pressed at ???\u003c\/p\u003e\n\u003cp\u003e1005 chipboard jackets w\/ black \"mystic desert wanderer\" print.\u003cbr\u003e 250 Bronze \/ 255 Copper \/ 241 Gold \/ 259 Silver\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"","offer_id":13130854236229,"sku":"SKU-249-376","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5467-58_nrds10_cover_01.jpg?v=1535218981"},{"product_id":"rvngnl02","title":"Candyman - These Are Powers","description":"\u003ch3\u003eCAT #: RVNGNL02\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: February 23, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThese Are Powers\u003c\/b\u003e lay it on thick, sweet, and sludgy for their new \u003ci\u003eCandyman\u003c\/i\u003e EP. The Brooklyn-based trio of Anna Barie (vocals \u0026amp; electronics), Pat Noecker (bass, electronics, vocals), and Bill Salas (beats \u0026amp; production) do nothing to sugar coat the grimy center of a new, bass bin rattling, electro-shock sound.\u003c\/p\u003e\n\u003cp\u003ePOWERS kick off the EP with \"Candyman\", a naughty nursery rhyme set to a bombastic East meets West-Indies reggaeton shuffle. The rifling bass and scattered snare shots of \"Gutterspaces\" emerge as dancehall back from the future, followed by the sputter to mega-life Chicago juke and drone fest of \"World Class Peoples\".\u003c\/p\u003e\n\u003cp\u003eThe EP also includes a runway house remix of \"Candyman\" by globe-trotters \u003cb\u003eTeengirl Fantasy\u003c\/b\u003e and a remix of \"World Class Peoples\" by Costa Rica's \u003cb\u003eCosmetics\u003c\/b\u003e that is as much Burial as it is Scott Walker.\u003c\/p\u003e\n\u003cp\u003eThe artwork, by Kevin O'Neill at Will Work For Good, is inspired by the slimy fetish known as sploshing. The sploshee featured on the cover will remain anonymous. First pressing limited to 1000 copies.\u003c\/p\u003e\n\u003cp\u003eMastered by Leandro Gonzales at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 12\" artwork conceived and designed by Kevin O'Neill at \u003ca href=\"http:\/\/www.willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1 dub plate\u003cbr\u003e 5 test pressings\u003cbr\u003e 1100 copies, red \u0026amp; white labels\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e 1100 full color jackets w\/ designated inner sleeves.\u003cbr\u003e \u003ciframe src=\"\/\/www.youtube.com\/embed\/Q_5BRo71pPQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL02","offers":[{"title":"DIGITAL - $8","offer_id":18838918856773,"sku":"RVNGNL02DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130854400069,"sku":"RVNGNL02LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5473-59_tap01front.jpg?v=1535218985"},{"product_id":"infinidelity-boxset-historics","title":"Infinidelity Boxset - Historics","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rvng.bandcamp.com\/album\/infinidelity\"\u003eInfinidelity by Historics\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date: June 8, 2010\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDownload the samples for all ten tracks \u003ca href=\"http:\/\/igetrvng.com\/historics\/retail\/infinidelity_samples.zip\" target=\"_new\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003cbr\u003e \u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the \u003cb\u003ehistorics\u003c\/b\u003e \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e (\u003ci\u003eFeathers Like Leather\u003c\/i\u003e, \u003ci\u003e57 Octaves Below...\u003c\/i\u003e, \u003ci\u003eWhite Pigeons\u003c\/i\u003e), \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from historics late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003eThe \u003ci\u003eInfinidelity\u003c\/i\u003e story is one of meditation within \/ without a relationship, wrapped in a transient prose that skirts comedic and tragic traditions. \u003ci\u003eStrategies For Apprehension\u003c\/i\u003edeals in related subjects, those of bonds forged and broken, of ever-shifting alliances. In keeping with those themes, the conception and recording of the record were devoutly unfaithful to any rote route of standard-fare album construction. From those sessions were born enough boundless ideas to place in the hands of others, who in turn have created their own commentaries on and reinterpretations of the music.\u003c\/p\u003e\n\u003cp\u003eThe artwork, informed by Leo's story and spanning across the three 12\"s, was created by artist \u003cb\u003eMark McCoy\u003c\/b\u003e. The intricate collages convey sanctity within immolation, sacrifice to nature's thorny embrace. \u003cb\u003eKevin O'Neill\u003c\/b\u003e at \u003cb\u003eWill Work For Good\u003c\/b\u003e commanded the build \u0026amp; design of the packaging.\u003c\/p\u003e\n\u003cp\u003eThe first 12\" features remixes from \u003cb\u003eTom Croose\u003c\/b\u003e, \u003cb\u003eSirBlly\u003c\/b\u003e \u0026amp; \u003cb\u003eCreso\u003c\/b\u003e, \u003cb\u003eLow Motion Disco\u003c\/b\u003e, and \u003cb\u003ePink Stallone\u003c\/b\u003e. The second 12\" features remixes from \u003cb\u003eJackpot\u003c\/b\u003e, \u003cb\u003eUFO!\u003c\/b\u003e, \u003cb\u003eAllez-Allez\u003c\/b\u003e, and \u003cb\u003eCFCF\u003c\/b\u003e. The third 12\" features remixes from \u003cb\u003eLeo Zero\u003c\/b\u003e \u0026amp; \u003cb\u003eAndrew Allsgood\u003c\/b\u003e. Each artist was given Leo's story and McCoy's artwork to allow cohesive exercises. The remixes of Infinidelity are as dark as they are light but ultimately serve to elevate the dance floor.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. The box sets come in an incredibly limited edition of 50 and are constructed to house all three records in stunning 24\" x 34\" black \u0026amp; white poster prints and a custom wrapped box. The 12\"s will also be available separately and digitally at \u003cb\u003eiTunes\u003c\/b\u003e, \u003cb\u003eBeatport\u003c\/b\u003e, \u003cb\u003eJuno\u003c\/b\u003e, and \u003cb\u003eTurntable Lab\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePressing details:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e50 box sets\u003cbr\u003e Pressed at \u003ca href=\"http:\/\/www.brooklynphono.com\/\" target=\"_new\"\u003eBrooklyn Phono\u003c\/a\u003e.\u003cbr\u003e Jackets \u0026amp; designated sleeves printed at \u003ca href=\"http:\/\/stumptownprinters.com\/\" target=\"_new\"\u003eStumptown Printers\u003c\/a\u003e.\u003cbr\u003e Box sets assembled with love by \u003ca href=\"http:\/\/willworkforgood.org\/\" target=\"_new\"\u003eWill Work For Good\u003c\/a\u003e\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"3x12\"","offer_id":13130854432837,"sku":"SKU-252-354","price":42.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5485-62_histboxa.jpg?v=1535218987"},{"product_id":"infinidelity-pt-3-historics","title":"Infinidelity Pt. 3 - Historics","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rvng.bandcamp.com\/album\/infinidelity\"\u003eInfinidelity by Historics\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSide A\u003c\/li\u003e\n\u003cli\u003eA1. Skin Orders (Leo Zero Remix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eB1. Two Tons (Andrew Allsgood's Two Tons of Fun Remix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MI004 \/ RVNGNL04.5\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 16, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the historics \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e, \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from \u003cb\u003ehistorics\u003c\/b\u003e late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity Pt. 3\u003c\/i\u003e closes out the 12\" series with two monstrous remixes. UK remix maven and recent \u003cb\u003eStrut Records\u003c\/b\u003e mix maker \u003cb\u003eLeo Zero\u003c\/b\u003e turns \"Skin Orders\" into a sprawling, eight minute mix of rapid fire drum patterns akin to \"Bombs Over Baghdad\" and odyssey-like, Garcia inspired guitar work by \u003cb\u003eCrow\u003c\/b\u003e of \u003cb\u003eMountain of One\u003c\/b\u003e. Canadian producer \u003cb\u003eAndrew Allsgood's\u003c\/b\u003e take on \"Two Tons\" stomps away with a heavy kick, conga-laden percussion, and fuzzed out bass line, eventually oscillating into a cosmic cataclysm and refrain. This remix fits in nicely with Allsgood's classic 12\" for \u003cb\u003eHistory Clock\u003c\/b\u003e and features additional production by \u003cb\u003eWorst Friends\u003c\/b\u003e. Complete the \u003ci\u003eInfinidelity series\u003c\/i\u003e with this final chapter.