{"title":"Julia Holter","description":"","products":[{"product_id":"ekstasis-t-shirt-black-white-julia-holter","title":"Ekstasis T-Shirt (Black \/ White) - Julia Holter","description":"\u003cp\u003e$16.\u003cbr\u003e T-shirts are available in Small, Medium, Large and X-Large\u003c\/p\u003e\n\u003ch3\u003eCAT #: TS07\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003eEkstasis for your exterior. An elegant design featuring the unmistakable photography of \u003ca href=\"http:\/\/rickbahto.wordpress.com\/\" target=\"_new\"\u003eRick Bahto\u003c\/a\u003e in two color ways. Printed on high quality \u003ca href=\"http:\/\/www.bella.com\/\" target=\"_new\"\u003eBella 3001\u003c\/a\u003e Unisex t-shirts.\u003c\/div\u003e","brand":"RVNG Intl.","offers":[{"title":"Small","offer_id":13130871341125,"sku":"SKU-284-401","price":16.0,"currency_code":"USD","in_stock":false},{"title":"X-Small","offer_id":13130871373893,"sku":"SKU-284-400","price":16.0,"currency_code":"USD","in_stock":false},{"title":"Medium","offer_id":13130871406661,"sku":"SKU-284-587","price":16.0,"currency_code":"USD","in_stock":false},{"title":"Large","offer_id":13130871439429,"sku":"SKU-284-588","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5661-129_ts07_t02_500x500_fd0360fb-f6a3-4e31-b756-8b5c77848597.jpg?v=1535219061"},{"product_id":"rvngnl18","title":"Julia Holter - Ekstasis (Expanded)","description":"\u003ch3\u003eCAT #: RVNGNL18\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: December 11th, 2012\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eJulia Holter\u003c\/b\u003e second album, \u003ci\u003eEkstasis\u003c\/i\u003e, is a collection of songs written and recorded across the span of three years in Los Angeles, California.Holter's songwriting stems from a mythological reverence of that which is incomprehensibly beautiful. Her \u003ci\u003eEating the Stars EP\u003c\/i\u003e (2007) was a first attempt at musically transcribing this beauty, while discovering the honest enjoyment of unadulterated creativity. The anonymous authorship and shimmering gold detail of medieval illuminated manuscripts particularly inspired the ornately-orchestrated pop song mystery of \u003ci\u003eStars\u003c\/i\u003e. Holter's debut album \u003ci\u003eTragedy\u003c\/i\u003e (Leaving Records, 2011) embraced similar strains of shimmer, but used sparser textures in a narrative context.\u003c\/p\u003e\n\u003cp\u003eEkstasis marks a return to the playful searching of \u003ci\u003eStars\u003c\/i\u003e, but guided by newly-learned disciplines, slightly better technology, and nearly limitless home recording time. Formative experiences at Cal Arts studying with \u003cb\u003eMichael Pisaro\u003c\/b\u003e and in India singing with harmonium under guru \u003cb\u003ePashupati nath Mishra\u003c\/b\u003e marked a slight detour for Holter in what started as a more traditional composition route. The trajectory leading to the creation of \u003ci\u003eEkstasis\u003c\/i\u003e suggests her thirst for knowledge and experience.\u003c\/p\u003e\n\u003cp\u003eWhile \u003ci\u003eEkstasis\u003c\/i\u003e reflects the conventions of her classical training, the album is also uncannily, if unknowingly, poppy. Holter's approach to crafting the songs of \u003ci\u003eEkstasis\u003c\/i\u003ecentered around what she describes as, \"open ear decisions: what seemed to sound best for that moment.\" This blindness to reference unintentionally steers \u003ci\u003eEkstasis\u003c\/i\u003e along the experimental pop spectrum most commonly associated to New York's Downtown music micro-universe of the 80s, specifically the works of \u003cb\u003eLaurie Anderson\u003c\/b\u003e and \u003cb\u003eArthur Russell\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eWith the blindness that leads \u003ci\u003eEkstasis\u003c\/i\u003e, there are also many compositional methods at play. \"Marienbad\" was built while playing around on a Fender Rhodes with imagined imagery of topiary gardens and scenes from the song's film namesake in mind. The entirety of \"Boy in the Moon\" - the Casio SK-1 noodles, melody, and lyrics - was improvised over a seven minute catharsis. The melody and lyrics for \"Four Gardens\" were written spontaneously while rearranging an older song on a loop pedal for a live performance. \"This is Ekstasis\" contains a bass line built from a medieval isorhythm technique, allowing it to maintain a sense of repetition, but shift slightly with every turn.\u003c\/p\u003e\n\u003cp\u003eThere is a unique story and approach with each song, but all are united by the magnetism of the medieval manuscripts and Holter's \"desire to get outside of my body and find what I can't define.