{"title":"Cassette","description":"","products":[{"product_id":"rvngnl34","title":"Zelalem + Mixtape - Mikael Seifu","description":"\u003ch3\u003eCAT #: RVNGNL34\u003c\/h3\u003e\n\u003cp\u003eRelease Date: March 4, 2016\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMikael Seifu’s\u003c\/b\u003e \u003cem\u003eZelalem\u003c\/em\u003e is an ode to – and a fearless break from – the storied lineage of Ethiopian music.\u003c\/p\u003e\n\u003cp\u003eThe literal Amharic translation of \u003cem\u003eZelalem\u003c\/em\u003e is “eternity,” and through Seifu’s conceptual frame it becomes a “vector of light.\" Seifu shines this light on the music of his home country while guiding us through an uncharted \"Ethiopiyawi Electronic\" – a coinage Seifu uses to describe the music he and his peers are producing in Ethiopia’s capital city of Addis-Ababa.\u003c\/p\u003e\n\u003cp\u003eIlluminating the rich sounds of Addis-Ababa’s \u003cem\u003eazmaris\u003c\/em\u003e, Seifu's music becomes a “dream brew” in which these traditional musicians collaborate and contribute vocals and lead voicings from folk instruments such as the Masenko and the Krar.\u003c\/p\u003e\n\u003cp\u003eSeifu was educated at the Lycée Guebre-Mariam in Addis-Ababa. The French academy’s international group of students was Seifu’s first exposure to a world outside Ethiopia; his second was at Ramapo College in suburban New Jersey. Here Seifu met a mentor in \u003cb\u003eBen Neill\u003c\/b\u003e, the composer and music technologist who trained with \u003cb\u003eLa Monte Young\u003c\/b\u003e. Seifu was inspired by Neil to take serious his calling in music.\u003c\/p\u003e\n\u003cp\u003eA calling of a different, spiritual nature brought Mikael back to Ethiopia. As a repatriated young man in Addis-Ababa, Seifu felt a renewed sense of allegiance to his home country and allowed its ubiquitous music to guide his creations. Seifu’s early work was shared across a string of EPs for stalwart Washington D.C. imprint 1432 R, demonstrating an interplay of regional folk music and international electronic music.\u003c\/p\u003e\n\u003cp\u003eMikael’s music does not westernize or electronicize extant Ethiopian music. Instead, Seifu uses Ethio-Jazz's spirit of brewing estranged styles for his own musical tincturing. Seifu's passion above all else is to create something befitting of its time, yet \"eternally Ethiopian.\" The latter phrase was the mantra guiding Seifu through the creation of \u003cem\u003eZelalem\u003c\/em\u003e, and a source of inspiration for the cover artwork.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eZelalem\u003c\/em\u003e spotlights the music of Ethiopia's past as well its future. Mikael Seifu illustrates the potential for reinterpreting sacred and proud sources through energized palettes. His latest effort heralds the future of this new music and signals the genesis of Ethiopian Electronic, where the known and unknown commune.\u003c\/p\u003e\n\u003cp\u003eAccompanying the release of \u003cem\u003eZelalem\u003c\/em\u003e is a fifty-minute cassette mix by Seifu compiling native Ethiopian and African folk music, available now only through RVNG Intl. \u003cem\u003eZelalem\u003c\/em\u003e is available now on vinyl and digital formats.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UX6EYaQ0_ow\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mFvzywmmCtc\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e","brand":"RVNGNL34","offers":[{"title":"DIGITIAL - $10","offer_id":16658636144709,"sku":"RVNGNL34DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"12\" + CS Bundle - $18","offer_id":13103297822789,"sku":"SKU-5341-752","price":18.0,"currency_code":"USD","in_stock":false},{"title":"Zelalem 12\" EP - $14","offer_id":13103297757253,"sku":"SKU-5341-749","price":14.0,"currency_code":"USD","in_stock":false},{"title":"Mixtape Cassette (no download) - $8","offer_id":13103297790021,"sku":"SKU-5341-751","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-6169-RVNGNL34_COVER_600x600_f06f9b0f-4d4b-46e8-ab72-53bd8ee4ef65.png?v=1535151589"},{"product_id":"format-worth-regal-degal","title":"Format Worth - Regal Degal","description":"\u003ch3\u003eCAT #: RVNGCSS01\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: June 13, 1983\u003c\/div\u003e\n\u003cp\u003eAn exquisite corpse decomposing over the course of a year, we present to you \u003cb\u003eRegal Degal's\u003c\/b\u003e debut offering, \u003ci\u003eFormat Worth\u003c\/i\u003e. A triumphant, burly batch of songs from a young trio that could call Christchurch, New Zealand ca. 1981 (Flying Nun) or Brussels ca. 1980 (Les Disques Du Crépuscule) home as easily as they presently do Brooklyn, NY. Pop music honed at home and unafraid to drone out on the edge of starkness. A year's worth of experimentation (2009 + 2010) captured to cassette. Really real, Regal Degal.\u003c\/p\u003e\n\u003cp\u003eArtwork by \u003cb\u003eJoel Stillman\u003c\/b\u003e for \u003ca href=\"http:\/\/normalnumber.com\/\" target=\"_new\"\u003eNormal Number\u003c\/a\u003e. \u003cb\u003eEdition of 83\u003c\/b\u003e on 40 minute cassettes, Gocco print on recycled covers and inside stamp.There is no children's laughter on this recording.\u003c\/p\u003e","brand":"RVNGCSS01","offers":[{"title":"Default Title","offer_id":13130854793285,"sku":"SKU-257","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5515-79_rvngcss01_cover.jpg?v=1535218999"},{"product_id":"frkwys08","title":"FRKWYS Vol. 8: Blues Control \u0026 Laraaji","description":"\u003ch3\u003eCAT #: FRKWYS08\u003c\/h3\u003e\n\u003cdiv\u003eRelease date: November 15th, 2011\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eVolume 8 in the ongoing \u003cb\u003eFRKWYS\u003c\/b\u003e series on \u003cb\u003eRVNG Intl.\u003c\/b\u003e is a double album-length collaboration between \u003cb\u003eBlues Control\u003c\/b\u003e and \u003cb\u003eLaraaji\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eFollowing the \"fodder first\" tradition of previous FRKWYS installments, Vol. 8 was birthed over e-mail dialogue between RVNG and \u003cb\u003eRuss Waterhouse\u003c\/b\u003e and \u003cb\u003eLea Cho\u003c\/b\u003e of Blues Control. Blues Control's evolved output gracefully arcs with influence and innovation that gleams electronic, New Age, and hard rock terrains. Laraaji's name came up early in that conversation and felt intrinsic to Waterhouse and Cho's own musical calling.\u003c\/p\u003e\n\u003cp\u003eAfter learning various instruments in his formative years and studying composition at Howard University, Laraaji eventually found his musical conduit in an electronically-modified zither. Laraaji's 1979 album \u003ci\u003eCelestial Vibration\u003c\/i\u003e (recorded as \u003cb\u003eEdward Larry Gordon\u003c\/b\u003e) places the stringed instrument at the forefront on two side-length excursions in rhythmic ambiance. The 1980 album \u003ci\u003eAmbient 3: Day of Radiance\u003c\/i\u003e, produced by \u003cb\u003eBrian Eno\u003c\/b\u003e for his ambient record series, further documented Laraaji's zither explorations alongside Eno's soundscaping. Laraaji continues to pursue music both in its recorded form and as a healing tool.