{"title":"Dukes of Chutney","description":"","products":[{"product_id":"bis011","title":"Dukes of Chutney - Domino","description":"\u003ch3\u003eCAT #: BIS011\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eRelease Date\u003c\/b\u003e: November 5, 2013\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDukes of Chutney\u003c\/b\u003e is \u003cb\u003eJohn Paul Jones\u003c\/b\u003e and \u003cb\u003eDustin Lynn\u003c\/b\u003e, California born brothers from other cosmic mothers who met surfing over a decade ago.\u003c\/p\u003e\n\u003cp\u003eThe flavor of the Dukes’ musical chutney is an abstract but balanced mixture of many disciplines. Under the moniker \u003cb\u003eTom Croose\u003c\/b\u003e, Jones' has established a beguiling production touch to various edits and remixes. Lynn is an accomplished filmmaker who has collaborated with artist \u003cb\u003eGabriel Orozco\u003c\/b\u003e and directed campaigns for designers \u003cb\u003eAlexander McQueen\u003c\/b\u003e and \u003cb\u003eCorto Moltedo\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDomino\u003c\/i\u003e was conceived over two years during which Jones and Lynn were traveling separately and frequently across multiple countries and continents. From a peyote ceremony in Mexico (chants which can be heard echoing on \"You, Me, The Chimp and Acapulco”) to hunting for surf along the Icelandic coast (the cold volcanic drums and distortion of “Jan's Bellski”), Jones and Lynn hoarded field recordings, found instruments and life altering experiences to later process and navigate in a collaborative capacity.\u003c\/p\u003e\n\u003cp\u003eThe first Dukes recording session came together in Sausalito, CA, where Jones and Lynn began blending their globally foraged ingredients into what would become the EP’s closing track \"Caledonia\". In the midst of trading demos stemmed from this session, they were introduced to Berlin-based vocalist and performance artist \u003cb\u003eElle P\u003c\/b\u003e. Conjuring up a wild combo of \u003cb\u003eGrace Jones\u003c\/b\u003e, \u003cb\u003eMeredith Monk\u003c\/b\u003e and \u003cb\u003eTrish Keenan\u003c\/b\u003e, Elle channels these articulate spirits through her own multi-tracking vocal technique.\u003c\/p\u003e\n\u003cp\u003eAlthough only virtually acquainted, the creative connection among Jones, Lynn and P was unmistakable. Elle soon contributed her triptych mantras and melodies to each of the dark, psycho-tropical jams Jones and Lynn laid out one after the next. \u003ci\u003eDomino\u003c\/i\u003e deviates slightly from the dancefloor conventions of the \u003cb\u003eBeats In Space\u003c\/b\u003e releases before it, but also transports the listener to the most serene and psychedelic catalog setting so far.\u003c\/p\u003e\n\u003cp\u003eEach 12? from \u003cb\u003eBeats in Space Records\u003c\/b\u003e features original artwork in considerate and serial form. \u003ci\u003eDomino\u003c\/i\u003e features artwork by \u003cb\u003eAdam Broomberg\u003c\/b\u003e \u0026amp; \u003cb\u003eOliver Chanarin\u003c\/b\u003e, the London via South Africa duo known for politically challenging and subverting the topical photo medium. The 12? packaging constructed by \u003cb\u003eWill Work For Good\u003c\/b\u003e features a removable vinyl BIS logo cling.\u003c\/p\u003e\n\u003cp\u003eDukes of Chutney’s \u003ci\u003eDomino\u003c\/i\u003e is available on Beats In Space as a limited edition 12” EP and digitally.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eVideos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/Rs69fOb_Us0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/HYmmvwDGGxQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/c6xI8IMloyA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/JkWJCrpyLiE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/ebT7ORVd5uE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/d4_8fyniTh4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"BIS011","offers":[{"title":"DIGITAL - $5","offer_id":13130906370117,"sku":"BIS011DIGI","price":5.0,"currency_code":"USD","in_stock":true},{"title":"12\" - $14","offer_id":13130906304581,"sku":"BIS011LP","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5830-BIS011_COVER_1500x1500_55691075-3e15-461e-b4b1-43c74c7ef3fa.jpg?v=1535219152"},{"product_id":"dukes-of-chutney-hazel","title":"Dukes of