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. Each 12\" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by \u003cb\u003eMark McCoy\u003c\/b\u003e. Digital available at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\" - $18","offer_id":13130854465605,"sku":"RVNGNL04.5","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5488-historics-infinidelity_pt._3.jpg?v=1535218990"},{"product_id":"infinidelity-pt-2-historics","title":"Infinidelity Pt. 2 - Historics","description":"\u003ciframe width=\"\" height=\"\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=3756424393\/size=small\/bgcol=ffffff\/linkcol=0687f5\/\" style=\"position: relative; display: block; width: px; height: px;\" allowtransparency=\"true\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003ch5\u003e12″\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSide A\u003c\/li\u003e\n\u003cli\u003eA1. Taverns (Jackpot Copy Paste Mix) (4:54)\u003c\/li\u003e\n\u003cli\u003eA2. Take It To The Top (UFO! Remix) (4:18)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSide B\u003c\/li\u003e\n\u003cli\u003eB1. Things Alright (Allez-Allez Metalic Mix) (5:59)\u003c\/li\u003e\n\u003cli\u003eB2. Take It To The Top (CFCF Remix) (4:56)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCAT #: MI003 \/ RVNGNL03.5\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: August 24, 2010\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetropolitan Indian\u003c\/b\u003e \u0026amp; RVNG Intl. present the historics \u003ci\u003eInfinidelity\u003c\/i\u003e 12\" series. Inspired by a short story of the same name by author \u003cb\u003eChris Leo\u003c\/b\u003e, \u003ci\u003eInfinidelity\u003c\/i\u003e offers ten songs from \u003cb\u003ehistorics\u003c\/b\u003e late 2009 album debut, \u003ci\u003eStrategies For Apprehension\u003c\/i\u003e, transformed by an assembly of artists from the outer ether of the electronic music world.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e pt. 2 locks into the groove in hit form with a \"Taverns\" remix by Sweden's \u003cb\u003eJackpot\u003c\/b\u003e, a track that neatly pits the vocal track against a jack happy beat and arpeggios that joyfully amp up the outro. \u003cb\u003eKool Keith\u003c\/b\u003e pops his head in the \u003cb\u003eUFO!\u003c\/b\u003e remix of \"Take it to the Top\", making it cool to rap about Eric Clapton over the hyper-dub marching band madness. The 12\" continues on its eclectic way with a metallic revision of \"Things Alright\" by RVNG sound racketeers \u003cb\u003eAllez-Allez\u003c\/b\u003e and ends with a Kool Keith redux and some Miami Bass \/ saxophone skeeze with Montreal's \u003cb\u003eCFCF\u003c\/b\u003e at the helm of another \"Take it to the Top\" remix.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInfinidelity\u003c\/i\u003e was mastered by \u003cb\u003eGraeme Durham\u003c\/b\u003e at \u003cb\u003eThe Exchange\u003c\/b\u003e. Each 12\" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by \u003cb\u003eMark McCoy\u003c\/b\u003e. Digital available at igetrvng.com and through the usual storefront suspects.\u003c\/p\u003e","brand":"RVNG Intl.","offers":[{"title":"12\"- $18","offer_id":13130854760517,"sku":"RVNGNL03.5LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5509-74_infinidelity_pt2.jpg?v=1535218997"},{"product_id":"format-worth-regal-degal","title":"Format Worth - Regal Degal","description":"\u003ch3\u003eCAT #: RVNGCSS01\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: June 13, 1983\u003c\/div\u003e\n\u003cp\u003eAn exquisite corpse decomposing over the course of a year, we present to you \u003cb\u003eRegal Degal's\u003c\/b\u003e debut offering, \u003ci\u003eFormat Worth\u003c\/i\u003e. A triumphant, burly batch of songs from a young trio that could call Christchurch, New Zealand ca. 1981 (Flying Nun) or Brussels ca. 1980 (Les Disques Du Crépuscule) home as easily as they presently do Brooklyn, NY. Pop music honed at home and unafraid to drone out on the edge of starkness. A year's worth of experimentation (2009 + 2010) captured to cassette. Really real, Regal Degal.\u003c\/p\u003e\n\u003cp\u003eArtwork by \u003cb\u003eJoel Stillman\u003c\/b\u003e for \u003ca href=\"http:\/\/normalnumber.com\/\" target=\"_new\"\u003eNormal Number\u003c\/a\u003e. \u003cb\u003eEdition of 83\u003c\/b\u003e on 40 minute cassettes, Gocco print on recycled covers and inside stamp.There is no children's laughter on this recording.\u003c\/p\u003e","brand":"RVNGCSS01","offers":[{"title":"Default Title","offer_id":13130854793285,"sku":"SKU-257","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5515-79_rvngcss01_cover.jpg?v=1535218999"},{"product_id":"rvngnl05","title":"Blondes - Lover \/ Hater","description":"\u003ch3\u003eCAT #: RVNGNL05\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: March 15, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e follow up their 2010 \u003ci\u003eTouched\u003c\/i\u003e EP (\u003cb\u003eMerok\u003c\/b\u003e) with \u003ci\u003eLover \/ Hater\u003c\/i\u003e, a two track 12\" inaugurating a three part record series on \u003cstrong\u003eRVNG\u003c\/strong\u003e exploring duality concepts. Recorded live to 2\" tape at \u003cb\u003eAtlantic Sound\u003c\/b\u003e in Brooklyn, these set staples capture Blondes at their headiest and deadliest. \"Lover\" places a shamanistic \u003cb\u003eMeredith Monk\u003c\/b\u003e vocal sample atop a ritualistic rhythm, transporting the track to a trancefloor spirit worlds away. \"Hater\" builds on cascading keyboard cycles before breaking into an \u003ci\u003eE2-E4\u003c\/i\u003e-on-the-floor bounce.\u003c\/p\u003e\n\u003cp\u003eMastered at \u003cb\u003eDubplates \u0026amp; Mastering\u003c\/b\u003e. Artwork by \u003cb\u003eKevin O'Neill\u003c\/b\u003e. Limited pressing.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/lopxp1yw3Qo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL05","offers":[{"title":"DIGITAL - $6","offer_id":19142168215621,"sku":"RVNGNL05DIGI","price":6.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130858299461,"sku":"RVNGNL05LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5528-86_rvngnl05_cover_500x500_front.jpg?v=1535219003"},{"product_id":"rvngnl06","title":"Clean Plate - Clean Plate","description":"\u003ch3\u003eCAT #: RVNGNL06\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the Great Blizzard of 2010, \u003cb\u003eJulian Grefe\u003c\/b\u003e and \u003cb\u003eJustin Geller\u003c\/b\u003e of \u003cb\u003ePink Skull \u003c\/b\u003ealongside \u003cb\u003eQuentin Stolzfus\u003c\/b\u003e (\u003cb\u003eAzusa Plane\u003c\/b\u003e, \u003cb\u003eMazarin\u003c\/b\u003e) holed up in a two hundred year old barn with 20 some odd (and some not) synthesizers, the mighty Pink Skull Modular, a 1 inch 8-track, and enough mushrooms to shelter a village of Smurfs. The result of this meeting of the mind-melters is the \u003cb\u003eClean Plate\u003c\/b\u003e album, an analog inner space journey in the tradition of \u003cb\u003eTangerine Dream's\u003c\/b\u003e \u003ci\u003ePhaedra\u003c\/i\u003e and \u003cb\u003eBrainticket's\u003c\/b\u003e \u003ci\u003eVoyage\u003c\/i\u003e. Gurgling pads, stalactitic arpeggios, whole synth hog drones, groans and moans, guide the listener through the tube into a sublime union with an ominous reality abyss. Clean Plate is the unusual precursor to Pink Skull's forthcoming album on RVNG Intl, \u003ci\u003ePsychic Welfare\u003c\/i\u003e.\u003c\/p\u003e\n\u003cdiv\u003eStrictly limited to 100 vinyl copies, silk-screened covers.