\u003c\/p\u003e\n\u003cp\u003eBlues Control and Laraaji convened at \u003cb\u003eBlack Dirt Studio\u003c\/b\u003e in upstate New York on December 9th, 2010. Over the course of a single studio day, the three musicians (accompanied on certain jams by Laraaji's \"musical friend\" \u003cb\u003eArji Cakouros\u003c\/b\u003e) improvised on several themes, providing nearly four hours of material and the basis for FRKWYS Vol. 8. After meticulous note taking, sharing, and rough edits among Blues Control and Laraaji, the album was fully fleshed out.\u003c\/p\u003e\n\u003cp\u003eWithout context, it's hard to imagine that these musicians never creatively collaborated before this juncture. The dynamic breadth (and breath) of the album feels both effortless and epic, a line usually straddled only after years of playing together. It's clear a cosmic force is at play, and that this playfulness is the creative mediator of the music.\u003c\/p\u003e\n\u003cp\u003eOver two album sides, the listener is transported from the urban sound garden of \"Awakening Day,\" through the soulful yow of \"Light Ships,\" into the texture bliss of \"City of Love,\" and finally the reflective pool of \"Freeflow\". The first bonus track \"Somebody Scream\" demonstrates Laraaji's dexterous zither-playing over thirty-five minutes of music, while the second, \"Astral Jam,\" starts with a Wu-like beat (courtesy of Laraaji) and warps into a rolling snare trance.\u003c\/p\u003e\n\u003cp\u003eThe limited edition LP version of FRKWYS Vol. 8 is packaged in thick black jackets with a two-color adhesive wrap, both printed on post-consumer goods papers at Stumptown Printers. 50 subscriber LPs come packaged in leatherette jackets. LP, CD, 2Xcassette and digital download are available via RVNG Intl.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRKWYS08","offers":[{"title":"DIGITAL - $10","offer_id":13130867736645,"sku":"FRKWYS08DIGI","price":7.0,"currency_code":"USD","in_stock":true},{"title":"LP - $24","offer_id":13130867638341,"sku":"FRKWYS08LP","price":25.0,"currency_code":"USD","in_stock":false},{"title":"CD - $15","offer_id":13130867671109,"sku":"FRKWYS08CD","price":15.0,"currency_code":"USD","in_stock":true},{"title":"2x Cassette","offer_id":13130867703877,"sku":"FRKWYS08CS","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-5600-113_frkwys08_cover_500x500_fe31ce66-7758-4c34-8d9d-08b1e046dc8e.jpg?v=1535219038"},{"product_id":"rein-blondes","title":"Rein - Blondes","description":"\u003ch3\u003eCAT: RVNGNL32C\u003c\/h3\u003e\n\u003cp\u003ePhysical Release Date: June 23, 2015\u003cbr\u003e Digital Release Date: July 10, 2015\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlondes\u003c\/b\u003e collage fifty minutes (and five seconds) of original music from a lost weekend studio binge preparing for the development and recording of \u003cem\u003ePersuasion\u003c\/em\u003e, their forthcoming EP.\u003c\/p\u003e\n\u003cp\u003eOffering aleatory techno and compassionate jams informed by the relational feedback between \u003cb\u003eSam Haar\u003c\/b\u003e and \u003cb\u003eZach Steinman\u003c\/b\u003e, \u003cem\u003eRein\u003c\/em\u003e shows a blueprint for Blondes’ new creative frameworks.\u003c\/p\u003e\n\u003cp\u003eBlondes' \u003cem\u003eRein\u003c\/em\u003e is available now as a limited cassette edition and unlimited digital formats.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F205005910%3Fsecret_token%3Ds-5KyWX\u0026amp;visual=true\u0026amp;color=0066cc\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" scrolling=\"no\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL32C","offers":[{"title":"DIGITAL - $4","offer_id":18844634644549,"sku":"RVNGNL32CDIGI","price":4.0,"currency_code":"USD","in_stock":true},{"title":"Cassette - $8","offer_id":13130946609221,"sku":"RVNGNL32CCS","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-6053-RVNGNL32C_560x560_97c36153-121f-47e0-8d53-85507d486918.jpg?v=1535219260"},{"product_id":"rvngnl35","title":"The Enlightening Beam of Bobby Brown - Various Artists","description":"\u003ch3\u003eCAT #: RVNGNL35\u003c\/h3\u003e\n\u003cp\u003eRelease Date: October 6, 2015\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Brown\u003c\/strong\u003e exists beyond being. Bobby's documented music covers a dynamic emotional and spiritual terrain, his vocals, ever prominent, traverse six octaves of sound. Bobby's understanding of — and unbending faith — in physics and technology manifest in unbelievable instrumental and intellectual innovations. Bobby's dedication to the fundaments of peace and love radiate across time and space.\u003c\/p\u003e\n\u003cp\u003eOperating at the fringe of the early 70s psychedelic and folk spheres, his 1972 self-funded and released debut album, \u003cem\u003eThe Enlightening Beam of Axonda\u003c\/em\u003e, demonstrates the many cosmic qualities of Bobby Brown. Beyond Bobby’s voice and message, the most beguiling aspect of Enlightening is \"The Universal One Man Orchestra,\" a 311 stringed instrument implementing aspects of the Irish harp, koto, sitar, thumb piano, dulcimer, drums and flute and \"designed to be as small as possible and placed on racks so as to be be played from one spot.\"\u003c\/p\u003e\n\u003cp\u003eBobby’s description of the instrument (\"primitive, contemporary, and futuristic”) may also serve as a description of the album itself. At once an intimate invocation and a universal journey of earthly and otherworldly proportions, the album ruminates on the vacillating cultural climate of its time and a prayer for a more peaceful place and existence, Axonda.\u003c\/p\u003e\n\u003cp\u003eThe following two albums, \u003cem\u003eLive\u003c\/em\u003e, which was performed solely to his dog ‘Mom’ and recorded after Bobby opened in concert for Fleetwood Mac 1978, and 1982‘s \u003cem\u003ePrayers of a One Man Band\u003c\/em\u003e, which added hints of popular flavor with a more outward social commentary and comedy, continue along Brown’s illuminated path, spinning tales of his spiritual home in Hawaii, of love, and of total religious unity.\u003c\/p\u003e\n\u003cp\u003eAlmost thirty years later, Bobby and RVNG’s Matt Werth struck up a friendship on the back of an e-mail introduction from \u003cstrong\u003eDouglas Mcgowan\u003c\/strong\u003e of \u003cstrong\u003eYoga Records\u003c\/strong\u003e. After years of correspondence, Bobby and Matt revisited some of the many stories they’ve exchanged at the \u003cstrong\u003eBerkeley Art Museum\u003c\/strong\u003e on an invitation from \u003cstrong\u003eDavid Wilson\u003c\/strong\u003e to participate in a multi-dimensional residency, The Possible. Bay Area artists \u003cstrong\u003eKaitlyn Aurelia Smith\u003c\/strong\u003e and \u003cstrong\u003eAustin Cesear\u003c\/strong\u003e complimented the discussion with new musical interpretations of Bobby’s work.