Chutney - Hazel","description":"\u003ch3\u003eCAT #: BIS040\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eRelease Date\u003c\/b\u003e: \u003cbr\u003eSeptember 4, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDukes of Chutney\u003c\/strong\u003e, the transcontinental trio of \u003cstrong\u003eDustin Lynn\u003c\/strong\u003e, \u003cstrong\u003eJohn Paul Jones\u003c\/strong\u003e, and \u003cstrong\u003ePetra\u003c\/strong\u003e, explore the different spaces and places, between nothingness and nature, that nurture inner and outer peace for their debut full-length \u003cem\u003eHazel\u003c\/em\u003e. Cosmic yet intimate, long-gestating and free-flowing, diffuse and centered, Dukes turned toward their immediate sanctum, and a network of friends and colleagues, to realize the vision of \u003cem\u003eHazel\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e“Pretty much everything we do is without purpose,” the Dukes admit, in line with their pursuit of joy. But it’s not empty hedonism or passivity at play on Hazel, so much as an expression of freedom. “Why not?” was scribbled on the white frame of the Polaroid documenting their first appearance on \u003cstrong\u003eTim Sweeney’s Beats in Space\u003c\/strong\u003e many years ago, and it remains their motto, their mantra. \u003cbr\u003e\u003cbr\u003eSo who is Hazel? Well, Hazel is a tree, or else a color in constant change, thanks to the natural phenomenon that is the Rayleigh scattering of light. “Hazel” is also the song that ushers us into this album’s environment. And just like our world, the Dukes’ world contains multitudes and amalgams, foggy notions and clarity, lightness and darkness. Perhaps to capture an open-endedness, or possibility, in the ever-unraveling present of this world, the trio wandered wide and wild to capture everything on \u003cem\u003eHazel\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eTrue to a surfer’s sense of time (Jones and Lynn are both wave sliders), the Dukes’ first long-player arrives seven years after the delirious dream of \u003cem\u003eDomino\u003c\/em\u003e, their debut EP. It was a long, not necessarily strange trip as much as a revelatory journey, with recording sessions taking place from Venice Beach to Sausalito, Mexico City to Minneapolis, Sicily to Berlin (where vocalist Petra calls home), national parks to beachside drifts, with an East Village studio apartment thrown in for good, gritty measure. Each landscape seeps into \u003cem\u003eHazel\u003c\/em\u003e and causes the colors to run even more.\u003cbr\u003e\u003cbr\u003eWhile making their rounds around the globe, Dukes reached out to friends and fellow travelers and seekers, letting each contributor add a little bit of themselves to the music. Arp synthesizer runs, patient nylon string guitar fretting, echo-laden sax and flute, suitcase organ, melodica, toy xylophone, and even a fiddle, all gurgle up in the mix and lend to the collective and complete clarity of \u003cem\u003eHazel’s\u003c\/em\u003e vision. \u003cbr\u003e\u003cbr\u003eHazel can be many shades at once while also refracting into a single hue for the eye’s mind. Traces of bossa nova and whispered folk mix with the natural ambience that inspired its creation. There are steady throbs like a memory of a night of revelry and bliss, the kind of sonic tingle that evokes headswim or shoegaze. You can also pick out dub and jazz, Afro-cosmic and tropicália, Balearic and Japanese environmental music, spaghetti westerns and dream pop. Or you can just let go of these ideas of taxonomy and genre tags and just let the music wash over you. Why not?\u003cbr\u003e\u003cbr\u003eUltimately and ineffably, the Dukes evoke sounds of the past while ferrying them into the future, no matter how uncertain tomorrow might seem. It’s a calm for our current, collective mind, bringing us back to center, even if the Dukes are happy playing leftfield. For all of the expert craftsmanship, their thoughtful collaborations, and lysergic titles, \u003cem\u003eHazel\u003c\/em\u003e is grounded in nature, a pathway for bare feet to find peace. \u003cbr\u003e\u003cbr\u003eDukes of Chutney’s \u003cem\u003eHazel\u003c\/em\u003e is available digitally and as a gatefold, double LP on September 4, on Beats In Space Records. 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