\u003c\/div\u003e\n\u003cp\u003eEquipment used in the making of \u003ci\u003eClean Plate\u003c\/i\u003e:\u003c\/p\u003e\n\u003cp\u003eAmpex 440 1\" Tape Machine, API 1608, Baldwin Piano, Blue Lantern Modular, EH Microsynth, Farfisa, Fender Rhodes 73 Mark 1, Hammond B3, HP tube oscillators, Jupiter 6, Key-bass, Korg Monopoly, Korg SR120 Univox Drum Machine, Mochika-2, Moog Li'l Phatty, Moog Modular, Moog Rogue, Oberheim Matrix 6, Synsonics Drums, Synare, Yamaha DX-7, Yamaha M508\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RVNGNL06","offers":[{"title":"DIGITAL - $4","offer_id":19142214352965,"sku":"RVNGNL06DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" LP - $18","offer_id":13130864754757,"sku":"RVNGNL06LP","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5562-104_rvngnl06_cover_500x500_5a9319ff-af3e-4964-833b-21e4f693915f.jpg?v=1535219022"},{"product_id":"rvngnl07","title":"Blondes - Business \/ Pleasure","description":"\u003ch3\u003eCAT #: RVNGNL07\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: June 14th, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e return with the \u003ci\u003eBusiness \/ Pleasure 12\"\u003c\/i\u003e, the second in a three part series exploring duality concepts. The two 12\" sides were performed and recorded live without overdubs while the duo was stationed in Berlin between European dates this past winter. Both \"Business\" and \"Pleasure\" let the melodic textures breath before layers of synth, sub bass, and percussion are marched out and into the deep pockets of these late-night, hypnotic house burners. Who says business and pleasure can't mix?\u003c\/p\u003e\n\u003cp\u003eMastered by \u003cb\u003eFrederic Strader\u003c\/b\u003e at \u003cb\u003eDubplates \u0026amp; Mastering\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eArtwork by \u003cb\u003eWill Work For Good\u003c\/b\u003e. Limited pressing.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/ejIjohgBsiU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL07","offers":[{"title":"DIGITAL - $4","offer_id":19142143311941,"sku":"RVNGNL07DIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130865279045,"sku":"RVNGNL07LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5566-RVNGNL11.jpg?v=1535219025"},{"product_id":"rvngnl09","title":"Mirror Mirror - Interiors","description":"\u003ch3\u003eCAT #: RVNGNL09\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: August 16th, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.mirrormirror-nyc.com\/\"\u003eMIRROR MIRROR\u003c\/a\u003e, the New York based duo of \u003cb\u003eDavid Riley\u003c\/b\u003e and \u003cb\u003eRyan Lucero\u003c\/b\u003e, bring their avant-pop explorations to RVNG Intl. with the release of \u003cb\u003e\u003ci\u003eInteriors\u003c\/i\u003e\u003c\/b\u003e, the ten-song follow up to their debut album, \u003ci\u003eThe Society for the Advancement of Inflammatory Consciousness\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded in two parts, Interiors features the production work of \u003cb\u003eChris Coady\u003c\/b\u003e (Beach House, Gang Gang Dance, Zola Jesus), who helped realize an expansive sound from Mirror Mirror's home-studio recordings. The other album half, aided by \u003cb\u003eJoshua da Costa's\u003c\/b\u003e monstrous and metronomic live drumming, was produced by \u003cb\u003eThomas Asenault \u003c\/b\u003eand \u003cb\u003eZeljko McMullen\u003c\/b\u003e at So Many Fields (Brooklyn, NY).\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInteriors\u003c\/i\u003e deals in themes of secret societies, escapist fantasies, and psychological extremes. \u003cb\u003e\"Sublime Objective\"\u003c\/b\u003e opens the album in the mind's eye of an adventurer attempting a daring mountain climb. \"Under the Sun\" rollicks under ray-baked guitars until it's split in two by a cameo from \u003cb\u003eSSION\u003c\/b\u003e front man \u003cb\u003eCody Critcheloe\u003c\/b\u003e. \"Dot Dot Dot\" mutates an R\u0026amp;B midi-bass line, before \"Sick City\" tours an underworld of nightwalkers and plastic shamans. The acid-inflected “Starseed” adapts a futurist \u003cb\u003eTimothy Leary\u003c\/b\u003e lecture, promising listeners “bread and dope for a thousand years.” Album namesake “Interiors” describes a recluse who shuts out worldly distractions, while the stringed cavalcade of \"Open Wide\" leads to new psychedelic pop pastures. The album closes with \"Overpower \/ Overjoy,\" an industrially flourished, whip-cracking serenade of sorts.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInteriors \u003c\/em\u003eis available now on LP and across digital formats via RVNG Intl.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/DHfFv8mgZmY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL09","offers":[{"title":"DIGITAL - $8","offer_id":13130866589765,"sku":"RVNGNL09DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13130866655301,"sku":"RVNGNL09LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5572-108_rvngnl09_cover_500x500_146a1b60-872e-40b0-9763-773b6551a900.jpg?v=1535219029"},{"product_id":"rvngnl08","title":"Pink Skull - Psychic Welfare","description":"\u003ch3\u003eCAT #: RVNGNL08\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: September 20th, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePink Skull\u003c\/b\u003e returns with \u003ci\u003ePsychic Welfare\u003c\/i\u003e, their third studio album and second for \u003cb\u003eRVNG Intl.\u003c\/b\u003e, following 2009's \u003ci\u003eEndless Bummer\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003ePsychic Welfare comes after \u003cb\u003eJulian Grefe\u003c\/b\u003e waded through the cosmic slop that accumulated around him the two years following the release of \u003ci\u003eEndless\u003c\/i\u003e. Grefe alongside \u003cb\u003eJustin \"JG\" Geller\u003c\/b\u003e, forms the central nervous system of a \u003cb\u003ePink Skull\u003c\/b\u003e. The duo expanded to include \u003cb\u003eJeremy Gewertz\u003c\/b\u003e (drums), \u003cb\u003eMike Hammel\u003c\/b\u003e (bass), and \u003cb\u003eSam Murphy\u003c\/b\u003e(guitar) for the recording and live realization of \u003ci\u003eEndless\u003c\/i\u003e, and then expanded once more to include \u003cb\u003eAdam Sparkles\u003c\/b\u003e (programming) and \u003cb\u003eRobin van der Kaa\u003c\/b\u003e (bass, programming) for\u003ci\u003ePsychic Welfare\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePsychic Welfare\u003c\/i\u003e was produced by Pink Skull and \u003cb\u003eJeff Zeigler\u003c\/b\u003e (\u003cb\u003eKurt Vile\u003c\/b\u003e, \u003cb\u003eWar On Drugs\u003c\/b\u003e) between the band's Philadelphia studio and Brooklyn, NY. Contending with the seismic swells in both the macro and micro worlds around him, Grefe refracted the polluted waves in a fantastical fit to write the 13 songs of \u003ci\u003ePsychic Welfare\u003c\/i\u003e. The album is a map of time and space portals in which the listener can navigate from the corroded corners of machinated life to boundless, amorphous space in mere seconds.\u003c\/p\u003e\n\u003cp\u003eAcross the album's pull-out poster artwork for \u003ci\u003ePsychic Welfare\u003c\/i\u003e is a hand-scrawled poem by the late NYC sage \u003cb\u003eIra Cohen\u003c\/b\u003e entitled \"Blind Assemblage\". In the poem, Cohen describes the decay of society and struggles to find civility within tragedy, a sentiment mirrored in Grefe's lyrical content of \u003ci\u003ePsychic Welfare\u003c\/i\u003e, if not masked by a new found pop propensity.\u003c\/p\u003e\n\u003cp\u003eThe lead track on the album, \"Hot Bubblegum,\" a Television-inspired piece of pop perfectly pushes this dichotomy of psychotic playfulness. \"Mu\" is a sprawling instrumental spread of blissed-out 80s funk, complete with a tin rooftop sax solo by \u003cb\u003eBilly Dufala\u003c\/b\u003e (\u003cb\u003eMan Man\u003c\/b\u003e). \"Janine Aubergine\" fictionalizes Grefe's girlfriend's bluegrass fiddle-playing aunt as a psychedelic maven over a tango groover, while \"Bee Nose (Put Yr Face On)\" is a woozy, hazy late-night phone call from the warped Scottish countryside circa 1998. \"Summer Reading\" feels like a \u003ci\u003eTransformer\u003c\/i\u003e-era \u003cb\u003eLou Reed\u003c\/b\u003e bullying \u003cb\u003eMark E. Smith\u003c\/b\u003e around a disco bouncey castle.