\u003c\/p\u003e\n\u003cp\u003eA recording of Smith and Cesear’s performances alongside Bobby and Matt’s talk and a compassionate array of photos taken by \u003cstrong\u003eAubrey Trinnaman\u003c\/strong\u003e have been collected as a limited cassette and art book edition available now from RVNG Intl..\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F226473474\u0026amp;visual=true\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL35","offers":[{"title":"Cassette \u0026 Zine - $12","offer_id":13130958766149,"sku":"RVNGNL35CS","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/p-6130-RVNGNL35_COVER_1500x1500_d1fd1a86-9e18-4524-a042-40240256afe6.png?v=1535219289"},{"product_id":"cmnnd001","title":"RAMZi - For Haku","description":"\u003ch3\u003eCAT#: CMMND001\u003c\/h3\u003e\n\u003cp\u003eRelease date: April 22, 2016\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRAMZi’s\u003c\/b\u003e world exists just outside the corner of your eye. It is a land of look behind; possible to reach, impossible to return. At least, impossible to return less a warrior.\u003c\/p\u003e\n\u003cp\u003eIt’s not unusual to feel alone in RAMZi’s world (or \u003cem\u003ethis\u003c\/em\u003e world, lest you forget), even in your newfound freedom and ability to adventure. Yes, a vaporous sentimentality streaks the emerald skyline conjuring reflection and magic. When you do find this peaceful solitude, remain alert of zombies and know your allies. \u003cstrong\u003ePhoebé Guillemot\u003c\/strong\u003e is the guardian of this world. The fearless, intuitive heroine whose arsenal of melted rhythms and mutant songlines exude from her armour.\u003c\/p\u003e\n\u003cp\u003eGuillemot’s past releases - self-administered and for Total Stasis and 1080p - mapped this world, RAMZi guiding the endlessly interpretable landscape with her warped, dubbed-out tribal dance music. The effect was ecstatic, combative, and tactical. \u003cem\u003eFor Haku\u003c\/em\u003e, the next installment in the ongoing RAMZi adventure game, delves more into the mythology surrounding this mossy culture.\u003c\/p\u003e\n\u003cp\u003e“Messiha,” the first piece of \u003cem\u003eFor Haku\u003c\/em\u003e, establishes early momentum; the slow release, the toddling movement before transitioning your body to your avatars. You settle into this new form and feel for your surroundings. It’s sweltering. You don’t sense any immediate danger, but you proceed cautiously into the overgrowth. It’s important that you never stop moving. Mutant creatures of all scales and feathers begin to appear as you crunch and crawl through the contours, but the voice of Haku rises above their growls and warbles. It hovers above jungle law.\u003c\/p\u003e\n\u003cp\u003e“Maleheya” is the evocation of an even more prehistoric version of this place. It was less crowded with creatures, all forms of flora and fauna seemed to levitate just above the swampy ground. A voice appears from the hillside rock formations and rolls out an origin story in an ancient tongue. Night descends and the zombie infection becomes apparent. It wasn’t always this way. That’s why RAMZi is here. And that’s why you are here too.\u003c\/p\u003e\n\u003cp\u003eIn “Anima,” you are suddenly joined by a boy character. He is physically skilled and seems to have fun with the zombies, shredding them to pieces while delighting in their darkness. As you follow him, your pace quickens, absorbing his agility, jumping higher into the air. The monsters grab at your ankles below, not even brushing the bottom of your feet. You’re stronger, but also more desirable.\u003c\/p\u003e\n\u003cp\u003eThe adventure ends on a most cathartic and serene note. You no longer have an active influence on this world, you are reverent of its beauty, its strangeness. You prepare to travel back to the other world with the knowledge gained inside, with your own song, the one sure weapon. Perhaps For Haku is a narrative of becoming. It reveals the RAMZi warrior as an ancient being in the body of a young woman, a figure who has endured a life with one foot in each world, and has faced zombies on either side.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor Haku\u003c\/em\u003e is the first entry in the \u003cstrong\u003eCommend See\u003c\/strong\u003e series and is released in conjunction with \u003cem\u003eStrange Fires\u003c\/em\u003e, an installation by artist \u003cstrong\u003eJessica Hans\u003c\/strong\u003e. An artist edition of six unique LPs are available now, alongside a cassette edition of \u003cem\u003eFor Haku\u003c\/em\u003e. \u003cem\u003eStrange Fires\u003c\/em\u003e is on display at Commend through May 12, 2016. 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Water runs in all directions, falling into nothing, forming an everything. Water’s path produces texturally, sonically, and sensually - the afterimages of life, and life before life.\u003c\/p\u003e\n\u003cp\u003eWhere water runs to sit still or swirl in place is a space for contemplation, a space to dislodge the mind’s confused complexes and propel them into the world. Perhaps the image of water falling over itself could wash away the elements blocking truth.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7FO’s\u003c\/strong\u003e \u003cem\u003eWater Falls Into A Blank\u003c\/em\u003e, the second edition in the \u003cstrong\u003eCommend See\u003c\/strong\u003e series, dips into this wondrous world and draws from it a bubble of dub and anecdotal pop. Hailing from Osaka, Japan, 7FO - neé \u003cstrong\u003eN. 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These creatures are the characters of \u003cem\u003eWater Falls\u003c\/em\u003e, each environmental shift a stage cue in this aquatic theater.\u003c\/p\u003e\n\u003cp\u003eThe collaborative core of the Commend See series threads through \u003cem\u003eWater Falls\u003c\/em\u003e via the fabrication of \u003cstrong\u003eNick Ozgunay\u003c\/strong\u003e, a Brooklyn-based artist who dyes, paints, burns, and produces prints and textiles as \u003cstrong\u003eAnnexe\u003c\/strong\u003e. The cover image is that of a red panda burned to paper, a peaceful keeper of the sounds and sight\u003c\/p\u003e\n\u003cp\u003eAn artist edition of six unique albums featuring Indigo dyed fabric sleeves by Ozgunay and silkscreened covers designed by \u003cstrong\u003eWill Work For Good\u003c\/strong\u003e will be available at Commend, alongside a cassette edition of \u003cem\u003eWater Falls Into A Blank\u003c\/em\u003e with accompanying digital download card. 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For the third exchange in the \u003cstrong\u003eCommend See\u003c\/strong\u003e series, Velarde fashions ten anthropological sensory excursions as \u003cem\u003eParcel\u003c\/em\u003e, the aural component to \u003cstrong\u003eChristin Ripley’s\u003c\/strong\u003e metaphysical marble dye practice.