Pauline Anna Strom’s initial outpouring of music came in 1982 under the name Trans-Millenial Consort. Blind by birth, Paula dabbled with music growing up in the south, but didn’t find her true voice until moving to San Francisco in her early twenties and eventually discovering synthesizers.
That first self-titled album, Trans-Millenial Consort, recorded at home by Paula and then brought further life and color by Peter Buffet and Lemon DeGeorge, exhibited a true — and truly free — form of Paula’s creative capability.
RVNG is now working with Paula to bring a collection of her early recorded works to the world this November. We’ve been working toward the best representation of Paula for just about six years. Paula is excited to have her music revisited, but she is even more excited to play music again. If you’ve followed our archival series, we’re all about that agency and figuring out how to bring Paula’s music to life / live settings all over again.
Awaken your third eye with the new Trans-Millenia Tee featuring the visionary art of Karma Moffett, originally used on the cover of Pauline Anna Strom’s 1982 album. Gradient red / blue printed on white tees made responsibly in the USA with recycled, 100% cotton by Everybody. Grab the tee alone, or as a bundle with the new compilation. Check the shop.
Richard Horowitz’s Eros In Arabia comes to us as the fourth release from Freedom to Spend this year, with a visual for “Eros Never Stops Dreaming,” the album’s second track. As the bendir frame drum sets a bowing rhythm and the feathery wind of the ney flute floats above it with effortless mathematics, an embodiment of Eros In Arabia is intercepted by one of a generation for whom the tactile music listening experience may eventually resemble strange ceremony and circumstance.
Ken made first contact with RVNG the winter of 2015. At that intersection, Ken had already released a pair of albums (2010’s ToKiShiNe and 2014’s Tada) and would share a brilliant third (last year’s On The Quakefish) before we arrived at the conclusion that our worlds should share a closer corner in the cosmos.
We shine a light on what we’ve been creating in that (deep) space with the October 20 release of UkabazUmorezU. Like dark shadows cast on corners and across quiet streets, UkabazUmorezU offers a new take on the old night that visits each day on time and without trace. The album exists beyond listening, its own sense and sensibility.
A certain someone spirits above the second part of Palmbomen II’sMemories of Cindy saga, a passage of five plaintive cuts rendered with spineful percussion, succinct melodies, and classic acid and New Beat textures and treatments.
Cindy’s story may take a darker direction musically in Memories of Cindy Pt. 2, but Kai’s appearance on Real Talk alludes only to strange ways that make up a normal day in Carmel Vista. If you missed part one, back track a bit or enter Palmbomen II’s world at your own risk.
The first three Palmbomen 12”s, Memories of Cindy Pt. 1 – 3, will be available exclusively on vinyl. Memories of Cindy Pt. 4 will be available exclusively as a “box set” including the first three 12”s. Each set includes a unique, pre-tragedy polaroid portrait of Cindy taken by Kai Hugo. Scoop ’em & save on local shipping!
Jacques Bon motions through the day’s early energy of Dawning Light. True to the record’s title, Bon composed the four tracks for his debut EP on Beats In Space Records in the morning sun, reflecting and refracting the colors of daybreak from his compositions.
Kai Hugo eulogizes our dear Cindy through new Palmbomen II music and a surreal, neo-noir lens, chronicled over a series of four 12” EPs and public access television transmissions. Crack open a refreshing Apple Shorle™, and direct your remotes to channel BIS to experience an initial offering and explanation.
Michele Mercure’s Eye Chant marks the inaugural offering from Freedom To Spend. Freedom To Spend is concerned with autonomous anomalies produced by musicians working within and outside the limits of technology to create intimate art. By virtue of this, the music of Freedom to Spend resonates across a broad sound spectrum, but thrives without rigid regulation.
Filmmaker Jason Evans explores the patterns and processes behind Mercure’s meditations on sound, collapsing the timeline of Eye Chant with his vignette, michele prepares.