\u003c\/p\u003e\n\u003cp\u003eTracks from \u003ci\u003ePsychic Welfare\u003c\/i\u003e were remixed by \u003cb\u003eBrassica\u003c\/b\u003e, \u003cb\u003eHigamos Hagamos\u003c\/b\u003e, \u003cb\u003eRay Mang\u003c\/b\u003e, and \u003cb\u003eWorst Friends\u003c\/b\u003e. Each of these remixes will be released as single support and included alongside additional original tracks as bonus downloads. The artwork of Psychic Welfare is taken from a a series of visual synth feedback experiments conducted by the band and video artist \u003cb\u003eAdam Carrigan\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePsychic Welfare\u003c\/i\u003e is available now as an LP and across digital formats via RVNG Intl. The LP edition features a 48\" x 96\" heavy-stock pull out poster.\u003c\/p\u003e\n\u003ch3\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/Va8Uif2HHes\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/9SPzi10YMhg\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/j6CDp9PO9GU\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL08","offers":[{"title":"DIGITAL - $6","offer_id":18844647161925,"sku":"RVNGNL08DIGI","price":6.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $18","offer_id":13130867507269,"sku":"RVNGNL08LP","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5593-111_rvngnl08_cover_500x500_f637bf36-fb85-4df9-af47-f255da35da79.jpg?v=1535219033"},{"product_id":"rvngnl12","title":"Blondes - Blondes","description":"\u003ch3\u003eCAT #: RVNGNL12\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: February 7th, 2012\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e, the duo of \u003cb\u003eSam Haar\u003c\/b\u003e and \u003cb\u003eZach Steinman\u003c\/b\u003e, release their self-titled debut album for RVNG Intl.Haar and Steinman met at Oberlin College in 2003, where they studied electroacoustic composition and studio art respectively, and became collaborators in a smattering of short-lived experimental outfits. After graduation and stints apart in Oakland and NYC, Haar and Steinman regrouped in Berlin where Blondes was born, eventually settling on Brooklyn for home base.Blondes quickly evolved from a home studio project to a live experience built around a tactile assemblage of synthesizers, sequencers, and drum machines. The Touched EP (Merok, 2010) demonstrates Haar and Steinman's early interest in an improvisational process that remains embedded in their creative approach, while touching upon their adoration of German composer \u003cstrong\u003eManuel Göttsching\u003c\/strong\u003e and his seminal \u003ci\u003eE2-E4\u003c\/i\u003e album.\u003c\/p\u003e\n\u003cp\u003eThe basement and warehouse venues that curiously welcomed Blondes' syrupy, space-case dance music provided a reactive environment for the duo to develop their sound and work ethic. But as they started playing at nightclubs renowned for their sound systems and ecstatic dance floors, Haar and Steinman realized a potential for their music to resonate at a higher fidelity and deeper frequency, both sonically and spiritually. Blondes' heart aligned with house music in its most liquid form.\u003c\/p\u003e\n\u003cp\u003eA 12\" series on RVNG Intl. was initiated in 2011 to document Blondes' evolution. Each record contains a pair of tracks that explore the concept of duality through a personal lens intensely focused on moving the body. The a-side of \u003ci\u003eLover \/ Hater\u003c\/i\u003e is centered upon a \u003cb\u003eMeredith Monk\u003c\/b\u003e sample, a primal scream signaling Blondes' rebirth.\u003ci\u003eBusiness \/ Pleasure\u003c\/i\u003e confronts the struggle of sustaining individuality in a sinister commercial world and stylistically references Blondes' time spent in the UK. The final 12\", \u003ci\u003eWine \/ Water\u003c\/i\u003e, swings on pendulum between excess and restraint while exhibiting the duo's most melodic and mature work thus far.\u003c\/p\u003e\n\u003cp\u003eAvailable as limited edition vinyl pressings, these six tracks are collected together in album form along with two new offerings, \u003ci\u003eGold\u003c\/i\u003e and \u003ci\u003eAmber\u003c\/i\u003e. Almost entirely improvised and recorded in single takes, \u003ci\u003eGold\u003c\/i\u003e and \u003ci\u003eAmber\u003c\/i\u003e are inspired by complexity and purity, which manifests in the manic energy and bliss of the parallel tracks.\u003c\/p\u003e\n\u003cp\u003eBlondes journey of musical discovery is reflected in a companion disc featuring eleven remixes by friends, peers, and heroes including \u003cb\u003eJD Twitch\u003c\/b\u003e of \u003cb\u003eOptimo\u003c\/b\u003e, \u003cb\u003eDungeon Acid\u003c\/b\u003e,\u003cb\u003eSFV Acid\u003c\/b\u003e, \u003cb\u003eJohn Roberts\u003c\/b\u003e, \u003cb\u003eAndy Stott\u003c\/b\u003e, \u003cb\u003eTeengirl Fantasy\u003c\/b\u003e, \u003cb\u003eBicep\u003c\/b\u003e, \u003cb\u003eTraxx\u003c\/b\u003e, \u003cb\u003eLaurel Halo\u003c\/b\u003e,\u003cb\u003eRene Hell\u003c\/b\u003e, and \u003cb\u003eRobert Miles\u003c\/b\u003e, whose remix of \"Pleasure\" is exclusively available on the digital version of the album set.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eBlondes\u003c\/i\u003e is available now as 2xCD and on digital format via RVNG Intl.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/ejIjohgBsiU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/9Tr4mGR36RQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/CiBWBCgH8Ok\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/lopxp1yw3Qo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL12","offers":[{"title":"DIGITAL - $10","offer_id":13130867802181,"sku":"RVNGNL12DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"2xCD - $15","offer_id":13130867769413,"sku":"RVNGNL12CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5616-115_rvngnl12_cover_500x500_0170a535-e472-49dc-adf9-b3d785b6a72d.jpg?v=1535219043"},{"product_id":"rvngnl15","title":"Holly Herndon - Movement","description":"\u003ch3\u003eCAT #: RVNGNL15\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 13th, 2012\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHolly Herndon’s\u003c\/b\u003e \u003ci\u003eMovement\u003c\/i\u003e is the debut offering of material by the young musician, modernist, and machinist.\u003c\/p\u003e\n\u003cp\u003eRestless for reckless cultural immersion, Herndon left her Johnson City, Tennessee home as a teenager for Berlin, Germany. For several years, Herndon lived and learned techno music as party dweller and performer, eventually returning wide-minded to the States to pursue a Masters in Electronic Music at Mills College. Under the guidance of network pioneer \u003cb\u003eJohn Bischoff\u003c\/b\u003e, \u003cb\u003eRoscoe Mitchell\u003c\/b\u003e, and \u003cb\u003eMaggi Payne\u003c\/b\u003e, Herndon pursued her experiments with processed voice and explored embodiment in electronic music, earning the Elizabeth Mills Crothers award for best composer in 2011.\u003c\/p\u003e\n\u003cp\u003eStarted at the end of Herndon’s studies, \u003ci\u003eMovement\u003c\/i\u003e is a test chamber that hybridizes her modern composition training and undying devotion to club music. To this extent, the influences of \u003cb\u003eMaryanne Amacher\u003c\/b\u003e and \u003cb\u003eGalina Ustvolskaya\u003c\/b\u003e are as prevalent in Herndon’s music as \u003cb\u003ePan Sonic\u003c\/b\u003e and Berlin and Birmingham 90s techno. Still, in line with pop deconstructionists \u003cb\u003eLaurie Anderson\u003c\/b\u003e and \u003cb\u003eArt of Noise\u003c\/b\u003e, \u003ci\u003eMovement\u003c\/i\u003e is purposefully positioned to reach new ears beyond a niche.\u003c\/p\u003e\n\u003cp\u003eHonoring a strong tradition of computer composition from \u003cb\u003eStockhausen\u003c\/b\u003e to \u003cb\u003eFlorian Hecker\u003c\/b\u003e, Herndon is unapologetic about using a machine as her primary instrument. She builds most of her own instruments and vocal effects in the visual programming language Max\/MSP, and sees it as a principled part of her practice to push the most modern processors to their limits.\u003c\/p\u003e\n\u003cp\u003e\"The laptop is the most intimate instrument we have at our disposal, engaging and absorbing our confessions and inspirations\" says Herndon. \"Its influence has both devastated and invigorated music as we know it. We've only just begun unlocking the possibilities at our fingertips. Those possibilities are what I work towards and against.