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParcel\u003c\/em\u003e enlightens like a sun shower over a dry, yellow terrain. Softly but abruptly, Velarde’s motions lull trepidation into tenderness, revealing a loop’s essence as an archeologist would sweep dust from a fragile find - quickly, almost unnoticed, before disappearing with the wind. Sometimes the uncrumpled memories remain coarse, and sometimes they glow pristine in rebirth.\u003c\/p\u003e\n\u003cp\u003eVelarde invokes the lonely spaces where transcendent collections of objects sit in wait. From within and outside of this spiritual storage space, Velarde animates the infinite clutter through intense momentary interactions with her surroundings. This parcel, another from Velarde’s intimate archive, remains at risk of being swallowed back into an immense time and space, but finds physicality for this loving moment.\u003c\/p\u003e\n\u003cp\u003eAn artist edition of twelve unique LPs featuring marble dyed, silkscreened sleeves by Ripley will be available at \u003ca href=\"http:\/\/commendnyc.com\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eCommend\u003c\/a\u003e, alongside a cassette edition of \u003cem\u003eParcel\u003c\/em\u003e. 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Eternal gratitude to the artists for making their work available and championing change.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/toIBnPrhq1s\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL41","offers":[{"title":"3x Cassette","offer_id":13131047895109,"sku":"RVNGNL41CS","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/RVNGNL41C_DIGITAL_COVER_500.jpg?v=1535219557"},{"product_id":"rvngnl40","title":"Sugai Ken - UkabazUmorezU (不浮不埋)","description":"\u003ch3\u003eCAT: RVNGNL40\u003c\/h3\u003e\n\u003cp\u003eRelease Date:\u003cbr\u003e October 20, 2017 (Digital \/ CD)\u003cbr\u003e November 10, 2017 (LP)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf your order contains a pre-order record, it will be held and shipped complete when pre-order stock arrives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eWith a melodic cluster dripping into a pool of dark water, \u003cem\u003eUkabazUmorezU’s\u003c\/em\u003e arrival ripples as an apex in \u003cstrong\u003eSugai Ken’s\u003c\/strong\u003e continued construction of a deeply resonant, enveloping sound world. Upon contact, \u003cem\u003eUkabazUmorezU\u003c\/em\u003e gently and generously unfurls across aural alleys and streets mundanely but mystically detailed with recontextualized Japanese rituals and tradition.\u003c\/p\u003e\n\u003cp\u003eSugai’s compositional language took its most cohesive form in the producer’s almost decade long career with the 2016 album \u003cem\u003eOn The Quakefish\u003c\/em\u003e. Evolving the sound design intuited on 2010’s \u003cem\u003eToKiShiNe\u003c\/em\u003e and 2014’s \u003cem\u003eTada\u003c\/em\u003e, \u003cem\u003eQuakefish\u003c\/em\u003e utilized an all-seeing, all-knowing edit for wider screens and wilder properties. The sable stage set for \u003cem\u003eUkabazUmorezU\u003c\/em\u003e is both bottomless and forgiving, a rich soil for new experiments to grow in Ken’s self-described “style that conjures [the] subtle and profound ambience of night in Japan.”\u003c\/p\u003e\n\u003cp\u003eA lived experience of traditional Japanese music’s conversation with environment, and vice versa, forms the melodic make-up and metaphysical philosophy conditioning \u003cem\u003eUkabazUmorezU\u003c\/em\u003e. Upon imagining a landscape, Sugai decomposes the image (and the images within the image) and replaces it with a sound representation - an artifactual terrain, tethered to but abstracted from the natural world.\u003c\/p\u003e\n\u003cp\u003eThe eleven pieces which form \u003cem\u003eUkabazUmorezU\u003c\/em\u003e dovetail meaningfully with the invented album title, roughly translating to “slow and steady wins the race.” Made up of recordings sourced and simulated from scenic locations in Japan, folk performances from various local regions, and Sugai’s tool kit of electronic synthesis, \u003cem\u003eUkabazUmorezU\u003c\/em\u003e evokes tranquil patience while never settling into a single style or still of sound for too long.\u003c\/p\u003e\n\u003cp\u003eSugai Ken’s upbringing among a generation of Japanese artists exposed to Western culture becomes the basis for another part of \u003cem\u003eUkabazUmorezU’s\u003c\/em\u003e ritualistic experimentation. On “Sawariyanagi,” for example, an atmosphere inspired by the yokai monster Yanagi Onna finds itself speaking through a Western electroacoustic motif. Elsewhere on “Ganoubyoshi” a processed “hoarsely voice of the elderly” is treated with a reverence reserved for the realm of symphonic music - the micro and the macro receive equal amounts of mindful care in the cerebral ceremony of Sugai Ken.\u003c\/p\u003e\n\u003cp\u003eThe profundity of \u003cem\u003eUkabazUmorezU’s\u003c\/em\u003e nighttime arrives, in part, upon the idea that what remains hidden is limitless. While one might be horrified by the concept of negative space, Sugai views this obscured horizon as an invitation for a tempered type of spontaneity. A heartfelt connection to his personal trajectory and the folk history of his country allows Sugai Ken’s \u003cem\u003eUkabazUmorezU\u003c\/em\u003e to calmly throw itself headlong into a jumbled sound experience sometimes beyond our conscious comprehension.\u003c\/p\u003e\n\u003cp\u003eSugai Ken’s \u003cem\u003eUkabazUmorezU\u003c\/em\u003e arrives November 10, 2017 on LP, CD, and digital formats via RVNG Intl. A cassette mixtape, \u003cem\u003eJapanese Avant-Elektriciteit \u0026amp; Hypocotyl Mix Vol. 3\u003c\/em\u003e, will be offered in limited edition through mail order with the vinyl version of the album. Sugai Ken joins Visible Cloaks for a series of shows in his native country this November.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4RDB72skuqA\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0xVhBhdxVjU\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RVNGNL40","offers":[{"title":"DIGITAL - $10","offer_id":13131060969541,"sku":"RVNGNL40DIGI","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP + LTD Cassette Bundle - $28","offer_id":13131060904005,"sku":"RVNGNL40LTD","price":28.0,"currency_code":"USD","in_stock":false},{"title":"LP - $24","offer_id":13131060936773,"sku":"RVNGNL40LP","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD - $15","offer_id":13131060838469,"sku":"RVNGNL40CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/RVNGNL40-Sugai-Ken-UkabazUmorezU-Cover-500-x-500.jpg?v=1599777684"},{"product_id":"cmnnd004","title":"Lena Willikens \u0026 Sarah Szczesny - Phantom Kino Ballett","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eCAT: CMMND004\u003c\/h3\u003e\n\u003cp\u003eRelease Date:\u003cbr\u003e September 19, 2018 (physical)\u003c\/p\u003e\n\u003cp\u003e“I can’t explain myself, I’m afraid, because I am not myself, you see. Anyway, explanations take such a dreadful time...”