\" It took Holter stepping outside of her solely self-written and recorded body of music to engage fellow Los Angeles musician and friend \u003cb\u003eCole M. Greif-Neill\u003c\/b\u003e in the final phase of Ekstasis. Greif-Neil added perspective and brought out the greatest sonic potential that each song secretly contained. Holter says, \"The first time I heard his mix of 'Marienband\" the garden became so rich. Suddenly there were bright greens, the statues' edges defined, the fountains pouring...\"\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eEkstasis\u003c\/i\u003e is an album indulged in these beautiful, simple, unfolding life mysteries. \"All of these fleeting images and muses are so important,\" says Holter. \"As with the manuscripts, when I see them, I hear voices. I am continually following the voices in the gold leaf. I can't know them, but I will follow their beautiful song.\"\u003c\/p\u003e\n\u003cp\u003eJulia Holter's \u003ci\u003eEkstasis (Expanded)\u003c\/i\u003e is available now on RVNG Intl. in digital formats.\u003c\/p\u003e\n\u003ch3\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/LsECX-NiuT4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/H8x-6VHORLU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/NM-WnjqB8EY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/QukVgY8I_nA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/qbDTyd-oobs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL18","offers":[{"title":"DIGITAL - $12","offer_id":13130881597509,"sku":"RVNGNL18DIGI","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5709-rvngnl18_cover_500x500_63ce891e-ad45-439b-b847-91ec1a4a7817.jpg?v=1535219082"},{"product_id":"rvngnl14","title":"Julia Holter - Ekstasis","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3034695676\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"\u003e\u003ca href=\"http:\/\/juliaholter.bandcamp.com\/album\/ekstasis\"\u003eEkstasis by Julia Holter\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003c\/h5\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eCAT: RVNGNL14\u003c\/h3\u003e\n\u003cp\u003eRelease Date: March 8, 2012\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eJulia Holter\u003c\/b\u003e second album, \u003ci\u003eEkstasis\u003c\/i\u003e, is a collection of songs written and recorded across the span of three years in Los Angeles, California.\u003c\/p\u003e\n\u003cp\u003eHolter's songwriting stems from a mythological reverence of that which is incomprehensibly beautiful. Her \u003ci\u003eEating the Stars EP\u003c\/i\u003e (2007) was a first attempt at musically transcribing this beauty, while discovering the honest enjoyment of unadulterated creativity. The anonymous authorship and shimmering gold detail of medieval illuminated manuscripts particularly inspired the ornately-orchestrated pop song mystery of \u003ci\u003eStars\u003c\/i\u003e. Holter's debut album \u003ci\u003eTragedy\u003c\/i\u003e (Leaving Records, 2011) embraced similar strains of shimmer, but used sparser textures in a narrative context.\u003c\/p\u003e\n\u003cp\u003eEkstasis marks a return to the playful searching of \u003ci\u003eStars\u003c\/i\u003e, but guided by newly-learned disciplines, slightly better technology, and nearly limitless home recording time. Formative experiences at Cal Arts studying with \u003cb\u003eMichael Pisaro\u003c\/b\u003e and in India singing with harmonium under guru \u003cb\u003ePashupati nath Mishra\u003c\/b\u003e marked a slight detour for Holter in what started as a more traditional composition route. The trajectory leading to the creation of \u003ci\u003eEkstasis\u003c\/i\u003e suggests her thirst for knowledge and experience.\u003c\/p\u003e\n\u003cp\u003eWhile \u003ci\u003eEkstasis\u003c\/i\u003e reflects the conventions of her classical training, the album is also uncannily, if unknowingly, poppy. Holter's approach to crafting the songs of \u003ci\u003eEkstasis\u003c\/i\u003ecentered around what she describes as, \"open ear decisions: what seemed to sound best for that moment.