\"\u003c\/p\u003e\n\u003cp\u003eIncorporating themes of presence and physicality \/ flux and futurity within said musical expressions and tool set, \u003ci\u003eMovement\u003c\/i\u003e translates the Avant-Garde into what Herndon fundamentally considers “life practice”. \u003cem\u003eMovement\u003c\/em\u003e opens with the malfunctioning hum and cyborg stutter of “Terminal”. “Breathe”, a minimalist articulation of data complexity within the human voice, informs the processing of Herndon’s own vocal melodies in the syncopated house track “Fade”.\u003c\/p\u003e\n\u003cp\u003eThe collection’s centerpiece “Movement” is about human-computer symbiosis and musically re-imagines what is perceived as “natural” atop a vigilant acid grind. “Dilato” drifts the live baritone vocal stream of \u003cb\u003eBruce Rameker\u003c\/b\u003e through a slight digital process to curious mortal frays.\u003c\/p\u003e\n\u003cp\u003eHerndon’s ability to sharp turn from synthetic psychosis to hard-coded human sensuality allows Movement approachability for any listener knowingly or unknowingly seeking technological enlightenment. For those listeners escaping grid integration for holistic antiquity, keep a copy of \u003ci\u003eMovement\u003c\/i\u003e handy. You’ll need the manual for reconfiguration later.\u003c\/p\u003e\n\u003cp\u003eHolly Herndon’s \u003ci\u003eMovement\u003c\/i\u003e is available now on RVNG Intl. in limited edition LP, CD, and digital formats.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/kanNN4RPrgY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL15","offers":[{"title":"DIGITAL - $10","offer_id":13979359641669,"sku":"RVNGNL15DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13130876092485,"sku":"RVNGNL15LP","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD - $15","offer_id":13130876125253,"sku":"RVNGNL15CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5691-rvngnl15-500px.jpg?v=1535219074"},{"product_id":"rvngnl16","title":"Maxmillion Dunbar - Woo","description":"\u003ch3\u003eCAT #: RVNGNL16\u003c\/h3\u003e\n\u003cdiv\u003eRelease Date: November 20th, 2012\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaxmillion Dunbar\u003c\/b\u003e - one half of DC dance captains \u003cb\u003eBeautiful Swimmers\u003c\/b\u003e - returns with\u003ci\u003eWoo\u003c\/i\u003e, the first single from his forthcoming album \u003ci\u003eHouse of Woo\u003c\/i\u003e. Following a sturdy string of singles between 2011 and 2012 for \u003cb\u003eL.I.E.S.\u003c\/b\u003e, \u003cb\u003eLive at Robert Johnson\u003c\/b\u003e, and \u003cb\u003eFuture Times\u003c\/b\u003e (where Dunbar plays label don), \u003ci\u003eWoo\u003c\/i\u003e marks Max D’s first release for RVNG Intl. and new dimensions to his production game.\u003c\/p\u003e\n\u003cp\u003eThe a-side, “Woo”, shimmers on its shell while \u003ci\u003ewhumping straight\u003c\/i\u003e up the center on behind-the-beat bass blasts. “Woo” works on a Function One just as well as it does a blown set of speakers at a house party gone woozy with punch drunk love. “The Drift” writhes in the dance floor dust at the hand of a slap-happy snare charmer, bouncing along on an robotic bass line. “Shampoo” is an analog bubble bath upon which a fragmented guitar Fripps and a \u003cb\u003eZummo\u003c\/b\u003e-esque trumpet line floats.\u003c\/p\u003e\n\u003cp\u003eMaxmillion Dunbar’s \u003ci\u003eWoo\u003c\/i\u003e is available now on RVNG Intl. as a limited edition 12” and digitally. \u003ci\u003eHouse of Woo\u003c\/i\u003e is available now on RVNG Intl.\u003c\/p\u003e","brand":"RVNGNL16","offers":[{"title":"12\" (w\/ digital download) - $14","offer_id":13130880254021,"sku":"RVNGNL16LP","price":14.0,"currency_code":"USD","in_stock":true},{"title":"DIGITAL - $4","offer_id":13130880319557,"sku":"RVNGNL16DIGI","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5703-woo.jpg?v=1535219079"},{"product_id":"rvngnl18","title":"Julia Holter - Ekstasis (Expanded)","description":"\u003ch3\u003eCAT #: RVNGNL18\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: December 11th, 2012\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eJulia Holter\u003c\/b\u003e second album, \u003ci\u003eEkstasis\u003c\/i\u003e, is a collection of songs written and recorded across the span of three years in Los Angeles, California.Holter's songwriting stems from a mythological reverence of that which is incomprehensibly beautiful. Her \u003ci\u003eEating the Stars EP\u003c\/i\u003e (2007) was a first attempt at musically transcribing this beauty, while discovering the honest enjoyment of unadulterated creativity. The anonymous authorship and shimmering gold detail of medieval illuminated manuscripts particularly inspired the ornately-orchestrated pop song mystery of \u003ci\u003eStars\u003c\/i\u003e. Holter's debut album \u003ci\u003eTragedy\u003c\/i\u003e (Leaving Records, 2011) embraced similar strains of shimmer, but used sparser textures in a narrative context.\u003c\/p\u003e\n\u003cp\u003eEkstasis marks a return to the playful searching of \u003ci\u003eStars\u003c\/i\u003e, but guided by newly-learned disciplines, slightly better technology, and nearly limitless home recording time. Formative experiences at Cal Arts studying with \u003cb\u003eMichael Pisaro\u003c\/b\u003e and in India singing with harmonium under guru \u003cb\u003ePashupati nath Mishra\u003c\/b\u003e marked a slight detour for Holter in what started as a more traditional composition route. The trajectory leading to the creation of \u003ci\u003eEkstasis\u003c\/i\u003e suggests her thirst for knowledge and experience.\u003c\/p\u003e\n\u003cp\u003eWhile \u003ci\u003eEkstasis\u003c\/i\u003e reflects the conventions of her classical training, the album is also uncannily, if unknowingly, poppy. Holter's approach to crafting the songs of \u003ci\u003eEkstasis\u003c\/i\u003ecentered around what she describes as, \"open ear decisions: what seemed to sound best for that moment.\" This blindness to reference unintentionally steers \u003ci\u003eEkstasis\u003c\/i\u003e along the experimental pop spectrum most commonly associated to New York's Downtown music micro-universe of the 80s, specifically the works of \u003cb\u003eLaurie Anderson\u003c\/b\u003e and \u003cb\u003eArthur Russell\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eWith the blindness that leads \u003ci\u003eEkstasis\u003c\/i\u003e, there are also many compositional methods at play. \"Marienbad\" was built while playing around on a Fender Rhodes with imagined imagery of topiary gardens and scenes from the song's film namesake in mind. The entirety of \"Boy in the Moon\" - the Casio SK-1 noodles, melody, and lyrics - was improvised over a seven minute catharsis. The melody and lyrics for \"Four Gardens\" were written spontaneously while rearranging an older song on a loop pedal for a live performance. \"This is Ekstasis\" contains a bass line built from a medieval isorhythm technique, allowing it to maintain a sense of repetition, but shift slightly with every turn.\u003c\/p\u003e\n\u003cp\u003eThere is a unique story and approach with each song, but all are united by the magnetism of the medieval manuscripts and Holter's \"desire to get outside of my body and find what I can't define.\" It took Holter stepping outside of her solely self-written and recorded body of music to engage fellow Los Angeles musician and friend \u003cb\u003eCole M. Greif-Neill\u003c\/b\u003e in the final phase of Ekstasis. Greif-Neil added perspective and brought out the greatest sonic potential that each song secretly contained. Holter says, \"The first time I heard his mix of 'Marienband\" the garden became so rich. Suddenly there were bright greens, the statues' edges defined, the fountains pouring...\"\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eEkstasis\u003c\/i\u003e is an album indulged in these beautiful, simple, unfolding life mysteries. \"All of these fleeting images and muses are so important,\" says Holter. \"As with the manuscripts, when I see them, I hear voices. I am continually following the voices in the gold leaf. I can't know them, but I will follow their beautiful song.\"\u003c\/p\u003e\n\u003cp\u003eJulia Holter's \u003ci\u003eEkstasis (Expanded)\u003c\/i\u003e is available now on RVNG Intl. in digital formats.