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhantom Kino Ballett\u003c\/strong\u003e evades explanation, its stage in perpetual set change and motion. Our guides, the Phantoms, lead us through a well-worn labyrinth of \u003cstrong\u003eWarhol\u003c\/strong\u003e glamor avatars, bel canto icons, and sensory fragments that converge within black boxes or simulated enclosed environs.\u003c\/p\u003e\n\u003cp\u003ePirouetting between theatre and club, while conjuring ghosts of \u003cstrong\u003eSylvia Plath’s\u003c\/strong\u003e \u003cem\u003eThe Applicant\u003c\/em\u003e, \u003cstrong\u003eHolly Woodlawn’s\u003c\/strong\u003e nervous breakdowns, \u003cstrong\u003eMario Montez’\u003c\/strong\u003e mobilee, \u003cstrong\u003eMaria Callas’\u003c\/strong\u003e chiffre and \u003cstrong\u003eAnna Oppermanns’\u003c\/strong\u003e eyelashes, the Phantom effect feels dreamlike.\u003c\/p\u003e\n\u003cp\u003eTo characterize this experience as such falls short of the carefully collaged concert and immersion the \u003cem\u003ePhantom Kino Ballett\u003c\/em\u003e becomes. So, let’s call it a hallucination: a socially-conducted, aesthetically-charged experience that whirrs, reels, and metamorphoses as a film playing in the deepest crevice of one’s mind.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePhantom Kino Ballett\u003c\/em\u003e is an audiovisual drama created by Amsterdam-Cologne-based collaborators \u003cstrong\u003eLena Willikens\u003c\/strong\u003e and \u003cstrong\u003eSarah Szczesny\u003c\/strong\u003e. An assemblage of performance, installation, soundtrack and video, the work gathers and distributes sonic, optical, and experiential references widely and to delirious effect.\u003c\/p\u003e\n\u003cp\u003eWhen the Phantom physically manifests, collaged film scenes and interview excerpts dance with kinetically captured, painted, woven, and other manipulated surfaces. Our guides don costumes like puppets, with white phantoms on black shirts (or black phantoms on white shirts) appearing to move unaccompanied through space.\u003c\/p\u003e\n\u003cp\u003eStrobes and smoke machines make sculptural use of club mainstays, while fourth-world murmurings and techno catharsis give legibility to a fragmentary experience where spoken excerpts are cut and placed roughly into non-sequiturs of intentional misunderstanding, and jagged panning reveals only the surface of areas of static visual works and readymades.\u003c\/p\u003e\n\u003cp\u003eWillikens’ transportive DJ sets and music productions have instituted her as an in demand and in command dance music presence the world over. 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Appropriating and reassembling figments of popular, mechanically produced art and culture (both imagistic and textual) inform Szczesny’s contribution to the visual content of \u003cem\u003ePhantom Kino Ballett\u003c\/em\u003e as well as her musical contributions.\u003c\/p\u003e\n\u003cp\u003eVaried, site specific iterations of \u003cem\u003ePhantom Kino Ballett\u003c\/em\u003e have occurred in Tokyo and Osaka; at Meakusma Festival in Eupen, Belgium: at Commend in New York, at PCP Gallery in Paris and most recently, at Dekmantel Festival in Amsterdam. In each, a contemporary, Carollesque story of domestic dissociation, public scrutiny and suffering explanation is told.\u003c\/p\u003e\n\u003cp\u003eFor \u003cstrong\u003eCommend See\u003c\/strong\u003e, the \u003cem\u003eBallett’s\u003c\/em\u003e tactility and collectability are expanded. An artist edition of 15 vinyl pieces and 300 cassettes capture two alternate takes of its soundtrack, with paper materials commemorating its character. The cassette edition includes a 40-minute addendum called “Passage Transkript,” a soundscape created by Willikens \u0026amp; Szczesny inspired by their time in Kyoto, Japan in the fall of 2017. \u003cstrong\u003eWill Work For Good’s\u003c\/strong\u003e responsive design includes \u003cstrong\u003eThomas Venker’s\u003c\/strong\u003e photos from the various happenings past.\u003c\/p\u003e\n\u003cp\u003eAll proceeds from this release will be donated to \u003cstrong\u003eagisra e.V.\u003c\/strong\u003e, a non-profit organization advocating on behalf of migrant women and against sexual and racist violence. agisra is based in Cologne, Germany, and was chosen by Lena and Sarah. — \u003ca href=\"http:\/\/agisra.org\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eagisra.org\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o51xSiMZ-iQ\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"CMMND004","offers":[{"title":"Artist Edition LP - $100","offer_id":13131157995589,"sku":"CMMND004LP","price":100.0,"currency_code":"USD","in_stock":false},{"title":"Cassette (w\/ poster) - $7","offer_id":13131158028357,"sku":"CMMND004CS","price":7.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/CMMND004-Digital-Cover-500px.png?v=1535219909"},{"product_id":"beatrice-dillon-selects-dissects","title":"V\/A - RVNG Intl. at 15: Beatrice Dillon Selects \/ Dissects","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eCAT#: RVNGNL53\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRelease Date:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDecember 14, 2018 (physical only)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"20\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/536276832%3Fsecret_token%3Ds-ykmBG\u0026amp;color=%23ff5500\u0026amp;inverse=false\u0026amp;auto_play=false\u0026amp;show_user=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e(\u003ca href=\"https:\/\/shop.commendnyc.com\/collections\/tape\/products\/v-a-rvng-intl-at-15-beatrice-dillon-selects-dissects-pre-order\"\u003elast copies available at Commend\u003c\/a\u003e - avoid the discogs sharks!)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThere’s no real reason we decided to acknowledge RVNG’s fifteenth anniversary and not our fifth, or even our tenth. But here we are, a decade-and-a-half later and honestly, not so far removed from where we started. We’re still listening and learning, and we’re still loving every moment of the fabled label life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn the spirit of our very first release, a mixtape from our old friend \u003c\/span\u003e\u003cb\u003eJulian S. Process\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (later of \u003c\/span\u003e\u003cb\u003ePink Skull\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e) complete with stenciled, spray-painted CD cover, we invited a new(er) friend, \u003c\/span\u003e\u003cb\u003eBeatrice Dillon\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, to take a trip through RVNG's many years of released and unreleased music to pull together a proper catalog mix. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAccording to Beatrice, and as you have the option to experience yourself, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRVNG Intl. at 15: Beatrice Dillon Selects + Dissects\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a two part mix that features, “loads of cut ups, blends, edits, layered loops, audio manipulation, collaging, etc.,” and moments \"where the tracks just run cos they sounded great to my ears.