\" This blindness to reference unintentionally steers \u003ci\u003eEkstasis\u003c\/i\u003e along the experimental pop spectrum most commonly associated to New York's Downtown music micro-universe of the 80s, specifically the works of \u003cb\u003eLaurie Anderson\u003c\/b\u003e and \u003cb\u003eArthur Russell\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eWith the blindness that leads \u003ci\u003eEkstasis\u003c\/i\u003e, there are also many compositional methods at play. \"Marienbad\" was built while playing around on a Fender Rhodes with imagined imagery of topiary gardens and scenes from the song's film namesake in mind. The entirety of \"Boy in the Moon\" - the Casio SK-1 noodles, melody, and lyrics - was improvised over a seven minute catharsis. The melody and lyrics for \"Four Gardens\" were written spontaneously while rearranging an older song on a loop pedal for a live performance. \"This is Ekstasis\" contains a bass line built from a medieval isorhythm technique, allowing it to maintain a sense of repetition, but shift slightly with every turn.\u003c\/p\u003e\n\u003cp\u003eThere is a unique story and approach with each song, but all are united by the magnetism of the medieval manuscripts and Holter's \"desire to get outside of my body and find what I can't define.\" It took Holter stepping outside of her solely self-written and recorded body of music to engage fellow Los Angeles musician and friend \u003cb\u003eCole M. Greif-Neill\u003c\/b\u003e in the final phase of Ekstasis. Greif-Neil added perspective and brought out the greatest sonic potential that each song secretly contained. Holter says, \"The first time I heard his mix of 'Marienband\" the garden became so rich. Suddenly there were bright greens, the statues' edges defined, the fountains pouring...\"\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eEkstasis\u003c\/i\u003e is an album indulged in these beautiful, simple, unfolding life mysteries. \"All of these fleeting images and muses are so important,\" says Holter. \"As with the manuscripts, when I see them, I hear voices. I am continually following the voices in the gold leaf. I can't know them, but I will follow their beautiful song.\"\u003c\/p\u003e\n\u003cp\u003eJulia Holter's \u003ci\u003eEkstasis\u003c\/i\u003e is available now on RVNG Intl. in 2xLP, CD, and digital formats.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NM-WnjqB8EY\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JpvoB7gII9s\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/H8x-6VHORLU\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qbDTyd-oobs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LsECX-NiuT4\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL14","offers":[{"title":"DIGITAL - $10","offer_id":13980722102341,"sku":"RVNGNL14DIGI","price":10.0,"currency_code":"USD","in_stock":false},{"title":"DBL LP - $32","offer_id":13131057791045,"sku":"RVNGNL14LP","price":32.0,"currency_code":"USD","in_stock":false},{"title":"CD - $15","offer_id":13131057823813,"sku":"RVNGNL14CD","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5630-ekstasis.jpg?v=1535219598"},{"product_id":"frkwys14-nue-remixes","title":"FRKWYS Vol.14: Nue Remixes - Laurel Halo \/ Julia Holter","description":"\u003ch3\u003eCAT: FRKWYS14RMX\u003c\/h3\u003e\n\u003cp\u003eRelease Date:\u003cbr\u003eMay 03, 2019 (digital)\u003cbr\u003e\u003cbr\u003eFollowing the release of last year’s \u003cem\u003eNue\u003c\/em\u003e, the fourteenth installment of FRKWYS, RVNG’s intergenerational collaboration series, \u003cstrong\u003eTashi Wada\u003c\/strong\u003e shares musical space with \u003cstrong\u003eLaurel Halo\u003c\/strong\u003e and \u003cstrong\u003eJulia Holter\u003c\/strong\u003e by way of their respective remixes of “Niagara” and “Fanfare.”\u003cbr\u003e\u003cbr\u003eBoth Laurel and Julia extract underlying moods from \u003cem\u003eNue\u003c\/em\u003e for their singular takes on the Wadas’ original compositions (Tashi composed \u003cem\u003eNue\u003c\/em\u003e with his father, \u003cstrong\u003eYoshi Wada\u003c\/strong\u003e, a pioneering Fluxus artist). Halo wields the sirens of \u003cem\u003eNue\u003c\/em\u003e as signals of melodic paranoia pervading her percussive and propulsive “Lilith” mix of “Niagara.”\u003cbr\u003e\u003cbr\u003eHolter revisits the steady drones and cascading keys of “Fanfare,” on which she contributed vocals and instrumentation on \u003cem\u003eNue\u003c\/em\u003e, for her “Unearthly Bird” remix. Coaxing whispers prelude the bagpipes before vocals take center stage, transforming her remix into a composition baring resemblance to her 2018 album, \u003cem\u003eAviary\u003c\/em\u003e. Tashi contributed to that album as Julia did to \u003cem\u003eNue\u003c\/em\u003e; her take on “Fanfare” represents a further enmeshing of the duo’s musical union.\u003cbr\u003e\u003cbr\u003eThe original version of \"Bottom of the Sky\", now remastered by Rafael Anton Irisarri, bridges the two new \/ nue moods from Laurel and Julia for this digital EP. \u003cbr\u003e\u003cbr\u003eMastered by Rafael Anton Irisarri. 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