\u003c\/p\u003e\n\u003ch3\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/LsECX-NiuT4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/H8x-6VHORLU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/NM-WnjqB8EY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/QukVgY8I_nA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/qbDTyd-oobs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL18","offers":[{"title":"DIGITAL - $12","offer_id":13130881597509,"sku":"RVNGNL18DIGI","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5709-rvngnl18_cover_500x500_63ce891e-ad45-439b-b847-91ec1a4a7817.jpg?v=1535219082"},{"product_id":"rvngnl17","title":"House of Woo - Maxmillion Dunbar","description":"\u003ch3\u003eCAT #: RVNGNL17\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: February 19th, 2013.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eMaxmillion Dunbar’s\u003c\/b\u003e \u003cem\u003eHouse of Woo\u003c\/em\u003e is raised on a solid foundation of love.\u003c\/p\u003e\n\u003cp\u003eMaxmillion Dunbar is one half of \u003cb\u003eBeautiful Swimmers\u003c\/b\u003e and the don behind the \u003cb\u003eFuture Times\u003c\/b\u003e record label. A background wound around MC skills and a side hustle DJ’ing disco, Dunbar first tried his fingers at programming hip hop beats, eventually introducing his rogue breed of house music to the dance world via 2010’s \u003cem\u003eCool Water\u003c\/em\u003e. Crafted with skeletal kick patterns and dark, head nodding beats, the album and surrounding 12s simmered under sparsely placed, shadowy samples.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHOW\u003c\/em\u003e counters \u003cem\u003eCool Water’s\u003c\/em\u003e darkness with shimmering, dazzling light. \u003cem\u003eHOW\u003c\/em\u003e is a pure blast of bliss inspired by Dunbar’s deeply rooted relationship with his girlfriend. Themes of their devotion never appear lyrically on \u003cem\u003eHOW\u003c\/em\u003e, but they ebb in the album’s emotional flow. The couple even collaborated on the \u003cem\u003eWoo\u003c\/em\u003e 12\" b-side \"Shampoo,” the last track recorded after two months of sessions at their home.\u003c\/p\u003e\n\u003cp\u003eSays Dunbar, “My girlfriend and I would listen to the tracks in the studio at our old place, laying back in chairs and letting them play over and over for hours.\"\u003c\/p\u003e\n\u003cp\u003eWhile star-crossing coats \u003cem\u003eHOW\u003c\/em\u003e in a newly born, warm glow, Dunbar’s signature slam takes the album out of the domestic setting and onto the dance floor. Aligned with a community of dance deconstructionists including Beautiful Swimmers label mates \u003cb\u003eProtect-U\u003c\/b\u003e, \u003cb\u003eL.I.E.S.\u003c\/b\u003e institution \u003cb\u003eRon Morelli\u003c\/b\u003e, and Dutch compatriots \u003cb\u003eJuJu and Jordash\u003c\/b\u003e, Dunbar abstracts his tracks rather than grinding them into grids.\u003c\/p\u003e\n\u003cp\u003e“I make a lot of tracks by sticking on a loop forever, letting it live and breathe as long as it needs to,” says Dunbar. “I keep all of the pieces I’m working on balanced, floating in the air. If it doesn't take minutes to stand up, it takes weeks.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHOW’s\u003c\/em\u003e architecture is free of fabricated rigidity, but it does bare structural resemblance to some of dance music’s outer limit moments. \u003cb\u003eTheo Parrish’s\u003c\/b\u003e narrative masterpiece \u003cem\u003eParallel Dimensions\u003c\/em\u003e is touchstone on a track like “Coins For The Canopy,” while the cerebral techno of \u003cb\u003eNewworldaquarium\u003c\/b\u003e takes moving, grooving form on “The Figurine” and album namesake “Woo.”\u003c\/p\u003e\n\u003cp\u003eIn percussive corners throughout \u003cem\u003eHOW\u003c\/em\u003e, Dunbar drums up native DC Go-Go spirits and skitters into Jersey swing on tracks like “Ice Room Graffiti”. Dunbar deviates even further from his blueprint on \"For Mozy\" and \"Kangaroo,” pieces that haunt \u003cem\u003eHouse of Woo\u003c\/em\u003e with their spectral, synthetic wash outs.\u003c\/p\u003e\n\u003cp\u003eWhether showing respect and love for his influences, his peers, or those even nearer and dearer, Dunbar stands in the doorway waiting with a warm invitation to anyone ready to dance, embrace, and inhabit forever the \u003cem\u003eHouse of Woo\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eMaxmillion Dunbar’s House of Woo will be released on February 19th, 2013 on RVNG Intl. as a double LP, CD, and in digital format.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/scti2ywZysI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL17","offers":[{"title":"DIGITAL - $10","offer_id":13980282650693,"sku":"RVNGNL17DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"DBL LP - $32","offer_id":13130884317253,"sku":"RVNGNL17LP","price":32.0,"currency_code":"USD","in_stock":false},{"title":"CD - $15","offer_id":13130884350021,"sku":"RVNGNL17CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5715-rvngnl17.jpg?v=1535219087"},{"product_id":"rvngnl19","title":"Stellar Om Source - Elite-Excel 12\"","description":"\u003ch3\u003eCAT #: RVNGNL19\u003c\/h3\u003e\n\u003cp\u003eRelease date: May 14th, 2013\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“Elite Excel” is the lead track from \u003ci\u003eJoy One Mile\u003c\/i\u003e, the new album by French visual artist and musician \u003cb\u003eStellar OM Source\u003c\/b\u003e. Furthering her sound from the formless soundscapes of her earlier work by digging into the roots of Detroit electro and techno primitivism, \u003cb\u003eChristelle Gualdi's\u003c\/b\u003e version of dance music is unpredictable and inventive. “Elite Excel” pits a puckish synthline against a morose 303 bassline and icey arpeggiation, sharing a similar frequency with \u003cb\u003eLFO’s\u003c\/b\u003e classic output. The b-side features a top-notch remix by techno recluse producer \u003cb\u003eKassem Mosse\u003c\/b\u003e, who also arranged and mixed \u003ci\u003eJoy One Mile\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eElite Excel is available now on LP and across digital formats via RVNG Intl.\u003c\/p\u003e\n\u003cp\u003eMusic by Stellar Om Source.\u003cbr\u003e Mix and arranged by Gunnar Wendel.\u003cbr\u003e Mastered by Rashad Becker at Dubplates \u0026amp; Mastering, Berlin.\u003cbr\u003e ©2013 RVNG Intl. \/ igetrvng.com\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/vzAOTnvM91Q\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/I4yQGD2T7EU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL19","offers":[{"title":"12\" - $14 - Now On Sale!","offer_id":13130892738629,"sku":"RVNGNL19LP","price":10.0,"currency_code":"USD","in_stock":true},{"title":"DIGITAL - $3","offer_id":13130892705861,"sku":"RVNGNL19DIGI","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5752-rvngnl19.png?v=1535219111"},{"product_id":"rvngnl20","title":"Joy One Mile - Stellar OM Source","description":"\u003ch3\u003eCAT #: RVNGNL20\u003c\/h3\u003e\n\u003cp\u003eRelease date: June 11th, 2013\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStellar OM Source’s\u003c\/strong\u003e new album, \u003cem\u003eJoy One Mile\u003c\/em\u003e, marks a certain and spirited departure into worlds unknown. A faithful leap into the infinite beat, \u003cem\u003eJoy One Mile\u003c\/em\u003e is the most forward-reaching effort by Stellar OM Source yet.\u003c\/p\u003e\n\u003cp\u003eStellar OM Source originated from \u003cstrong\u003eChristelle Gualdi’s\u003c\/strong\u003e desire to unhinge from her academic musical upbringing. A double bassist in the Konigin Katharina Stift Schulorchester and a student of music theory at Université Paris VIII, Gualdi completed her studies in electro-acoustic composition at the Conservatoire de Paris after earning an architecture degree.\u003c\/p\u003e\n\u003cp\u003eThe process of Gualdi’s “unlearning” began in experimental ensemble settings, and it became more recognizable as she moved toward solo performance. Stellar OM Source’s name is fittingly inspired in part by the pathway to higher consciousness and cosmos via one’s own voice.