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe end result of Beatrice’s expert selecting and dissecting sounds great to our ears, and hopefully to yours, too. There’s no track list, but you can rest (or dance?) assured Beatrice covers some serious, curious ground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWe’ve avoided any unnecessary spray paint inhalation this time around, but we've still put in the blood, sweat, and tears by hand-stamping 250 cassette covers designed by our long time collaborators \u003c\/span\u003e\u003cb\u003eWill Work For Good\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. The cassette is the only way of accessing a digital download of both mixes, and your way of pledging support to physical media. It still matters to us all these years later.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThanks for being along for the ride, no matter when or where you’ve picked up on the journey. Because we all know what they say about the journey…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"RVNGNL53","offers":[{"title":"CS - $11","offer_id":18784193839173,"sku":"RVNGNL53CS","price":11.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/RVNGNL53_Digital_Cover.png?v=1544562336"},{"product_id":"e-ruscha-v-cosmic-papers-1","title":"E Ruscha V - Cosmic Papers","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eCAT: BIS033\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eBeats in Space presents a Cassette Store Day special from the being known as \u003cstrong\u003eSecret Circuit\u003c\/strong\u003e, AKA \u003cstrong\u003eEddie Ruscha V\u003c\/strong\u003e. 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Long since extracted from the cloud, \u003cem\u003eBez\u003c\/em\u003e reappears in freshly sequenced and expanded form for wider wanders.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBez\u003c\/em\u003e nods to the fragile majesty of \u003cem\u003eParcel\u003c\/em\u003e, sifting through emotive sound relics sculpted, performed, lost and found by Velarde, then thread together improvisationally and often inconceivably. Her music conjures a warbled waltz, swaying to the dream time signatures of a buried cinematic score.\u003cbr\u003e\u003cbr\u003eTake the woodblock bossa sway of “Another Para,” its joy manifested in Velarde’s accompanying video, which in true TemporaryArchives fashion transforms a capsule moment into an enlightening beam of ebullient childhood joy; or “Bez,” where vocal fragments murmur over swimming tones and a patient beat. \u003cem\u003eBez\u003c\/em\u003e speaks to scenes deep in our subconscious either lived or dreamed, yet so full of soul we treat them as real. \u003cbr\u003e\u003cbr\u003eOther songs of \u003cem\u003eBez\u003c\/em\u003e sashay, as if bribed by a breeze; chirping cicadas and avians here, noodling loops and organs there. “Los” scatters formless energy waves over a bleating subterrain, “Mon” pulls us into a sweet and storied timeline, and “Tomorrow” ties up \u003cem\u003eBez’s\u003c\/em\u003e yarn with an ode to possibility, somersaulting between grace and goof in toylike rhythm-melody before tumbling into a rainshower. \u003cbr\u003e\u003cbr\u003eMelanie Velarde’s \u003cem\u003eBez\u003c\/em\u003e launches a new label limb called \u003cstrong\u003eCommend There\u003c\/strong\u003e, collecting and presenting material recorded outside of Commend’s four walls but maintaining a special connection to our space station. \u003cem\u003eBez\u003c\/em\u003e will be available on digital platforms December 6, 2019, with physical editions available from and beyond Commend then \/ there.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wMzz7mPUSis\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"THERE001","offers":[{"title":"DIGITAL - $8","offer_id":31279311880255,"sku":"THERE001DIGI","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Cassette - $10","offer_id":31279311847487,"sku":"THERE001CS","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0026\/6993\/6709\/products\/THERE001-Digi-Cover-1500px.png?v=1574108315"},{"product_id":"julianna-barwick-circumstance-synthesis","title":"Julianna Barwick - Circumstance Synthesis","description":"\u003ch3\u003eCAT#: THERE002\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eRelease Date: December 20, 2019\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJulianna Barwick’s\u003c\/strong\u003e \u003cem\u003eCircumstance Synthesis\u003c\/em\u003e observes the shape of a day from a celestial vantage. Five floating suites trace morning through night, decorating space with a spectrum of layered vocals and synths that pool together and drift apart like clouds in the clearest blue.\u003cbr\u003e\u003cbr\u003eCommissioned by \u003cstrong\u003eSister City\u003c\/strong\u003e, a new neighbor to Commend in the Lower East Side of NYC, \u003cem\u003eCircumstance Synthesis\u003c\/em\u003e originated as an environmentally responsive soundtrack. At this score’s performative core, generative music technology identified activity in the New York City sky through a camera perched on Sister City’s hotel’s rooftop, triggering musical progressions created by Barwick.\u003cbr\u003e\u003cbr\u003eBarwick intentionally created unique chord structures and bass, synth, and vocal lines for each progression that would work holistically with one another. Barwick then anticipated different airborne activity, and actors, and designated each a leitmotif – an airplane, bright sun, clouds, birds. 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Birth, planets and cosmic timing underscore \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNatal Uranus, il corpo sotto la sabbia \/ Birthdays\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a collaborative offering and unfolding fable from \u003c\/span\u003e\u003cb\u003eSea Urchin\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003eAki Goto\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e’s \u003c\/span\u003e\u003cb\u003eShirotento Orchestra\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAki Goto brings her holistic vision and practices  to the Shirotento Orchestra project, a celebration of individuality and an embrace of the present moment. Aki’s multi-faceted exploration of illustration, painting, video, garment making, installation, sound and permaculture is distinct yet universal. Combining the creative forces of the Berlin-dwelling duo of \u003c\/span\u003e\u003cb\u003eFrancesco Cavaliere\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and\u003c\/span\u003e\u003cb\u003e Leila Hassan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Sea Urchin first presented their vitalizing blend of hypnotic spoken word, psychedelic sound sculpture and aquatic dub in the 2016 album \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYaqaza\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e for Belgium’s (K-RAA-K)³ label. Beloved within and far beyond Commend’s walls, Sea Urchin were invited to translate the Orchestra’s stories into their own bubbly dialect and complete the \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSee\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e circle. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e“Birthdays” was created in celebration of a shared revolution in Aki’s close upstate community of Saugerties, New York. An intergenerational mix of participants gathered under a white (“shiro”) tent (“tento”) on Aki’s property to perform her first score. Xylophone bumped with harmonica, recorder, wood block, guitar, voices and a myriad other conduits, a lively ruckus and spirited sound parade. Enchanted by “Birthdays,” we invited Aki and the Orchestra to perform and record a new piece at Commend in early Spring of 2016. That work, “Leap Year Love,” is a romance between the elements - and instruments - of wind and metal, inspired by the tradition in which gender roles in a marriage proposal are reversed once every four years. \u003cbr\u003e\u003cbr\u003eIn 2018, as the planet Uranus moved into the sign of Taurus (Francesco’s sun sign), Sea Urchin began to tinker with the live recording of “Leap Year Love,” generating two new, responsive works. “Natal Uranus, il corpo sotto la sabbia” is a scene of environmental tidings, pensive percussion and guitar in rivulets of looping samples guided by Leila's chants. \"Pendolo due,\" or “the second pendulum” is followed by \"una radura scompare,\" or \"vanishing glade,\" where Sea Urchin imagine a couple adrift in a disorienting landscape, guided by lilting, ostinato bass and freeform rhythms. 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On\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e Room for the Moon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the lyrical follow up to the buoyant minimalism of 2018's для \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFOR\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, NV follows this muse in fluid expression, harmonizing her lunar lullabies with a starry compositional choreography. NV says, “I always let music express herself without pressure, and with or without voice.” \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eNV began sketching the music of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e sometime before для \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFOR\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, but the album did not take its full shape until the artist entered a new physiological phase. After trying to make a Buchla synthesizer mirror human imperfections, she was compelled to look past the patch bay and reconnect with her own voice. “I spent almost a year and half sitting, at best, or bending over the table. In the end it, my body rebelled, on some kind of physical level.” No longer concerned with demonstrating a traditional composer’s craft of для \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFOR\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the return to vocal forms first found on her debut album \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBinasu\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was liberating and (gasp!) gleeful. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, NV’s vocals contour through screens of tulle or jars of glitter, the entire collection composed and produced by NV at home and studio spaces throughout Moscow. “I finished this record during the loneliest period of my life,” confides NV, with hints of melancholy, or fabled life lessons, adding even more depth to songs of cheery disposition. Her songs, sung in Russian, French and English, each carry unique features, like ten personas or ten scenes in a play where each character has its own keynote. \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRoom for the Moon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was conjured from unlived memories of 70s and 80s Russian and Japanese pop music and film, a 20th century fairy tale suspended in time like a moon torn from a paper sky. \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eNV is accompanied by long-time music collaborators on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e: \u003c\/span\u003e\u003cb\u003eJenya Gorbunov\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e on bass guitar, \u003c\/span\u003e\u003cb\u003eVladimir Luchanskiy \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eon saxophone, and \u003c\/span\u003e\u003cb\u003eQuinn Oulton\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e on both instruments. Musician \u003c\/span\u003e\u003cb\u003eNami Sato’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e gentle words lift and lilt over synth for one piece, too. These friendly contributions are in service of NV’s singular vision; the album is personal and particular in its construction. Filled with warm and sweet memories of her own invention, NV says, “these songs are now my closest friends.”\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e could be made from chiffon ripples, night sky transmissions and long shadows. With each song we enter another chamber of illusion, NV’s vocals tiptoe through one track, toy with riddles on another and try to save time in a polka-dotted pocket.  On “Plans,” NV, through some sort of sorcery, created a sax solo using only samples from the Found Sound Nation’s “Broken Orchestra” sample pack. A laugh slips from the sheets of music in \"Ca Commence Par\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e like a misplaced photo. Mallet and marimba converse over mushroom tea on “Du Na.” “Tea” herself borrows melody from \u003c\/span\u003e\u003cb\u003eTchaikovsky’s\u003c\/b\u003e \u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePiano Concerto No. 1\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and “Telefon” teases us that “there’s nowhere to hide from the song.” But that’s ok, we’re all invited to the party. \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon’s\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e cast might make friends with other electric, eclectic, and visionary works of \u003c\/span\u003e\u003cb\u003eLizzy Mercier Descloux\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eAkiko Yano\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and \u003c\/span\u003e\u003cb\u003eAnn Steel\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. 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In the familiar freewheeling formation of \u003cstrong\u003eAaron Anderson\u003c\/strong\u003e, \u003cstrong\u003eEric Timothy Carlson\u003c\/strong\u003e and \u003cstrong\u003eChris Hontos\u003c\/strong\u003e, studio mates, collaborators and friends, the Nuke Watch project transpired during a flurry of recording sessions with kindred spirit and central force \u003cstrong\u003eLeonard King\u003c\/strong\u003e, visiting NYC from Minneapolis in early 2019.