\u003c\/p\u003e\n\u003cp\u003eGualdi was also inspired by - and also an integral member of - the late aughts DIY synthesizer community. Alongside \u003cstrong\u003eOneohtrix Point Never\u003c\/strong\u003e, \u003cstrong\u003eEmeralds\u003c\/strong\u003e and \u003cstrong\u003eJames Ferraro\u003c\/strong\u003e, Stellar OM Source’s stream of self-released CDRs defined a zeitgeist of artists trending away from their noisy roots via polyphonic escapism.\u003c\/p\u003e\n\u003cp\u003eBased many miles away from her US counterparts in The Hague, South Holland, Gualdi received a prophetic sign in 2010 when a regional eBay seller offered her a mint Roland TB-303 for a mere €25 - or $33. The instantly identifiable sounds of the analog bass synthesizer began appearing in Gualdi’s studio and live practices. More importantly, the pattern possibilities propelled Stellar OM Source toward its future foundation - a planet still floating in the synth universe, but orbiting light years away on a rhythmically revolving axis.\u003c\/p\u003e\n\u003cp\u003eHalfway through 2012, Gualdi settled into record seven of twelve songs played intensely over a year of gigging throughout Europe. Using performance as her primary production technique, Gualdi tracked each of the songs live and without overdubs, improvised limitations or consequence.\u003c\/p\u003e\n\u003cp\u003eBy virtue of her many aspirations and the array of hardware that Gualdi brought to the table, \u003cem\u003eJoy One Mile\u003c\/em\u003e took form in chaos. Where this disorder might cripple others, Gualdi’s response was energetically and emotionally charged. While recording, each corner of \u003cem\u003eJoy One Mile\u003c\/em\u003e became draped in dramatic ornamentation, the mood rarely varying from frantic to frenetic.\u003c\/p\u003e\n\u003cp\u003eThe freedom from form that Gualdi sought with \u003cem\u003eJoy One Mile\u003c\/em\u003e was ultimately obtained, but the severe surge of the finished recordings left her over stimulated. Striking a dialogue with Gunnar Wendel (aka Kassem Mosse), Gualdi realized an objective opinion and arrangement know how would allow clarity and an even greater freedom -- that from her own music. Confident the tracks stood strong, Gualdi gave little guidance to Wendel, relying instead on their mutual sonic and structural appreciations to steer the end goal.\u003c\/p\u003e\n\u003cp\u003eFrom the vantage point of the finish line, \u003cem\u003eJoy One Mile\u003c\/em\u003e bares no straight club tracks, but it depends upon a percussive propulsion nevertheless. The singularity of Gualdi’s compositions, when pulled back and recalibrated even slightly, resemble early era Warp Records, and, by that admission, the wayward electro of early-90s Detroit. The abstractions in Gualdi’s programming and mutant melodies is what keeps \u003cem\u003eJoy One Mile\u003c\/em\u003e perfectly relegated to outsider status, akin to the primitive techno of \u003cstrong\u003eEsplendor Geometrico\u003c\/strong\u003e and \u003cstrong\u003eChris \u0026amp; Cosey\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e“Sometimes you feel that you're getting really close to what being alive means, be it learning about distant planets or being grounded by life's occasionally heavy burden,” notes Gualdi. “\u003cem\u003eJoy One Mile\u003c\/em\u003e grew from the consciousness of such moments. When I listen to it, I see myself walking through a pouring rain at night with headphones on, embracing both the misery and ecstasy.”\u003c\/p\u003e\n\u003cp\u003eStellar OM Source’s \u003cem\u003eJoy One Mile\u003c\/em\u003e is available now on RVNG Intl. as a limited edition 2xLP, CD and digitally.\u003c\/p\u003e\n\u003cp\u003eMusic by Stellar Om Source.\u003cbr\u003e Vocals on “Par Amour” from Lovie’s “Motions Of Love (Accapella)”\u003cbr\u003e Mix and arrangements by Gunnar Wendel.\u003cbr\u003e Mastered by Rashad Becker at Dubplates \u0026amp; Mastering, Berlin.\u003cbr\u003e Art direction by Will Work For Good. 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Tracks were titled with conceptual dualisms, released on opposing 12” sides prior to album compilation and gleaned house and techno rudiments with spiritually escapist split ends.\u003c\/p\u003e\n\u003cp\u003eAround the release of \u003ci\u003eBlondes\u003c\/i\u003e, Haar and Steinman advocated the humanistic side of dance culture, mentioning the meditative potential of electronic music as channeled through their interest in the physicality of music making, such as hardware instrumentation and improvisation. At the same time, Blondes’ live performances steadily flared up in various types of venues, mostly outside of the DIY spaces the duo got their start: the traditional club, the art museum, the open air festival, and some of the best sound systems throughout Europe.\u003c\/p\u003e\n\u003cp\u003eThe evolution of sound systems on which Blondes played created a curve along which Haar and Steinman built a universally impactful sonic experience. After rehauling their gear and settling into a new studio space, Blondes’ busy year ended in an intensely focused production period during which Haar and Steinman sculpted the boldly detailed \u003ci\u003eSwisher\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eSwisher\u003c\/i\u003e unfolds as a series of mini-epics rather than a string of banging cuts. Still, the allegiance to the groove remains absolute. Percussive elements are most notably honed on \u003ci\u003eSwisher\u003c\/i\u003e, drawing a sharp contrast between the rich timbres and vaporous synth sounds that seep throughout the album. Centerpiece \"Andrew\" and closer \"Elise\" enhance the melodic concerns of Blondes early material, mantled now in a maturity that favors gradual force.\u003c\/p\u003e\n\u003cp\u003eBy focusing on process rather than protocol, Haar and Steinman allow space in each track for dramatically immersive environments. Most tracks on \u003cem\u003eSwisher\u003c\/em\u003e tread beyond the five minute mark, but always absorb rather than indulge. This cosmic scope aligns Blondes not only with the German synth masters of the 70s (who have been a guiding inspiration for the duo since the onset), but also the slow burning dub techno of later day Germany - though ramped up several bpms.\u003c\/p\u003e\n\u003cp\u003eThe heterogeneous textures throughout \u003ci\u003eSwisher\u003c\/i\u003e often brood, but ultimately make for a considerate and cathartic brand of dance music. \u003ci\u003eSwisher’s\u003c\/i\u003e foundation is its tremendously crafted percussive core, and its architecture is the elemental beauty hinted at in prior Blondes work, offered now in lucid detail.\u003c\/p\u003e\n\u003cp\u003eBlondes’ \u003ci\u003eSwisher\u003c\/i\u003e is available now digitally and as a limited edition 2xLP and CD via RVNG Intl.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/vAkQ6su1CN0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/8H3PSgrMojc\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/1IK61nxWWBY\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL21","offers":[{"title":"DIGITAL - $10","offer_id":13130895589445,"sku":"RVNGNL21DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Marbled DBL LP","offer_id":13130895654981,"sku":"RVNGNL21LTDLP","price":30.0,"currency_code":"USD","in_stock":false},{"title":"DBL LP - $32","offer_id":13130895687749,"sku":"RVNGNL21LP","price":32.0,"currency_code":"USD","in_stock":true},{"title":"CD - $15","offer_id":13130895622213,"sku":"RVNGNL21CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5776-RVNGNL21_COVER_500x500_ade13d59-7f52-4308-b5c2-114e09596a18.jpg?v=1599778015"},{"product_id":"rvngnl23","title":"Gardland - Syndrome Syndrome","description":"\u003ch3\u003eCAT #: RVNGNL23\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: October 29, 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eSyndrome Syndrome\u003c\/i\u003e is \u003cb\u003eGardland's\u003c\/b\u003e debut full-length album. Its timely release captures the fever pitch of Gardland's off-kilter electronic music at the tail end of the group's first year.