\u003cbr\u003e\u003cbr\u003eOver a few days of synths and psychedelics jammed to tape, a formal tone began to foam on the surface of this chimerical soup. The crew let it ferment for a while. Hontos then syphoned the brew into segments, movements, songs and vibes, which he and Anderson added some new ingredients to. Finally, in true potluck style, the duo invited friends to overdub on the original tracks, adding the unique flavors of like-minded souls \u003cstrong\u003eCameron Stallones\u003c\/strong\u003e (Sun Araw), \u003cstrong\u003eSameer Kapoor\u003c\/strong\u003e, \u003cstrong\u003eBryce Hackford\u003c\/strong\u003e, \u003cstrong\u003eJ T Bates\u003c\/strong\u003e, \u003cstrong\u003eZack Stafford\u003c\/strong\u003e and \u003cstrong\u003eJason Edmonds\u003c\/strong\u003e to the batch. \u003cem\u003eCountdown\u003c\/em\u003e collects about half of the tracks extracted from this process.\u003cbr\u003e\u003cbr\u003eShaped by the aged n’ saged energies of an Ensoniq Mirage keyboard sampler, Korg Polysix, Korg MicroX, Yamaha DX7 and a Korg Poly 800, this collection conveys a process more than a classifiable sound (if such a project of classifying sound is relevant here, or at all). 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The event added to Baird’s history of performances that embrace the physical and visceral, though the musical, provocative sounds this time exorcised from both their body and the piano’s.\u003c\/p\u003e\n\u003cp\u003eWhen an artist commits mind, body, and the elusive rules of instinct to their practice, there are risks and consequences with the promise of reward and transformation. As the five sections of \u003cem\u003eVivification Exercises\u003c\/em\u003e are revealed, patterns unfold and fold over, and the experience is like watching a split screen of both speed chess and slow motion origami with insistent non-verbal vocals evoking an underpinning fantasy or conspiracy.\u003c\/p\u003e\n\u003cp\u003eBaird approaches the piano like the grooming of a sleeping beast in need of unknotting, literally pulling fur from the piano keys. 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On\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e Room for the Moon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the lyrical follow up to the buoyant minimalism of 2018's для \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFOR\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, NV follows this muse in fluid expression, harmonizing her lunar lullabies with a starry compositional choreography. NV says, “I always let music express herself without pressure, and with or without voice.” \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eNV began sketching the music of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e sometime before для \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFOR\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, but the album did not take its full shape until the artist entered a new physiological phase. After trying to make a Buchla synthesizer mirror human imperfections, she was compelled to look past the patch bay and reconnect with her own voice. “I spent almost a year and half sitting, at best, or bending over the table. In the end it, my body rebelled, on some kind of physical level.” No longer concerned with demonstrating a traditional composer’s craft of для \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFOR\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the return to vocal forms first found on her debut album \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBinasu\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was liberating and (gasp!) gleeful. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, NV’s vocals contour through screens of tulle or jars of glitter, the entire collection composed and produced by NV at home and studio spaces throughout Moscow. “I finished this record during the loneliest period of my life,” confides NV, with hints of melancholy, or fabled life lessons, adding even more depth to songs of cheery disposition. Her songs, sung in Russian, French and English, each carry unique features, like ten personas or ten scenes in a play where each character has its own keynote. \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRoom for the Moon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was conjured from unlived memories of 70s and 80s Russian and Japanese pop music and film, a 20th century fairy tale suspended in time like a moon torn from a paper sky. \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eNV is accompanied by long-time music collaborators on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e: \u003c\/span\u003e\u003cb\u003eJenya Gorbunov\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e on bass guitar, \u003c\/span\u003e\u003cb\u003eVladimir Luchanskiy \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eon saxophone, and \u003c\/span\u003e\u003cb\u003eQuinn Oulton\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e on both instruments. Musician \u003c\/span\u003e\u003cb\u003eNami Sato’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e gentle words lift and lilt over synth for one piece, too. These friendly contributions are in service of NV’s singular vision; the album is personal and particular in its construction. Filled with warm and sweet memories of her own invention, NV says, “these songs are now my closest friends.”\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e could be made from chiffon ripples, night sky transmissions and long shadows. With each song we enter another chamber of illusion, NV’s vocals tiptoe through one track, toy with riddles on another and try to save time in a polka-dotted pocket.  On “Plans,” NV, through some sort of sorcery, created a sax solo using only samples from the Found Sound Nation’s “Broken Orchestra” sample pack. A laugh slips from the sheets of music in \"Ca Commence Par\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e like a misplaced photo. Mallet and marimba converse over mushroom tea on “Du Na.” “Tea” herself borrows melody from \u003c\/span\u003e\u003cb\u003eTchaikovsky’s\u003c\/b\u003e \u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePiano Concerto No. 1\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and “Telefon” teases us that “there’s nowhere to hide from the song.” But that’s ok, we’re all invited to the party. \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoon’s\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e cast might make friends with other electric, eclectic, and visionary works of \u003c\/span\u003e\u003cb\u003eLizzy Mercier Descloux\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eAkiko Yano\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and \u003c\/span\u003e\u003cb\u003eAnn Steel\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. 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