\u003c\/p\u003e\n\u003cp\u003eAssertive, though \"elegantly wasted,\" as they describe it, Gardland is the laboriously cracked energy exchange of \u003cb\u003eAlex Murray\u003c\/b\u003e and \u003cb\u003eMark Smith\u003c\/b\u003e. The duo solidified the young partnership during a psychedelic desert excursion far from their urban dwellings in Sydney, Australia. Over a ten-day stretch, Murray and Smith recorded hardware based wigouts with neither boundary nor fear of judgment from the godheads that loomed ominously over the lysergic liturgy.\u003c\/p\u003e\n\u003cp\u003eGardland shared a swathe of this desert delirium as the first release via their newly formed \u003cb\u003eHunter Gatherers\u003c\/b\u003e label. With this gesture, they posed a new paradigm for Sydney's sometimes-static social-musical consciousness by delivering uncompromising electronic music rife with rigor and real-deal feel.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eSyndrome Syndrome\u003c\/i\u003e was written and recorded in a small room over a series of slavishly inspired sessions. Living within earshot of each other, Murray and Smith bucked the unconventional confab this comfort allows in favor of a workingman’s deftness. In the middle of this process, Gardland’s primary synthesizers were stolen at a gig. Impervious and industrious, the blank slate catalyzed their creative flow instead of stunting it, eventually filling to the frame with the eleven uneasy pieces of \u003ci\u003eSyndrome Syndrome\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf linearity in techno \/ house is the convention, \u003ci\u003eSyndrome Syndrome\u003c\/i\u003e avoids flat-lining in its spiral and fractal formations. The beats here don't \"drop\", they appear erratically in uncertain quantum logic. The harmonic architecture forms cavernous canopies in place of metronomic melodies, while the convulsive human hand lays tonal tile that may or may not crumble on contact.\u003c\/p\u003e\n\u003cp\u003e\"Nothing But Not Zero\" is a lunatic’s altar in the volatile temple of \u003ci\u003eSyndrome Syndrome\u003c\/i\u003e. An overdriven percussive pattern pitched to the tenor bass of a steel pan drum distorts and sputters as if it were transmitted by a decaying satellite. The dual voices that drift the forlorn track ultimately cohere as Smith and Murray tradeoff activating phantom tones and re-animating beats that have slipped into other dimensions.\u003c\/p\u003e\n\u003cp\u003eThe rhythmic thrust of \u003ci\u003eSyndrome Syndrome\u003c\/i\u003e is nowhere more provocative than in \"Magicville.\" Its warped bass signals and sonic strobes of orange and sepia forge a pulsing dark funk. Title track \"Syndrome Syndrome\" melds organic and mechanized tones, highlighting a paradoxical unity, while the same dichotomy of human \/ inhuman, presence \/ absence gives \"Katarakt\" and \"Hell Flur\" their deranged power.\u003c\/p\u003e\n\u003cp\u003ePerhaps the most revelatory aspect to Murray and Smith's desert quest was their willing submission to co-exist with disorder -- to have and to stranglehold for better or for worse. That transcendence only explains the psychosomatic palettes of \u003ci\u003eSyndrome Syndrome\u003c\/i\u003e though. The distinct other-ness of Gardland's reach succeeds by laying waste to compositional cliché, by mining the full contour and imperfections of electronic music shapes, and by allowing ghost narratives back into aperture to cause chaos and a spot of fun.\u003c\/p\u003e\n\u003cp\u003eGardland’s \u003ci\u003eSyndrome Syndrome\u003c\/i\u003e is available now as a limited edition 2xLP, CD and digitally via RVNG Intl.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eVideos\u003c\/h3\u003e\n\u003cp align=\"center\"\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/QGSL2KXuxos\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/NsGVlQ8Y8I0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/ruM9pCnudnc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/dq7MSDGo8wc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/4Fn-uH1U-bI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL23","offers":[{"title":"DIGITAL - $12","offer_id":13130902437957,"sku":"RVNGNL23DIGI","price":12.0,"currency_code":"USD","in_stock":true},{"title":"DBL LP Limited (Clear Vinyl)","offer_id":13130902339653,"sku":"RVNGNL23LPLTD","price":30.0,"currency_code":"USD","in_stock":false},{"title":"DBL LP - $32","offer_id":13130902503493,"sku":"RVNGNL23LP","price":32.0,"currency_code":"USD","in_stock":true},{"title":"CD - $15","offer_id":13130902405189,"sku":"RVNGNL23CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5798-RVNGNL23_COVER_1500x1500_f0617807-3157-4333-bc0d-9c6c6c4d7636.jpg?v=1599777981"},{"product_id":"rvngnl17b","title":"Woo Daps - Maxmillion Dunbar","description":"\u003cp\u003e\u003cb\u003eCAT #: RVNGNL17B\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRelease Date: November 19, 2013\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaxmillion Dunbar’s\u003c\/b\u003e \u003ci\u003eWoo Daps\u003c\/i\u003e reimagines the lavish loveletting of this year’s \u003ci\u003eHouse of Woo\u003c\/i\u003e as an almost hour long, free mixtape. An unfurling, dizzy whisp of new tracks, album remixes and studio \/ live collaborations, Dunbar’s Daps tools together live dubs, quick edits and spontaneous segues to raise the roof of Woo to extra life levels.\u003c\/p\u003e\n\u003cp\u003eDaps’s details include a Dunbar remix of Woo waster “Inca Tags” featuring \u003cb\u003ePeter Zummo\u003c\/b\u003e, the NYC composer behind the dome-cracked Zummo With an X and undeniable trombone voice on many \u003cb\u003eArthur Russell\u003c\/b\u003e joints, plunderphonic freak \u003cb\u003eCo La\u003c\/b\u003e and flutist \u003cb\u003eSami Yenigun\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eElsewhere in Daps, a \u003cb\u003eTtam Renat\u003c\/b\u003e remix of “Loving the Drift” which shrouds the original in a signature \u003cb\u003eMood Hut\u003c\/b\u003e ambient house sheen and a live synth lid-flipper of Woo’s “Kangaroo” with \u003cb\u003eFuture Times\u003c\/b\u003e labelmates \u003cb\u003eProtect-U\u003c\/b\u003e and \u003cb\u003eAaron Coyes\u003c\/b\u003e of \u003cb\u003ePeaking Lights\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eDaps also features three unreleased tracks not far from the Woo universe, but forecasting the future space that Dunbar will inevitably occupy. 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Another evolution in her production technique, \u003cem\u003eChorus\u003c\/em\u003e bridges multiple disciplines and spaces to blur the politic between natural and synthetic.\u003c\/p\u003e\n\u003cp\u003eFor “Chorus”, Herndon sampled her daily browsing experience, channeling YouTube, Skype and other audio sources across the web for data that freely forms atop a bumping beat. Much like online browsing, \"Chorus\" creates a coherent \/ incoherent experience from disparate conceptual and contextual sources.\u003c\/p\u003e\n\u003cp\u003e“Chorus” continues Herndon's emphasis on vocal processing, crafted with polyphonic passages from live vocal takes and re-synthesized instances of her own voice and those foraged and sampled. “Chorus” may come as a stylistic deviation from \u003cem\u003eMovement\u003c\/em\u003e, but more accurately continues Herndon's practice outside of genre orthodoxy -- a stratosphere where multiple styles and histories are experienced in her personal laptop space.\u003c\/p\u003e\n\u003cp\u003eIn contrast to the laborious studio effort that went into the a-side, \"Solo Voice\" was tracked in a single take. “Solo Voice” takes a rhythmic, polyphonic vocal effect customized by Herndon and spreads it across a spectrum of song to sputter for a unsettling minimalist accomplishment.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChorus\u003c\/em\u003e is a timely reminder ahead of Herndon’s next album that her universe is one meticulously crafted with each creative and technological discovery.\u003c\/p\u003e\n\u003cp\u003eHolly Herndon’s \u003cem\u003eChorus\u003c\/em\u003e is available now as a limited edition 12” and digitally. The vinyl version of \u003cem\u003eChorus\u003c\/em\u003e is elaborately packaged in a jacket featuring a debossed “chorus” of spines. 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